Plate XX. DEATH. THE DEPARTURE AND FATE OF THE SOUL]

Of these seven sources it appears to us that (_c_) and (_f_)--the short

_De humana natura_ of Constantine, and the five-figure series--are

those on which Hildegard drew. The absence of Arabisms and the

scarcity of technical anatomical terms in her writings, her failure to

distinguish between veins and arteries, the absence of anything of the

nature of myology or osteology, together with the neglect of the spinal

marrow as an important organ, make it very unlikely that she consulted

Constantine’s longer works or the Salernitan authorities or the text of

the five-figure series. Her anatomical descriptions resemble those of

Constantine’s shorter work, on the other hand, in the description of

the three vesicles of the brain and their relations to the faculties

of the mind, in the treatment of the five senses, in the view of

the influence of the planets on the child and the emphasis laid on

epilepsy, as well as in the absence of any distinction between arteries

and veins, and in the loose doctrines of the humours and of the causes

of deformities and monstrosities. In some of these respects also her

account of the human body presents points of resemblance to the _De

hominis membris ac partibus_ of Hugh of St. Victor,[102] with whom,

however, her contact appears to be less close than with Constantine.

We may infer that Hildegard had consulted anatomical diagrams and was

accustomed to this method of representing the organs from a passage

descriptive of the microcosm, in which she says that ‘in the mouth of

the figure in whose body was the disk, I saw a light brighter than

the light of day, in the form of threads, some circular, some in

other geometrical forms, and some shaped like human members belonging

to the figure, which was clearly portrayed on the disk upright and

accurately limned’.[103] These ‘circles and geometrical figures’ fairly

describe the highly diagrammatic manner in which the five-figure series

represents the internal organs, and several points suggest that she

does indeed refer to this series. Her description of the abdominal

muscles (_umbilicus_) ‘covering the viscera like a cap’, her general

descriptions of the vessels (_venae_) and the muscles, and especially

her account of the vessels of the leg and of the intimate relations of

the main _venae_ to the organ of hearing, fits in perfectly with the

form of these remarkable diagrams (Plate XVIII).

We here render some of the most important of her general anatomical

descriptions:

‘The humours may pass to the liver, where wisdom is tested, having

been already tempered in the brain by the strength of the spirit,

and having absorbed its moisture so that now it is plump, strong,

and healthy.

‘In the right of man is the liver and its great heat, so that the

right is swift to act and to work;[104] but towards the left are

heart and lung, which fortify the body for its task and receive

their heat from the liver as from a furnace. But the vessels of

the liver, affected by the agitation of the humours, trouble the

venules of the ear of man and sometimes confound the organ of

hearing....

‘I saw also that sometimes the humours seek the navel, which covers

the viscera as a cap, and holds them in, lest they be dissipated,

and maintains their course and preserves the heat both of them

and of the veins.... But sometimes the humours seek the loins

(_lumbos_),[105] which mock, deceive, and endanger the virile

powers and which are held in place by nerves and other vessels; in

which, nevertheless, reason nourishes so that man may know what to

do and what to avoid....

‘And the same humours go to the vessels of the reins and of other

members, and pass in their turn to the vessels of the spleen, and

then to the lungs and to the heart; and they meet the viscera

on the left where they are warmed by the lungs, but the liver

warms the right-hand side of the body. And the vessels of the

brain, heart, lung, liver, and other parts carry strength to the

reins, whose vessels descend to the legs, strengthening them; and

returning along with the leg vessels, they unite with the virile

organ or with the womb as the case may be.

‘And as the stomach absorbs food, or as iron is sharpened on a

stone, so do they bring the reproductive power to those parts.

[Illustration: From WIESBADEN CODEX B, fo. 123 r

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