CHAPTER X

PLANS

"Now, chicks, this is London, the friendly town," Jan announced, as the

taxi drove away from Charing Cross station.

"Flendly little London, dirty little London," her niece rejoined, as she

bounced up and down on Jan's knee. She had slept during the very good

crossing and was full of conversation and ready to be pleased with all

she saw.

Tony was very quiet. He had suffered far more in the swift journey

across France than during the whole of the voyage, and it was difficult

to decide whether he or Ayah were the more extraordinary colour.

Greenish-white and miserable he sat beside his aunt, silent and

observing.

"Here's dear old Piccadilly," Jan exclaimed, as the taxi turned out of

St. James's Street. "Doesn't it look jolly in the sunshine?"

Tony turned even greener than before, and gasped:

"This! Piccadilly!"

This not very wide street with shops and great houses towering above

them, the endless streams of traffic in the road and on the crowded

pavements!

"Did Mrs. Bond live in one of those houses?" he wondered, "and if so,

where did she keep her ducks? And where, oh, where, were the tulips and

the lilies of his dream?"

He uttered no sound, but his mind kept exclaiming, "This! Piccadilly?"

"See," said Jan, oblivious of Tony and intent on keeping her lively

niece upon her knee. "There's the Green Park."

Tony breathed more freely.

After all, there _were_ trees and grass; good grass, and more of it than

in the Resident's garden. He took heart a little and summoned up courage

to inquire: "But where are the tulips?"

"It's too early for tulips yet," Jan answered. "By and by there will be

quantities. How did you know about them? Did dear Mummy tell you? But

they're in Hyde Park, not here."

Tony made no answer. He was, as usual, weighing and considering and

making up his mind.

Presently he spoke. "It's different," he said, slowly, "but I rather

like to look at it."

Tony never said whether he thought things were pretty or ugly. All he

knew was that certain people and places, pictures and words, sometimes

filled him with an exquisite sense of pleasure, while others merely

bored or exasperated or were positively painful.

His highest praise was "I like to look at it." When he didn't like to

look at it, he had found it wiser to express no opinion at all, except

in moments of confidential expansion, and these were rare with Tony.

Meg had found them a nice little furnished flat on the fifth floor in

one of the blocks behind Kensington High Street, and Hannah must surely

have been waiting behind the door, so instantaneously was it opened,

when Jan and her party left the lift.

There were tears in Hannah's eyes and her nose was red as she welcomed

"Miss Fay's motherless bairns." She was rather shocked that there was no

sign of mourning about any of them except Jan, who wore--mainly as a

concession to Hannah's prejudices--a thin black coat and skirt she had

got just before she left Bombay.

Tony stared stonily at Hannah and decided he did not like to look at

her. She was as surprising as the newly-found Piccadilly, but she

gratified no sensuous perception whatsoever.

Ayah might not be exactly beautiful, but she was harmonious. Her body

was well proportioned, her sari fell in gracious flowing lines, and she

moved with dignity. Without knowing why, Tony felt that there was

something pleasing to the eye in Ayah. Hannah, on the contrary, was the

reverse of graceful; stumpy and heavy-footed, she gave an impression of

abrupt terminations. Everything about her seemed too short except her

caps, which were unusually tall and white and starchy. Her afternoon

aprons, too, were stiffer and whiter and more voluminous than those of

other folk. She did not regard these things as vain adornings of her

person, rather were they the outward and visible sign of her office as

housekeeper to Miss Ross. They were a partial expression of the dignity

of that office, just as a minister's gown is the badge of his.

By the time everyone was washed and brushed Meg returned with the

luggage and Hannah brought in tea.

"I thought you'd like to give the bairns their tea yourself the first

day, Miss Jan. Will that Hindu body have hers in the nursery?"

"That would be best," Jan said hastily. "And Hannah, you mustn't be

surprised if she sits on the floor. Indian servants always do."

"_Nothing_ she can do will surprise me," Hannah announced loftily. "I've

not forgotten the body that came back with Mrs. Tancred, with a ring

through her nose and a red wafer on her forehead."

Jan, herself, went with Ayah to the nursery, where she found that in

spite of her disparaging sniffs, Hannah had put out everything poor Ayah

could possibly want.

The children were hungry and tea was a lengthy meal. It was not until

they had departed with Ayah for more washings that Jan found time to

say: "Why don't you take off your hat, Meg dear? I can't see you

properly in that extinguisher. Is it the latest fashion?"

"The very latest."

Meg looked queerly at Jan as she slowly took off her hat.

"There!" she said.

Her hair was cropped as short as a boy's, except for the soft, tawny

rings that framed her face.

"Meg!" Jan cried. "Why on earth have you cut off your hair?"

"Chill penury's the cause. I've turned it into good hard cash. It

happens to be the fashionable colour just now."

"Did you really need to? I thought you were getting quite a good salary

with those Hoffmeyers."

"No English governess gets a _good_ salary in Bremen, and mine was but a

modest remuneration, so I wanted more. Do you remember Lady Penelope

Pottinger?"

"Hazily. She was pretty, wasn't she ... and very smart?"

"She was and is ... smarter than ever now--mind, I put you on your

honour never to mention it--_she's_ got my hair."

"Do you mean she asked you to sell it?"

"No, my child. I offered it for sale and she was all over me with

eagerness to purchase. Hair's the defective wire in her lighting

apparatus. Her own, at the best, is skimpy and straight, though very

much my colour, and what with permanent waving and instantaneous hair

colouring it was positively dwindling away."

"I wish you had let it dwindle."

"No, I rather like her--so I suggested she should give her own poor

locks a rest and have an artistic _postiche_ made with mine; it made

two, one to come and one to go--to the hairdresser. She looks perfectly

charming. I'd no idea my hair was so decent till I saw it on her head."

"I hope _I_ never shall," Jan said gloomily. "I think it was silly of

you, for it makes you look younger and more irresponsible than ever; and

what about posts?"

"I've got a post in view where it won't matter if only I can run things

my own way."

"Will you have to go at once? I thought, perhaps----"

"I wish to take this post at once," Meg interposed quickly, "but it

depends on you whether I get it."

"On me?"

"On no one else. Look here, Jan, will you take me on as nurse to Fay's

children? A real nurse, mind, none of your fine lady arrangements; only

you must pay me forty pounds a year. I can't manage with less if I'm to

give my poor little Papa any chirps ... I suppose that's a frightful lot

for a nurse?"

"Not for a good nurse ... But, Meg, you got eighty when you taught the

little boys, and I know they'd jump at you again in that school, hair or

no hair."

"Listen, Jan." Meg put her elbows on the table and leaned her sharp

little chin on her two hands while she held Jan's eyes with hers. "For

nine long years, except that time with the Trents, I've been teaching,

teaching, teaching, and I'm sick of teaching. I'd rather sweep a

crossing."

"Yet you teach so well; you know the little boys adored you."

"I love children and they usually like me. If you take me to look after

Tony and little Fay, I'll do it thoroughly, I can promise you. I won't

teach them, mind, not a thing--I'll make them happy and well-mannered;

and, Jan, listen, do you suppose there's anybody, even the most

superior of elderly nurses, who would take the trouble for Fay's

children that I should? If you let me come you won't regret it, I

promise you."

Meg's eyes, those curious eyes with the large pupil and blue iris

flecked with brown, were very bright, her voice was earnest, and when it

ceased it left a sense of tension in the very air.

Jan put out her hand across the table, and Meg, releasing her sharp

little chin, clasped it with hers.

"So that's settled," Meg announced triumphantly.

"No." Jan's voice was husky but firm. "It's not settled. I don't think

you're strong enough; but, even so, if I could pay you the salary you

ought to have, I'd jump at you ... but, my dear, I can't at present. I

haven't the least idea what it will all cost, but the fares and things

have made such a hole in this year's money I'll need to be awfully

careful."

"That's exactly why I want to come; you've no idea of being careful and

doing things in a small way. I've done it all my life. You'll be far

more economical with me than without me."

"Don't tempt me," Jan besought her. "I see all that, but why should I be

comfortable at your expense? I want you more than I can say. Fay wanted

it too--she said so."

"Did Fay actually say so? Did she?"

"Yes, she did--not that you should be their nurse, we neither of us ever

thought of that; but she did want you to be there to help me with the

children. We used to talk about it."

"Then I'm coming. I must. Don't you see how it is, Jan? Don't you

realise that nearly all the happiness in my life--_all_ the happiness

since the boys left--has come to me through Mr. Ross and Fay and you?

And now when there's a chance for me to do perhaps a little something in

return ... If you don't let me, it's you who are mean and grudging. I

shall be perfectly strong, if I haven't got to teach--mind, I won't do

that, not so much as A.B.C."

"I know it's wrong," Jan sighed, "just because it would be so heavenly

to have you."

Meg loosed the hand she held and stood up. She lifted her thin arms

above her head, as though invoking some invisible power, stretched

herself, and ran round the table to kiss Jan.

"And do you never think, you dear, slow-witted thing, that it will be

rather lovely for _me_ to be with you? To be with somebody who is kind

without being patronising, who treats one as a human being and not a

machine, who sees the funny side of things and isn't condescending or

improving if she doesn't happen to be cross?"

"I'm often cross," Jan said.

"Well, and what if you are? Can't I be cross back? I'm not afraid of

your crossness. You never hit below the belt. Now, promise me you'll

give me a trial. Promise!"

Meg's arms were round her neck, Meg's absurd cropped head was rubbing

against hers. Jan was very lonely and hungry for affection just then,

timid and anxious about the future. Even in that moment of time it

flashed upon her what a tower of strength this small, determined

creature would be, and how infinitely hard it was to turn Meg from any

course she had determined on.

"For a little while, then," so Jan salved her conscience. "Just till we

all shake down ... and your hair begins to grow."

Meg stood up very straight and shook her finger at Jan. "Remember, I'm

to be a real, proper nurse with authority, and a clinical thermometer

... and a uniform."

"If you like, and it's a pretty uniform."

Meg danced gleefully round the table.

"It will be lovely, it is lovely. I've got it all ready; green linen

frocks, big _well_-fitting aprons, and such beautiful caps."

"Not caps, Meg!" Jan expostulated. "Please not caps."

"Certainly caps. How otherwise am I to cover up my head? I can't wear

hats all the time. And how could I ever inspire those children with

respect with a head like this? When I get into my uniform you'll see

what a very superior nurse I look."

"You'll look much more like musical comedy than sober service."

"You mistake the situation altogether," Meg said loftily. "I take my

position very seriously."

"But you can't go about Wren's End in caps. Everybody knows you down

there."

"They'll find out they don't know me as well as they thought, that's

all."

"Meg, tell me, what did Hannah say when she saw your poor shorn head?"

"Hannah, as usual, referred to my Maker, and said that had He intended

me to have short hair He would either have caused it not to grow or

afflicted me with some disease which necessitated shearing; and she

added that such havers are just flying in the face of Providence."

"So they are."

"All the more reason to cover them up, and I wish to impress the

children."

"Those children will be sadly browbeaten, I can see, and as for their

poor aunt, she won't be able to call her soul her own."

"That," Meg said, triumphantly, "is precisely why I'm so eager to come.

When you've been an underling all your life you can't imagine what a joy

it is to be top dog occasionally."

"In that respect," Jan said firmly, "it must be turn and turn about. I

won't let you come unless you promise--swear, here and now--that when I

consider you are looking fagged--'a wispy wraith,' as Daddie used to

say--if I command you to take a day in bed, in bed you will stay till I

give you leave to get up. Unless you promise me this, the contract is

off."

"I'll promise anything you like. The idea of being _pressed_ to remain

in bed strikes me as merely comic. You have evidently no notion how

persons in a subordinate position ought to be treated. Bed, indeed!"

"I think you might have waited till I got back before you parted with

your hair." Jan's tone was decidedly huffy.

"Now don't nag. That subject is closed. What about _your_ hair. Do you

know it is almost white?"

"And what more suitable for a maiden aunt? As that is to be my _rôle_

for the future I may as well look the part."

"But you don't--that's what I complain of. The whiter your hair grows

the younger your face gets. You're a contradiction, a paradox, you

provoke conjecture, you're indecently noticeable. Mr. Ross would have

loved to paint you."

Jan shook her head. "No, Daddie never wanted to paint anything about me

except my arms."

"He'd want to paint you now," Meg insisted obstinately. "_I_ know the

sort of person he liked to paint."

"He never would paint people unless he _did_ like them," Jan said,

smiling as at some recollection. "Do you remember how he utterly refused

to paint that rich Mr. Withells down at Amber Guiting?"

"I remember," and Meg laughed. "He said Mr. Withells was puffy and

stippled."

* * * * *

Tony had been cold ever since he reached the Gulf of Lyons, and he

wondered what could be the matter with him, for he never remembered to

have felt like this before. He wondered miserably what could be the

reason why he felt so torpid and shivery, disinclined to move, and yet

so uncomfortable when he sat still.

After his bath, on that first night in London, tucked into a little bed

with a nice warm eiderdown over him, he still felt that horrid little

trickle of ice-cold water down his spine and could not sleep.

His cot was in Auntie Jan's room with a tall screen round it. The rooms

in the flat were small, tiny they seemed to Tony, after the lofty

spaciousness of the bungalow in Bombay, but that didn't seem to make it

any warmer, because Auntie Jan's window was wide open as it would

go--top and bottom--and chilly gusts seemed to blow round his head in

spite of the screen. Ayah and little Fay were in the nursery across the

passage, where there was a fire. There was no fire in this wind-swept

chamber of Auntie Jan's.

Tony dozed and woke and woke and dozed, getting colder and more forlorn

and miserable with each change of position. The sheets seemed made of

ice, so slippery were they, so unkind and unyielding and unembracing.

Presently he saw a dim light. Auntie Jan had come to bed, carrying a

candle. He heard her say good night to the little mem who had met them

at the station, and the door was shut.

In spite of her passion for fresh air, Jan shivered herself as she

undressed. She made a somewhat hasty toilet, said her prayers, peeped

round the screen to see that Tony was all right, and hopped into bed,

where a hot-water bottle put in by the thoughtful Hannah was most

comforting.

Presently she heard a faint, attenuated sniff. Again it came, this time

accompanied by the ghost of something like a groan.

Jan sat up in bed and listened. Immediately all was perfectly still.

She lay down again, and again came that sad little sniff, and

undoubtedly it was from behind the screen that it came.

Had Tony got cold?

Jan leapt out of bed, switched on the light and tore away the screen

from around his bed.

Yes; his doleful little face was tear-stained.

"Tony, Tony darling, what is the matter?"

"I don't know," he sobbed. "I feel so funny."

Jan put her hand on his forehead--far from being hot, the little face

was stone-cold. In a moment she had him out of bed and in her warm arms.

As she took him she felt the chill of the stiff, unyielding small body.

"My precious boy, you're cold as charity! Why didn't you call me long

ago? Why didn't you tell Auntie Jan?"

"I didn't ... know ... what it was," he sobbed.

In no time Tony was put into the big bed, the bed so warm from Auntie

Jan's body, with a lovely podgy magic something at his feet that

radiated heat. Auntie Jan slammed down the window at the bottom, and

then more fairness! She struck a match, there was a curious sort of

"plop," and a little fire started in the grate, an amazing little fire

that grew redder and redder every minute. Auntie Jan put on a blue

dressing-gown over the long white garment that she wore, and bustled

about. Tony decided that he "liked to look at her" in this blue robe,

with her hair in a great rope hanging down. She was very quick; she

fetched a little saucepan and he heard talking in the passage outside,

but no one else came in, only Auntie Jan.

Presently she gave him milk, warm and sweet, in a blue cup. He drank it

and began to feel much happier, drowsy too, and contented. Presently

there was no light save the red glow of the fairy fire, and Auntie Jan

got into bed beside him.

She put her arm about him and drew him so that his head rested against

her warm shoulder. He did not repulse her, he did not speak, but lay

stiff and straight with his feet glued against that genial podgy

something that was so infinitely comforting.

"You are kind," Tony said suddenly. "I believe you."

The stiff little body relaxed and lay against hers in confiding

abandonment, and soon he was sound asleep.

What a curious thing to say! Jan lay awake puzzling. Tragedy lay behind

it. Only five years old, and yet, to Tony, belief was a more important

thing than love. She thought of Fay, hectic and haggard, and again she

seemed to hear her say in her tired voice, trying to explain Tony: "He's

not a cuddly child; he's queer and reserved and silent, but if he once

trusts you it's for always; he'll love you then and never change."

Jan could just see, in the red glow from the fire, the little head that

lay so confidingly against her shoulder, the wide forehead, the

peacefully closed eyes. And suddenly she realised that the elusive

resemblance to somebody that had always evaded her was a likeness to

that face she saw in the glass every time she did her hair. She kissed

him very softly, praying the while that she might never fail him; that

he might always have reason to trust her.

Jan and Her Job · 第 10 / 27 章