III.

Oh, Mag, Mag, for heaven's sake, let me talk to you! No, don't say

anything. You must let me tell you. No--don't call the other girls.

I can't bear to tell this to anybody but you.

You know how I kicked when Tom hit on Latimer's as the place we were to

scuttle. And the harder I kicked the stubborner he got, till he swore

he'd do the job without me if I wouldn't come along. Well--this is the

rest of it.

The house, you know, stands at the end of the street. If you could

walk through the garden with the iron fence you'd come right down the

bluff on to the docks and out into East River. Tom and I came up to it

from the docks last night. It was dark and wet, you remember. The mud

was thick on my trousers--Nance Olden's a boy every time when it comes

to doing business.

"We'll blow it all in, Tom," I said, as we climbed. "We'll spend a

week at the Waldorf, and then, Tom Dorgan, we'll go to Paris. I want a

red coat and hat with chinchilla, like that dear one I lost, and a

low-neck satin gown, and a silk petticoat with lace, and a chain with

rhinestones, and--"

"Just wait, Sis, till you get out of this. And keep still."

"I can't. I'm so fidgety I must talk or I'll shriek."

"Well, you'll shut up just the same. Do you hear me?"

In the Bishop's Carriage · 第 16 / 81 题