_Each with Portrait, $1.25. Price per set, in box, cloth, $3.75; half

calf, $7.50._

CITIZENESS BONAPARTE.

THE WIFE OF THE FIRST CONSUL.

THE COURT OF THE EMPRESS JOSEPHINE.

The romantic and eventful period beginning with Josephine’s marriage,

comprises the astonishing Italian campaign, the Egyptian expedition,

the _coup d’état_ of Brumaire, and is described in the first of

the above volumes; while the second treats of the brilliant society

which issued from the chaos of the Revolution, and over which Madame

Bonaparte presided so charmingly; and the third, of the events between

the assumption of the imperial title by Napoleon and the end of 1807,

including, of course, the Austerlitz campaign.

_FOUR VOLUMES ON THE EMPRESS MARIE LOUISE._

_Each with Portrait, $1.25. Price per set, in box, cloth, $5.00; half

calf, $10.00._

THE HAPPY DAYS OF MARIE LOUISE.

MARIE LOUISE AND THE DECADENCE OF THE EMPIRE.

MARIE LOUISE AND THE INVASION OF 1814.

MARIE LOUISE, THE RETURN FROM ELBA, AND THE HUNDRED DAYS.

The auspicious marriage of the Archduchess Marie Louise to the master

of Europe; the Russian invasion, with its disastrous conclusion a few

years later; the Dresden and Leipsic campaign; the invasion of France

by the Allies, and the marvellous military strategy of Napoleon in

1814, ending only with his defeat and exile to Elba; his life in his

little principality; his romantic escape and dramatic return to France;

the preparations of the Hundred Days; Waterloo and the definitive

restoration of Louis XVIII. closing the era begun in 1789, with “The

End of the Old Régime,”--are the subjects of the four volumes grouped

around the personality of Marie Louise.

_TWO VOLUMES ON THE DUCHESS OF ANGOULÊME._

_Each with Portrait, $1.25. Price per set, in box, cloth, $2.50; half

calf, $5.00._

THE YOUTH OF THE DUCHESS OF ANGOULÊME.

THE DUCHESS OF ANGOULÊME AND THE TWO RESTORATIONS.

The period covered in this first of these volumes begins with the life

of the daughter of Louis XVI. and Marie Antoinette imprisoned in the

Temple after the execution of her parents, and ends with the accession

of Louis XVIII. after the abdication of Napoleon at Fontainebleau.

The first Restoration, its illusions, the characters of Louis XVIII.,

of his brother, afterwards Charles X., of the Dukes of Angoulême and

Berry, sons of the latter, the life of the Court, the feeling of the

city, Napoleon’s sudden return from Elba, the Hundred Days from the

Royalist side, the second Restoration, and the vengeance taken by the

new government on the Imperialists, form the subject-matter of the

second volume.

_THREE VOLUMES ON THE DUCHESS OF BERRY._

_Each with Portrait, $1.25. Price per set, in box, cloth, $3.75; half

calf, $7.50._

THE DUCHESS OF BERRY AND THE COURT OF LOUIS XVIII.

THE DUCHESS OF BERRY AND THE COURT OF CHARLES X.

THE DUCHESS OF BERRY AND THE REVOLUTION OF JULY, 1830.

The Princess Marie Caroline, of Naples, became, upon her marriage

with the Duke of Berry, the central figure of the French Court during

the reigns of both Louis XVIII. and Charles X. The former of these

was rendered eventful by the assassination of her husband and the

birth of her son, the Count of Chambord, and the latter was from the

first marked by those reactionary tendencies which resulted in the

dethronement and exile of the Bourbons. The dramatic Revolution which

brought about the July monarchy of Louis Philippe, has never been more

vividly and intelligently described than in the last volume devoted to

the Duchess of Berry.

“_In these translations of this interesting series of

sketches, we have found an unexpected amount of pleasure and

profit. The author cites for us passages from forgotten diaries,

hitherto unearthed letters, extracts from public proceedings,

and the like, and contrives to combine and arrange his material

so as to make a great many very vivid and pleasing pictures. Nor

is this all. The material he lays before us is of real value,

and much, if not most of it, must be unknown save to the special

students of the period. We can, therefore, cordially commend

these books to the attention of our readers. They will find them

attractive in their arrangement, never dull, with much variety

of scene and incident, and admirably translated._”--THE

NATION, _of December 19, 1890_.

BRIEF LIST of Books of Fiction Published by Charles Scribner’s

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_William Waldorf Astor._

=Valentino=: An Historical Romance. 12mo, $1.00. =Sforza=: A

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_Arlo Bates._

=A Wheel of Fire.= 12mo, paper, 50 cts.; cloth, $1.00.

“The novel deals with character rather than incident, and is evolved

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_Hjalmar H. Boyesen._

=Falconberg.= Illustrated. 12mo, $1.50. =Gunnar.= Sq. 12mo,

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=Zadoc Pine=, and Other Stories. 12mo, paper, 50 cts.; cloth,

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the artist both supplement one another in this excellent ‘Story of a

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_Frances Hodgson Burnett._

=That Lass O’ Lowrie’s.= Illustrated. Paper, 50 cts.; cloth,

$1.25. =Haworth’s.= Illustrated. 12mo, $1.25. =Through One

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of character.”--RICHARD HENRY STODDARD.

_William Allen Butler._

=Domesticus.= A Tale of the Imperial City. 12mo, $1.25.

“Under a veil made intentionally transparent, the author maintains

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follies.”--_The New York Journal of Commerce._

_George W. Cable._

=The Grandissimes.= 12mo, paper, 50 cts.; cloth, $1.25. =Old

Creole Days.= 12mo, cloth, $1.25; also in two parts, paper,

each, 30 cts. =Dr. Sevier.= 12mo, paper, 50 cts.; cloth, $1.25.

=Bonaventure.= 12mo, paper, 50 cts.; $1.25.

_The set, 4 vols., $5.00._

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New York Tribune._

_Rebecca Harding Davis._

=Silhouettes of American Life.= 12mo, paper, 50 cts.; cloth,

$1.00.

“There are altogether thirteen stories in the volume, all written in

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a producer of fiction.”--_Boston Beacon._

_Richard Harding Davis._

=Gallegher=, and Other Stories. 12mo, paper, 50 cts.; cloth,

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The ten stories comprising this volume attest the appearance of a new

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well as Dickens did his London.

_Edward Eggleston._

=Roxy.= =The Circuit Rider.= Illustrated. Each, 12mo, $1.50.

“Dr. Eggleston’s fresh and vivid portraiture of a phase of life and

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Union._

_Erckmann-Chatrian._

=The Conscript.= Illustrated. =Waterloo.= Illustrated. Sequel to

The Conscript. =Madame Thérèse.= =The Blockade of Phalsburg.=

Illustrated. =The Invasion of France in 1814.= Illustrated. =A

Miller’s Story of the War.= Illustrated.

_The National Novels, each, $1.25; the sets, 6 vol., $7.50._

=Friend Fritz.= 12mo, paper, 50 cts.; cloth, $1.25.

_Eugene Field._

=A Little Book of Profitable Tales.= 16mo, $1.25.

“This pretty little volume promises to perpetuate examples of a

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Tribune._

_Harold Frederic._

=Seth’s Brother’s Wife.= 12mo, $1.25. =The Lawton Girl.= 12mo,

$1.25; paper, 50 cts. =In the Valley.= Illustrated. 12mo, $1.50.

“It is almost reasonable to assert that there has not been since

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_James Anthony Froude._

=The Two Chiefs of Dunboy.= An Irish Romance of the Last

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“The narrative is full of vigor, spirit and dramatic power. It will

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_Robert Grant._

=Face to Face.= 12mo, paper, 50 cts.; cloth, $1.25. =The

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$1.00.

“In the ‘Reflections,’ Mr. Grant has given us a capital little book

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_Edward Everett Hale._

=Philip Nolan’s Friends.= Illust’d. 12mo, paper, 50 cts.; cloth,

$1.50.

“There is no question, we think, that this is Mr. Hale’s completest and

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_Marion Harland._

=Judith.= 12mo, paper, 50 cts.; cloth, $1.00. =Handicapped.=

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=Free Joe=, and Other Georgian Sketches. 12mo, paper, 50 cts.;

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=The Governor=, and Other Stories. 12mo, cloth, $1.00; paper, 50

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_E. T. W. Hoffmann._

=Weird Tales.= With Portrait. 12mo, 2 vols., $3.00.

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=Color Studies, and a Mexican Campaign.= 12mo, paper, 50 cts.;

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_George I. Putnam._

=In Blue Uniform.= 12mo, $1.00.

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FOOTNOTES:

[1] Lacordaire, 2d Toulouse Conference.

[2]

No, Louis was less harsh than he appeared;

His death has justified him,

Since he, as well as the Messiah,

Has died for our salvation.

[3] Room No. 124 of the _Notice du Musée de Versailles_, by M.

Eudore Soulié.

[4] Room No. 115 of the _Notice du Musée de Versailles_.

[5] See the interesting work by M. Édouard de Barthélemy, _Les filles

du Regent_, 2 vols., Firmin Didot.

[6] _La Reine Leczinska_, by Madame the Countess d’Armaillé, born

De Ségur, 1 vol., Dentu.

[7] Letter to M. Thiriot, October 17, 1725.

[8] _Receveur des décimes_--the tithe formerly paid by the clergy

to the kings of France.

[9] Memoirs of Duclos.

[10] The Duke was blind in one eye.

[11] The chamber of Louis XV. and the cabinets are now used as the

apartment of the President of the National Assembly.

[12] Massillon, Sermon on _l’Evidence de la loi_.

[13] Memoirs of the Duke de Luynes.

[14] _Les Maitresses de Louis XV._, par Edmond et Jules de

Goncourt. 2 vols. Firmin-Didot.

[15] Correspondence of Louis XV. and the Marshal de Noailles, published

by M. Camille Rousset. 2 vols. Dumont.

[16] _Lettres autographes de la duchesse de Châteauroux. Bibliothèque

de Rouen._

[17] Memoirs of the Duke de Luynes.

[18] M. Capefigue, _Madame la Marquise de Pompadour_. 1 vol. Amyot.

[19] M. Boutaric, _Correspondance Secrète de Louis XV._

[20] The dinner took place in the room called the Queen’s Antechamber,

No. 117 of the _Notice du Musée_, by M. Eudore Soulié.

[21] Room No. 116 of the _Notice du Musée_.

[22] The gilted screw-rings which served to support this canopy may

still be seen in the cornice opposite the windows.

[23] _La reine Marie Leczinska_, by Madame the Countess d’Armaillé,

born de Ségur. 1 vol., Didier.

[24] Massillon, _Sermon sur les dégoûts qui accompagnent la piété_.

[25] Born at Versailles, September 4, 1729, died at Fontainebleau,

December 20, 1765. He married a Spanish Infanta in 1745, and in 1747

a princess of Saxony, the mother of Louis XVI., Louis XVIII., and of

Charles X.

[26] February 25, 1745.

[27]

When Cæsar, that charming hero,

Whom all Rome idolized,

Gained some brilliant combat,

People complimented on it

The divine Cleopatra.

When Louis, that charming hero,

Who is the idol of all Paris,

Gains some brilliant combat,

One must compliment on it

The divine D’Étioles.

[28]

He knows how to love and how to fight;

He sends to this fair abode

A brevet worthy of Henry Fourth,

Signed: Louis, Mars, and Love.

But the enemies have their turn,

And his valor and his prudence

Give to Ghent, the same day,

A brevet as a French city.

These two brevets, so welcome,

Will both survive in memory.

With him the altars of Venus

Are in the temple of Glory.

[29]

All is about to change: the crimes of an inconstant

No longer will be vaunted as exploits.

Modesty alone will obtain our homage,

Constant Love will resume his rights.

The example of it is given by the greatest of kings

And the most discreet of beauties.

[30]

Great King, London groans, Vienna weeps and admires thee. Thine

arm is about to decide the fate of the Empire. Sardinia wavers,

and Munich repents; Batavia, undecided, is a prey to remorse;

And France exclaims amidst her joy: “The best loved of Kings is

also the greatest!”

[31] See the accurate and interesting little work by M. Adolphe Julien:

_Histoire du Théâtre de Mme. de Pompadour, dit Théâtre des petits

cabinets_, with an etching by Martial after Boucher.

[32]

One traces but on sand

The vague and unstable promises

Of all the nobles of the court;

But on imperishable bronze

The Muses have traced the name of Pompadour

And her invariable promise.

[33] This staircase, which led to the large apartments of the King, was

destroyed in 1750. The present staircase in the wing of the palace was

constructed on the side of it.

[34]

This perfect American

Has caused too many tears to flow.

Can I not console myself

And see Venus at her toilette?

[35] See the learned and remarkable work of M. Campardon: _Madame de

Pompadour et la cour de Louis XV._, 1 vol., Plon.

[36] _Curiosités historiques_, par M. Le Roy, 1 vol., Plon.

[37] See rooms 56, 57, 58, 59 of M. Soulie’s Notice of the Museum of

Versailles. No. 57 was the bedroom of the Marquise, No. 58 her study.

[38]

Sincere and tender Pompadour

(For I can give you in advance

This name which rhymeth with amour

And soon will be the finest name in France),

This tokay with which Your Excellence

At Étioles regalèd me,

Beareth it not some resemblance

Unto the King who gave it thee?

It is, like him, without melange,

Joins strength to mildness, pleasant art,

Pleases the eyes, enchants the heart,

Does good and never knoweth change.

[39]

Spirits and hearts and ramparts terrible,

All to his efforts yield, all bend beneath his law,

And Berg-Op-Zoom and you, you are invincible;

You have submitted only to my King.

’Tis to your arms he flies from Victory’s breast,

Finds in your heart the guerdon of his toils.

His glory nothing can augment,

And you augment his happiness.

[40]

So then, you reunite

All arts, all gifts to please;

Pompadour, you embellish

The court, Parnassus, and Cythera.

Charm of all eyes, treasure of one alone,

May your love be eternal!

May all your days be marked by festivals!

May new successes mark the days of Louis!

May you both live devoid of enemies

And both preserve your conquests.

[41]

Grotesque monument, infamous pedestal;

The Virtues are on foot, and vice on horseback.

[42]

Here lies she who, starting from a dungheap,

In order to make her fortune complete,

Sold her honor to the farmer,

And her daughter to the proprietor.

[43]

The noble lords abase themselves,

The financiers enrich themselves,

The Poissons aggrandize themselves;

’Tis the reign of good-for-naughts.

They exhaust the treasury,

They waste in buildings,

The State falls into decadence,

The King sets nothing straight.

A little bourgeoise,

Brought up like a wanton,

Measuring all by her own standard,

Makes a kennel of the court;

Louis, in spite of his scruples,

Burns coldly for her,

And his ridiculous amour

Makes all Paris laugh.

A vapid countenance,

And each tooth spotted,

The skin yellow and freckled,

The eyes frigid and the neck long,

Witless and without character,

The soul vile and mercenary,

The tattle of a gossip,

All is low with la Poisson.

If among chosen beauties

She were one of the prettiest,

One pardons follies

When their object is a gem.

But when a ridiculous creature

And so flat a figure

Excites so many murmurs,

Every one thinks the King a fool.

[44]

Who can hereafter recognize his King

Amid these actors who reign with thee?

[45]

Love has been set upon the throne of France.

Theatric rage assassinates the court.

The palaces of our kings, once worthy of respect,

Lose all their éclat, become contemptible;

None but merry-andrews inhabit them!...

[46]

A leech’s daughter and a leech herself,

Fish of an arrogance extreme,

Parades in this château, without fear or dread,

The people’s substance and the monarch’s shame.

[47] _Clément XIV. et les Jésuites_, by M. Crétineau-Joly.

[48] See the very learned and complete work of M. Jobez: _La France

sous Louis XV._ Six vols., Didier.

[49]

What is clearly conceived is clearly expressed,

And the words to say it come easily.

[50] Sainte-Beuve, _Causeries du Lundi_, t. viii.

[51]

Soubise says, lantern in hand,

There’s no use looking, where the devil is my army?

It was here yesterday morning, anyhow,

Has some one taken it or have I lost it?

Ah! I lose everything, I am a rattlepate;

But wait till broad daylight, till noon.

What do I see! O heaven! How my soul is enraptured!

Wondrous prodigy, there it is, there it is!--

Ah! zounds! What is that then?

I was mistaken, ’tis the enemy’s army.

[52] Voltaire, _Siècle de Louis XV._

[53] See the witty and interesting work by M. Arsène Houssaye: _Louis

XV._ 1 vol., Dentu.

[54]

The court of Louis XV · 第 16 / 17 段