A BACKWARD LOOK

As I sat smoking, alone, yesterday,

And lazily leaning back in my chair,

Enjoying myself in a general way--

Allowing my thoughts a holiday

From weariness, toil and care,

My fancies--doubtless, for ventilation--

Left ajar the gates of my mind,--

And Memory, seeing the situation

Slipped out in the street of "Auld Lang Syne"--

Wandering ever with tireless feet

Through scenes of silence, and jubilee

Of long-hushed voices; and faces sweet

Were thronging the shadowy side of the street

As far as the eye could see;

Dreaming again, in anticipation,

The same old dreams of our boyhood's days

That never come true, from the vague sensation

Of walking asleep in the world's strange ways.

Away to the house where I was born!

And there was the selfsame clock that ticked

From the close of dusk to the burst of morn,

When life-warm hands plucked the golden corn

And helped when the apples were picked.

And the "chany dog" on the mantel-shelf,

With the gilded collar and yellow eyes,

Looked just as at first, when I hugged myself

Sound asleep with the dear surprise.

And down to the swing in the locust-tree,

Where the grass was worn from the trampled ground,

And where "Eck" Skinner, "Old" Carr, and three

Or four such other boys used to be

Doin' "sky-scrapers," or "whirlin' round":

And again Bob climbed for the bluebird's nest,

And again "had shows" in the buggy-shed

Of Guymon's barn, where still, unguessed,

The old ghosts romp through the best days dead!

And again I gazed from the old schoolroom

With a wistful look, of a long June day,

When on my cheek was the hectic bloom

Caught of Mischief, as I presume--

He had such a "partial" way,

It seemed, toward me.--And again I thought

Of a probable likelihood to be

Kept in after school--for a girl was caught

Catching a note from me.

And down through the woods to the swimming-hole--

Where the big, white, hollow, old sycamore grows,--

And we never cared when the water was cold,

And always "ducked" the boy that told

On the fellow that tied the clothes.--

When life went so like a dreamy rhyme,

That it seems to me now that then

The world was having a jollier time

Than it ever will have again.

The crude production is received, I am glad to

note, with some expressions of favor from the company

though Bob, of course, must heartlessly dissipate

my weak delight by saying, "Well, it's certainly

bad enough; though," he goes on with an air

of deepest critical sagacity and fairness, "considered,

as it should be, justly, as the production of a

jour.-poet, why, it might be worse--that is, a little

worse."

"Probably," I remember saying,--"probably I

might redeem myself by reading you this little

amateurish bit of verse, enclosed to me in a letter by

mistake, not very long ago." I here fish an envelope

from my pocket, the address of which all recognize

as in Bob's almost printed writing. He smiles

vacantly at it--then vividly colors.

"What date?" he stoically asks.

"The date," I suggestively answer, "of your last

letter to our dear Doc, at boarding-school, two days

exactly in advance of her coming home--this veritable

visit now."

Both Bob and Doc rush at me--but too late. The

letter and contents have wholly vanished. The

youngest Miss Mills quiets us--urgently distracting

us, in fact, by calling our attention to the immediate

completion of our joint production; "For now," she

says, "with our new reinforcement, we can, with

becoming diligence, soon have it ready for both printer

and engraver, and then we'll wake up the boy (who

has been fortunately slumbering for the last quarter

of an hour), and present to him, as designed and

intended, this matchless creation of our united

intellects." At the conclusion of this speech we all go

good-humoredly to work, and at the close of half an

hour the tedious, but most ridiculous, task is

announced completed.

As I arrange and place in proper form here on the

table the separate cards-twenty-seven in number--

I sigh to think that I am unable to transcribe for

you the best part of the nonsensical work--the

illustrations. All I can give is the written copy of--

The Complete Works of James Whitcomb Riley — Volume 10 · 第 9 / 24 题