After which the King of Navarre, who was there as her principal

conductor, and also leader of all the army which was with her, was

summoned to deliver her, according to the order, which was shown to the

Cardinal de Bourbon, to receive her. The king replied, for he spoke

well, and said: “I place in your hands this princess, whom I have

brought from the house of the greatest king in the world to be placed in

the hands of the most illustrious king on earth. Knowing you to be very

sufficient and chosen by the king your master to receive her, I make no

difficulty nor doubt that you will acquit yourselves worthily of this

trust, which I now discharge upon you; begging you to have peculiar

care of her health and person, for she deserves it; and I wish you to

know that never did there enter Spain so great an ornament of all

virtues and chastities, as in time you will know well by results.”

The Spaniards replied at once that already at first sight they had very

ample knowledge of this from her manner and grave majesty; and, in

truth, her virtues were rare.

She had great knowledge, because the queen her mother had made her study

well under M. de Saint-Étienne, her preceptor, whom she always loved and

respected until her death. She loved poesy, and to read it. She spoke

well, in either French or Spanish, with a very noble air and much good

grace. Her Spanish language was beautiful, as dainty and attractive as

possible; she learned it in three or four months after coming to Spain.

To Frenchmen she always spoke French; never being willing to discontinue

it, but reading it daily in the fine books they sent from France, which

she was very anxious to have brought to her. To Spaniards and all others

she spoke Spanish and very well. In short, she was perfect in all

things, and so magnificent and liberal that no one could be more so. She

never wore her gowns a second time, but gave them to her ladies and

maids; and God knows what gowns they were, so rich and so superb that

the least was reckoned at three or four hundred crowns; for the king,

her husband, kept her most superbly in such matters; so that every day

she had a new one, as I was told by her tailor, who from being a very

poor man became so rich that nothing exceeded him, as I saw myself.

She dressed well, and very pompously, and her habiliments became her

much; among other things her sleeves were slashed, with scollops which

they call in Spanish _puntas_; her head-dress the same, where nothing

lacked. Those who see her thus in painting admire her; I therefore leave

you to think what pleasure they had who saw her face to face, with all

her gestures and good graces.

As for pearls and jewels in great quantity, she never lacked them, for

the king, her husband, ordered a great estate for her and for her

household. Alas! what served her that for such an end? Her ladies and

maids of honour felt it. Those who, being French, could not constrain

themselves to live in a foreign land, she caused, by a prayer which she

made to the king, her husband, to receive each four thousand crowns on

their marriage; as was done to Mesdamoiselles Riberac, sisters,

otherwise called Guitignières, de Fumel, the two sisters de Thorigny, de

Noyau, d’Arne, de La Motte au Groin, Montal, and several others. Those

who were willing to remain were better off, like Mesdamoiselles de

Saint-Ana and de Saint-Legier, who had the honour to be governesses to

Mesdames the infantas, and were married very richly to two great

seigneurs; they were the wisest, for better is it to be great in a

foreign country than little in your own,--as Jesus said: “No one is a

prophet in his own land.”

This is all, at this time, that I shall say of this good, wise and very

virtuous queen, though later I may speak of her. But I give this sonnet

which was written to her praise by an honourable gentleman, she being

still Madame, though promised in marriage:--

“Princess, to whom the skies give such advantage

That, for the part you have in Heaven’s divinity,

They grant you all the virtues of this earth,

And crown you with the gift of immortality:

“And since it pleased them that in early years

Your heavenly gifts of deity be seen,

So that you temper with a humble gravity

The royal grandeur of your sacred heritage:

“And also since it pleases them to favour you,

And place in you the best of all their best,

So that your name is cherished everywhere:

“Methinks that name should undergo a change,

And though we call you now Élisabeth of France,

You should be named Élisabeth of Heaven.”

I know that I may be reproved for putting into this Discourse and others

preceding it too many little particulars which are quite superfluous. I

think so myself; but I know that if they displease some persons, they

will please others. Methinks it is not enough when we laud persons to

say that they are handsome, wise, virtuous, valorous, valiant,

magnanimous, liberal, splendid, and very perfect; those are general

descriptions and praises and commonplace sayings, borrowed from

everybody. We should specify such things and describe particularly all

perfections, so that one may, as it were, touch them with the finger.

Such is my opinion, and it pleases me to retain and rejoice my memory

with things that I have seen.

EPITAPH ON THE SAID QUEEN.

“Beneath this stone lies Élisabeth of France:

Who was Queen of Spain and queen of peace,

Christian and Catholic. Her lovely presence

Was useful to us all. Now that her noble bones

Are dry and crumbling, lying under ground,

We have nought but ills and wars and troubles.”

DISCOURSE V.

MARGUERITE, QUEEN OF FRANCE AND OF NAVARRE, SOLE DAUGHTER NOW REMAINING

OF THE NOBLE HOUSE OF FRANCE.[12]

When I consider the miseries and ill-adventures of that beautiful Queen

of Scotland of whom I have heretofore spoken, and of other princesses

and ladies whom I shall not name, fearing by such digression to impair

my discourse on the Queen of Navarre, of whom I now speak, not being as

yet Queen of France, I cannot think otherwise than that Fortune,

omnipotent goddess of weal and woe, is the opposing enemy of human

beauty; for if ever there was in the world a being of perfect beauty it

is the Queen of Navarre, and yet she has been little favoured by

Fortune, so far; so that one may indeed say that Fortune was so jealous

of Nature for having made this princess beautiful that she wished to run

counter in fate. However that may be, her beauty is such that the blows

of said Fortune have no ascendency upon her, for the generous courage

she drew at birth from so many brave and valorous kings, her father,

grandfather, great-grandfather, and their ancestors, has enabled her

hitherto to make a brave resistance.

To speak now of the beauty of this rare princess: I think that all those

who are, will be, or ever have been beside it are plain, and cannot have

beauty; for the fire of hers so burns the wings of others that they dare

not hover, or even appear, around it. If there be any unbeliever so

chary of faith as not to give credence to the miracles of God and

Nature, let him contemplate her fine face, so nobly formed, and become

converted, and say that Mother Nature, that perfect workwoman, has put

all her rarest and subtlest wits to the making of her. For whether she

shows herself smiling or grave, the sight of her serves to enkindle

every one; so beauteous are her features, so well defined her

lineaments, so transparent and agreeable her eyes that they pass

description; and, what is more, that beautiful face rests on a body

still more beautiful, superb, and rich,--of a port and majesty more like

to a goddess of heaven than a princess of earth; for it is believed, on

the word of several, that no goddess was ever seen more beautiful; so

that, in order to duly proclaim her beauty, virtues, and merit, God must

lengthen the earth and heighten the sky beyond where they now are, for

space in the airs and on the land is lacking for the flight of her

perfection and renown.

Those are the beauties of body and mind in this fair princess, which I

at this time represent, like a good painter, after nature and without

art. I speak of those to be seen externally; for those that are secret

and hidden beneath white linen and rich accoutrements cannot be here

depicted or judged except as being very beautiful and rare; but this

must be by faith, presumption, and credence, for sight is interdicted.

Great hardship truly to be forced to see so beautiful a picture, made by

the hand of a divine workman, in the half only of its perfection; but

modesty and laudable shamefacedness thus ordain it--for they lodge among

princesses and great ladies as they do among commoner folk.

To bring a few examples to show how the beauty of this queen was admired

and held for rare: I remember that when the Polish ambassadors came to

France, to announce to our King Henri [then Duc d’Anjou] his election

to the kingdom of Poland, and to render him homage and obedience, after

they had made their reverence to King Charles, to the queen-mother, and

to their king, they made it, very particularly, and for several days, to

Monsieur, and to the King and Queen of Navarre; but the day when they

made it to the said Queen of Navarre she seemed to them so beautiful and

so superbly and richly accoutred and adorned, and with such great

majesty and grace that they were speechless at such beauty. Among

others, there was Lasqui, the chief of the embassy, whom I heard say, as

he retired, overcome by the sight: “No, never do I wish to see such

beauty again. Willingly would I do as do the Turks, pilgrims to Mecca,

where the sepulchre of their prophet Mahomet is, and where they stand

speechless, ravished, and so transfixed at the sight of that superb

mosque that they wish to see nothing more and burn their eyes out with

hot irons till they lose their sight, so subtly is it done; saying that

nothing more could be seen as fine, and therefore would they see

nothing.” Thus said that Pole about the beauty of our princess. And if

the Poles were won to admiration, so were others. I instance here Don

Juan of Austria, who (as I have said elsewhere), passing through France

as stilly as he could, and reaching Paris, knowing that that night a

solemn ball was given at the Louvre, went there disguised, as much to

see Queen Marguerite of Navarre as for any other purpose. He there had

means and leisure to see her at his ease, dancing, and led by the king,

her brother, as was usual. He gazed upon her long, admired her, and then

proclaimed her high above the beauties of Spain and Italy (two regions,

nevertheless, most fertile in beauty), saying these words in Spanish:

“Though the beauty of that queen is more divine than human, she is made

to damn and ruin men rather than to save them.”

Shortly after, he saw her again as she went to the baths of Liège, Don

Juan being then at Namur, where she had to pass; the which crowned all

his hopes to enjoy so fine a sight, and he went to meet her with great

and splendid Spanish magnificence, receiving her as though she were the

Queen Élisabeth, her sister, in the latter’s lifetime his queen, and

Queen of Spain. And though he was most enchanted with the beauty of her

body, he was the same with that of her mind, as I hope to show in its

proper place. But it was not Don Juan alone who praised and delighted to

praise her, but all his great and brave Spanish captains did the same,

and even the very soldiers of those far-famed bands, who went about

saying among themselves, in soldierly chorus, that “the conquest of such

beauty was better than that of a kingdom, and happy would be the

soldiers who, to serve her, would die beneath her banner.”

It is not surprising that such people, well-born and noble, should think

this princess beautiful, but I have seen Turks coming on an embassy to

the king her brother, barbarians that they were, lose themselves in

gazing at her, and say that the pomp of their Grand Signior in going to

his mosque or marching with his army was not so fine to see as the

beauty of this queen.

In short, I have seen an infinity of other strangers who have come to

France and to the Court expressly to behold her whose fame had gone from

end to end of Europe, so they said.

I once saw a gallant Neapolitan knight, who, having come to Paris and

the Court, and not finding the said queen, delayed his return two months

in order to see her, and having seen her he said these words: “In other

days, the Princess of Salerno bore the like reputation for beauty in our

city of Naples, so that a foreigner who had gone there and had not seen

her, when he returned and related his visit, and was asked had he seen

that princess, and answered no, was told that in that case he had not

seen Naples. Thus I, if on my return without seeing this beautiful

princess I were asked had I seen France and the Court, could scarcely

say I had, for she is its ornament and enrichment. But now, having seen

and contemplated her so well, I can say that I have seen the greatest

beauty in the world, and that our Princess of Salerno is as nothing to

her. Now I am well content to go, having enjoyed so fine a sight. I

leave you Frenchmen to think how happy you should be to see at your ease

and daily her fine face; and to approach that flame divine, which can

warm and kindle frigid hearts from afar more than the beauty of our most

beauteous dames near-by.” Such were the words said to me one day by that

charming Neapolitan knight.

An honourable French gentleman, whom I could name, seeing her one

evening, in her finest lustre and most stately majesty in a ball-room,

said to me these words: “Ah! if the Sieur des Essarts, who, in his books

of ‘Amadis’ forced himself with such pains to well and richly describe

to the world the beautiful Nicquée and her glory, had seen this queen in

his day he would not have needed to borrow so many rich and noble words

to depict and set forth Nicquée’s beauty; ‘t would have sufficed him to

declare she was the semblance and image of the Queen of Navarre, unique

in this world; and thus the beauteous Nicquée would have been better

pictured than she has been, and without superfluity of words.”

Therefore, M. de Ronsard had good reason to compose that glorious elegy

found among his works in honour of this beautiful Princess Marguerite of

France, then not married, in which he has introduced the goddess Venus

asking her son whether in his rambles here below, seeing the ladies of

the Court of France, he had found a beauty that surpassed her own. “Yes,

mother,” Love replied, “I have found one on whom the glory of the finest

sky is shed since ever she was born.” Venus flushed red and would not

credit it, but sent a messenger, one of her Charites, to earth to

examine that beauty and make a just report. On which we read in the

elegy a rich and fine description of the charms of that accomplished

princess, in the mouth of the Charite Pasithea, the reading of which

cannot fail to please the world. But M. de Ronsard, as a very honourable

and able lady said to me, stopped short and lacked a little something,

in that he should have told how Pasithea returned to heaven, and there,

discharging her commission, said to Venus that her son had only told the

half; the which so saddened and provoked the goddess into jealousy,

making her blame Jupiter for the wrong he did to form on earth a beauty

that shamed those of heaven (and principally hers, the rarest of them

all), that henceforth she wore mourning and made abstinence from

pleasures and delights; for there is nothing so vexatious to a beautiful

and perfect lady as to tell her she has her equal, or that another can

surpass her.

Now, we must note that if our queen was beauteous in herself and in her

nature, also she knew well how to array herself; and so carefully and

richly was she dressed, both for her body and her head, that nothing

lacked to give her full perfection.

To the Queen Isabella of Bavaria, wife of King Charles VI., belongs the

praise of having brought to France the pomps and gorgeousness that

henceforth clothed most splendidly and gorgeously the ladies;[13] for in

the old tapestries of that period in the houses of our kings we see

portrayed the ladies attired as they then were, in nought but

drolleries, slovenliness, and vulgarities, in place of the beautiful,

superb fashions, dainty headgear, inventions, and ornaments of our

queen; from which the ladies of the Court and France take pattern, so

that ever since, appearing in her modes, they are now great ladies

instead of simple madams, and so a hundredfold more charming and

desirable. It is to our Queen Marguerite that ladies owe this

obligation.

I remember (for I was there) that when the queen-mother took this queen,

her daughter, to the King of Navarre, her husband, she passed through

Coignac and made some stay. While they were there, came various grand

and honourable ladies of the region to see them and do them reverence,

who were all amazed at the beauty of the princess, and could not surfeit

themselves in praising her to her mother, she being lost in joy.

Wherefore she begged her daughter to array herself one day most

gorgeously in the fine and superb apparel that she wore at Court for

great and magnificent pomps and festivals, in order to give pleasure to

these worthy dames. Which she did, to obey so good a mother; appearing

robed superbly in a gown of silver tissue and dove-colour, _à la

bolonnoise_ [_bouillonnée_--with puffs?], and hanging sleeves, a rich

head-dress with a white veil, neither too large nor yet too small; the

whole accompanied with so noble a majesty and good grace that she seemed

more a goddess of heaven than a queen of earth. The queen-mother said to

her: “My daughter, you look well.” To which she answered: “Madame, I

begin early to wear and to wear out my gowns and the fashions I have

brought from Court, because when I return I shall bring nothing with me

only scissors and stuffs to dress me then according to current

fashions.” The queen-mother asked her: “What do you mean by that, my

daughter? Is it not you yourself who invent and produce these fashions

of dress? Wherever you go the Court will take them from you, not you

from the Court.” Which was true; for after she returned she was always

in advance of the Court, so well did she know how to invent in her

dainty mind all sorts of charming things.

But the beauteous queen in whatsoever fashion she dressed, were it _à la

française_ with her tall head-dress, or in a simple coif, with her grand

veil, or merely in a cap, could never prove which of these fashions

became her most and made her most beautiful, admirable, and lovable; for

she well knew how to adapt herself to every mode, adjusting each new

device in a way not common and quite inimitable. So that if other ladies

took her pattern to form it for themselves they could not rival her, as

I have noticed a hundred times. I have seen her dressed in a robe of

white satin that shimmered much, a trifle of rose-colour mingling in it,

with a veil of tan crêpe or Roman gauze flung carelessly round her head;

yet nothing was ever more beautiful; and whatever may be said of the

goddesses of the olden time and the empresses as we see them on ancient

coins, they look, though splendidly accoutred, like chambermaids beside

her.

I have often heard our courtiers dispute as to which attire became and

embellished her the most, about which each had his own opinion. For my

part, the most becoming array in which I ever saw her was, as I think,

and so did others, on the day when the queen-mother made a fête at the

Tuileries for the Poles. She was robed in a velvet gown of Spanish rose,

covered with spangles, with a cap of the same velvet, adorned with

plumes and jewels of such splendour as never was. She looked so

beautiful in this attire, as many told her, that she wore it often and

was painted in it; so that among her various portraits this one carries

the day over all others, as the eyes of good judges will tell, for

there are plenty of her pictures to judge by.

When she appeared, thus dressed, at the Tuileries, I said to M. de

Ronsard, who stood next to me: “Tell the truth, monsieur, do you not

think that beautiful queen thus apparelled is like Aurora, as she comes

at dawn with her fair white face surrounded with those rosy tints?--for

face and gown have much in sympathy and likeness.” M. de Ronsard avowed

that I was right; and on this my comparison, thinking it fine, he made a

sonnet, which I would fain have now, to insert it here.

I also saw this our great queen at the first States-general at Blois on

the day the king, her brother, made his harangue. She was dressed in a

robe of orange and black (the ground being black with many spangles) and

her great veil of ceremony; and being seated according to her rank she

appeared so beautiful and admirable that I heard more than three hundred

persons in that assembly say they were better instructed and delighted

by the contemplation of such divine beauty than by listening to the

grave and noble words of the king, her brother, though he spoke and

harangued his best. I have also seen her dressed in her natural hair

without any artifice or peruke; and though her hair was very black

(having derived that from her father, King Henri), she knew so well how

to curl and twist and arrange it after the fashion of her sister, the

Queen of Spain, who wore none but her own hair, that such coiffure and

adornment became her as well as, or better than, any other. That is what

it is to have beauties by nature, which surpasses all artifice, no

matter what it may be. And yet she did not like the fashion much and

seldom used it, but preferred perukes most daintily fashioned.

In short, I should never have done did I try to describe all her

adornments and forms of attire in which she was ever more and more

beauteous; for she changed them often, and all were so becoming and

appropriate, as though Nature and Art were striving to outdo each other

in making her beautiful. But this is not all; for her fine accoutrements

and adornments never ventured to cover her beautiful throat or her

lovely bosom, fearing to wrong the eyes of all the world that roved upon

so fine an object; for never was there seen the like in form and

whiteness, and so full and plump that often the courtiers died with envy

when they saw the ladies, as I have seen them, those who were her

intimates, have license to kiss her with great delight.

I remember that a worthy gentleman, newly arrived at Court, who had

never seen her, when he beheld her said to me these words: “I am not

surprised that all you gentlemen should like the Court; for if you had

no other pleasure than daily to see that princess, you have as much as

though you lived in a terrestrial paradise.”

Roman emperors of the olden time, to please the people and give them

pleasure, exhibited games and combats in their theatres; but to give

pleasure to the people of France and gain their friendship, it was

enough to let them often see Queen Marguerite, and enjoy the

contemplation of so divine a face, which she never hid behind a mask

like other ladies of our Court, for nearly all the time she went

uncovered; and once, on a flowery Easter Day at Blois, still being

Madame, sister of the king (although her marriage was then being treated

of), I saw her appear in the procession more beautiful than ever,

because, besides the beauty of her face and form, she was most superbly

adorned and apparelled; her pure white face, resembling the skies in

their serenity, was adorned about the head with quantities of pearls and

jewels, especially brilliant diamonds, worn in the form of stars, so

that the calm of the face and the sparkling jewels made one think of

the heavens when starry. Her beautiful body with its full, tall form was

robed in a gown of crinkled cloth of gold, the richest and most

beautiful ever seen in France. This stuff was a gift made by the Grand

Signior to M. de Grand-Champ, our ambassador, on his departure from

Constantinople,--it being the Grand Signior’s custom to present to those

who are sent to him a piece of the said stuff amounting to fifteen ells,

which, so Grand-Champ told me, cost one hundred crowns the ell; for it

was indeed a masterpiece. He, on coming to France and not knowing how to

employ more worthily the gift of so rich a stuff, gave it to Madame, the

sister of the king, who made a gown of it, and wore it first on the said

occasion, when it became her well--for from one grandeur to another

there is only a hand’s breadth. She wore it all that day, although its

weight was heavy; but her beautiful, rich, strong figure supported it

well and served it to advantage; for had she been a little shrimp of a

princess, or a dame only elbow-high (as I have seen some), she would

surely have died of the weight, or else have been forced to change her

gown and take another.

The book of the ladies Illustrious Dames: The Reign and Amours of the Bourbon Régime · 第 11 / 22 段