BELLOWS.

Man first catches the profession; the profession afterwards moulds the

man.

In whatever profession we engage, we assume its character, become a part

of it, vindicate its honor, its eminence, its antiquity; or feel a wound

through its sides.

Though there may be no more pride in a minister of state, who opens a

budget, than in a tinker who carries one, yet they equally contend for

the honor of their trade.

Every man, from the attorney's clerk to the butcher's apprentice, feels

his own honor, with that of his profession, wounded by travelling on

foot. To be caught on his feet, is nearly the same as to be caught in a

crime. The man who has gathered up his limbs, and hung them on a horse,

looks _down_ with dignity on him who has not; while the man on foot

offers his humble bow, afraid to look up--If providence favours us with

feet, is it a disgrace to use them?--I could instance a person who

condescended to quit London, that center of trick, lace, and equipage;

and in 1761, open a draper's shop in Birmingham: but his feet, or his

_pride_, were so much hurt by walking, that he could scarcely travel ten

doors from his own without a post-chaise--the result was, he became such

an adept in riding, that in a few months, he rode triumphant into the

Gazette. Being quickly scoured bright by the ill-judged laws of

bankruptcy, he rode, for the last time, _out_ of Birmingham, where he

had so often rode _in_: but his injured creditors were obliged to _walk_

after the slender dividend of eighteen pence in the pound. The man who

_can_ use his feet, is envied by him who _cannot_; and he, in turn,

envies him who _will_ not. Our health and our feet, in a double sense,

go together. The human body has been justly compared to a musical

instrument; I add, this instrument was never perfectly in tune, without

a due portion of exercise.

The man of military character, puts on, with his scarlet, that martial

air, which tells us, "he has formed a resolution to kill:" and we

naturally ask, "Which sex?"

Some "_pert and affected author_" with anxiety on his brow, will be apt

to step forward, and say, "Will you celebrate the man of the sword, who

transfers the blush of his face to his back, and neglect the man of the

quill, who, like the pelican, portions out his vitals to feed others?

Which is preferable, he who lights up the mental powers, or he who puts

them out? the man who stores the head with knowledge, or he who stores

it with a bullet?"

The antiquarian supports his dignity with a solemn aspect; he treats a

sin and a smile as synonimous; one half of which has been discarded from

his childhood. If a smile in the house of religion, or of mourning, be

absurd, is there any reason to expel it from those places where it is

not? A tale will generally allow of two ingredients, _information_ and

_amusement_: but the historian and the antiquarian have, from time

immemorial, used but _one_. Every smile, except that of contempt, is

beneficial to the constitution; they tend to promote long life, and

pleasure while that life lasts. Much may be said in favour of tears of

joy, but more on joy without tears. I wonder the lively fancy of Hogarth

never sketched the _dull_ historian, in the figure of an ass, plodding

to market under his panniers, laden with the fruits of antiquity, and

old time driving up the _rear_, with his scythe converted into an

hedge-stake.

The bellows-maker proclaims the _honor_ of his art, by observing, he

alone produces that instrument which commands the winds; his soft

breeze, like that of the south, counter-acts the chill blasts of winter:

by his efforts, like those of the sun, the world receives light: he

creates when he pleases, and gives _breath_ when he creates. In his

caverns the winds deep at pleasure; and by his _orders_ they set Europe

in flames.

He pretends, that a gentle puff in the eyes of a _reviewer_, from a pair

of his bellows, would tend to clear the sight, and enable him to

distinguish between a smile and a serious face: that his circular board,

like a ferula, applied by the handle to an inferior part, would induce

him to peruse the _whole treatise_, and not partially pronounce from

the preface.

He farther pretends, that the _antiquity_ of his occupation will appear

from the plenty of elm, once in the neighbourhood, but long cut up for

his use: that the leather-market in Birmingham, for many ages, furnished

him with sides; and though the manufacture of iron is allowed to be

extremely ancient, yet the smith could not procure his heat without a

blast, nor could that blast be raised without the bellows.

Two inferences arise from these remarks, that the antiquarian will frown

on this little history; and that bellows-making is one of the oldest

trades in Birmingham.

An History of Birmingham (1783) · 第 34 / 155 题