"'In my confoosion I thinks this outbreak is part of the cer'mony,

an' starts to say "I do!" Before I can edge in a word, however, he

calls over Peggy's old man. "Read that!" he cries, holdin' the license

onder old Pap Parks' nose. Old Parks reads, an' the next news I gets

he's maulin' me with his hickory walkin' stick like he's beatin' a

kyarpet.

"'Without waitin' to kiss the bride or recover my license, I simply

t'ars out the front of the house an' breaks for the woods. The next

day, old Parks takes to huntin' me with hounds. Nacherally, at this

proof of man's inhoomanity to man, I sneaks across into Kansas, an'

makes for the settin' sun.'

"'An' can't you give no guess,' says Enright, 'at why old Parks digs

up the waraxe so plumb sudden?'

"'No more'n rattlesnakes onborn, onless his inordinate glee at gettin'

me for a son-in-law has done drove him off his head.'

"'Which it couldn't be that,' says Enright, takin' a hard, thoughtful

look at the Turner person. Then, followin' a pause, he adds, 'thar's

some myst'ry yere!'

"'Ain't you-all made no try,' asks Nell, 'sech as writin' letters, or

some game sim'lar, to cl'ar things up?'

"'You-all don't know Pap Parks, Miss, in all his curves. Why, it's

lucky he ain't wearin' his old bowie at that weddin', or he'd a-split

me into half apples. If I goes to writin' missives that a-way, he'll

locate me; an' you can take my word that invet'rate old homicide 'd

travel to the y'earth's eends to c'llect my skelp. That ain't goin' to

do me; for, much as I love Peggy, I'd a heap sooner be single than

dead.'

"'That party ain't locoed,' says Texas, noddin' towards the Turner

person, whar he sets sobbin' in a cha'r when Enright gets through

examinin' him. 'He's simply a howlin' eediot. Yere he escapes wedlock

by a mir'cle; an'--chains an' slavery!--now he can't think of no

better way to employ his liberty than in cryin' his heart out because

he's free. If I'm bitter, gents, it's because I speaks from hard

experience. Considerin' how she later corrals that Laredo divorce an'

sells up my cattle at public vandoo for costs an' al'mony, if when I

troops to the altar with that lady whom I makes Missis Thompson, my

gyardian angel had gone at me with a axe, that faithful sperit would

have been doin' no more than its simple dooty in the premises.'

"Enright takes it onto himself to squar' the Turner person at the Red

Light an' the O. K. Restauraw; an', since his ensooin' conduct is much

within decent bounds, except that Rucker steps some high an' mighty

when he heaves in sight an' Black Jack gives him hard an' narrow

looks, nothin' su'gestive of trouble occurs. In less'n a week he

shakes down into his proper place, an' all as placid as a duck-pond.

He's even a sort o' fav'rite with Nell, Missis Rucker an' Tucson

Jennie, they claimin' that he's sufferin' from soul blight because of

a lost love. Certainly, thar's nothin' in this yere fem'nine bluff,

but of course none of us don't say so at the time.

"Boggs holds that the Turner person's only a pecooliarly gifted liar,

an' refooses to believe in him. 'Because it's prepost'rous,' says

Boggs, 'that folks would go in to frame up a weddin', an' then, led by

the preacher, take to mobbin' the bridegroom on the very threshold of

them nuptials.'

"'It ain't by no means shore, Dan,' says Texas, to whom Boggs imparts

his convictions, 'but what you've drove the nail. Which if that Parks

household reely has it in for this Turner person, they'd have let him

go the route. Could even the revenge of a fiend ask more than simply

seein' him a married man?'

"In about a fortnight, that Turner person's got fully cooled out, an'

the worst effects of what Red Dog licker he imbibes has disappeared.

As he feels himse'f approachin' normal, as Peets puts it, he mentions

to Enright casyooal like that, if the town sees nothin' ag'in it, he

reckons he'll open an ondertakin' shop.

"'Not,' he says, 'that I'm the man to go hintin' that what former

foonerals has been pulled off in these yere parts ain't been all they

should; but still, to get a meetropolitan effect, you oughter have a

hearse an' ploomes. Let it be mine to provide them marks of a advanced

civilization. It'll make villages like Red Dog an' Colton sing low,

an' be a distinct advantage to a camp which is strugglin' for

consid'ration. Yes, sir,' goes on the Turner person, warmin' with the

theme, 'what's the public use of obsequies if you-all don't exhaust

'em of every ounce of good? An' how can any outfit expect to do this,

an' said outfit shy that greatest evidence of modern reefinement, a

hearse? Given a rosewood coffin, an' a black hearse with ploomes--me

on the box--an' the procession linin' solemnly out for Boot Hill, if

we-all ain't the instant envy of the territory, you can peg me out by

the nearest ant hill ontil I pleads guilty to bein' wrong.'

"'Thar's no need for all this yere eloquence,' replies Enright,

blandly. 'What you proposes has been a dream of mine for years. You

open your game as fooneral director, an' if we can't find material for

you local, we'll go rummagin' 'round as far as Lordsburg an' Silver

City to supply the deficiency.'

"Feelin' Enright is behind him, the Turner person goes to work with

sech exyooberant enthoosiasm, that it ain't a month before he brings

over his hearse from Tucson, said vehicle havin' been sent on from the

East. She's shore no slouch for a catafalque neither, an' we p'rades

up an' down the street with it, gettin' the effect.

"Boggs voices the common feelin'.

"'Thar's a conveyance,' says he, 'that comes mighty close to robbin'

death of half its sting. Any sport is bound to cash in more content,

when he savvys that his last appearance is bound to be a vict'ry an'

he'll be freighted to the sepulcher in a swell wagon like that.'

"'It is shore calc'lated to confer class on the deeparted,' assents

Tutt.

"These praises certainly exalts the sperits of the Turner person a

whole lot. He buys the old Lady Gay dance hall, which, since the goin'

out of the Votes for Women S'loon, has again become the ondispooted

property of Armstrong, makes a double-door to back in the hearse, an'

reopens that deefunct temple of drink an' merriment as a ondertakin'

establishment. Over the front he hangs up his sign.

COFFIN EMPORIUM.

L. TURNER, FUNERAL DIRECTOR.

CORPSES SOLICITED.

"That sign so much uplifts the sperit of the town it mor'n doubles the

day's receipts at the Red Light. Also, two or three shady characters

vamooses for fear of what a nacheral public eagerness to see that

hearse in action may do.

"It's the day next on the hocks of the installation of the Turner

person in business, an' the fooneral director is lookin' out of the

front window of his coffin emporium wishin' some gent'd start

somethin' with his gun an' mebby bump him off a load for his new

hearse, when Enright eemerges from the post office with a iron look on

his face. Peets is with him, an' the pa'r is holdin' a pow-wow.

"The rest of us might have taken more notice, only our sombreros is

fittin' some tight on account of the interest we evinces the day prior

in he'pin' la'nch the Turner person that a-way. As it is, we bats a

lackluster eye, an' wonders in a feeble way what's done corr'gated

Enright's brow.

"It don't go no further than wonder, however, ontil after a few

moments talk with Nell, Enright sends across for the Turner person. As

showin' how keenly sens'tive are the female faculties that a-way,

Missis Rucker an' Tucson Jennie is canvassin' some infantile mal'dy of

little Enright Peets in the front room of the O. K. House, an' same as

if they smells the onyoosual in the air, they comes troopin' over to

the Red Light to note what happens next.

"'Young man,' says Enright, when the Turner person has been brought

in, 'by way of starter, let me inquire, be you preepared to surrender

your destinies, of which you're plumb onfitted to have charge, into

disgusted albeit kindly hands?'

"The Turner person, some oneasy at seein' Moore, who's carelessly

toyin' with a lariat, edgin' 'round his way, allows in tremblin' tones

he is.

"'Thar be those,' goes on Enright, 'who with the best intentions in

the world, has been explorin' the ins an' outs of your Sni-a-bar

troubles, an' while the clouds is measur'ble lifted the fresh light

shed on your concerns leaves you in a most imbecile sityooation. Which

if I thought that little Enright Peets, not yet in techin' distance of

his teens, hadn't got no more sense than you, much as I dotes upon

that baby I'd shore vote for his deemise. However, proceedin' with the

deal, thar's this to say: Nellie thar, writes to your Peggy

sweetheart, while I opens negotiations with old man Parks. I plans to

read you them replies, but after advisin' with the Doc, an' collectin'

the views of Nell, it's deemed s'fficient to tell you what you're

goin' to do, an' then head you fo'th to its accomplishment. Our

conj'int findin's, the same bein' consented to by old Parks in

writin', an' tearfully deesired by your Peggy sweetheart in what she

commoonicates to Nellie, is that you proceed at once to Sni-a-bar, an'

get them interrupted nuptials over. After which you'll be free to

return yere with your bride, an' take up the hon'rable an' useful

c'reer you've marked out. As the preesidin' officer of the Stranglers,

my word is that you be ready to start by next stage; which, onless

Monte gets so deep in licker that he tips that conveyance over a

bluff, should permit you to clasp your Peggy to your bosom an' kiss

the tears from her cheeks by the middle of next week.'

"'But,' interjects the Turner person, his voice soundin' like the

terrified bleatin' of a sheep, 'can't you-all give me no glimmer of

what's wrong that time? I don't hanker overmuch to go back in darkened

ignorance, like a lamb to the slaughter. What guarantee have I got

that old Parks won't lay for me with that bootcher knife of his'n? It

ain't fair to leave me to go knockin' about, in the midst of perils

sech as these, like a blind dog in a meat shop.'

"'Your Peggy,' returns Enright, 'encloses a letter to you by the hand

of Nellie yere, which may or may not set fo'th what insults you

perp'trates upon her fam'ly. Also, said missive furnishes the only

chance at this end of the trail of you findin' out the len'th an'

breadth of your ignorant iniquities. For myse'f, the thought of what

you-all does that time is so infooriatin' I must refuse to go over it

in words. Only, if in his first reesentments old Parks had burned you

at the stake, I would not have condemned him. As to your safety

pers'nal, you can regyard it as asshored. Your Peggy will protect you,

an' your footure parent-in-law himse'f acquits you of everything

except bein' an eediot. It's, however, got down to whether he preefers

to have a fool in his fam'ly or see his darter wretched for life, an'

he's done nerved himse'f to take the fool.'

"'Thar's your sweetheart's letter,' an' Nell puts an envelope which

smells of voylets into the Turner person's hands.

"That ondertaker reads it; an' after bein' confoosed by shame for a

moment, he begins to cheer up.

"'Folks,' he says, kissin' his Peggy's letter an' stowin' it away in

his coat, 'I trusts a gen'rous public will permit me, after thankin'

them whose kindness has smoothed out the kinks in my affairs, to close

the incident with onlimited drinks for the camp.' That's all he says;

an' neither can we dig anything further out of Enright or Nell.

"We sees the Turner person aboard the stage, an' wishes him all kinds

of luck. As Monte straightens out the reins over his six hosses an'

cleans the lash of his whip through his fingers, Peets vouchsafes a

partin' word.

"'Neither I nor Sam,' says Peets, 'wants you to go away thinkin' that

you an' your bride ain't goin' to be as welcome as roses when you an'

she comes ramblin' in as one on your return.'

"'That's whatever,' coincides Nell.

"'Also,' breaks in Enright, 'should old Parks go to stampin' the sod

or shakin' his horns, you-all are to put up with them deemonstrations

an' not make no aggrevatin' reemarks. No one knows better than you by

now, how much cause you gives that proud old gent to feel harrowed.'

[Illustration: WE SEES THE TURNER PERSON ABOARD AN' WISHES HIM ALL KINDS

OF LUCK. p. 222.]

"Of course all of us is preyed on by anxiety to know whatever awful

thing it is the Turner person does. In the end it's Missis Rucker who

smokes Enright out.

"'Sam Enright,' says this yere intrepid lady, her manner plenty

darklin', 'you mustn't forget that whenever the impulse moves me I can

shet down utter on your grub. Likewise, as a lady, I not only knows my

p'sition, but keenly feels my rights. Which I don't aim to coerce you,

but onless you comes through with the trooth about this yere Turner

person's felonies, some drastic steps is on their way.'

"'You will see, Missis Rucker,' says Enright, who's to be excoosed for

turnin' a bit white, 'that no present reason exists for threatenin' me

when I asshores you that as far back as last evenin' I fully decides

to lay bar' everything. I do this, onderstand, not through fear; but

lest some folks go surmisin' round to the inj'ry of the innocent. As I

recollects back, too, I can see how the Turner person slumps into that

mistake, him first talkin' dog to that canine party in Battle Row,

an' then askin' whar does he go for the weddin' license.'

"'Sam Enright,' interrupts Missis Rucker, whose flashin' eyes shows

she's growin' hysterical, 'don't harass me with no p'intless speeches.

You say flat what it is he does, or take the consequences.'

"'Why, my dear Missis Rucker,' an' Enright makes haste with his reply,

'the thing is easily grasped. The paper he gives the preacher sharp is

a dog license. Which that Turner person is seekin' to wed the belle of

Sni-a-bar on a permit to keep a dog! The canine party he meets in

Battle Row misonderstands a sityooation.'

"'All the same,' observes Texas to Boggs, as the two meets that

evenin' in the Noo York store, 'thar's one feachure to a dog license,

not perceivable in a marriage license, which is worth gold an'

precious stones. Said docyooment runs out in a year.'"

IX

RED MIKE

"Mebby you-all recalls about that Polish artist person?" suggested the

old cattleman, tentatively; "him I speaks of former?" My gray old

_campanero_ was measuring out what he called his "forty drops," and,

since this ceremony necessitated keeping one eye on his glass, while

he endeavored to keep the other eye on me, the contradictory effort

resulted in a wavering and uncertain expression, not at all in harmony

with his usual positive air. By way of helping conversation, I

confessed to a clear remembrance of the "Polish artist person," and

wound up by urging him to give the particulars concerning that

interesting exile.

"Well," he cautiously returned, "thar ain't nothin' so mighty

thrillin' in his Wolfville c'reer. You see he ain't, for the most, no

pop'lar figure--him bein' a furriner, that a-way, an' a artist, an'

sufferin' besides from conceit in so acoote a form as to make it no

exaggeration to say he's locoed. On account of these yere divers an'

sundry handicaps, he don't achieve no social success, an' while he's

with us, you'd hardly call him of us.

"Not that I objects to this deescendant of Warsaw's last champion,

personal. Which I'm a heap like Enright in sech reespects, an'

shore tol'rant. I finds out long ago that the reason we-all goes

fault-findin' about people, mostly is because we don't onderstand

concernin' them folk's surroundin's. Half the things we arches our

necks over, an' for which mebby we feels like killin' 'em a whole

lot, they can't he'p none. If we only savvys what they're reely up

ag'inst, it's four for one we pities 'em instead.

"It's like one time 'way back yonder, when me an' Steve Stevenson has

a sudden an' abrupt diffukulty with a buffalo bull. We're camped out

on the edge of the Rockies near the Spanish Peaks, an' me an' Steve,

in the course of a little _passear_ we're takin', is jest roundin' a

bunch of plum bushes when, as onexpected as a gun play in a Bible

class, that devil's son an' heir of a bull--who's been hid by the

bushes--ups an charges. Which you should have seen me an' Steve

scatter! We certainly do onbuckle in some hasty moves! He's bigger 'n

a baggage wagon, an' as we leaves our guns ten rods away in camp,

thar's nothin' for it but to dig out.

"Nigh whar I'm at is a measley _pinon_ tree, an' the way I swarms

aloft among that vegetable's boughs an' branches comes mighty clost to

bein' a lesson to mountain lions. Steve, who's the onluckiest sport

west of the Missouri, an' famed as sech, ain't got no tree. The best

he can do is go divin' into a hole he sees in some rocks, same as if

he's a jack-rabbit with a coyote in hot pursoote.

"Me an' Steve both bein' safe, an' reegyardin' that bull as baffled, I

draws a breath of relief. That is, to be ackerate, I starts to draw

it; but before I so much as gets it started, yere that inordinate

Steve comes b'ilin' out of his hole ag'in like he ain't plumb

satisfied about that bull. The bull's done give him up, too, an'

switchin' his tail some thoughtful has started to go away, when, as I

tells you, that fool Steve comes surgin' out upon his reetreatin'

hocks.

"Nacherally, what could any se'f-respectin' bull do but wheel an'

chase Steve back? It's no use, though; Steve won't have it. No sooner

does the bull get him hived that a-way, an' make ready to reetire to

private life ag'in, than, bing! yere Steve comes bulgin' like a cork

out of a bottle. An' so it continyoos, a reg'lar see-saw between Steve

an' the bull. Steve'll go into his cave of refooge, prairie-dog

fashion, a foot ahead of the bull's horns, only to be a foot behind

the bull's tail as that painstakin' anamile is arrangin' to deepart.

"Which sech wretched strategy arouses my contempt.

"'You dad-binged Siwash,' I yells down at Steve, 'whyever don't

you-all stay in that hole, ontil the bull forgets whar you're at?'

"'Go on!' Steve shouts back, as in he dives, head-first, for mebby

it's the twentieth time; 'it's as simple as suckin' aiggs, ain't it,

for you up in your tree? You-all don't know nothin' about this hole;

thar's a b'ar in this hole!'

"Which I allers remembers about that dilemmy of Steve's. An' now, when

I beholds a gent makin' some rannikaboo break, an' everybody's

scoffin' at him an' deenouncin' him for a loonatic or worse, I

reeflects that mighty likely if we-all was to go examine the hole he's

in, we'd find it plumb full of b'ar.

"Returnin' to the orig'nal proposition, the same bein' that Polack,

let me begin by sayin' that whenever it comes to any utterances of

his'n, I'm nacherally onable to quote him exact. What with him rollin'

his 'Rs' ontil they sounds like one of them snare drums, an' the

jiggerty-jerkety fashion wharin he chops up his English, a gent might

as soon try to quote a planin' mill exact.

"That I'm able to give you-all his troo name is doo wholly to him

passin' round his kyard a heap profoose, when he first comes ramblin'

in, said cognomen as printed bein' 'Orloff Ivan Mitzkowanski, Artist

and Painter of Portraits.' We perooses this yere fulm'nation two or

three times, an' Peets even reads it out loud; but since the tongue of

no ordinary gent is capable of ropin' an' throwin' it, to say nothin'

of tyin' it down, we cuts the gordian knot in the usual way by

re-christenin' him _pro bono publico_ as Red Mike, which places him

within the verbal reach of all.

"'Yes,' he says, as he ladles out them kyards, an' all with the

manner of a prince conferrin' favors--'yes, I'm a artist come to you,

seekin' subjects an' color. As you probably observes by my name, I'm a

gallant Pole, one whose noble ancestors shrieks when Kosciusko fell.'

"Him bein' a stranger that a-way, an' no one, onless it's Peets, ever

havin' heard about Poland, or Kosciusko, or whoever does that

shriekin' the time when Kosciusko finds himse'f bumped off, we lets

Mike get by with this yere bluff. Besides, his name of itse'f sort o'

holds us. That anyone, an' specially any furriner, could come as far

as he has, flauntin' a name like that in the sensitive face of

mankind, an' yet live to tell the tale, is shore plenty preepar'tory

to believin' anything.

"When we lets it go that owin' to local conditions we'll be obleeged

to call him 'Red Mike,' he's agree'ble.

"'As you will, my friends,' he cries, bulgin' out his breast an'

thumpin' it. 'What care I, who am destined for immortality, that

barbarians should hail me as Red Mike? It is enough that I am not

destroyed, enough that I still move an' have my bein'!'

"'Mike,' interjecks Tutt, bristlin' a little, 'don't cut loose in no

offensive flights. It's a heap onadvisable when addressin' us to

overwork that word "barbarian." As you says yourself, you're lucky to

be alive; which, bein' conceded, it'd be plenty proodent on your part

not to go doin' nothin' to change your luck.'

"'Steady thar, Dave,' says Enright, 'don't go exhibitin' your teeth to

a pore benighted furriner, an' him not onto our curves.'

"'Him bein' a furriner,' retorts Tutt, 'is but a added argyooment in

favor of him takin' heed. Speakin' for myse'f, I in partic'lar don't

want no furriner to step on my tail an' stand thar, same as if my

feelin's ain't goin' to count.'

"'Be composed, my friend,' says Mike, tryin' to follow Enright out an'

squar' himse'f with Tutt--'be composed. I reetract the "barbarians"

an' suggest a drink.'

"'That's all right, Mike,' returns Tutt, who's easy mollified; 'still

I onreservedly says ag'in that in Arizona thar's nothin' in becomin'

too difoose. All that this time lets you out, Mike, is that havin'

jest had our feed we're happ'ly lethargic. Which if you'd let fly

that crack about barbarians, an' us not fed none, some gent not

otherwise employed 'd have seized upon you as a mop-rag wharwith to

wipe up the floor.'

"Thar's allers a dispoote as to whether or no Mike reely commits

sooicide that time. Tutt an' Texas holds to the last that his light

gettin' blowed out like it does is accidental. Peets, however, insists

it's a shore-enough sooicide. Of course, Boggs goes with Peets.

Whatever's the question at bay, Boggs never fails to string his play

with the Doc's; it's Boggs's system. All you has to do to get a rise

out o' Boggs is get some opinion out o' Peets. Once the Doc declar's

himse'f, Boggs is right thar to back said declaration for his last

dollar every time.

"As sustainin' his claim of sooicide, Peets p'ints out that thar's no

gent, not a howlin' eediot complete, but knows s'fficient of giant

powder to be dead on to how it's cap'ble of bein' fired by friction.

"'Why,' he says, eloocidatin' his p'sition, 'even darkened savages is

posted as to that. I once sees a South Sea Islander, in a moose-yum

East, who sets a bunch of shavin's in a blaze by rubbin' together two

sticks. An' this yere Mike is a eddycated sharp, eddicated at a Dutch

outfit called Heidelberg. Do you-all reckon a gradyooate of sech a

sem'nary ever walks out on a cold collar, him not wise, an' performs

in the numbskull fashions as this yere Mike?'

"'That's whatever!' chimes in Boggs.

"As I tells you, any emphatic idee laid down by Peets instantly sets

Boggs to strikin' same as one of them cuckoo clocks.

"Enright?

"The old silver tip stands nootral, not sidin' with either Peets an'

Boggs or Tutt an' Texas.

"'Which this yere Mike bein' shore dead,' says Enright, 'strikes me as

s'fficient. I plants my moccasins on that, an' don't go pirootin' an'

projectin' about for no s'lootions which may or may not leave me out

on a limb.'

"You recalls how it's Monte who, while gettin' drunk with him over to

the Oriental S'loon in Tucson, deloodes Mike into p'intin' our way.

Also, what Enright says to that deboshed stage driver for so doin'.

Enright's shore fervent on that occasion, an' the language he uses

would have killed two acres of grass. But that don't he'p none. After

the dust Enright paws up has settled, thar's Mike still, all quiled up

in the Wolfville lap.

Faro Nell and Her Friends: Wolfville Stories · 第 9 / 15 段