to say that around all this work it seems to me that there should be a
frieze to encircle it on every side, and in this I would make either
grotesques or small scenes with little figures. The matter of these I
would have in harmony with the subjects already given above, each in
accord with that nearest to it; and if you paint little scenes, it
would please me to have them representing the actions that men and
also animals do at the hour that we have fixed there. Now, beginning
at the head, I would paint in the frieze of that facade, as things
appropriate to the Dawn, artisans, workmen, and persons of various
kinds who, having risen, are returning to the labours of their
pursuits--as smiths to the forge, men of letters to their studies,
huntsmen to the open country, and muleteers to the road, and above
all would I like to have the poor old woman from Petrarca rising from
her spinning and lighting the fire, with her feet bare and her clothes
dishevelled. And if you think fit to make grotesques of animals there,
make them of birds singing, geese going forth to their pasture, cocks
announcing the day, and similar fancies. In the frieze on the facade
at the foot, in accord with the darkness there, I would make persons
going fowling by night, spies, adulterers, climbers of windows, and
other suchlike things; and for grotesques, porcupines, hedgehogs,
badgers, a peacock with the tail spread, signifying the night of
stars, owls large and small, bats, and suchlike animals. In the frieze
on the right-hand facade you must paint things in keeping with the
Moon, such as fishers of the night, mariners navigating with the
compass, necromancers, witches, and the like; for grotesques, a
beacon-tower in the distance, nets, weir-baskets with some fishes in
them, crabs feeding by the light of the moon, and, if there be space
enough, an elephant kneeling in adoration of her. And, finally, in the
frieze on the left-hand facade, mathematicians with their instruments
for measuring, thieves, false-coiners, robbers of buried treasure,
shepherds with their folds still closed, lying around their fires, and
the like; and for animals I would make there wolves, foxes, apes,
weasels, and any other treacherous animals that lie in wait for other
creatures.
"In this part I have placed these phantasies thus at random in order
to suggest what kinds of inventions could be painted there; but, since
they are not things that need to be described, I leave you to imagine
them in your own manner, knowing that painters are by their nature
full of resource and grace in inventing such bizarre fantasies. And
now, having filled in all the parts of the work both within and
without the chamber, there is no occasion for us to say any more, save
that you must discuss the whole matter with the most illustrious
Monsignore, and, according to his taste, adding or taking away
whatever may be necessary, you must strive on your part to do yourself
honour. Fare you well."
Now, although all these beautiful inventions of Caro's were very
ingenious, fanciful, and worthy of praise, nevertheless Taddeo was not
able to carry into execution more than the place would contain; but
those that he painted there were the greater part, and they were
executed by him with much grace and in a most beautiful manner. Next to
this chamber, in the last of the three, which is dedicated to Solitude,
Taddeo, with the help of his assistants, painted Christ preaching to the
Apostles in the desert and in the woods, with a S. John on the right
hand that is very well executed. In another scene, which is opposite to
the first, are painted many figures of men who are living in the forest
in order to avoid the conversation of mankind; and these certain others
are seeking to disturb, throwing stones at them, while some are plucking
out their own eyes so as not to see. And in this scene, likewise, is
painted the Emperor Charles V, portrayed from life, with this
inscription--
POST INNUMEROS LABORES OCIOSAM QUIETAMQUE VITAM TRADUXIT.
Opposite to Charles is the portrait of the last Grand Turk, who much
delighted in solitude, with these words--
ANIMUM A NEGOCIO AD OCIUM REVOCAVIT.
Near him is Aristotle, who has beneath him these words--
ANIMA FIT SEDENDO ET QUIESCENDO PRUDENTIOR.
Opposite to him, beneath another figure by the hand of Taddeo, is
written this--
QUEMADMODUM NEGOCII, SIC ET OCII RATIO HABENDA.
Beneath another may be read--
OCIUM CUM DIGNITATE, NEGOCIUM SINE PERICULO.
And opposite to that, under another figure, is this motto--
VIRTUTIS ET LIBERAE VITAE OPTIMA MAGISTRA SOLITUDO.
Beneath another--
PLUS AGUNT QUI NIHIL AGERE VIDENTUR.
And under the last--
QUI AGIT PLURIMA, PLURIMUM PECCAT.
To put it briefly, this room is very ornate with beautiful figures, and
likewise very rich in stucco and gold. But to return to Vignuola; how
excellent he is in matters of architecture, the works that he has
written and published and still continues to write, in addition to his
marvellous buildings, bear ample testimony, and in the Life of
Michelagnolo we shall say all that it may be expedient for us to say in
this connection.
Taddeo, in addition to the works described above, executed many others
of which there is no need to make mention; but in particular a chapel in
the Church of the Goldsmiths in the Strada Giulia, a facade in
chiaroscuro at S. Gieronimo, and the Chapel of the High-altar in S.
Sabina. And his brother Federigo is painting for the Chapel of S.
Lorenzo, which is all wrought in stucco, in S. Lorenzo in Damaso, an
altar-piece with that Saint on the gridiron and Paradise all open; which
altar-piece is expected to prove a very beautiful work. And, in order
not to omit anything that may be useful, pleasing, or helpful to anyone
who may read these my labours, I shall add this as well. While Taddeo
was working, as has been related, at the Vigna of Pope Julius and at the
facade of Mattiuolo, the Master of the Post, he executed for Monsignor
Innocenzio, the most reverend and illustrious Cardinal di Monte, two
painted pictures of no great size; and one of them, which is beautiful
enough, is now in the guardaroba of that Cardinal (who has given the
other away), in company with a vast number of things ancient and modern,
all truly of the rarest, among which, I must not omit to mention, there
is a painted picture as fantastic as any work of which we have spoken
hitherto. In this picture, which is about two braccia and a half in
height, there is nothing to be seen by him who looks at it from the
ordinary point of view, from the front, save some letters on a
flesh-coloured ground, and in the centre the Moon, which goes gradually
increasing or diminishing according to the lines of the writing. And
yet, if you go below the picture and look in a sphere or mirror that is
placed over the picture in the manner of a little baldachin, you see in
that mirror, which receives the image from the picture, a most lifelike
portrait in painting of King Henry II of France, somewhat larger than
life, with these words about it--HENRY II, ROY DE FRANCE. You can see
the same portrait by lowering the picture, placing your brow on the
upper part of the frame, and looking down; but it is true that whoever
looks at it in that manner, sees it turned the other way from what it is
in the mirror. That portrait, I say, cannot be seen save by looking at
it as described above, because it is painted on twenty-eight ridges, too
low to be perceived, which are between the lines of the words given
below, in which, besides the ordinary meaning, there may be read, by
looking at both ends of the lines and in the centre, certain letters
somewhat larger than the others, which run thus--
HENRICUS VALESIUS DEI GRATIA GALLORUM REX INVICTISSIMUS.
It is true, indeed, that the Roman M. Alessandro Taddei, the secretary
of that Cardinal, and Don Silvano Razzi, my dearest friend, who have
given me information about this picture and about many other things, do
not know by whose hand it is, but only that it was presented by the
above-named King Henry to Cardinal Caraffa, when he was in France, and
then by Caraffa to the most illustrious Cardinal di Monte, who treasured
it as a very rare thing, which in truth it is. The words painted in the
picture, which alone are to be seen by him who looks at it from the
ordinary point of view, as one looks at other pictures, are these--
HEus tu quid viDes nil ut reoR
Nisi lunam crEscentem et E
Regione posItam quae eX
Intervallo GRadatim utI
Crescit nos Admonet ut iN
Una spe fide eT charitate tV
Simul et ego Illuminat I
Verbo dei crescAmus, doneC
Ab ejusdem Gratia fiaT
Lux in nobis Amplissima quI
ESt aeternus iLLe dator luciS
In quo et a quO mortales omneS
Veram lucem Recipere sI
Speramus in vanUM non sperabiMUS
In the same guardaroba is a most beautiful portrait of Signora Sofonisba
Anguisciuola by her own hand, once presented by her to Pope Julius III.
And there is another thing of great value, a very ancient book with the
Bucolics, the Georgics, and the AEneid of Virgil, in characters so old,
that it has been judged by many men of learning in Rome and in other
places that it was written in the very time of Caesar Augustus, or little
after; wherefore it is no marvel that it should be held by the Cardinal
in the greatest veneration.
And let this be the end of the Life of the painter Taddeo Zucchero.
INDEX
INDEX OF NAMES
OF THE CRAFTSMEN MENTIONED IN VOLUME VIII
Abacco, Antonio L', 167
Abate, Niccolo dell', 37, 38
Agnolo (nephew of Montorsoli), 144, 147, 151
Agnolo, Baccio d', 116
Agnolo, Battista d' (Battista del Moro), 41
Agnolo Bronzino, 11, 12, 94, 153, 156, 179
Agnolo da Siena, 53
Agostino Busto (Il Bambaja), 54, 55
Agostino da Siena, 53
Alberti, Michele, 205, 210, 211
Albertinelli, Mariotto, 62
Alessandro (Scherano), 168
Alessandro Moretto (Alessandro Bonvicini), 49, 50
Alessandro Vittoria, 100
Altobello da Melone, 24, 43
Ammanati, Bartolommeo, 91, 92, 99, 153, 220
Andrea Contucci (Andrea dal Monte Sansovino), 36, 114
Andrea da Fiesole, 133
Andrea dal Monte Sansovino (Andrea Contucci), 36, 114
Andrea del Sarto, 5, 6, 11, 16, 17, 19, 113, 119, 120, 122, 126,
135, 163, 164
Andrea Mantegna, 23
Andrea Palladio, 233, 234
Andrea Schiavone, 107, 108, 231
Andrea Verrocchio, 111
Angelo Ciciliano, 55
Anguisciuola, Anna, 48
Anguisciuola, Europa, 45, 48
Anguisciuola, Lucia, 45, 47, 48
Anguisciuola, Minerva, 45, 46
Anguisciuola, Sofonisba, 45-48, 261
Anna Anguisciuola, 48
Annibale da Carpi, 36
Annibale di Nanni di Baccio Bigio, 188
Anselmi, Michelagnolo, 39, 44
Antonio, Fra, 32
Antonio Bacchiacca, 20
Antonio Begarelli (Il Modena), 38
Antonio Campo, 44, 45
Antonio da Correggio, 30, 31, 34, 37, 217
Antonio da San Gallo (the elder), 3
Antonio da San Gallo (the younger), 13, 89, 136, 168, 202
Antonio del Ceraiolo, 65, 66
Antonio del Pollaiuolo, 64
Antonio di Donnino Mazzieri, 12
Antonio Filarete, 48
Antonio L'Abacco, 167
Antonio Mini, 128
Antonio Particini, 16
Antonio Viniziano, 233
Apelles, 28
Aretino, Leone (Leone Lioni), 56, 184
Aristotile (Bastiano) da San Gallo, _Life_, 3-20. 119, 126
Arrigo (Heinrich Paludanus), 38
Bacchiacca, Antonio, 20
Bacchiacca, Il (Francesco Ubertini), 10, 11, 16, 18-20
Baccio Bandinelli, 113, 141, 142, 146, 152, 163, 191
Baccio d'Agnolo, 116
Baccio da Montelupo, 54
Baglioni, Raffaello, 116
Baldassarre Peruzzi (Baldassarre da Siena), 167, 168, 197, 205, 218
Baldini, Giovanni, 24, 25
Bambaja, Il (Agostino Busto), 54, 55
Bandinelli, Baccio, 113, 141, 142, 146, 152, 163, 191
Barocci, Federigo, 227
Baronino, Bartolommeo, 220
Barozzi, Jacopo (Vignuola), 220, 230, 237-240, 259
Bartolommeo Ammanati, 91, 92, 99, 153, 220
Bartolommeo Baronino, 220
Bartolommeo di San Marco, Fra, 61
Bartolommeo Genga, 92, 96-98
Bartolommeo Suardi (Bramantino), 52, 53
Bastiano (Aristotile) da San Gallo, _Life_, 3-20. 119, 126
Battista Botticelli, 169
Battista d'Agnolo (Battista del Moro), 41
Battista da San Gallo (Battista Gobbo), 169
Battista da Verona (Battista Farinato), 107
Battista del Borro, 178
Battista del Moro (Battista d'Agnolo), 41
Battista del Tasso, 18, 164, 173, 176
Battista Dossi, 25, 26
Battista Farinato (Battista da Verona), 107
Battista Franco (Battista Semolei), _Life_, 89-101. 12, 67, 68,
89-101, 181, 219, 230
Battista Gobbo (Battista da San Gallo), 169
Battista Naldini, 233
Battista Semolei (Battista Franco), _Life_, 89-101. 12, 67, 68,
89-101, 181, 219, 230
Begarelli, Antonio (Il Modena), 38
Bellini, Giovanni, 33
Bello, Raffaello, 114
Bembi, Bonifazio, 42, 43
Benedetto Ghirlandajo, _Life_, 59-60
Benvenuto Cellini, 128
Benvenuto Garofalo (Benvenuto Tisi), _Life_, 24-29. 30, 33, 34
Bergamo, Fra Damiano da, 169, 237
Bernardino da Trevio (Bernardino Zenale), 54
Bernardino Luini (Bernardino del Lupino), 56
Bernardino Zenale (Bernardino da Trevio), 54
Bernardo Soiaro (Bernardo de' Gatti), 39, 40, 43, 44
Bertano, Giovan Battista, 40, 41
Biagio da Carigliano (Biagio Betti), 210
Biagio Pupini, 32, 33
Bigio, Annibale di Nanni di Baccio, 188
Bizzerra, 204
Boccaccino, Boccaccio, 23, 24, 42-44
Boccaccino, Camillo, 43
Bologna, Orazio da (Orazio Sammacchini), 188, 228, 229
Bologna, Pellegrino da (Pellegrino Pellegrini, or Pellegrino
Tibaldi), 34, 204
Bolognese, Marc'Antonio, 42
Bonifazio Bembi, 42, 43
Bonsignori (Monsignori), Fra Girolamo, 42
Bonvicini, Alessandro (Alessandro Moretto), 49, 50
Borro, Battista del, 178
Botticelli, Battista, 169
Bozzacco (Brazzacco), 107
Bramante da Urbino, 5, 40, 53, 54, 75
Bramantino (Bartolommeo Suardi), 52, 53
Brambilari (Brambilla), Francesco, 55
Brazzacco (Bozzacco), 107
Brescia, Raffaello da (Raffaello Brescianino, or Raffaello dei
Piccinelli), 164
Brescianino, Girolamo (Girolamo Mosciano, or Muziano), 50, 224
Brescianino, Raffaello (Raffaello da Brescia, or Raffaello dei
Piccinelli), 164
Bresciano, Gian Girolamo (Gian Girolamo Savoldo), 50
Bronzino, Agnolo, 11, 12, 94, 153, 156, 179
Brunelleschi, Filippo, 48
Brusciasorzi, Domenico (Domenico del Riccio), 40, 41
Bugiardini, Giuliano, 121-123, 162
Buonarroti, Michelagnolo, 3-5, 16, 25, 61, 73, 79, 82, 89, 91, 92,
95, 96, 116, 128, 134, 136-138, 141, 146, 156, 162, 163, 170, 185,
188, 201-204, 206-209, 235, 259
Busto, Agostino (Il Bambaja), 54, 55
Cadore, Tiziano da (Tiziano Vecelli), 29, 33, 51, 56, 92, 102
Calavrese, 91
Calavrese, Giovan Piero, 216
Calcagni, Tiberio, 233
Caliari, Paolo (Paolo Veronese), 41, 42, 102-104, 106, 107
Camillo Boccaccino, 43
Camillo Mantovano, 171
Campo, Antonio, 44, 45
Campo, Galeazzo, 44
Campo, Giulio, 41, 44, 45, 48, 49
Campo, Vincenzio, 44, 45
Caravaggio, Polidoro da, 17, 218, 219
Carigliano, Biagio da (Biagio Betti), 210
Carlo Portelli, 11, 69, 170, 179
Carpi, Annibale da, 36
Carpi, Girolamo da, _Life_, 30-36. 28, 29
Carpi, Giulio da, 36
Carso, Giovanni dal, 227
Caselli (Castelli), Cristofano, 39
Castelfranco, Giorgione da, 29, 73, 74
Castelli (Caselli), Cristofano, 39
Cellini, Benvenuto, 128
Ceraiolo, Antonio del, 65, 66
Cesare da Sesto, 56
Ciciliano, Angelo, 55
Cioli, Simone, 36
Cioli, Valerio, 35
Clemente, Prospero, 38, 39
Conte, Jacopo del, 95, 169, 181
Conti, Domenico, 11
Contucci, Andrea (Andrea dal Monte Sansovino), 36, 114
Corniole, Nanni di Prospero delle, 162
Correggio, Antonio da, 30, 31, 34, 37, 217
Cosini, Silvio (Silvio da Fiesole), 55
Costa, Ippolito, 41
Costa, Lorenzo (the elder), 23, 25
Costa, Lorenzo (the younger), 228
Credi, Lorenzo di, 42, 65, 66
Cremona, Geremia da, 48
Cristofano Castelli (Caselli), 39
Cristofano Gobbo (Cristofano Solari), 55
Cristofano Lombardi (Tofano Lombardino), 45, 55
Cristofano Rosa, 50, 51, 104
Cristofano Solari (Cristofano Gobbo), 55
Cungi, Leonardo, 227
Daniello da Parma (Daniello Porri), 217
Daniello da Volterra (Daniello Ricciarelli), _Life_, 197-211.
184-186, 197-211, 228, 235
Daniello Porri (Daniello da Parma), 217
Daniello Ricciarelli (Daniello da Volterra), _Life_, 197-211.
184-186, 197-211, 228, 235
David Ghirlandajo, _Life_, 59-60. 63, 64
Diacceto, 161
Diana Mantovana (Sculptore), 42
Domenico Brusciasorzi (Domenico del Riccio), 40, 41
Domenico Conti, 11
Domenico del Riccio (Domenico Brusciasorzi), 40, 41
Domenico Ghirlandajo, 59-61, 63, 64, 66
Domenico Panetti, 24
Domenico Puligo, 119, 120
Domenico Romano, 193
Donato (Donatello), 113
Dossi, Battista, 25, 26
Dossi, Dosso, 25, 26, 33, 56
Durante del Nero, 227
Enea Vico, 180
Europa Anguisciuola, 45, 48
Faenza, Jacopone da, 217
Fagiuoli, Girolamo, 171
Fano, Pompeo da, 215
Farinato, Battista (Battista da Verona), 107
Farinato, Paolo, 41
Federigo Barocci, 227
Federigo Zucchero, 101, 106, 218-221, 223-228, 230, 231, 233-236, 259
Feliciano da San Vito, 210, 211
Fermo Ghisoni, 40-42
Ferrarese, Girolamo (Girolamo Lombardi), 36, 37
Ferrari, Gaudenzio, 56
Ferrucci, Francesco (Francesco del Tadda), 133, 140, 142
Fiesole, Andrea da, 133
Fiesole, Silvio da (Silvio Cosini), 55
Filarete, Antonio, 48
Filippo Brunelleschi, 48
Fiorini, Giovan Battista, 229
Fontana, Prospero, 220
Forli, Francesco da, 171
Forli, Livio da, 188, 229
Fra Antonio, 32
Fra Bartolommeo di San Marco, 61
Fra Damiano da Bergamo, 169, 237
Fra Giovanni Agnolo Montorsoli, _Life_, 133-157. 91
Fra Girolamo Bonsignori (Monsignori), 42
Fra Guglielmo della Porta, 84
Fra Sebastiano Viniziano del Piombo, 82, 84, 92, 182, 201
Francesca, Piero della, 52
Francesco Brambilari (Brambilla), 55
Francesco da Forli, 171
Francesco da San Gallo, 153, 155, 156
Francesco da Volterra, 41
Francesco de' Rossi (Francesco Salviati), _Life_, 161-193. 11, 12,
44, 84, 90, 91, 95, 161-193, 208, 209, 228, 229, 231, 232, 235
Francesco del Tadda (Francesco Ferrucci), 133, 140, 142
Francesco di Girolamo dal Prato, 162, 173, 190-192
Francesco Ferrucci (Francesco del Tadda), 133, 140, 142
Francesco Francia, 23
Francesco Granacci, 5, 59, 60, 121
Francesco (L'Indaco), 202
Francesco Mazzuoli (Francesco Parmigiano), 34, 39, 40, 217
Francesco Primaticcio, 37, 183, 237, 238
Francesco Ricchino, 50
Francesco Salviati (Francesco de' Rossi), _Life_, 161-193. 11, 12,
44, 84, 90, 91, 95, 161-193, 208, 209, 228, 229, 231, 232, 235
Francesco Sant'Agnolo, 215-217
Francesco Ubertini (Il Bacchiacca), 10, 11, 16, 18-20
Francia, Francesco, 23
Franciabigio, 5
Franco, Battista (Battista Semolei), _Life_, 89-101. 12, 67, 68,
89-101, 181, 219, 230
Galasso (of Ferrara), 36
Galeazzo Campo, 44
Gambara, Lattanzio, 42, 45, 49, 50
Garofalo, Benvenuto (Benvenuto Tisi), _Life_, 24-29. 30, 33, 34
Gatti, Bernardo de' (Bernardo Soiaro), 39, 40, 43, 44
Gaudenzio Ferrari, 56
Genga, Bartolommeo, 92, 96-98
Genga, Girolamo, 140, 171
Geremia da Cremona, 48
Ghirlandajo, Benedetto, _Life_, 59-60
Ghirlandajo, David, _Life_, 59-60. 63, 64
Ghirlandajo, Domenico, 59-61, 63, 64, 66
Ghirlandajo, Michele di Ridolfo, 66-69, 153, 156
Ghirlandajo, Ridolfo, _Life_, 60-69. 3, 5, 60-69, 93-95
Ghisoni, Fermo, 40-42
Gian Girolamo Bresciano (Gian Girolamo Savoldo), 50
Gian Maria da Milano, 198
Giorgio Vasari. See Vasari (Giorgio)
Giorgione da Castelfranco, 29, 73, 74
Giotto, 82, 153
Giovan Battista Bertano, 40, 41
Giovan Battista Fiorini, 229
Giovan Battista Ingoni, 37, 38
Giovan Battista Mantovano (Sculptore), 42
Giovan Francesco da San Gallo, 4
Giovan Francesco Rustici, _Life_, 111-129
Giovan Paolo Rossetti, 204, 210
Giovan Piero Calavrese, 216
Giovanni (the Fleming), 74
Giovanni Agnolo Montorsoli, Fra, _Life_, 133-157. 91
Giovanni Antonio Licinio (Pordenone), 43, 44, 103
Giovanni Antonio Sodoma, 197
Giovanni Antonio Sogliani, 20
Giovanni Baldini, 24, 25
Giovanni Bellini, 33
Giovanni da Udine (Giovanni Nanni, or Giovanni Ricamatori), _Life_,
73-85. 171
Giovanni dal Carso, 227
Giovanni della Robbia, 116
Giovanni Nanni (Giovanni da Udine, or Giovanni Ricamatori), _Life_,
73-85. 171
Giovanni Pedoni, 48
Giovanni Ricamatori (Giovanni da Udine, or Giovanni Nanni), _Life_,
73-85. 171
Giovanni Rosto, 20, 179
Giovanni Strada (Jan van der Straet), 233
Girolamo Bonsignori (Monsignori), Fra, 42
Girolamo Brescianino (Girolamo Mosciano, or Muziano), 50, 224
Girolamo da Carpi, _Life_, 30-36. 28, 29
Girolamo da Sermoneta (Girolamo Siciolante), 99, 188, 229
Girolamo dal Prato, 190, 191
Girolamo Fagiuoli, 171
Girolamo Ferrarese (Girolamo Lombardi), 36, 37
Girolamo Genga, 140, 171
Girolamo Lombardi (Girolamo Ferrarese), 36, 37
Girolamo Mazzuoli, 39, 41, 42
Girolamo Mosciano (Girolamo Muziano, or Brescianino), 50, 224
Girolamo Romanino, 49
Girolamo Siciolante (Girolamo da Sermoneta), 99, 188, 229
Giuliano Bugiardini, 121-123, 162
Giuliano da San Gallo, 3
Giuliano Leno, 4
Giulio Campo, 41, 44, 45, 48, 49
Giulio da Carpi, 36
Giulio Mazzoni, 210, 211
Giulio Romano, 29, 39-42, 55, 138, 172
Giuseppe Porta (Giuseppe or Joseffo Salviati), 106, 192, 193, 229, 230
Gobbo, Battista (Battista da San Gallo), 169
Gobbo, Cristofano (Cristofano Solari), 55
Gra, Marco da, 55
Granacci, Francesco, 5, 59, 60, 121
Gualtieri (the Fleming), 231
Guazzetto (Lorenzo Naldini), 119, 127-129
Guglielmo da Marcilla, 162
Guglielmo della Porta, Fra, 84
Guido Mazzoni (Modanino), 38
Heemskerk, Martin (Martino), 90, 91
Heinrich Paludanus (Arrigo), 38
Il Bacchiacca (Francesco Ubertini), 10, 11, 16, 18-20
Il Bambaja (Agostino Busto), 54, 55
Il Modena (Antonio Begarelli), 38
Il Rosso, 167, 183
Indaco, L' (Francesco), 202
Ingoni, Giovan Battista, 37, 38
Ippolito Costa, 41
Jacomo Melighino (Jacopo Melighini), 237
Jacone (Jacopo), 16-19
Jacopo Barozzi (Vignuola), 220, 230, 237-240, 259
Jacopo da Pontormo, 18, 65, 92, 154, 179, 180
Jacopo del Conte, 95, 169, 181
Jacopo del Tedesco, 59, 60
Jacopo di Casentino, 153
Jacopo Melighini (Jacomo Melighino), 237
Jacopo Robusti (Jacopo Tintoretto), 101-106
Jacopo Sansovino, 100, 126, 192
Jacopo Tintoretto (Jacopo Robusti), 101-106
Jacopo Zucchi, 233
Jacopone da Faenza, 217
Jan van der Straet (Giovanni Strada), 233
Joseffo Salviati (Giuseppe Salviati or Giuseppe Porta), 106, 192,
193, 229, 230
Lamberto (the Fleming), 231
Lattanzio Gambara, 42, 45, 49, 50
Leno, Giuliano, 4
Leonardo Cungi, 227
Leonardo da Vinci, 42, 56, 111, 112, 114, 115
Leonardo Ricciarelli, 207
Leone Lioni (Leone Aretino), 56, 184
Licinio, Giovanni Antonio (Pordenone), 43, 44, 103
Ligorio, Pirro, 181, 184, 186, 227
L'Indaco (Francesco), 202
Lioni, Leone (Leone Aretino), 56, 184
Lippi, Ruberto di Filippo, 118, 119
Livio da Forli, 188, 229
Lombardi, Cristofano (Tofano Lombardino), 45, 55
Lombardi, Girolamo (Girolamo Ferrarese), 36, 37
Lombardino, Tofano (Cristofano Lombardi), 45, 55
Lorenzo Costa (the elder), 23, 25
Lorenzo Costa (the younger), 228
Lorenzo di Credi, 42, 65, 66
Lorenzo Naldini (Guazzetto), 119, 127-129
Lucia Anguisciuola, 45, 47, 48
Luini, Bernardino (Bernardino del Lupino), 56
Manno, 164, 190
Mantegna, Andrea, 23
Mantovana (Sculptore), Diana, 42
Mantovano, Camillo, 171
Mantovano (Sculptore), Giovan Battista, 42
Mantovano, Rinaldo, 41
Marc'Antonio Bolognese, 42
Marcilla, Guglielmo da, 162
Marco (son of Giovanni Rosto), 20
Marco da Gra, 55
Marco da Siena (Marco del Pino), 204, 210
Marco Oggioni, 56
Marcone, Piero di, 172, 173
Mariano da Pescia, 66
Mariotto Albertinelli, 62
Martin Heemskerk (Martino), 90, 91
Martino (pupil of Montorsoli), 144, 147, 151, 156
Martino (Martin Heemskerk), 90, 91
Maturino, 17, 218
Mazzieri, Antonio di Donnino, 12
Mazzoni, Giulio, 210, 211
Mazzoni, Guido (Modanino), 38
Mazzuoli, Francesco (Francesco Parmigiano), 34, 39, 40, 217
Mazzuoli, Girolamo, 39, 41, 42
Melighini, Jacopo (Jacomo Melighino), 237
Melone, Altobello da, 24, 43
Michelagnolo Anselmi, 39, 44
Michelagnolo Buonarroti, 3-5, 16, 25, 61, 73, 79, 82, 89, 91, 92,
95, 96, 116, 128, 134, 136-138, 141, 146, 156, 162, 163, 170, 185,
188, 201-204, 206-209, 235, 259
Michele Alberti, 205, 210, 211
Michele di Ridolfo Ghirlandajo, 66-69, 153, 156
Michele San Michele, 102
Milano, Gian Maria da, 198
Minerva Anguisciuola, 45, 46
Mini, Antonio, 128
Modanino (Guido Mazzoni), 38
Modena, Il (Antonio Begarelli), 38
Monsignori (Bonsignori), Fra Girolamo, 42
Montelupo, Baccio da, 54
Montelupo, Raffaello da, 89, 91, 137, 147
Montorsoli, Fra Giovanni Agnolo, _Life_, 133-157. 91
Moretto, Alessandro (Alessandro Bonvicini), 49, 50
Moro, Battista del (Battista d'Agnolo), 41
Mosca, Simone, 224
Mosciano, Girolamo (Girolamo Muziano, or Brescianino), 50, 224
Murano, Natalino da, 104
Muziano, Girolamo (Girolamo Mosciano, or Brescianino), 50, 224
Naldini, Battista, 233
Naldini, Lorenzo (Guazzetto), 119, 127-129
Nanni, Giovanni (Giovanni da Udine, or Giovanni Ricamatori), _Life_,
73-85. 171
Nanni di Prospero delle Corniole, 162
Nannoccio da San Giorgio, 162-164