THE PRINCE OF CONDE

At the time of the accession of Charles X., the family of Conde was

represented only by an old man of sixty-eight, Louis-Henri-Joseph de

Bourbon-Conde, born April 13th, 1756. At the death of his father in

1818, he had taken the title of Prince of Conde, while retaining that

of Duke of Bourbon, by which he had previously been designated. On the

10th of January, 1822, he lost his wife, Princess

Louise-Marie-Therese-Bathilde, sister of the Duke of Orleans, mother of

the unfortunate Duke d'Enghien, and he lost, on March 10th, 1824, his

sister, Mademoiselle de Conde, the nun whose convent of the Perpetual

Adoration was situated in the Temple near the site of the former tower

where Louis XVI. and his family had been confined.

The Duke of Bourbon, in his youth, had had a famous duel with the Count

of Artois, the future Charles X. No resentment subsisted between the

two princes, who afterwards maintained the most cordial relations.

During the Emigration, the Duke of Bourbon served with valor in the

army of his father, the Prince of Conde. While the white flag floated

at the head of a regiment he was found fighting for the royal cause;

then, the struggle ended, he retired to England, where he had lived

near Louis XVIII., and always at his disposition. Returning to France

at the Restoration, he had since resided almost always at Chantilly or

at Saint-Leu, without his wife, from whom he had long been separated.

He was ranked as a reactionary, but busied himself little with

politics, and exerted no influence.

The Count of Puymaigre, who, in his office as Prefect of the Oise, at

the commencement of the reign of Charles X., often went to Chantilly,

speaks of him in his Souvenirs:--

"The name of my father, much beloved by the late Prince of Conde, more

than my title of Prefect, caused me to be received with welcome, and I

took advantage of it the more gladly, because I have never seen a house

where one was more at one's ease, and where there was more of that

comfortable life known before the Revolution as the chateau life. There

was little of the prince in him; he was more like an elderly bachelor

who liked to have about him joy, movement, pleasure, a wholly Epicurean

life. The society of Chantilly ordinarily consisted of the household of

the Prince; that is to say, old servitors of his father, some ladies

whose husbands held at this little court the places of equerries or

gentlemen of the chamber, some persons who were invited, or like

myself, had the right to come when they wished, and among this number I

frequently saw the Prince of Rohan, relative of the Duke of Bourbon,

disappointed since of the portion of the inheritance he hoped for;

finally, some Englishmen and their wives. The tone was quite free,

since the Prince set the example. And I recall that one day he

recommended me to be gallant with one of the English ladies, who, he

said, would like nothing better than to receive such attentions. That

seemed very likely to me, but she was not young enough to tempt me to

carry the adventure very far."

The real chatelaine of this little court of Chantilly was a beautiful

Englishwoman, Sophie Dawes, married to a French officer, the Baron of

Feucheres. Born about 1795, in the Isle of Wight, Sophie Dawes was the

daughter of a fisherman. It is said that she was brought up by charity,

and played for some time at Covent Garden Theatre, London. But her

early life is unknown, and what is told of it is not trustworthy. In

1817, she was taken into the intimacy of the Duke of Bourbon, and

afterwards acquired an irresistible ascendancy over him. When she

became his inseparable companion, she explained her presence with him

by the story that she was his natural daughter, and the Duke avoided

confirming or denying this assertion. In 1818, he arranged a marriage

between his favorite and a very honorable officer, the Baron of

Feucheres, who believed, in good faith, that Sophie Dawes was really

the daughter of the Duke of Bourbon, and not his mistress. The marriage

was celebrated in England, but the pair returned to Chantilly. The

Baron of Feucheres figures in the royal Almanacs of 1821, 1822, 1823,

as lieutenant-colonel, gentleman in ordinary to the Duke of Bourbon,

Prince of Conde, but not in the Almanac of 1824.

In a very interesting work, the Vie de Charles X. by the Abbe de

Vedrenne, the reader will find:--

"By the marriage of Sophie Dawes, did the Duke of Bourbon wish to break

away from a guilty bond? It is generally believed. As to M. de

Feucheres, convinced that his wife was the daughter of the Prince, he

had no suspicion. It was Sophie Dawes herself who enlightened him, to

drive him away. The effect of the revelation was terrible. M. de

Feucheres, indignant, quitted his wife. There no longer remained about

the Prince any but the creatures of Madame de Feucheres. Every one did

her bidding at Chantilly, and the Prince most of all."

The favorite sought to palliate her false situation in the eyes of

society by doing good with the Prince's money. The Count of Puymaigre

relates that she many times took him to the Hospital of Chantilly,

endowed by the munificence of the great Conde, the revenues of which

she wished to increase. He adds: "I urged her to this good work as much

as I could; for good, by whatever hand done, endures."

One day the Duchess of Angouleme asked him if he went often to

Chantilly.

"I go there," replied the Prefect, "to pay my court to the Duke of

Bourbon, whom I have the honor of having in my department."

"That is very well," responded the Dauphiness, "but I hope that Madame

de Puymaigre does not go."

The grand passion of the Duke of Bourbon was hunting. The Prefect of

the Oise says:--

"It was particularly during the hunts of Saint-Hubert that Chantilly

was a charming abode. The start was made at seven o'clock in the

morning, and usually I was in the carriage of the Prince with the

everlasting Madame de Feucheres. The hunting-lodge was delightful and

in a most picturesque situation. There twenty or thirty persons met to

the sound of horns, in the midst of dogs, horses, and huntsmen. The

coursing train of the Prince was finer and more complete than that of

the King. A splendid breakfast was served at the place of rendezvous,

built and furnished in the Gothic style of the thirteenth century, and

there the chase began. Although I told the Prince that I was no hunter,

he often made me mount my horse and accompany him; but often having

enjoyed the really attractive spectacle of the stag, driven by a crowd

of dogs, which launched themselves after him across the waters of a

little lake, I hastened back to the Gothic pavilion where the ladies

and a few men remained."

The Duchess of Berry and the Court of Charles X · 第 24 / 87 题