117. ~shelves~, flat ledges of rock.

118. ~pert~, lively. Here used in its radical sense (being a form of

_perk_, smart): its modern sense is 'forward' or 'impertinent.' Skeat

points out that _perk_ and _pert_ were both used as verbs; _e.g._

"_perked_ up in a glistering grief," _Henry VIII._ ii. 3. 21: "how it (a

child) speaks, and looks, and _perts_ up the head," Beaumont and

Fletcher's _Knight of the Burning Pestle_, i. 1. A similar change of _k_

into _t_ is seen in E. _mate_ from M.E. _make_. ~dapper~, quick (Du.

_dapper_, Ger. _tapfer_, brave, quick). It is usual in the sense of

'neat.'

119. ~dimple~. _Dimple_ is a diminutive of _dip_, and cognate with

_dingle_ and _dapple_.

120. ~daisies trim~: comp. _L'Alleg._ 75, "Meadows _trim_, with daisies

pied"; _Il Pens._ 50, "_trim_ gardens."

121. ~wakes~, night-watches (A.S. _niht-wacu_, a night wake). The

adjective _wakeful_ (A.S. _wacol_) is the exact cognate of the Latin

_vigil_. The word was applied to the vigil kept at the dedication of a

church, then to the feast connected therewith, and finally to an evening

merry-making. ~prove~, test, judge of (Lat. _probare_). This is its sense

in older writers and in the much-misunderstood phrase--"the exception

_proves_ the rule," which means that the exception is a test of the

rule.

124. ~Venus now wakes~, etc. Spenser, _Brit. Ida_, ii. 3, has "Night is

Love's holyday." In this line ~wakens~ is used transitively, its object

being 'Love.'

125. ~rights~. Here used, as sometimes by Spenser, where modern usage

requires _rites_ (Lat. _ritus_, a custom): see l. 535.

126. ~daylight ... sin~. Daylight makes sin by revealing it. Contrast the

sentiment of Comus with that of Milton in _Par. Lost_, i. 500, "When

night Darkens the streets, then wander forth the sons Of Belial."

127. ~dun shades~: evidently suggested by Fairfax's _Tasso_, ix. 62, "The

horrid darkness, and the shadows _dun_." 'Dun' is A.S. _dunn_, dark.

129. ~Cotytto~, the goddess of Licentiousness: here called 'dark-veiled'

because her midnight orgies were veiled in darkness. She was a Thracian

divinity, and her worshippers were called Baptae ('sprinkled'), because

the ceremony of initiation involved the sprinkling of warm water.

131. ~called~, invoked. ~dragon-womb Of Stygian darkness~. The Styx (= 'the

abhorred') was the chief river in the lower world. Milton here speaks of

darkness as something positive, ejected from the womb of Night, Night

being represented as a monster of the lower regions: comp. _Par. Lost_,

i. 63. The pronoun 'her' shows that 'womb' is here used in its strict

sense, but in _Par. Lost_, i. 673, "in his _womb_ was hid metallic ore,"

it has the more general sense of "interior": comp. the use of Lat.

_uterus_, _Aen._ ii. 258, vii. 499. ~dragon~: Shakespeare refers to the

dragons or 'dragon car' of night, _Cym._ ii. 2. 48, "Swift, swift, you

_dragons_ of the night"; _Tro. and Cress._ v. 8. 17, "The _dragon_ wing

of night o'erspreads the earth"; see also _Il Pens._ 59, "Cynthia checks

her dragon yoke."

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