XXIV: Post Scriptum

I think that John Mayrant, Jr., is going to look like his mother. I was

very glad to be present when he was christened, and at this ceremony I

did not feel as I had felt the year before at the wedding; for then I

had known well enough that if the old ladies found any blemish on

that occasion, it was my being there! To them I must remain forever a

“Yankee,” a wall perfectly imaginary and perfectly real between us; and

the fact that young John could take any other view of me, was to them a

sign of that “radical” tendency in him which they were able to forgive

solely because he was of the younger generation and didn’t know any

better.

And with these thoughts in my mind, and remembering a certain very grave

talk I had once held with Eliza in the Exchange about the North and the

South, in which it was my good fortune to make her see that there is on

our soil nowadays such a being as an American, who feels, wherever

he goes in our native land, that it is all his, and that he belongs

everywhere to it, I looked at the little John Mayrant, and then I said

to his mother:--

“And will you teach him ‘Dixie’ and ‘Yankee Doodle’ as well?”

But Eliza smiled at me with friendly, inscrutable eyes.

“Oh,” said John, “you mustn’t ask too much of the ladies. I’ll see to

all that.”

Perhaps he will. And an education at Harvard College need not cause

the boy to forget his race, or his name, or his traditions, but only to

value them more, as they should be valued. And the way that they should

be valued is this: that the boy in thinking of them should say to

himself, “I am proud of my ancestors; let my life make them proud of

me.”

But, in any case, is it not pleasant to think of the boy being brought

up by Eliza, and not by Hortense?

And so my portrait of Kings Port is finished. That the likeness is not

perfect, I am only too sensible. No painter that I have heard of ever

satisfies the whole family. But, should any of the St. Michaels see

this picture, I trust they may observe that if some of the touches are

faulty, true admiration and love of his subject animated the artist’s

hand; and if Miss Josephine St. Michael should be pleased with any

of it, I could wish that she might indicate this by sending me a Lady

Baltimore; we have no cake here that approaches it.

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