Ottilia was pale and delicate. She wore her glistening black hair in

bands, and dressed in vapory white muslin. She sang her own words to

her harp, and they commonly insinuated that she was alone in the

world,--that she suffered some inexpressible and mysterious heart-pangs,

the lot of all finer geniuses,--that though she lived and moved in the

world she was not of it, that she was of a consumptive tendency and

might look for a premature interment. She even had fixed on the spot

where she should lie: the violets grew there, she said, the river went

moaning by; the gray willow whispered sadly over her head, and her heart

pined to be at rest. “Mother,” she would say, turning to her parent,

“promise me--promise me to lay me in that spot when the parting hour has

come!” At which Madame de Schlippenschlopp would shriek, and grasp her

in her arms; and at which, I confess, I would myself blubber like a

child. She had six darling friends at school, and every courier from

Kalbsbraten carried off whole reams of her letter-paper.

In Kalbsbraten, as in every other German town, there are a vast number

of literary characters, of whom our young friend quickly became the

chief. They set up a literary journal, which appeared once a week, upon

light-blue or primrose paper, and which, in compliment to the lovely

Ottilia's maternal name, was called the Kartoffelnkranz. Here are a

couple of her ballads extracted from the Kranz, and by far the most

cheerful specimen of her style. For in her songs she never would

willingly let off the heroines without a suicide or a consumption.

She never would hear of such a thing as a happy marriage, and had an

appetite for grief quite amazing in so young a person. As for her dying

and desiring to be buried under the willow-tree, of which the first

ballad is the subject, though I believed the story then, I have at

present some doubts about it. For, since the publication of my Memoirs,

I have been thrown much into the society of literary persons (who admire

my style hugely), and egad! though some of them are dismal enough in

their works, I find them in their persons the least sentimental class

that ever a gentleman fell in with.

“THE WILLOW-TREE.

“Know ye the willow-tree

Whose gray leaves quiver,

Whispering gloomily

To yon pale river?

Lady, at even-tide

Wander not near it,

They say its branches hide

A sad, lost spirit!

“Once to the willow-tree

A maid came fearful,

Pale seemed her cheek to be,

Her blue eye tearful;

Soon as she saw the tree,

Her step moved fleeter,

No one was there--ah me!

No one to meet her!

“Quick beat her heart to hear

The far bell's chime

Toll from the chapel-tower

The trysting time:

But the red sun went down

In golden flame,

And though she looked round,

Yet no one came!

“Presently came the night,

Sadly to greet her,--

Moon in her silver light,

Stars in their glitter.

Then sank the moon away

Under the billow,

Still wept the maid alone--

There by the willow!

“Through the long darkness,

By the stream rolling,

Hour after hour went on

Tolling and tolling.

Long was the darkness,

Lonely and stilly;

Shrill came the night-wind,

Piercing and chilly.

“Shrill blew the morning breeze,

Biting and cold,

Bleak peers the gray dawn

Over the wold.

Bleak over moor and stream

Looks the grey dawn,

Gray, with dishevelled hair,

Still stands the willow there--

THE MAID IS GONE!

“Domine, Domine!

Sing we a litany,--

Sing for poor maiden-hearts broken and

weary;

Domine, Domine!

Sing we a litany,

Wail we and weep we a wild Miserere!”

One of the chief beauties of this ballad (for the translation of which I

received some well-merited compliments) is the delicate way in which the

suicide of the poor young woman under the willow-tree is hinted at; for

that she threw herself into the water and became one among the lilies

of the stream, is as clear as a pikestaff. Her suicide is committed some

time in the darkness, when the slow hours move on tolling and tolling,

and is hinted at darkly as befits the time and the deed.

But that unromantic brute, Van Cutsem, the Dutch Charge-d'Affaires, sent

to the Kartoffelnkranz of the week after a conclusion of the ballad,

which shows what a poor creature he must be. His pretext for writing it

was, he said, because he could not bear such melancholy endings to poems

and young women, and therefore he submitted the following lines:--

I.

“Long by the willow-trees

Vainly they sought her,

Wild rang the mother's screams

O'er the gray water:

'Where is my lovely one?

Where is my daughter?

II.

“'Rouse thee, sir constable--

Rouse thee and look;

Fisherman, bring your net,

Boatman your hook.

Beat in the lily-beds,

Dive in the brook!'

III.

“Vainly the constable

Shouted and called her;

Vainly the fisherman

Beat the green alder;

Vainly he flung the net,

Never it hauled her!

IV.

“Mother beside the fire

Sat, her nightcap in;

Father, in easy chair,

Gloomily napping;

When at the window-sill

Came a light tapping!

V.

“And a pale countenance

Looked through the casement.

Loud beat the mother's heart,

Sick with amazement,

And at the vision which

Came to surprise her,

Shrieked in an agony--

'Lor! it's Elizar!'

VI

“Yes, 'twas Elizabeth--

Yes, 'twas their girl;

Pale was her cheek, and her

Hair out of curl.

'Mother!' the loving one,

Blushing, exclaimed,

'Let not your innocent

Lizzy be blamed.

VII.

“'Yesterday, going to aunt

Jones's to tea,

Mother, dear mother, I

FORGOT THE DOOR-KEY!

And as the night was cold,

And the way steep,

Mrs. Jones kept me to

Breakfast and sleep.'

VIII.

“Whether her Pa and Ma

Fully believed her,

That we shall never know,

Stern they received her;

And for the work of that

Cruel, though short, night,

Sent her to bed without

Tea for a fortnight.

IX.

“MORAL

“Hey diddle diddlety,

Cat and the Fiddlety,

Maidens of England take caution by she!

Let love and suicide

Never tempt you aside,

And always remember to take the door-key!”

Some people laughed at this parody, and even preferred it to the

original; but for myself I have no patience with the individual who

can turn the finest sentiments of our nature into ridicule, and make

everything sacred a subject of scorn. The next ballad is less gloomy

than that of the willow-tree, and in it the lovely writer expresses her

longing for what has charmed us all, and, as it were, squeezes the whole

spirit of the fairy tale into a few stanzas:--

“FAIRY DAYS.

“Beside the old hall-fire--upon my nurse's knee,

Of happy fairy days--what tales were told to me!

I thought the world was once--all peopled with princesses,

And my heart would beat to hear--their loves and their distresses;

And many a quiet night,--in slumber sweet and deep,

The pretty fairy people--would visit me in sleep.

“I saw them in my dreams--come flying east and west,

With wondrous fairy gifts--the new-born babe they bless'd;

One has brought a jewel--and one a crown of gold,

And one has brought a curse--but she is wrinkled and old.

The gentle queen turns pale--to hear those words of sin,

But the king he only laughs--and bids the dance begin.

“The babe has grown to be--the fairest of the land

And rides the forest green--a hawk upon her hand.

An ambling palfrey white--a golden robe and crown;

I've seen her in my dreams--riding up and down;

And heard the ogre laugh--as she fell into his snare,

At the little tender creature--who wept and tore her hair!

“But ever when it seemed--her need was at the sorest

A prince in shining mail--comes prancing through the forest.

A waving ostrich-plume--a buckler burnished bright;

I've seen him in my dreams--good sooth! a gallant knight.

His lips are coral red--beneath a dark moustache;

See how he waves his hand--and how his blue eyes flash!

“'Come forth, thou Paynim knight!'--he shouts in accents clear.

The giant and the maid--both tremble his voice to hear.

Saint Mary guard him well!--he draws his falchion keen,

The giant and the knight--are fighting on the green.

I see them in my dreams--his blade gives stroke on stroke,

The giant pants and reels--and tumbles like an oak!

“With what a blushing grace--he falls upon his knee

And takes the lady's hand--and whispers, 'You are free!'

Ah! happy childish tales--of knight and faerie!

I waken from my dreams--but there's ne'er a knight for me;

I waken from my dreams--and wish that I could be

A child by the old hall-fire--upon my nurse's knee.”

Indeed, Ottilia looked like a fairy herself: pale, small, slim, and

airy. You could not see her face, as it were, for her eyes, which were

so wild, and so tender, and shone so that they would have dazzled an

eagle, much more a poor goose of a Fitz-Boodle. In the theatre, when she

sat on the opposite side of the house, those big eyes used to pursue me

as I sat pretending to listen to the “Zauberflote,” or to “Don Carlos,”

or “Egmont,” and at the tender passages, especially, they would have

such a winning, weeping, imploring look with them as flesh and blood

could not bear.

Shall I tell how I became a poet for the dear girl's sake? 'Tis surely

unnecessary after the reader has perused the above versions of her

poems. Shall I tell what wild follies I committed in prose as well as

in verse? how I used to watch under her window of icy evenings, and with

chilblainy fingers sing serenades to her on the guitar? Shall I tell

how, in a sledging-party, I had the happiness to drive her, and of

the delightful privilege which is, on these occasions, accorded to the

driver?

Any reader who has spent a winter in Germany perhaps knows it. A large

party of a score or more of sledges is formed. Away they go to some

pleasure-house that has been previously fixed upon, where a ball and

collation are prepared, and where each man, as his partner descends, has

the delicious privilege of saluting her. O heavens and earth! I may grow

to be a thousand years old, but I can never forget the rapture of that

salute.

“The keen air has given me an appetite,” said the dear angel, as we

entered the supper-room; and to say the truth, fairy as she was, she

made a remarkably good meal--consuming a couple of basins of white

soup, several kinds of German sausages, some Westphalia ham, some white

puddings, an anchovy-salad made with cornichons and onions, sweets

innumerable, and a considerable quantity of old Steinwein and rum-punch

afterwards. Then she got up and danced as brisk as a fairy; in which

operation I of course did not follow her, but had the honor, at the

close of the evening's amusement, once more to have her by my side in

the sledge, as we swept in the moonlight over the snow.

Kalbsbraten is a very hospitable place as far as tea-parties are

concerned, but I never was in one where dinners were so scarce. At the

palace they occurred twice or thrice in a month; but on these occasions

spinsters were not invited, and I seldom had the opportunity of seeing

my Ottilia except at evening-parties.

Nor are these, if the truth must be told, very much to my taste. Dancing

I have forsworn, whist is too severe a study for me, and I do not like

to play ecarte with old ladies, who are sure to cheat you in the course

of an evening's play.

But to have an occasional glance at Ottilia was enough; and many and

many a napoleon did I lose to her mamma, Madame de Schlippenschlopp, for

the blest privilege of looking at her daughter. Many is the tea-party

I went to, shivering into cold clothes after dinner (which is my

abomination) in order to have one little look at the lady of my soul.

At these parties there were generally refreshments of a nature more

substantial than mere tea punch, both milk and rum, hot wine, consomme,

and a peculiar and exceedingly disagreeable sandwich made of a mixture

of cold white puddings and garlic, of which I have forgotten the name,

and always detested the savor.

Gradually a conviction came upon me that Ottilia ATE A GREAT DEAL.

I do not dislike to see a woman eat comfortably. I even think that an

agreeable woman ought to be friande, and should love certain little

dishes and knick-knacks. I know that though at dinner they commonly take

nothing, they have had roast-mutton with the children at two, and laugh

at their pretensions to starvation.

No! a woman who eats a grain of rice, like Amina in the “Arabian

Nights,” is absurd and unnatural; but there is a modus in rebus: there

is no reason why she should be a ghoul, a monster, an ogress, a horrid

gormandizeress--faugh!

It was, then, with a rage amounting almost to agony, that I found

Ottilia ate too much at every meal. She was always eating, and always

eating too much. If I went there in the morning, there was the horrid

familiar odor of those oniony sandwiches; if in the afternoon, dinner

had been just removed, and I was choked by reeking reminiscences of

roast-meat. Tea we have spoken of. She gobbled up more cakes than any

six people present; then came the supper and the sandwiches again, and

the egg-flip and the horrible rum-punch.

She was as thin as ever--paler if possible than ever:--but, by heavens!

HER NOSE BEGAN TO GROW RED!

Mon Dieu! how I used to watch and watch it! Some days it was purple,

some days had more of the vermilion--I could take an affidavit that

after a heavy night's supper it was more swollen, more red than before.

I recollect one night when we were playing a round game (I had been

looking at her nose very eagerly and sadly for some time), she of

herself brought up the conversation about eating, and confessed that she

had five meals a day.

“THAT ACCOUNTS FOR IT!” says I, flinging down the cards, and springing

up and rushing like a madman out of the room. I rushed away into the

night, and wrestled with my passion. “What! Marry,” said I, “a woman who

eats meat twenty-one times in a week, besides breakfast and tea? Marry a

sarcophagus, a cannibal, a butcher's shop?--Away!” I strove and strove.

I drank, I groaned, I wrestled and fought with my love--but it overcame

me: one look of those eyes brought me to her feet again. I yielded

myself up like a slave; I fawned and whined for her; I thought her nose

was not so VERY red.

Things came to this pitch that I sounded his Highness's Minister to know

whether he would give me service in the Duchy; I thought of purchasing

an estate there. I was given to understand that I should get a

chamberlain's key and some post of honor did I choose to remain, and

I even wrote home to my brother Tom in England, hinting a change in my

condition.

At this juncture the town of Hamburg sent his Highness the Grand Duke

(apropos of a commercial union which was pending between the two States)

a singular present: no less than a certain number of barrels of oysters,

which are considered extreme luxuries in Germany, especially in the

inland parts of the country, where they are almost unknown.

In honor of the oysters and the new commercial treaty (which arrived

in fourgons despatched for the purpose), his Highness announced a grand

supper and ball, and invited all the quality of all the principalities

round about. It was a splendid affair: the grand saloon brilliant with

hundreds of uniforms and brilliant toilettes--not the least beautiful

among them, I need not say, was Ottilia.

At midnight the supper-rooms were thrown open and we formed into little

parties of six, each having a table, nobly served with plate, a lackey

in attendance, and a gratifying ice-pail or two of champagne to egayer

the supper. It was no small cost to serve five hundred people on silver,

and the repast was certainly a princely and magnificent one.

I had, of course, arranged with Mademoiselle de Schlippenschlopp.

Captains Frumpel and Fridelberger of the Duke's Guard, Mesdames de

Butterbrod and Bopp, formed our little party.

The first course, of course, consisted of THE OYSTERS. Ottilia's eyes

gleamed with double brilliancy as the lackey opened them. There were

nine apiece for us--how well I recollect the number!

I never was much of an oyster-eater, nor can I relish them in

naturalibus as some do, but require a quantity of sauces, lemons,

cayenne peppers, bread and butter, and so forth, to render them

palatable.

By the time I had made my preparations, Ottilia, the Captains, and the

two ladies, had wellnigh finished theirs. Indeed Ottilia had gobbled up

all hers, and there were only my nine in the dish.

I took one--IT WAS BAD. The scent of it was enough,--they were all bad.

Ottilia had eaten nine bad oysters.

I put down the horrid shell. Her eyes glistened more and more; she could

not take them off the tray.

“Dear Herr George,” she said, “WILL YOU GIVE ME YOUR OYSTERS?”

*****

She had them all down--before--I could say--Jack--Robinson!

I left Kalbsbraten that night, and have never been there since.

FITZ-BOODLE'S PROFESSIONS.

BEING APPEALS TO THE UNEMPLOYED YOUNGER SONS OF THE NOBILITY.

FIRST PROFESSION.

The fair and honest proposition in which I offered to communicate

privately with parents and guardians, relative to two new and lucrative

professions which I had discovered, has, I find from the publisher,

elicited not one single inquiry from those personages, who I can't but

think are very little careful of their children's welfare to allow

such a chance to be thrown away. It is not for myself I speak, as my

conscience proudly tells me; for though I actually gave up Ascot in

order to be in the way should any father of a family be inclined to

treat with me regarding my discoveries, yet I am grieved, not on my own

account, but on theirs, and for the wretched penny-wise policy that has

held them back.

That they must feel an interest in my announcement is unquestionable.

Look at the way in which the public prints of all parties have noticed

my appearance in the character of a literary man! Putting aside my

personal narrative, look at the offer I made to the nation,--a choice

of no less than two new professions! Suppose I had invented as many new

kinds of butcher's meat; does any one pretend that the world, tired as

it is of the perpetual recurrence of beef, mutton, veal, cold beef, cold

veal, cold mutton, hashed ditto, would not have jumped eagerly at the

delightful intelligence that their old, stale, stupid meals were about

to be varied at last?

Of course people would have come forward. I should have had deputations

from Mr. Gibletts and the fashionable butchers of this world; petitions

would have poured in from Whitechapel salesmen; the speculators panting

to know the discovery; the cautious with stock in hand eager to bribe me

to silence and prevent the certain depreciation of the goods which

they already possessed. I should have dealt with them, not greedily or

rapaciously, but on honest principles of fair barter. “Gentlemen,” I

should have said, or rather, “Gents”--which affectionate diminutive

is, I am given to understand, at present much in use among commercial

persons--“Gents, my researches, my genius, or my good fortune, have

brought me to the valuable discovery about which you are come to treat.

Will you purchase it outright, or will you give the discoverer an honest

share of the profits resulting from your speculation? My position in the

world puts ME out of the power of executing the vast plan I have formed,

but 'twill be a certain fortune to him who engages in it; and why should

not I, too, participate in that fortune?”

Such would have been my manner of dealing with the world, too, with

regard to my discovery of the new professions. Does not the world want

new professions? Are there not thousands of well-educated men panting,

struggling, pushing, starving, in the old ones? Grim tenants of

chambers looking out for attorneys who never come?--wretched physicians

practising the stale joke of being called out of church until people no

longer think fit even to laugh or to pity? Are there not hoary-headed

midshipmen, antique ensigns growing mouldy upon fifty years' half-pay?

Nay, are there not men who would pay anything to be employed rather

than remain idle? But such is the glut of professionals, the horrible

cut-throat competition among them, that there is no chance for one in a

thousand, be he ever so willing, or brave, or clever: in the great ocean

of life he makes a few strokes, and puffs, and sputters, and sinks, and

the innumerable waves overwhelm him and he is heard of no more.

Walking to my banker's t'other day--and I pledge my sacred honor this

story is true--I met a young fellow whom I had known attache to an

embassy abroad, a young man of tolerable parts, unwearied patience, with

some fortune too, and, moreover, allied to a noble Whig family, whose

interest had procured him his appointment to the legation at Krahwinkel,

where I knew him. He remained for ten years a diplomatic character;

he was the working-man of the legation; he sent over the most diffuse

translations of the German papers for the use of the Foreign Secretary;

he signed passports with most astonishing ardor; he exiled himself

for ten long years in a wretched German town, dancing attendance at

court-balls and paying no end of money for uniforms. And what for? At

the end of the ten years--during which period of labor he never received

a single shilling from the Government which employed him (rascally

spendthrift of a Government, va!),--he was offered the paid attacheship

to the court of H. M. the King of the Mosquito Islands, and refused that

appointment a week before the Whig Ministry retired. Then he knew that

there was no further chance for him, and incontinently quitted the

diplomatic service for ever, and I have no doubt will sell his uniform

a bargain. The Government had HIM a bargain certainly; nor is he by any

means the first person who has been sold at that price.

Well, my worthy friend met me in the street and informed me of these

facts with a smiling countenance,--which I thought a masterpiece of

diplomacy. Fortune had been belaboring and kicking him for ten whole

years, and here he was grinning in my face: could Monsieur de Talleyrand

have acted better? “I have given up diplomacy,” said Protocol, quite

simply and good-humoredly, “for between you and me, my good fellow, it's

a very slow profession; sure, perhaps, but slow. But though I gained

no actual pecuniary remuneration in the service, I have learned all

the languages in Europe, which will be invaluable to me in my new

profession--the mercantile one--in which directly I looked out for a

post I found one.”

“What! and a good pay?” said I.

“Why, no; that's absurd, you know. No young men, strangers to business,

are paid much to speak of. Besides, I don't look to a paltry clerk's

pay. Some day, when thoroughly acquainted with the business (I shall

learn it in about seven years), I shall go into a good house with my

capital and become junior partner.”

“And meanwhile?”

“Meanwhile I conduct the foreign correspondence of the eminent house of

Jam, Ram, and Johnson; and very heavy it is, I can tell you. From nine

till six every day, except foreign post days, and then from nine till

eleven. Dirty dark court to sit in; snobs to talk to,--great change, as

you may fancy.”

“And you do all this for nothing?”

“I do it to learn the business.” And so saying Protocol gave me a

knowing nod and went his way.

Good heavens! I thought, and is this a true story? Are there hundreds

of young men in a similar situation at the present day, giving away the

best years of their youth for the sake of a mere windy hope of something

in old age, and dying before they come to the goal? In seven years he

hopes to have a business, and then to have the pleasure of risking his

money? He will be admitted into some great house as a particular favor,

and three months after the house will fail. Has it not happened to a

thousand of our acquaintance? I thought I would run after him and tell

him about the new professions that I have invented.

“Oh! ay! those you wrote about in Fraser's Magazine. Egad! George,

Necessity makes strange fellows of us all. Who would ever have thought

of you SPELLING, much more writing?”

“Never mind that. Will you, if I tell you of a new profession that, with

a little cleverness and instruction from me, you may bring to a most

successful end--will you, I say, make me a fair return?”

“My dear creature,” replied young Protocol, “what nonsense you talk!

I saw that very humbug in the Magazine. You say you have made a great

discovery--very good; you puff your discovery--very right; you ask money

for it--nothing can be more reasonable; and then you say that you intend

to make your discovery public in the next number of the Magazine. Do you

think I will be such a fool as to give you money for a thing which I can

have next month for nothing? Good-by, George my boy; the NEXT discovery

you make I'll tell you how to get a better price for it.” And with this

the fellow walked off, looking supremely knowing and clever.

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