grief, but think of them deeply. Believe that I love you always and in
all truth.
Your
E.B.B.
* * * * *
_To Miss E.F. Haworth_
[Rome:] 43 Bocca di Leone: December 27, [1853].
My dearest Fanny,--I can't judge of your 'obstacles,' of course, but as
to your being snowed up on the road or otherwise impeded between Rome
and Cività (Castellana or Vecchia), there's certainly not room for even
a dream of it. There has been beautiful weather here ever since we came,
except for exacting invalids. I, for instance, have been kept in the
house for a fortnight or more (till Christmas Day, when I was able to
get to St. Peter's) by tramontana; but there has been sun on _most_ days
of cold, and nothing has been _severe_ as cold. The hard weather came in
November, before we arrived. I was out yesterday, and may be to-day,
perhaps. 'Judge ye!'...
You bid me write. But to what end, if you are here on New Year's Day?
There's not time for a letter.
And at first I intended not to write, till beginning to consider how, as
you are not actually of the race of Medes and Persians, you might
possibly so modify your plans as to be able to receive these lines. Oh,
a provoking person or persons you are, since you and Ellen Heaton are
plural henceforth! No, I won't include her. _You_ are _singular_, by
your own confession, on this occasion. And, instead of Christmas
solemnisations, I shall take to reading the Commination Service over you
if you stay any longer at Florence because of the impracticable,
snowed-up roads around Rome. You really might as well object to coming
on account of the heat!...
I thank you very much for meaning to bring my goods for me. I wish I
could have seen your pictures before they took to themselves golden
wings and fled away. Is it true, really, that you think to exhibit in
London Penini's portrait at the piano, as Sophie Eckley tells me? I
shall like to hear that you succeed in that.
I see _her_ every day almost, if not quite. Nobody is like her. And
there are quantities of people here to choose from. I have not taken
heart and 'an evening for reception' yet, but we have had '_squeezes_'
of more or less stringency. Miss Ogle is here--and her family, of
course, for she is young--the author of 'A Lost Love,' that very pretty
book; and she is natural and pleasing. Do you know Lady Oswald, and her
daughter and son? She is Lady Elgin's sister-in-law, and brought a
letter to me from Lady Augusta Bruce. Then the Marshalls found us out
through Mr. De Vere (_her_ cousin), and in the name of Alfred Tennyson
(their intimate friend). Mrs. Marshall was a Miss Spring Rice, and is
very refined in all senses. Refinement expresses the whole woman. Yes,
there are some nice people here--nice people; it's the word. Nobody as
near to me as Mr. Page, whom we often see, I am happy to say, and who
has just presented the world (only _that_ is generally said of the lady)
with a _son_, and is on the point of presenting said world with a Venus.
_Will_ you come to see? I wonder....
I want you here to see a portrait taken of me in chalks by Miss Fox. I
said 'No' to her in London, which was my sole reason for saying 'Yes' to
her in Rome, when she asked me for a patient--or victim. She draws well,
and has been very successful with the hair at least. For the likeness
you shall judge for yourself. She comes here for an hour in the morning
to execute me, and I'm as well as can be expected under it....
May God bless you, dearest Fanny. What Christmas wishes warm from the
heart by heartfuls I throw at you! And say to Ellen Heaton, with cordial
love, that I thank her much for her kind letter, and remember her in all
affectionate wishes made for friends. I shall write to Mr. Ruskin.
_Don't_ get this letter, I say.
Your
E.B.B.
Robert's love, and _Penini's_. If 'Fanny' strikes you, 'Madame Bovary'
will thunder-strike you.
* * * * *
_To Miss Mitford_
43 Via di Leone, Rome: January 7, 18[54].
It is long, my ever dearest Miss Mitford, since I wrote to you last, but
since we came to Rome we have had troubles, out of the deep pit of which
I was unwilling to write to you, lest the shadows of it should cleave as
blots to my pen. Then one day followed another, and one day's work was
laid on another's shoulders. Well, we are all well, to begin with, and
have been well; our troubles came to us through sympathy entirely. A
most exquisite journey of eight days we had from Florence to Rome,
seeing the great monastery and triple church of Assisi and the wonderful
Terni by the way--that passion of the waters which makes the human heart
seem so still. In the highest spirits we entered Rome, Robert and Penini
singing actually; for the child was radiant and flushed with the
continual change of air and scene, and he had an excellent scheme about
'tissing the Pope's foot,' to prevent his taking away 'mine gun,'
somebody having told him that such dangerous weapons were not allowed by
the Roman police. You remember my telling you of our friends the
Storys--how they and their two children helped to make the summer go
pleasantly at the baths of Lucca? They had taken an apartment for us in
Rome, so that we arrived in comfort to lighted fires and lamps as if
coming home, and we had a glimpse of their smiling faces that evening.
In the morning, before breakfast, little Edith was brought over to us by
the manservant with a message--'The boy was in convulsions; there was
danger.' We hurried to the house, of course, leaving Edith with Wilson.
Too true! All that first day was spent beside a death-bed; for the child
never rallied, never opened his eyes in consciousness, and by eight in
the evening he was gone. In the meanwhile, Edith was taken ill at our
house--could not be moved, said the physicians. We had no room for her,
but a friend of the Storys on the floor immediately below--Mr. Page, the
artist--took her in and put her to bed. Gastric fever, with a tendency
to the brain, and within two days her life was almost despaired of;
exactly the same malady as her brother's. Also the English nurse was
apparently dying at the Storys' house, and Emma Page, the artist's
youngest daughter, sickened with the same symptoms. Now you will not
wonder that, after the first absorbing flow of sympathy, I fell into a
selfish human panic about my child. Oh, I 'lost my head,' said Robert;
and if I _could_ have caught him up in my arms and run to the ends of
the world, the hooting after me of all Rome could not have stopped me. I
wished--how I wished!--for the wings of a dove, or any unclean bird, to
fly away with him to be at peace. But there was no possibility but to
stay; also the physicians assured me solemnly that there was no
contagion possible, otherwise I would have at least sent him from us to
another house. To pass over this dreary time, I will tell you at once
that the three patients recovered; only in poor little Edith's case
Roman fever followed the gastric, and has persisted so, ever since, in
periodical recurrence, that she is very pale and thin. Roman fever is
not dangerous to life--simple fever and ague--but it is exhausting if
not cut off, and the quinine fails sometimes. For three or four days now
she has been free from the symptoms, and we are beginning to hope. Now
you will understand at once what ghastly flakes of death have changed
the sense of Rome to me. The first day by a death-bed! The first drive
out to the cemetery, where poor little Joe is laid close to Shelley's
heart (_Cor cordium_, says the epitaph), and where the mother insisted
on going when she and I went out in the carriage together. I am horribly
weak about such things. I can't look on the earth-side of death; I
flinch from corpses and graves, and never meet a common funeral without
a sort of horror. When I look deathwards I look _over_ death, and
upwards, or I can't look that way at all. So that it was a struggle
with me to sit upright in that carriage in which the poor stricken
mother sate so calmly--not to drop from the seat, which would have been
worse than absurd of me. Well, all this has blackened Rome to me. I
can't think about the Cæsars in the old strain of thought; the antique
words get muddled and blurred with warm dashes of modern, every-day
tears and fresh grave-clay. Rome is spoiled to me--there's the truth.
Still, one lives through one's associations when not too strong, and I
have arrived at almost enjoying some things--the climate, for instance,
which, though perilous to the general health, agrees particularly with
me, and the sight of the blue sky floating like a sea-tide through the
great gaps and rifts of ruins. We read in the papers of a tremendously
cold winter in England and elsewhere, while I am able on most days to
walk out as in an English summer, and while we are all forced to take
precautions against the sun. Also Robert is well, and our child has not
dropped a single rose-leaf from his radiant cheeks. We are very
comfortably settled in rooms turned to the sun, and do work and play by
turns--having almost too many visitors--hear excellent music at Mrs.
Sartoris's (Adelaide Kemble) once or twice a week, and have Fanny Kemble
to come and talk to us with the doors shut, we three together. This is
pleasant. I like her decidedly. If anybody wants small-talk by handfuls
of glittering dust swept out of salons, here's Mr. Thackeray besides;
and if anybody wants a snow-man to match Southey's snow-woman (see
'Thalaba'), here's Mr. Lockhart, who, in complexion, hair, conversation,
and manners, might have been made out of one of your English
'_drifts_'--'sixteen feet deep in some places,' says Galignani. Also,
here's your friend _V._--Mrs. Archer Clive.[31] We were at her house the
other evening. She seems good-natured, but what a very peculiar person
as to looks, and even voice and general bearing; and what a peculiar
unconsciousness of peculiarity. I do not know her much. I go out very
little in the evening, both from fear of the night air and from
disinclination to stir. Mr. Page, our neighbour downstairs, pleases me
much, and you ought to know more of him in England, for his portraits
are like Titian's--flesh, blood, and soul. I never saw such portraits
from a living hand. He professes to have discovered secrets, and plainly
_knows_ them, from his wonderful effects of colour on canvas--not merely
in words. His portrait of Miss Cushman is a miracle. Gibson's famous
painted Venus is very pretty--that's my criticism. Yes, I will say
besides that I have seldom, if ever, seen so indecent a statue. The
colouring with an approximation to flesh tints produces that effect, to
my apprehension. I don't like this statue colouring--no, not at all.
Dearest Miss Mitford, will you write to me? I don't ask for a long
letter, but a letter--a letter. And I entreat you not to _prepay_. Among
other disadvantages, that prepaying tendency of yours may lose me a
letter one day. I want much to hear how you are bearing the winter--how
you are. Give me details about your dear self.
[_The remainder of this letter is missing_]
* * * * *
_To Mr. Westwood_
43 Via Bocca di Leone, Rome: February 2, [1854].
Thank you, my dear Mr. Westwood, for your kind defence of me against the
stupid, blind, cur-dog backbiting of the American writer. I will tell
you. Three weeks ago I had a letter from my brother, apprising me of
what had been said, and pressing on me the propriety of a contradiction
in form. Said I in reply: 'When you marry a wife, George, take her from
the class of those who have never printed a book, if this thing vexes
you. A woman in a crowd can't help the pushing up against her of dirty
coats; happy if somebody in boots does not tread upon her toes! Words
to that effect, I said. I really could not do the American the honour of
sitting down at the table with him to say: 'Sir, you are considerably
mistaken.' He was not only mistaken, you see, but so stupid and
self-willed in his mistake, so determined to make a system of it, but he
was too disreputable to set right. Also of the tendency of one's
writings one's readers are the best judges. I don't profess to write a
religious commentary on my writings. I am content to stand by the
obvious meaning of what I have written, according to the common sense of
the general reader.
The tendency of my writings to Swedenborgianism has been observed by
others, though I had read Swedenborg, when I wrote most of them, as
little as the American editor of 'Robert Hall' can have done, and less
can't be certainly. Otherwise, the said editor would have known that the
central doctrine of Swedenborgianism being the Godhead of Jesus Christ,
no Unitarian, liberal or unliberal, could have produced works
Swedenborgian in character, and that William and Mary Howitt being
Unitarian (which I believe they are) couldn't have a tendency at the
same time to Swedenborgianism, unless it should be possible for them to
be bolt upright with a leaning to the floor. I speak to a wise man.
Judge what I say. For my own part I have thought freely on most
subjects, and upon the state of the Churches among others, but never at
any point of my life, and now, thank God, least of all, have I felt
myself drawn towards Unitarian opinions. I should throw up revelation
altogether if I ceased to recognise Christ as divine. Sectarianism I do
not like, even in the form of a State Church, and the Athanasian way of
stating opinions, between a scholastic paradox and a curse, is
particularly distasteful to me. But I hold to Christ's invisible Church
as referred to in Scripture, and to the Saviour's humanity and divinity
as they seem to me conspicuous in Scripture, and so you have done me
justice and the American has done me injustice....
Well, I have seen your Mrs. Brotherton, only once, though, because she
can't come to see me at all, and lives too far for me to go in the
winter weather. I shall see more of her presently, I hope, and in the
meantime she is very generous to me, and sends me violets, and notes
that are better, and we have a great sympathy on the spiritual subjects
which set you so in a passion. What do I say? She sends me Greek (of
which she does not know a single character), written by her, or rather
_through_ her; mystical Greek, from a spirit-world, produced by her
hands, she herself not knowing what she writes. The character is
beautifully written, and the separate words are generally correct--such
words as 'Christ,' 'God,' 'tears,' 'blood,' 'tempest,' 'sea,' 'thunder,'
'calm,' 'morning,' 'sun,' 'joy.' No grammatical construction hitherto,
but a significant sort of grouping of the separate words, as if the
meaning were struggling out into coherence. My idea is that she is being
exercised in the language, in the _character_, in order to fuller
expression hereafter. Well, you would have us snowed upon with poppies
till we sleep and forget these things. I, on the contrary, would have
our eyes wide open, our senses 'all attentive,' our souls lifted in
reverential expectation. Every _fact_ is a word of God, and I call it
irreligious to say, 'I will deny this because it displeases me.' 'I will
look away from that because it will do me harm.' Why be afraid of the
_truth_? God is in the truth, and He is called also Love. The evil
results of certain experiences of this class result mainly from the
superstitions and distorted views held by most people concerning the
spiritual world. We have to learn--we in the body--that Death does not
teach all things. Death is simply an accident. Foolish Jack Smith who
died on Monday, is on Tuesday still foolish Jack Smith. If people who on
Monday scorned his opinions prudently, will on Tuesday receive his least
words as oracles, they very naturally may go mad, or at least do
something as foolish as their inspirer is. Also, it is no argument
against any subject, that it drives people mad who suffer themselves to
be absorbed in it. That would be an argument against all religion, and
all love, by your leave. Ask the Commissioners of Lunacy; knock at the
door of mad-houses in general, and inquire what two causes act almost
universally in filling them. Answer--love and religion. The common
objection of the degradation of knocking with the leg of the table, and
the ridicule of the position for a spirit, &c., &c., I don't enter into
at all. Twice I have been present at table-experiments, and each time I
was deeply impressed--impressed, there's the word for it! The panting
and shivering of that dead dumb wood, the human emotion conveyed through
it--by what? had to me a greater significance than the St. Peter's of
this Rome. O poet! do you not know that poetry is not confined to the
clipped alleys, no, nor to the blue tops of 'Parnassus hill'? Poetry is
where we live and have our being--wherever God works and man
understands. Hein! ... if you are in a dungeon and a friend knocks
through the outer wall, spelling out by knocks the words you comprehend;
you don't think the worse of the friend standing in the sun who
remembers you. He is not degraded by it, you rather think. Now apply
this. Certainly, there is a reaction from the materialism of the age,
and this is certainly well, in my mind, but then there is something more
than this, more than a mere human reaction, I believe. I have not the
power of writing myself at all, though I have felt the pencil turn in my
hand--a peculiar spiral motion like the turning of the tables, and
independent of volition, but the power is not with me strong enough to
make words or letters even.
We see a good deal of Fanny Kemble, a noble creature, and hear her
sister sing--Mrs. Sartoris. Do admit a little society. It is good for
soul and body, and on the Continent it is easy to get a handful of
society without paying too dear for it. That, I think, is an advantage
of Continental life.
* * * * *
_To Miss Mitford_
43 Via Bocca di Leone, Rome: March 19, 1854.
My dearest Miss Mitford,--Your letter made my heart ache. It is sad, sad
indeed, that you should have had this renewed cold just as you appeared
to be rallying a little from previous shocks, and I know how depressing
and enfeebling a malady the influenza is. It's the vulture finishing the
work of the wolf. I pray God that, having battled through this last
attack, you may be gradually strengthened and relieved by the incoming
of the spring (though an English spring makes one shiver to think of
generally), and with the summer come out into the garden, to sit in a
chair and be shone upon, dear, dear friend. I shall be in England then,
and get down to see you this time, and I tenderly hold to the dear hope
of seeing you smile again, and hearing you talk in the old way....
We see a good deal of the Kembles here, and like them both, especially
the Fanny, who is looking magnificent still, with her black hair and
radiant smile. A very noble creature, indeed. Somewhat unelastic,
unpliant to the eye, attached to the old modes of thought and
convention, but noble in quality and defects; I like her much. She
thinks me credulous and full of dreams, but does not despise me for that
reason, which is good and tolerant of her, and pleasant, too, for I
should not be quite easy under her contempt. Mrs. Sartoris is genial and
generous, her milk has had time to stand to cream, in her happy family
relations. The Sartoris's house has the best society at Rome, and
exquisite music, of course. We met Lockhart there, and my husband sees a
good deal of him--more than I do, because of the access of cold weather
lately which has kept me at home chiefly. Robert went down to the
seaside in a day's excursion with him and the Sartoris's; and, I hear,
found favor in his sight. Said the critic: 'I like Browning, he isn't at
all like a damned literary man.' That's a compliment, I believe,
according to your dictionary. It made me laugh and think of you
directly. I am afraid Lockhart's health is in a bad state; he looks very
ill, and every now and then his strength seems to fail. Robert has been
sitting for his picture to Fisher, the English artist, who painted Mr.
Kenyon and Landor; you remember those pictures in Mr. Kenyon's house?
Landor's was praised much by Southey. Well, he has painted Robert, and
it is an admirable likeness.[32] The expression is an exceptional
expression, but highly characteristic; it is one of Fisher's best works.
Now he is about our Wiedeman, and if he succeeds as well in painting
angels as men, will do something beautiful with that seraphic face. You
are to understand that these works are done by the artist _for_ the
artist. Oh, we couldn't afford to have such a luxury as a portrait done
for us. But I am pleased to have a good likeness of each of my treasures
_extant_ in the possession of somebody. Robert's will, of course, be
eminently saleable, and Wiedeman's too, perhaps, for the beauty's sake,
with those blue far-reaching eyes, and that innocent angel face emplumed
in the golden ringlets! Somebody told me yesterday that she never had
known, in a long experience of children, so attractive a child. He is so
full of sweetness and vivacity together, of imagination and grace. A
poetical child really, and in the best sense. Such a piece of innocence
and simplicity with it all, too! A child you couldn't lie to if you
tried. I had a fit of remorse for telling him the history of Jack and
the Beanstalk, when he turned his earnest eyes up to me at the end and
said, 'I think, if Jack went up so high, he must have seen God.'
To see those two works through the press must be a fatigue to you in
your present weak state, dearest friend, and I keep wishing vainly I
could be of use to you in the matter of the proof sheets. I might, you
know, if I were in England. I do some work myself, but doubt much
whether I shall be ready for the printers by July; no, indeed, it is
clear I shall not. If Robert is, it will be well. Doesn't it surprise
you that Alexander Smith should be already in a third edition? I can't
make it out for my part. I 'give it up' as is my way with riddles. He is
both too bad and too good to explain this phenomenon, which is harder to
me than any implied in the turning tables or involuntary writing. By the
way, a lady whom I know here _writes Greek_ without knowing or having
ever known a single letter of it. The unbelievers writhe under it.
Oh, I have been reading poor Haydon's biography. There is tragedy! The
pain of it one can hardly shake off. Surely, surely, wrong was done
somewhere, when the worst is admitted of Haydon. For himself, looking
forward beyond the grave, I seem to understand that all things when most
bitter worked ultimate good to him, for that sublime arrogance of his
would have been fatal perhaps to the moral nature if developed further
by success. But for the nation we had our duties, and we should not
suffer our teachers and originators to sink thus. It is a book written
in blood of the heart. Poor Haydon!
May God bless you, my dear friend! I think of you and love you dearly,
Robert's love, put to mine, and Penini's love put to Robert's. I give
away Penini's love as I please just now.
Your ever affectionate
E.B.B.
Send my bulletins; only _two lines_ if you will.
* * * * *
_To Miss Browning_
[Rome: about March, 1854.]
My dearest Sarianna,--We are all well, and so is the weather, which is
diviner. We sit with the windows wide open, and find it almost too warm,
and to-day Robert and I have been wandering under the trees of the
Pincio and looking to the Monte Marino pine. Let the best come, I don't
like Rome, I never shall; and as they have put into the English
newspapers that I don't, I might as well acknowledge the barbarism. Very
glad I shall be to see you and Paris, even though my beloved Florence
shall be left behind. Dearest Sarianna, after a short rest at Paris, we
go on to London for the printing of Robert's book (mine won't be ready
till later in the year), and for the sight of some dear English faces
while the weather shall admit of it, before we settle for the winter in
France. Well, you will go with us to England, won't you? The dear
nonno[33] will spare you to go with us? It will do you good, and it will
do us good, certainly.
I quite agree with you that there's no situation like the Champs
Elysées--really, there is scarcely anything like it in Europe, if you
put away Venice--for a situation in a city.
The worst of the Champs Elysées is that it is out of the way, and
expensive on the point of carriages when you can't walk far. People tell
you, too, that the air is sharper at the end of the avenue; yet the sun
is so brilliant as to make amends for the disadvantage, if it exists.
Then you pay more for houses on account of the concourse of English. And
what if I object a little to the English besides? If I do, the
desirableness of the pure air and free walking for Penini
counterbalances them.
The Thackeray girls have had the scarlatina at Naples, and have been
very desolate, I fear, without a female servant or friend near them.
They probably were indisposed towards Naples by their own illness (which
was slight, however; the scarlet fever is always slight in Italy they
say), and by their father's more serious attack, for I have heard very
different accounts of the Neapolitan weather. Still, it has been an
abnormal winter everywhere, and there are cold winds on that coast on
certain months of the year always. Lockhart has gone away with the Duke
of Wellington, who was in deep consideration how he should manage his
funeral on the road. Robert was present when the question was mooted on
the Duke's last evening. _Should_ he send the body to England or bury
it? Would it be delicate to ask Lockhart which he preferred? Somebody
said: 'Suppose you were to ask what he would do with your body if you
died yourself.' I am afraid poor Lockhart is really in a dangerous state
of health, and that it would have been better if he had had something
tenderer and more considerate than a dukedom travelling with him under
his circumstances. He called upon us, and took a great fancy to Robert,
I understand, as being 'not at all like a damned literary man.'
Penini is overwhelmed with attentions and gifts of all kinds, and
generally acknowledged as the king of the children here. Mrs. Page, the
wife of the distinguished American artist, gave a party in honor of him
the other day. There was an immense cake inscribed '_Penini_' in sugar;
and he sat at the head of the table and did the honors. You never saw a
child so changed in point of shyness. He will go anywhere with anybody,
and talk, and want none of us to back him. Wilson is only instructed not
to come till it is 'velly late' to fetch him away. He talks to Fanny
Kemble, who 'dashes' most people. 'I not aflaid of nossing,' says he, in
his eloquent English. Mr. Fisher's cartoon of him is very pretty, but
doesn't do him justice in the delicacy of the lower part of the face.
Yet I can't complain of Mr. Fisher after the admirable likeness he has
painted of Robert. It is really _satisfying_ to me. You will see it in
London. Oh, how cruel it is that we can't buy it, Sarianna; I have a
sort of hope that Mr. Kenyon may--but zitto, zitto![34] Arabel will be
very grateful to you for the drawings....
[_Endorsed by Miss Browning_, '_Part of a letter_']
* * * * *
The plans, thus confidently spoken of, for a visit to Paris and London
in the summer of this year, did not attain fulfilment. The Brownings
left Rome for Florence about the end of May, intending to stay there
only a few weeks; but their arrangements were altered by letters
received from England, and ultimately they remained in Florence until
the summer of the following year. Whether for this reason, or because
the poems were not, after all, ready for press, the printing of Mr.
Browning's new volumes ('Men and Women') was also postponed, and they
did not appear until 1855; while 'Aurora Leigh' was still a long way
from completion.
* * * * *
_To Miss Mitford_
Rome: May 10, 1854.
My ever dearest Miss Mitford,--Your letter pained me to a degree which I
will not pain you by expressing farther. Now, I do not write to press
for another letter. On the contrary, I _entreat_ you not to attempt to
write a word to me with your own hand, until you can do so without
effort and suffering. In the meanwhile, would it be impossible for K. to
send me in one line some account of you? I don't mean to tease, but I
should be very glad and thankful to have news of you though in the
briefest manner, and if a letter were addressed to me at Poste Restante,
Florence, it would reach me, as we rest there on our road to Paris and
London. In any case I shall see you this summer, if it shall please God;
and stay with you the half hour you allow, and kiss your dear hands and
feel again, I hope, the brightness of your smile. As the green summer
comes on you must be the better surely; if you can bear to lie out under
the trees, the general health will rally and the local injury correct
itself. You must have a strong, energetic vitality; and, after all,
spinal disorders do not usually attack life, though they disable and
overthrow. The pain you endure is the terrible thing. Has a local
application of chloroform been ever tried? I catch at straws, perhaps,
with my unlearned hands, but it's the instinct of affection. While you
suffer, my dear friend, the world is applauding you. I catch sight of
stray advertisements and fragmentary notices of 'Atherton,' which seems
to have been received everywhere with deserved claps of hands. This will
not be comfort to you, perhaps; but you will feel the satisfaction which
every workman feels in successful work. I think the edition of plays and
poems has not yet appeared, and I suppose there will be nothing in
_that_ which can be new to us. 'Atherton' I thirst for, but the cup will
be dry, I dare say, till I get to England, for new books even at
Florence take waiting for far beyond all necessary bounds. We shall not
stay long in Tuscany. We want to be in England late in June or very
early in July, and some days belong to Paris as we pass, since Robert's
family are resident there. To leave Rome will fill me with barbarian
complacency. I don't pretend to have a rag of sentiment about Rome. It's
a palimpsest Rome--a watering-place written over the antique--and I
haven't taken to it as a poet should, I suppose; only let us speak the
truth, above all things. I am strongly a creature of association, and
the associations of the place have not been personally favorable to me.
Among the rest my child, the light of my eyes, has been more unwell
lately than I ever saw him in his life, and we were forced three times
to call in a physician. The malady was not serious, it was just the
result of the climate, relaxation of the stomach, &c., but the end is
that he is looking a delicate, pale, little creature, he who was radiant
with all the roses and stars of infancy but two months ago. The
pleasantest days in Rome we have spent with the Kembles--the two
sisters--who are charming and excellent, both of them, in different
ways; and certainly they have given us some exquisite hours on the
Campagna, upon picnic excursions, they and certain of their friends--for
instance, M. Ampère, the member of the French Institute, who is witty
and agreeable; M. Gorze, the Austrian Minister, also an agreeable man;
and Mr. Lyons, the son of Sir Edmund, &c. The talk was almost too
brilliant for the sentiment of the scenery, but it harmonised entirely
with the mayonnaise and champagne. I should mention, too, Miss Hosmer
(but she is better than a talker), the young American sculptress, who is
a great pet of mine and of Robert's, and who emancipates the eccentric
life of a perfectly 'emancipated female' from all shadow of blame by the
purity of hers. She lives here all alone (at twenty-two); dines and
breakfasts at the _cafés_ precisely as a young man would; works from six
o'clock in the morning till night, as a great artist must, and this with
an absence of pretension and simplicity of manners which accord rather
with the childish dimples in her rosy cheeks than with her broad
forehead and high aims. The Archer Clives have been to Naples, but have
returned for a time. Mr. Lockhart, who went to England with the Duke of
Wellington (the same prepared to bury him on the road), writes to Mrs.
Sartoris that he has grown much better under the influence of the native
beef and beer. To do him justice he looked, when here, innocent of the
recollection even of either. I wonder if you have seen Mrs. Howe's
poems, lately out, called 'Passion Flowers.' They were sent to me by an
American friend but were intercepted _en route_, so that I have not set
eyes on them yet, but one or two persons, not particularly reliable as
critics, have praised them to me. She is the wife of Dr. Howe, the deaf
and dumb philanthropist, and herself neither deaf nor dumb (very much
the contrary) I understand--a handsome woman and brilliant in society. I
gossip on to you, dearest dear Miss Mitford, as if you were in gossiping
humour. Believe that my tender thoughts, deeper than any said, are with
you always.
Robert's love with that of your attached
BA.
We go on the 22nd of this month. You have seen Mr. Chorley's book, I
daresay, which I should like much to see.
* * * * *
_To Miss Browning_
Casa Guidi: Thursday, [end of May 1854].
My dearest Sarianna,--I am delighted to say that we have arrived, and
see our dear Florence, the queen of Italy, after all. On the road I said
to Penini, 'Make a poem about Florence.' Without a moment's hesitation
he began, 'Florence is more pretty of all. Florence is a beauty.
Florence was born first, and then Rome was born. And Paris was born
after.' Penini is always _en verve_. He's always ready to make a poem on
any subject, and doesn't ask you to wait while he clears his voice. The
darling will soon get over the effect of that poisonous Roman air, I do
trust, though it is humiliating to hear our Florentines wailing over the
loss of bloom and dimples; it doesn't console me that his amount of
growth is properly acknowledged. Well, good milk and good air will do
their work in a little time with God's blessing, and a most voracious
appetite is developed already, I am glad to say. Even in the journey he
revived, the blue marks under the darling eyes fading gradually away,
and now he looks decidedly better, though unlike himself of two months
ago. You are to understand that the child is perfectly well, and that
the delicate look is traceable distinctly and only to the attacks he had
in Rome during the last few weeks. Throughout the winter he was radiant,
as I used to tell you, and the confessed king of the whole host of his
contemporaries and country-babies....
_The Kembles_ were our gain in Rome. I appreciate and admire both of
them. They fail in nothing as you see them nearer. Noble and upright
women, whose social brilliancy is their least distinction! Mrs. Sartoris
is the more tender and tolerant, the more loveable and sympathetical,
perhaps, to me. I should like you to know them both. Then there is that
dear Mr. Page. Yes, and Harriet Hosmer, the young American sculptress,
who is an immense favorite with us both.
A comfort is that Robert is considered here to be looking better than he
ever was known to look. And this notwithstanding the greyness of his
beard, which indeed is, in my own mind, very becoming to him, the
argentine touch giving a character of elevation and thought to the whole
physiognomy. This greyness was suddenly developed; let me tell you how.
He was in a state of bilious irritability on the morning of his arrival
in Rome from exposure to the sun or some such cause, and in a fit of
suicidal impatience shaved away his whole beard, whiskers and all! I
_cried_ when I saw him, I was so horror-struck. I might have gone into
hysterics and still been reasonable; for no human being was ever so
disfigured by so simple an act. Of course I said, when I recovered
breath and voice, that everything was at an end between him and me if he
didn't let it all grow again directly, and (upon the further advice of
his looking-glass) he yielded the point, and the beard grew. But it grew
_white_, which was the just punishment of the gods--our sins leave their
traces.
Well, poor darling, Robert won't shock you after all, you can't choose
but be satisfied with his looks. M. de Monclar swore to me that he was
not changed for the intermediate years.
Robert talks of money, of waiting for _that_, among other hindrances to
setting out directly. Not _my_ fault, be certain, Sarianna! We seem to
have a prospect of letting our house for a year, which, if the thing
happens, will give us a lift.
We spent yesterday evening with Lytton at his villa, meeting there Mr.
and Mrs. Walpole, Frederick Tennyson, and young Norton (Mrs. Norton's
son), who married the Capri girl. She was not present, I am sorry to
say. We walked home to the song of nightingales by starlight and
firefly-light. Florence looks to us more beautiful than ever after
Rome. I love the very stones of it, to say nothing of the cypresses and
river.
Robert says, 'Are you nearly done?' I am done. Give Penini's love and
mine to the dear nonno, and tell him (and yourself, dear) how delighted
we shall be [to] have you both. You are prepared to go to England, I
hope. By the way, the weather there is said to be murderous through
bitter winds, but it must soften as the season advances. May God bless
you! I am yours in truest love.
BA.
We had a very pleasant vettura journey, Robert will have told you.
* * * * *
_To Miss Mitford_
Florence: June 6, 1854.
Yes, dearest friend, I had your few lines which Arabel sent to me. I had
them on the very day I had posted my letter to you, and I need not say
how deeply it moved me that you should have thought of giving me that
pleasure of Mr. Ruskin's kind word at the expense of what I knew to be
so much pain to yourself....
We mean to stay at Florence a week or two longer and then go northward.
I love Florence, the place looks exquisitely beautiful in its
garden-ground of vineyards and olive trees, sung round by the
nightingales day and night, nay, sung _into_ by the nightingales, for as
you walk along the streets in the evening the song trickles down into
them till you stop to listen. Such nights we have between starlight and
firefly-light, and the nightingales singing! I would willingly stay
here, if it were not that we are constrained by duty and love to go, and
at some day not distant, I daresay we shall come back 'for good and all'
as people say, seeing that if you take one thing with another, there is
no place in the world like Florence, I am persuaded, for a place to
live in. Cheap, tranquil, cheerful, beautiful, within the limit of
civilisation yet out of the crush of it. I have not seen the Trollopes
yet; but we have spent two delicious evenings at villas on the outside
the gates, one with young Lytton, Sir Edward's son, of whom I have told
you, I think. I like him, we both do, from the bottom of our hearts.
Then our friend Frederick Tennyson, the new poet, we are delighted to
see again. Have you caught sight of his poems? If you have, tell me your
thought. Mrs. Howe's I have read since I wrote last. Some of them are
good--many of the thoughts striking, and all of a certain elevation. Of
poetry, however, strictly speaking, there is not much; and there's a
large proportion of conventional stuff in the volume. She must be a
clever woman. Of the ordinary impotencies and prettinesses of female
poets she does not partake, but she can't take rank with poets in the
good meaning of the word, I think, so as to stand without leaning. Also
there is some bad taste and affectation in the dressing of her
personality. I dare say Mr. Fields will bring you her book. Talking of
American literature, with the publishers on the back of it, we think of
offering the proofs of our new works to any publisher over the water who
will pay us properly for the advantage of bringing out a volume in
America simultaneously with the publication in England. We have heard
that such a proposal will be acceptable, and mean to try it. The words
you sent to me from Mr. Ruskin gave me great pleasure indeed, as how
should they not from such a man? I like him personally, too, besides my
admiration for him as a writer, and I was deeply gratified in every way
to have his approbation. His 'Seven Lamps' I have not read yet. Books
come out slowly to Italy. It's our disadvantage, as you know. Ruskin and
art go together. I must tell you how Rome made me some amends after all.
Page, the American artist, painted a picture of Robert like an Italian,
and then presented it to me like a prince. It is a wonderful picture,
the colouring so absolutely _Venetian_ that artists can't (for the most
part) keep their temper when they look at it, and the breath of the
likeness is literal.[35] Mr. Page has _secrets_ in the art--certainly
nobody else paints like him--and his nature, I must say, is equal to his
genius and worthy of it. Dearest Miss Mitford, the 'Athenæum' is always
as frigid as Mont Blanc; it can't be expected to grow warmer for looking
over your green valleys and still waters. It wouldn't be Alpine if it
did. They think it a point of duty in that journal to shake hands with
one finger. I dare say when Mr. Chorley sits down to write an article he
puts his feet in cold water as a preliminary. Still, I oughtn't to be
impertinent. He has been very good-natured to _me_, and it isn't his
fault if I'm not Poet Laureate at this writing, and engaged in cursing
the Czar in Pindarics very prettily. 'Atherton,' meanwhile, wants nobody
to praise it, I am sure. How glad I shall be to seize and read it, and
how I thank you for the gift! May God bless and keep you! I may hear
again if you write soon to Florence, but don't pain yourself for the
world, I entreat you. I shall see you before long, I think.
Your ever affectionate
E.B.B.
Robert's love.
* * * * *
_To Miss Mitford_
Florence: July 20, [1854].
My dearest Miss Mitford,--I this moment receive your little note. It
makes me very sad and apprehensive about you, and I would give all this
bright sunshine for weeks for one explanatory word which might make me
more easy. Arabel speaks of receiving your books--I suppose
'Atherton'--and of having heard from yourself a very bad account of
your state of health. Are you worse, my beloved friend? I have been
waiting to hear the solution of our own plans (dependent upon letters
from England) in order to write to you; and when I found our journey to
London was definitively rendered impossible till next spring, I deferred
writing yet again, it was so painful to me to say to you that our
meeting could not take place this year. Now, I receive your little note
and write at once to say how sad _that_ makes me. It is the first time
that the expression of your love, my beloved friend, has made me sad,
and I start as from an omen. On the other hand, the character you write
in is so firm and like yourself, that I do hope and trust you are not
sensibly worse. Let me hear by a word, if possible, that the change of
weather has done you some little good. I understand there has scarcely
been any summer in England, and this must necessarily have been adverse
to you. A gleam of fine weather would revive you by God's help. Oh, that
I could look in your face and say, 'God bless you!' as I feel it. May
God bless you, my dear, dear friend.
Our reason for not going to England has not been from caprice, but a
cross in money matters. A ship was to have brought us in something, and
brought us in nothing instead, with a discount; the consequence of which
is that we are transfixed at Florence, and unable even to 'fly to the
mountains' as a refuge from the summer heat. It has been a great
disappointment to us all, and to our respective families, my poor
darling Arabel especially; but we can only be patient, and I take
comfort in the obvious fact that my Penini is quite well and almost as
rosy as ever in spite of the excessive Florence heat. One of the worst
thoughts I have is about _you_. I had longed so to see you this summer,
and had calculated with such certainty upon doing so. I would have gone
to England for that single reason if I could, but I can't; we can't
stir, really. That we should be able to sit quietly still at Florence
and eat our bread and maccaroni is the utmost of our possibilities this
summer.
Mrs. Trollope has gone to the Baths of Lucca, and thus I have not seen
her. She will be very interested about you, of course. How many hang
their hearts upon your sickbed, dearest Miss Mitford! Yes, and their
prayers too.
The other day, by an accident, an old number of the 'Athenæum' fell into
my hands, and I read for the second time Mr. Chorley's criticism upon
'Atherton.' It is evidently written in a hurried manner, and is quite
inadequate as a notice of the book; but, do you know, I am of opinion
that if you considered it more closely you would lose your impression of
its being depreciatory and cold. He says that the _only fault_ of the
work is its _shortness_; a rare piece of praise to be given to a work
nowadays. You see, your reputation is at the height; neither he nor
another could _help_ you; such books as yours make their own way. The
'Athenæum' doesn't give full critiques of Dickens, for instance, and it
is arctical in general temperature. I thought I would say this to you.
Certainly I _do know_ that Mr. Chorley highly regards you in every
capacity--as writer and as woman--and in the manner in which he named
you to me in his last letter there was no chill of sentiment nor recoil
of opinion. So do not admit a doubt of _him_; he is a sure and
affectionate friend, and absolutely high-minded and reliable; of an
intact and even chivalrous delicacy. I say it, lest you might have need
of him and be scrupulous (from your late feeling) about making him
useful. It is horrible to doubt of one's friends; oh, I know _that_, and
would save you from it.
We had a letter from Paris two days ago from one of the noblest and most
intellectual men in the country, M. Milsand, a writer in the 'Deux
Mondes.' He complains of a stagnation in the imaginative literature, but
adds that he is consoled for everything by the 'state of politics.' Your
Napoleon is doing you credit, his very enemies must confess.
As for me, I can't write to-day. Your little precious, melancholy note
hangs round the neck of my heart like a stone. Arabel simply says she
is afraid from what you have written to her that you must be very ill;
she does not tell me what you wrote to her--perhaps for fear of paining
me--and now I am pained by the silence beyond measure.
Robert's love and warmest wishes for you. He appreciates your kind word
to him. And I, what am I to say? I love you from a very sad and grateful
heart, looking backwards and forwards--and _upwards_ to pray God's love
down on you!
Your ever affectionate
E.B.B., rather BA.
Precious the books will be to me. I hope not to wait to read them till
they reach me, as there is a bookseller here who will be sure to have
them. Thank you, thank you.
* * * * *
_To Miss Mitford_
Florence: September 4, 1854.
Five minutes do not pass, my beloved friend, since reading this dear
letter which has wrung from me tender and sorrowful tears, and answering
it thus. Pray for you? I do not wait that you should bid me. May the
divine love in the face of our Lord Jesus Christ shine upon you day and
night, and make all our human loves strike you as cold and dull in
comparison with that ineffable tenderness! As to wandering prayers, I
cannot believe that it is of consequence whether this poor breath of
ours wanders or does not wander. If we have strength to throw ourselves
upon Him for everything, for prayer, as well as for the ends of prayer,
it is enough, and He will prove it to be enough presently. I have been
when I could not pray at all. And then God's face seemed so close upon
me that there was no need of prayer, any more than if I were near _you_,
as I yearn to be, as I ought to be, there would be need for this letter.
Oh, be sure that He means well by us by what we suffer, and it is when
we suffer that He often makes the meaning clearer. You know how that
brilliant, witty, true poet Heine, who was an atheist (as much as a man
can pretend to be), has made a public profession of a change of opinion
which was pathetic to my eyes and heart the other day as I read it. He
has joined no church, but simply (to use his own words) has 'returned
home to God like the prodigal son after a long tending of the swine.' It
is delightful to go home to God, even after a tending of the sheep. Poor
Heine has lived a sort of living death for years, quite deprived of his
limbs, and suffering tortures to boot, I understand. It is not because
we are brought low that we must die, my dearest friend. I hope--I do not
say 'hope' for _you_ so much as for _me_ and for the many who hang their
hearts on your life--I hope that you may survive all these terrible
sufferings and weaknesses, and I take my comfort from your letter, from
the firmness and beauty of the manuscript; I who know how weak hands
will shudder and reel along the paper. Surely there is strength for more
life in that hand. Now I stoop to kiss it in my thought. Feel my kiss on
the dear hand, dear, dear friend.
A previous letter of yours pained me much because I seemed to have given
you the painful trouble in it of describing your state, your weakness.
Ah, I _knew_ what that state was, and it was _therefore_ that the slip
of paper which came with 'Atherton' seemed to me so ominous! By the way,
I shall see 'Atherton' before long, I dare say. The 'German Library' in
our street is to have a 'box of new books' almost directly, and in it
surely must be 'Atherton,' and you shall hear my thoughts of the book as
soon as I catch sight of it. Then you have sent me the Dramas. Thank
you, thank you; they will be precious. I saw the article in the
'Athenæum' with joy and triumph, and knew Mr. Chorley by the 'Roman
hand.' In the 'Illustrated News' also, Robert (not I) read an
enthusiastic notice. He fell upon it at the reading-room where I never
go on account of my _she_-dom, women in Florence being supposed not--
(_Part of this letter is missing_)
Think of me who am far, yet near in love and thought. Love me with that
strong heart of yours. May God bless it, bless it!
I am ever your attached
E.B.B., rather BA.
I have had a sad letter from poor Haydon's daughter. She has fifty-six
pounds a year, and can scarcely live on it in England, and inquires if
she could live in any family in Florence. I fear to recommend her to
come so far on such means. Robert's love. _May God bless you and keep
you! Love me._
* * * * *
_To Miss Mitford_
Florence: October 19, 1854.
I will try not to be overjoyed, my dear, dearest Miss Mitford, but,
indeed, it is difficult to refrain from catching at hope with both
hands. If the general health will but rally, there is nothing fatal
about a spine disease. May God bless you, give you the best blessing in
earth and heaven, as the God of the living in both places. We ought not
to be selfish, nor stupid, so as to be afraid of leaving you in His
hands. What is beautiful and joyful to observe is the patience and
self-possession with which you endure even the most painful
manifestation of His will; and that, while you lose none of that
interest in the things of our mortal life which is characteristic of
your sympathetic nature, you are content, just as if you felt none, to
let the world go, according to the decision of God. May you be more and
more confirmed and elevated and at rest--being the Lord's, whether
absent from the body or present in it! For my own part, I have been long
convinced that what we call death is a mere incident in life--perhaps
scarcely a greater one than the occurrence of puberty, or the
revolution which comes with any new emotion or influx of new knowledge.
I am heterodox about sepulchres, and believe that no _part of us_ will
ever lie in a grave. I don't think much of my nail-parings--do you?--not
even of the nail of my thumb when I cut off what Penini calls the
'gift-mark' on it. I believe that the body of flesh is a mere husk which
drops off at death, while the spiritual body (see St. Paul) emerges in
glorious resurrection at once. Swedenborg says, some persons do not
immediately realise that they have passed death, and this seems to me
highly probable. It is curious that Maurice, Mr. Kingsley's friend,
about whom so much lately has been written and quarrelled (and who _has_
made certain great mistakes, I think), takes this precise view of the
resurrection, with an apparent unconsciousness of what Swedenborg has
stated upon the subject, and that, I, too, long before I knew
Swedenborg, or heard the name of Maurice, came to the same conclusions.
I wonder if Mr. Kingsley agrees with us. I dare say he does, upon the
whole--for the ordinary doctrine seems to me as little taught by
Scripture as it can be reconciled with philosophical probabilities. I
believe in an active, _human_ life, beyond death as before it, an
uninterrupted human life. I believe in no waiting in the grave, and in
no vague effluence of spirit in a formless vapour. But you'll be tired
with 'what I believe.'
I have been to the other side of Florence to call on Mrs. Trollope, on
purpose that I might talk to her of you, but she was not at home, though
she has returned from the Baths of Lucca. From what I hear, she appears
to be well, and has recommenced her 'public mornings,' which we shrink
away from. She 'receives' every Saturday morning in the most
heterogeneous way possible. It must be amusing to anybody not
overwhelmed by it, and people say that she snatches up 'characters' for
her 'so many volumes a year' out of the diversities of masks presented
to her on these occasions. Oh, our Florence! In vain do I cry out for
'Atherton.' The most active circulating library 'hasn't got it yet,'
they say. I must still wait. Meanwhile, of course, I am delighted with
all your successes, and your books won't spoil by keeping like certain
other books. So I may wait.
How young children unfold like flowers, and how pleasant it is to watch
them! I congratulate you upon yours--your baby-girl must be a dear
forward little thing. But I wish I could show you my Penini, with his
drooping golden ringlets and seraphic smile, and his talk about
angels--you would like him, I know. Your girl-baby has avenged my name
for me, and now, if you heard my Penini say in the midst of a coaxing
fit--'O, my sweetest little mama, my darling, _dearlest_, little Ba,'
you would admit that 'Ba' must have a music in it, to my ears at least.
The love of two generations is poured out to me in that name--and the
stream seems to run (in one instance) when alas! the fountain is dry. I
do not refer to the dead who live still.
Ah, dearest friend, you feel how I must have felt about the accident in
Wimpole Street.[36] I can scarcely talk to you about it. There will be
permanent lameness, Arabel says, according to the medical opinion,
though the general health was not for a moment affected. But permanent
lameness! That is sad, for a person of active habits. I ventured to
write a little note--which was not returned, I thank God--or read, I
dare say; but of course there was no result. I never even expected it,
as matters have been. I must tell you that our pecuniary affairs are
promising better results for next year, and that we shall not, in all
probability, be tied up from going to England. For the rest--if I
understand you--oh no! My husband has a family likeness to Lucifer in
being proud. Besides, it's not necessary. When literary people are
treated in England as in some other countries, in that case and that
time we may come in for our share in the pensions given by the people,
without holding out our hands. Now think of Carlyle--unpensioned! Why,
if we sate here in rags, we wouldn't press in for an obolus before
Belisarius. Mrs. Sartoris has been here on her way to Rome, spending
most of her time with us--singing passionately and talking eloquently.
She is really charming. May God bless and keep you and love you, beloved
friend! Love your own affectionate
BA.
May it be Robert's love?
* * * * *
_To Miss Browning_
[Florence:] November 11, 1854 [postmark].
My dearest Sarianna,--I shall be writing my good deeds in water to-day
with this mere pretence at inks.[37] We are all well, though it is much
too cold for me--a horrible tramontana which would create a cough under
the ribs of death, and sets me coughing a little in the morning. I am
afraid it's to be a hard winter again this year--or harder than last
year's. We began fires on the last day of October, after the most
splendid stretch of spring, summer, and autumn I ever remember. We have
translated our room into winter--sent off the piano towards the windows,
and packed tables, chairs, and sofas as near to the hearth as possible.
What a time of anxiety this war time is![38] I do thank God that _we_
have no reasons for its being a personal agony, through having anyone
very precious at the post of danger. I have two first cousins there, a
Hedley, and Paget Butler, Sir Thomas's son. I understand that the gloom
in England from the actual bereavements is great; that the frequency of
deep mourning strikes the eye; that even the shops are filled chiefly
with black; and that it has become a sort of _mode_ to wear black or
grey, without family losses, and from the mere force of sympathy.
My poor father is still unable to stir from the house, and he has been
unwell through a bilious attack, the consequence of want of exercise.
Nothing can induce him to go out in a carriage, because he 'never did in
his life drive out for mere amusement,' he says. There's what Mr. Kenyon
calls 'the Barrett obstinacy,' and it makes me uneasy as to the effect
of it in this instance upon the general health of the patient. Poor
darling Arabel seems to me much out of spirits--'out of humour,' _she_
calls it, dear thing--oppressed by the gloom of the house, and looking
back yearningly to the time when she had sisters to talk to. Oh
Sarianna, I wish we were all together to have a good gossip or groaning,
with a laugh at the end!...
Your ever affectionate sister,
BA.
* * * * *
_To Mrs. Martin_
Florence: November 1854.
My dearest Mrs. Martin,--You make me wait and I make you wait for
letters. It is bad of us both--and remember, _worse of you_, seeing that
you left two long letters of mine unanswered for months. I felt as if I
had fallen down an _oubliette_, and I was about to utter the loud
shrieks befitting the occasion, when you wrote at last. Don't treat me
so another time; I want to know your plans for the winter, since the
winter is upon us. Next summer, if it pleases God, we shall certainly
meet somewhere--say Paris, say London. We shall have money for it, which
we had not this year; and now the disappointment's over, I don't care.
The heat at Florence was very bearable, and our child grew into his
roses lost at Rome, and we have lived a very tranquil and happy six
months on our own sofas and chairs, among our own nightingales and
fireflies. There's an inclination in me to turn round with my Penini
and say, 'I'm an Italian.' Certainly both light and love seem stronger
with me at Florence than elsewhere....
The war! The alliance is the consolation; the necessity is the
justification. For the rest, one shuts one's eyes and ears--the rest is
too horrible. What do you mean by fearing that the war itself may not be
all the evil of the war? I expect, on the contrary, a freer political
atmosphere after this thunder. Louis Napoleon is behaving very tolerably
well, won't you admit, after all? And I don't look to a treason at the
end as certain of his enemies do, who are reduced to a 'wait, wait, and
you'll see.' There's a friend of mine here, a traditional anti-Gallican,
and very lively in his politics until the last few months. He can't
speak now or lift up his eyelids, and I am too magnanimous in opposition
to talk of anything else in his presence except Verdi's last opera,
which magnanimity he appreciates, though he has no ear. About a month
ago he came suddenly to life again. 'Have you heard the news? Napoleon
is suspected of making a secret treaty with Russia.' The next morning he
was as dead as ever--poor man! It's a desperate case for him.
Are you not happy--_you_--in this fast union between England and France?
Some of our English friends, coming to Italy through France, say that
the general feeling towards England, and the affectionate greetings and
sympathies lavished upon them as Englishmen by the French everywhere,
are quite strange and touching. 'In two or three years,' said a
Frenchman on a railroad, 'French and English, we shall make only one
nation.' Are you very curious about the subject of gossip just now
between Lord Palmerston and Louis Napoleon? We hear from somebody in
Paris, whose _métier_ it is to know everything, that it refers to the
readjustment of affairs in Italy. May God grant it! The Italians have
been hanging their whole hope's weight upon Louis Napoleon ever since he
came to power, and if he does now what he can for them I shall be proud
of my _protégé_--oh, and so glad! Robert and I clapped our hands
yesterday when we heard this; we couldn't refrain, though our informant
was reactionary and in a deep state of conservative melancholy. 'Awful
things were to be expected about Italy,' quotha!
Now do be good, and write and tell me what your plans are for the
winter. We shall remain here till May, and then, if God pleases, go
north--to Paris and London. Robert and I are at work on our books. I
have taken to ass's milk to counteract the tramontana, and he is in the
twenty-first and I in the twenty-second volume of Alexandre Dumas's
'Memoirs.' The book is _un peu hasardé_ occasionally, as might be
expected, but extremely interesting, and I really must recommend it to
your attention for the winter if you don't know it already.
We have seen a good deal of Mrs. Sartoris lately on her way to Rome
(Adelaide Kemble)--eloquent in talk and song, a most brilliant woman,
and noble. She must be saddened since then, poor thing, by her father's
death. Tell me if it is true that Harriet Martineau has seceded again
from her atheism? We heard so the other day. Dearest Mrs. Martin, do
write to me; and do, both of you, remember me, and think of both of us
kindly. With Robert's true regards,
I am your as ever affectionate
BA.
Tell me dear Mr. Martin's mind upon politics--in the Austrian and
Prussian question, for instance. We have no fears, in spite of Dr.
Cumming and the prophets generally, of ultimate results.
* * * * *
_To Miss Mitford_
Florence: December 11, 1854.
I should have written long ago, my dearest Miss Mitford, to try to say
half the pleasure and gratitude your letter made for me, but I have
been worried and anxious about the illnesses, not exactly in my family
but nearly as touching to me, and hanging upon posts from England in a
painful way inevitable to these great distances....
I understand that literature is going on flaggingly in England just now,
on account of nobody caring to read anything but telegraphic messages.
So Thackeray told somebody, only he might refer chiefly to the fortunes
of the 'Newcomes,' who are not strong enough to resist the Czar. The
book is said to be defective in story. Certainly the subject of the war
is very absorbing; we are all here in a state of tremblement about it.
Dr. Harding has a son at Sebastopol, who has had already three horses
killed under him. What hideous carnage! The allies are plainly
numerically too weak, and the two governments are much blamed for not
reinforcing long ago. I am discontented about Austria. I don't like
handshaking with Austria; I would rather be picking her pocket of her
Italian provinces; and, while upon such civil terms, how _can_ we? Yet
somebody, who professes to know everything, told somebody at Paris, who
professes to tell everything, that Louis Napoleon and Lord Palmerston
talked much the other day about what is to be done for Italy; and here
in Italy we have long been all opening our mouths like so many young
thrushes in a nest, expecting some 'worme small' from your Emperor. Now,
if there's an Austrian alliance instead!...
Do you hear from Mr. Kingsley? and, if so, how is his wife? I am reading
now Mrs. Stowe's 'Sunny Memories,' and like the naturalness and
simplicity of the book much, in spite of the provincialism of the tone
of mind and education, and the really wretched writing. It's quite
wonderful that a woman who has written a book to make the world ring
should write so abominably....
Do you hear often from Mr. Chorley? Mr. Kenyon complains of never seeing
him. He seems to have withdrawn a good deal, perhaps into closer
occupations, who knows? Aubrey de Vere told a friend of ours in Paris
the other day that Mr. Patmore was engaged on a poem which 'was to be
the love poem of the age,' parts of which he, Aubrey de Vere, had seen.
Last week I was vexed by the sight of Mrs. Trollope's card, brought in
because we were at dinner. I should have liked to have seen her for the
sake of the opportunity of talking of _you_.
Do you know the engravings in the 'Story without an End'? The picture of
the 'child' is just my Penini. Some one was observing it the other day,
and I thought I would tell you, that you might image him to yourself.
Think of his sobbing and screaming lately because of the Evangelist John
being sent to Patmos. 'Just like poor Robinson Crusoe' said he. I
scarcely knew whether to laugh or cry, I was so astonished at this
crisis of emotion.
Robert's love will be put in. May God bless you and keep you, and love
you better than we all.
Your ever affectionate
BA.
* * * * *
_To Mrs. Martin_
Casa Guidi: February 13, [1855].
My dearest Mrs. Martin,--How am I to thank you for this most beautiful
shawl, looking fresh from Galatea's flocks, and woven by something finer
than her fingers? You are too good and kind, and I shall wrap myself in
this piece of affectionateness on your part with very pleasant feelings.
Thank you, thank you. I only wish I could have seen you (though more or
less dimly, it would have been a satisfaction) in the face of your
friend who was so kind as to bring the parcel to me. But I have been
very unwell, and was actually in bed when he called; unwell with the
worst attack on the chest I ever suffered from in Italy. Oh, I should
have written to you long since if it had not been for this. For a month
past or more I have been ill. Now, indeed, I consider myself
convalescent; the exhausting cough and night fever are gone, I may say,
the pulse quiet, and, though considerably weakened and pulled down, that
will be gradually remedied as long as this genial mildness of the
weather lasts. You were quite right in supposing us struck here by the
cold of which you complained even at Pau. Not only here but at Pisa
there has been snow and frost, together with a bitter wind which my
precaution of keeping steadily to two rooms opening one into another
could not defend me from. My poor Robert has been horribly vexed about
me, of course, and indeed suffered physically at one time through
sleepless nights, diversified by such pastimes as keeping fires alight
and warming coffee, &c. &c. Except for love's sake it wouldn't be worth
while to live on at the expense of doing so much harm, but you needn't
exhort--I don't give it up. I mean to live on and be well.
In the meantime, in generous exchange for your miraculous shawl, I send
you back sixpence worth of rhymes. They were written for Arabel's Ragged
School bazaar last spring (she wanted our names), and would not be worth
your accepting but for the fact of their not being purchaseable
anywhere.[39] A few copies were sent out to us lately. Half I draw back
my hand as I give you this little pamphlet, because I seem to hear dear
Mr. Martin's sardonic laughter at my phrase about the Czar. 'If she
wink, &c.' Well, I don't generally sympathise with the boasting mania of
my countrymen, but it's so much in the blood that, even with _me_, it
exceeds now and then, you observe. Ask him to be as gentle with me as
possible.
Oh, the East, the East! My husband has been almost frantic on the
subject. We may all cover our heads and be humble.[40] Verily we have
sinned deeply. As to ministers, that there is blame I do not doubt. The
Aberdeen element has done its worst, but our misfortune is that nobody
is responsible; and that if you tear up Mr. So-and-so and Lord So-and-so
limb from limb, as a mild politician recommended the other day, you
probably would do a gross injustice against very well-meaning persons.
It's the system, the system which is all one gangrene; the most corrupt
system in Europe, is it not? Here is my comfort. Apart from the dreadful
amount of individual suffering which cries out against us to heaven and
earth, this adversity may teach us much, this shock which has struck to
the heart of England may awaken us much, and this humiliation will
altogether be good for us. We have stood too long on a pedestal talking
of our moral superiority, our political superiority, and all our other
superiorities, which I have long been sick of hearing recounted. Here's
an inferiority proved. Let us understand it and remedy it, and not talk,
talk, any more.
[_Part of this letter has been cut out_]
We heard yesterday from the editor of the 'Examiner,' Mr. Forster, who
expects some terrible consequence of present circumstances in England,
as far as I can understand. The alliance with France is full of
consolation. There seems to be a real heart-union between the peoples.
What a grand thing the Napoleon loan is! It has struck the English with
admiration.
I heard, too, among other English news, that Walter Savage Landor, who
has just kept his eightieth birthday, and is as young and impetuous as
ever, has caught the whooping cough by way of an illustrative accident.
Kinglake ('E[=o]then') came home from the Crimea (where he went out and
fought as an amateur) with fever, which has left one lung diseased. He
is better, however....
Dearest Mrs. Martin, dearest friends, be both of you well and strong.
Shall we not meet in Paris this early summer?
May God bless you! Your ever affectionate
BA.
* * * * *
_To Mrs. Jameson_
Florence: February 24, 1855.
The devil (say charitable souls) is not as bad as he is painted, and
even I, dearest Mona Nina, am better than I seem. In the first place,
let me make haste to say that I _never received_ the letter you sent me
to Rome with the information of your family affliction, and that, if I
had, it could never have remained an unnoticed letter. I am not so
untender, so unsympathising, not so brutal--let us speak out. I lost
several letters in Rome, besides a good deal of illusion. I did not like
Rome, I think I confessed to you. In the second place, when your last
letter reached me--I mean the letter in which you told me to write to
you directly--I _would_ have written directly, but was so very unwell
that you would not have wished me even to try if, absent in the flesh,
you had been present in spirit. I have had a severe attack on the
chest--the worst I ever had in Italy--the consequence of exceptionally
severe weather--bitter wind and frost together--which quite broke me up
with cough and fever at night. Now I am well again, only of course much
weakened, and grown thin. I mean to get fat again upon cod's liver oil,
in order to appear in England with some degree of decency. You know I'm
a lineal descendant of the White Cat, and have seven lives accordingly.
Also I have a trick of falling from six-storey windows upon my feet, in
the manner of the traditions of my race. Not only I die hard, but I can
hardly die. 'Half of it would kill _me_,' said an admiring friend the
other day. 'What strength you must have!' A questionable advantage,
except that I have also--a Robert, and a Penini!
Dearest friend, I don't know how to tell you of our fullness of sympathy
in your late trials.[41] From a word which reached us from England the
other day, there will be, I do trust, some effectual arrangement to
relieve your friends from their anxieties about you. Then, there should
be an increase of the Government pension by another hundred, that is
certain; only the 'should be' lies so far out of sight in the ideal,
that nobody in his senses should calculate on its occurrence. As to Law,
it's different from Right--particularly in England perhaps--and appeals
to Law are disastrous when they cannot be counted on as victorious,
always and certainly. Therefore you may be wise in abstaining; you have
considered sufficiently, of course. I only hope you are not trammelled
in any degree by motives of delicacy which would be preposterous under
the actual circumstances. You meantime are as nobly laborious as ever.
We have caught hold of fragments in the newspapers from your
'Commonplace Book,' which made us wish for more; and Mr. Kenyon told me
of a kind mention of Robert which was very pleasant to me.
How will it be? Shall you be likely to come to Italy before we set out
to the north--that is, before the middle of May--or shall we cross on
the road, like our letters, or shall we catch you in London, or in Paris
at least? Oh, you won't miss the Exhibition in Paris. That seems
certain.
I know Florence Nightingale slightly. She came to see me when we were in
London last; and I remember her face and her graceful manner, and the
flowers she sent me after afterwards. I honor her from my heart. She is
an earnest, noble woman, and has fulfilled her woman's duty where many
men have failed.
At the same time, I confess myself to be at a loss to see any new
position for the sex, or the most imperfect solution of the 'woman's
question,' in this step of hers. If a movement at all, it is retrograde,
a revival of old virtues! Since the siege of Troy and earlier, we have
had princesses binding wounds with their hands; it's strictly the
woman's part, and men understand it so, as you will perceive by the
general adhesion and approbation on this late occasion of the masculine
dignities. Every man is on his knees before ladies carrying lint,
calling them 'angelic she's,' whereas, if they stir an inch as thinkers
or artists from the beaten line (involving more good to general
humanity; than is involved in lint), the very same men would curse the
impudence of the very same women and stop there. I can't see on what
ground you think you see here the least gain to the 'woman's question,'
so called. It's rather _the contrary_, to my mind, and, any way, the
women of England must give the precedence to the _soeurs de charité_,
who have magnificently won it in all matters of this kind. For my own
part (and apart from the exceptional miseries of the war), I acknowledge
to you that I do not consider the best use to which we can put a gifted
and accomplished woman is to _make her a hospital nurse_. If it is, why
then woe to us all who are artists! The woman's question is at an end.
The men's 'noes' carry it. For the future I hope you will know your
place and keep clear of Raffaelle and criticism; and I shall expect to
hear of you as an organiser of the gruel department in the hospital at
Greenwich, that is, if you have the luck to _percer_ and distinguish
yourself.
Oh, the Crimea! How dismal, how full of despair and horror! The results
will, however, be good if we are induced to come down from the English
pedestal in Europe of incessant self-glorification, and learn that our
close, stifling, corrupt system gives no air nor scope for healthy and
effective organisation anywhere. We are oligarchic in all things, from
our parliament to our army. Individual interests are admitted as
obstacles to the general prosperity. This plague runs through all things
with us. It accounts for the fact that, according to the last marriage
statistics, thirty per cent, of the male population signed with the
_mark_ only. It accounts for the fact that London is at once the largest
and ugliest city in Europe. For the rest, if we cannot fight righteous
and necessary battles, we must leave our place as a nation, and be
satisfied with making pins. Write to me, but don't pay your letters,
dear dear friend, and I will tell you why. Through some slip somewhere
we have had to pay your two last letters just the same. So don't try it
any more. Do you think we grudge postage from you? Tell me if it is true
that Harriet Martineau is very ill. What do you hear of her?
May God bless you! With Robert's true love,
Your ever affectionate
BA.
* * * * *
The following letter is the first of a few addressed to Mr. Ruskin,
which have been made available through the kindness of Mrs. Arthur
Severn. The acquaintanceship with Mr. Ruskin dated from the visit of the
Brownings to England in 1852 (see vol. ii. p. 87, above); but the
occasion of the present correspondence was the recent death of Miss
Mitford, which took place on January 10, 1855. Mr. Ruskin had shown much
kindness to her during her later years, and after her death had written
to Mrs. Browning to tell her of the closing scenes of her friend's life.
* * * * *
_To Mr. Ruskin_
Florence: March 17, 1855.
I have your letter, dear Mr. Ruskin. The proof is the pleasure it has
given me--yes, and given my husband, which is better. 'When has a
letter given me so much pleasure?' he exclaimed, after reading it; 'will
you write?' I thank you much--much for thinking of it, and I shall be
thankful of anything you can tell me of dearest Miss Mitford. I had a
letter from her just before she went, written in so firm a hand, and so
vital a spirit, that I could feel little apprehension of never seeing
her in the body again. God's will be done. It is better so, I am sure.
She seemed to me to see her way clearly, and to have as few troubling
doubts in respect to the future life as she had to the imminent end of
the present.
Often we have talked and thought of you since the last time we saw you,
and, before your letter came, we had ventured to put on the list of
expected pleasures connected with our visit to England, fixed for next
summer, the pleasure of seeing more of Mr. Ruskin. For the rest, there
will be some bitter things too. I do not miss them generally in England,
and among them this time will be an empty place where I used always to
find a tender and too indulgent friend.
You need not be afraid of my losing a letter of yours. The peril would
be mine in that case. But among the advantages of our Florence--the art,
the olives, the sunshine, the cypresses, and don't let me forget the
Arno and mountains at sunset time--is that of an all but infallible post
office. One loses letters at Rome. Here, I think, we have lost _one_ in
the course of eight years, and for that loss I hold my correspondent to
blame.
How good you are to me! How kind! The soul of a cynic, at its third
stage of purification, might feel the value of 'Gold' laid on the
binding of a book by the hand of John Ruskin. Much more I, who am apt to
get too near that ugly 'sty of Epicurus' sometimes! Indeed you have
gratified me deeply. There was 'once on a time,' as is said in the fairy
tales, a word dropped by you in one of your books, which I picked up and
wore for a crown. Your words of goodwill are of great price to me
always, and one of my dear friend Miss Mitford's latest kindnesses to me
was copying out and sending to me a sentence from a letter of yours
which expressed a favorable feeling towards my writings. She knew
well--she who knew me--the value it would have for me, and the courage
it would give me for any future work.
With my husband's cordial regards,
I remain most truly yours,
ELIZABETH BARRETT BROWNING.
Our American friends, who sent to Dresden in vain for your letter, are
here now, but will be in England soon on their way to America, with the
hope of trying fate again in another visit to you. Thank you! Also thank
you for your inquiry about my health. I have had a rather bad attack on
my chest (never very strong) through the weather having been colder than
usual here, but now I am very well again--for _me_.
* * * * *
_To Mrs. Martin_
Florence: April 20, 1855.
My dearest Mrs. Martin,--Having nine lives, as I say, I am alive again,
and prosperous--thanking you for wishing to know. People look at me and
laugh, because it's a clear case of bulbous root with me--let me pass
(being humble) for the onion. I was looking miserable in February, and
really could scarcely tumble across the room, and now I am up on my
perch again--nay, even out of my cage door. The weather is divine. One
feels in one's self why the trees are green. I go out, walk out, have
recovered flesh and fire--my very hair curls differently. '_Is I, I?_' I
say with the metaphysicians. There's something vital about this Florence
air, for, though much given to resurrection, I never made such a leap in
my life before after illness. Robert and I need to run as well as leap.
We have quantities of work to do, and small time to do it in. He is
four hours a day engaged in dictating to a friend of ours who
transcribes for him, and I am not even ready for transcription--have not
transcribed a line of my six or seven thousand. We go to England, or at
least to Paris, next month, but it can't be early. Oh, may we meet you!
Our little Penini is radiant, and altogether we are all in good spirits.
Which is a shame, you will say, considering the state of affairs at
Sebastopol. Forgive me. I never, at worst, thought that the great
tragedy of the world was going on _there_. It was tragic, but there are
more chronic cruelties and deeper despairs--ay, and more exasperating
wrongs. For the rest, we have the most atrocious system in Europe, and
we mean to work it out. Oh, you will see. Your committees nibble on, and
this and that poisonous berry is pulled off leisurely, while the bush to
the root of it remains, and the children eat on unhindered on the other
side. I had hoped that there was real feeling among politicians. But no;
we are put off with a fast day. There, an end! I begin to think that
nothing will do for England but a good revolution, and a 'besom of
destruction' used dauntlessly. We are getting up our vainglories again,
smoothing our peacock's plumes. We shall be as exemplary as ever by next
winter, you will see.
Meanwhile, dearest Mrs. Martin, that _you_ should ask me about
'Armageddon' is most assuredly a sign of the times. You know I pass for
being particularly mad myself, and everybody, almost universally, is
rather mad, as may be testified by the various letters I have to read
about 'visible spirit-hands,' pianos playing themselves, and
flesh-and-blood human beings floating about rooms in company with tables
and lamps. Dante has pulled down his own picture from the wall of a
friend of ours in Florence five times, signifying his pleasure that it
should be destroyed at once as unauthentic (our friend burnt it
directly, which will encourage me to pull down mine by [_word lost_]).
Savonarola also has said one or two things, and there are gossiping
guardian angels, of whom I need not speak. Let me say, though, that
nothing has surprised me quite so much as _your_ inquiring about
Armageddon, because I am used to think of you as the least in the world
of a theorist, and am half afraid of you sometimes, and range the chairs
before my speculative dark corners, that you may not think or see 'how
very wild that Ba is getting!' Well, now it shall be my turn to be
sensible and unbelieving. There's a forced similitude certainly, in the
etymology, between the two words; but if it were full and perfect I
should be no nearer thinking that the battle of Armageddon could ever
signify anything but a great spiritual strife. The terms, taken from a
symbolical book, are plainly to my mind symbolical, and Dr. Cumming and
a thousand mightier doctors could not talk it out of me, I think. I
don't, for the rest, like Dr. Cumming; his books seem to me very narrow.
Isn't the tendency with us all to magnify the great events of our own
time, just as we diminish the small events? For me, I am heretical in
certain things. I expect _no_ renewal of the Jewish kingdom, for
instance. And I doubt much whether Christ's 'second coming' will be
personal. The end of the world is probably the end of a dispensation.
What I expect is, a great development of Christianity in opposition to
the churches, and of humanity generally in opposition to the nations,
and I look out for this in much quiet hope. Also, and in the meanwhile,
the war seems to be just and necessary. There is nothing in it to
regret, except the way of conducting it....
Write to me soon again, and tell me as much of both of you as you can
put into a letter.
May God bless you always!
With Robert's warm regards, both of you think of me as
Your ever affectionate
BA.
* * * * *
_To Mrs. Braun_
Florence: May 13, [1855].
My dearest Madame Braun,--You have classed me and ticketed me before
now, I think, as among the ungrateful of the world; yet I am grateful,
grateful, grateful! When your book[42] came (how very kind you were to
send it to me!) and when I had said so some five times running, in came
somebody who was _fanatico per Roma_, and reverential in proportion for
Dr. Braun, who with some sudden appeal to my sensibility--the softer
just then that I was only just recovering strength after a sharp winter
attack--swept the volume off the table and carried it off out of the
house to study the contents at leisure. I expected it back the next
week, but it lingered. And I really hadn't the audacity to write to you
and say, 'Thank you, but I have looked as yet simply at the title-page.'
Well, at last it comes home, and I turn the leaves, examine, read,
approve, like Ludovisi and the Belvedere, with a double pleasure of
association and become _qualified_ properly to thank you and Dr. Braun
from Robert and myself for this gift to us and valuable contribution to
archæological literature. I am only sorry I did not get to Rome after
the book; it would have helped my pleasure so, holding up the lanthorn
in dark places. So much suggestiveness in combination with so much
specific information makes a book (or a man) worth knowing.
Of late, other hindrances have come to writing this, in the shape of
various labours of Hercules, which fall sometimes to Omphale as well. We
go to England in a week or two or three, and we take between us some
sixteen thousand lines, eight on one side, eight on the other, which
ought to be ready for publication. I have not finished my seventh
thousand yet; Robert is at his mark. Then, I have to see that we have
shoes and stockings to go in, and that Penini's little trousers are
creditably frilled and tucked. Then, about twenty letters lie by me
waiting to be answered in time, so as to save me from a mobbing in
England. Then there are visits to be paid all round in Florence, to make
amends for the sins of the winter; visiting, like almsgiving, being put
generally in the place of virtue, when the latter is found too
inconvenient. Altogether, my head swims and my heart ticks before the
day's done, with positive weariness. For there are Penini's lessons, you
are to understand, besides the rest. And 'between the intersections,'
cod liver oil to be taken judiciously, in order to appear before my
English friends with due decency of corporeal coverture.
Well, now, do tell me, _shall_ you go to England, _you_? You will see my
reasons for being very interested. Oh, I hope you won't be snatched away
to Naples, or nailed down at Rome. Railroads open from Marseilles; the
Exhibition open at Paris! Surely, surely Dr. Braun will go to Paris to
see the Exhibition. His conscience won't let him off. Tell him too,
_from me_, that in London he may _see a spirit_ if he will go for it. I
have a letter from a friend who swears to me he has shaken hands with
three or four--'softer, more thrilling than any woman's hand'--'tenderly
touching'--think of that! The American 'medium' Hume is turning the
world upside down in London with this spiritual influx.
Let me remember to tell you. Your paper _was in the_ '_Athenæum_.'
Therefore, if you were not paid for it, it was the more abominable.
Robert saw it with his own eyes, printed. When I heard from you that you
had heard nothing, I mentioned the circumstance to Mrs. Jameson in a
letter I was writing to her, and I do hope she has not neglected since
to give you some information at least. You are aware probably of the
excellent effect with which that kind Mrs. Procter has managed a private
subscription in behalf of dear Mrs. Jameson, in consequence of which she
will be placed in circumstances of ease for the rest of her life. Fanny
Kemble nobly gave a hundred pounds towards this good purpose. Mrs.
Jameson spoke in her last letter of coming to Italy this summer, and I
dare say we shall have the ill luck to lose her, miss her, cross her _en
route_, perhaps.
We hear from dear Mr. Kenyon and from Miss Bayley; each very well and
full of animation. If it were not for them, and my dear sisters, and one
or two other hands I shall care to clasp (beside the spirits!) I would
give much not to go north. Oh, we Italians grow out of the English bark;
it won't hold us after a time. Such a happy year I have had this last! I
do love Florence so! When Penini says, 'Sono Italiano, voglio essere
Italiano,' I agree with him perfectly.
So we shall come back of course, if we live; indeed, we leave this house
ready to come back to, meaning, if we can, to let our rooms simply.
Little Penini looks like a rose, and has, besides, the understanding and
sweetness of a creature 'a little lower than the angels.' I don't care
any less for him than I did, upon the whole.
I hear the Sartoris's think of Paris for next winter, and mean to give
up Rome. She has been a good deal secluded, until quite lately, they
say, on account of her father's death and brother's worse than death,
which may account in part for any backwardness you may have observed. As
to her 'not liking Dr. Braun,' do _you_ believe in anybody's not liking
Dr. Braun? _I_ don't quite. It's more difficult for me to 'receive' than
the notion of the spiritual hand--'tenderly touching.'
Do you know young Leighton[43] of Rome? If so, you will be glad of this
wonderful success of his picture,[44] bought by the Queen, and applauded
by the Academicians, and he not twenty-five.
The lady who brought your book did not leave her name here, so of
course she did not _mean_ to be called on.
Our kindest regards for dear Dr. Braun, and repeated truest thanks to
both of you. Among his discoveries and inventions, he will invent some
day an Aladdin's lamp, and then you will be suddenly potentates, and
vanish in a clap of thunder.
Till then, think of me sometimes, dearest Madame Braun, as I do of
_you_, and of all your great kindness to me at Rome.
Ever your affectionate
ELIZABETH BARRETT BROWNING.
* * * * *
_To Mr. Ruskin_
Florence: June 2, 1855.
My dear Mr. Ruskin,--I believe I shall rather prove in this letter how
my head turns round when I write it, than explain why I didn't write it
before--and so you will go on to think me the most insusceptible and
least grateful of human beings--no small distinction in our bad obtuse
world. Yet the truth is--oh, the truth is, that I am deeply grateful to
you and have felt to the quick of my heart the meaning and kindness of
your words, the worth of your sympathy and praise. One thing especially
which you said, made me thankful that I had been allowed to live to hear
it--since even to fancy that anything I had written could be the means
of the least good to _you_, is worth all the trumpet blowing of a vulgar
fame. Oh, of course, I do not exaggerate, though your generosity does. I
understand the case as it is. We burn straw and it warms us. My verses
catch fire from you as you read them, and so you see them in that light
of your own. But it is something to be used to such an end by such a
man, and I thank you, thank you, and so does my husband, for the deep
pleasure you have given us in the words you have written.
And why not say so sooner? Just because I wanted to say so fully, and
because I have been crushed into a corner past all elbow-room for doing
anything largely and comfortably, by work and fuss and uncertainty of
various kinds. Now it isn't any better scarcely, though it is quite
fixed now that we are going from Florence to England--no more of the
shadow dancing which is so pretty at the opera and so fatiguing in real
life. We are coming, and have finished most of our preparations;
conducted on a balance of--must we go? _may_ we stay? which is so very
inconvenient. If you knew what it is to give up this still dream-life of
our Florence, where if one is over-busy ever, the old tapestries on the
walls and the pre-Giotto pictures (picked up by my husband for so many
pauls) surround us ready to quiet us again--if you knew what it is to
give it all up and be put into the mill of a dingy London lodging and
ground very small indeed, you wouldn't be angry with us for being sorry
to go north--you wouldn't think it unnatural. As for me, I have all
sorts of pain in England--everything is against me, except a few things;
and yet, while my husband and I groan at one another, strophe and
antistrophe (pardon that rag of Greek!) we admit our compensations--that
it will be an excellent thing, for instance, to see Mr. Ruskin! Are we
likely to undervalue that?
Let me consider how to answer your questions. My poetry--which you are
so good to, and which you once thought 'sickly,' you say, and why not?
(I have often written sickly poetry, I do not doubt--I have been sickly
myself!)--has been called by much harder names, 'affected' for instance,
a charge I have never deserved, for I do think, if I may say it of
myself, that the desire of speaking or _spluttering_ the real truth out
broadly, may be a cause of a good deal of what is called in me careless
and awkward expression. My friends took some trouble with me at one
time; but though I am not self-willed naturally, as you will find when
you know me, I hope, I never could adopt the counsel urged upon me to
keep in sight always the stupidest person of my acquaintance in order to
clear and judicious forms of composition. Will you set me down as
arrogant, if I say that the longer I live in this writing and reading
world, the more convinced I am that the mass of readers _never_ receive
a poet (you, who are a poet yourself, must surely observe that) without
intermediation? The few understand, appreciate, and distribute to the
multitude below. Therefore to say a thing faintly, because saying it
strongly sounds odd or obscure or unattractive for some reason, to
'careless readers,' does appear to me bad policy as well as bad art. Is
not art, like virtue, to be practised for its own sake first? If we
sacrifice our ideal to notions of immediate utility, would it not be
better for us to write tracts at once?
Of course any remark of yours is to be received and considered with all
reverence. Only, be sure you please to say, 'Do it differently to
satisfy _me_, John Ruskin,' and not to satisfy Mr., Mrs., and the Miss
and Master Smith of the great majority. The great majority is the
majority of the little, you know, who will come over to you if you don't
think of them--and if they don't, you will bear it.
Am I pert, do you think? No, _don't_ think it. And the truth is, though
you may not see that, that your praise made me feel very humble. Nay, I
was quite _abashed_ at the idea of the 'illumination' of my poem; and
still I keep winking my eyes at the prospect of so much glory. If you
were a woman, I might say, when one feels ugly one pulls down the
blinds; but as a man you are superior to the understanding of such a
figure, and so I must simply tell you that you honor me over much
indeed. My husband is very much pleased, and particularly pleased that
you selected 'Catarina,' which is his favourite among my poems for some
personal fanciful reasons besides the rest.
But to go back. I said that any remark of yours was to be received by me
in all reverence; and truth is a part of reverence, so I shall end by
telling you the truth, that I think you quite wrong in your objection to
'nympholept.' Nympholepsy is no more a Greek word than epilepsy, and
nobody would or could object to epilepsy or apoplexy as a Greek word.
It's a word for a specific disease or mania among the ancients, that
mystical passion for an invisible nymph common to a certain class of
visionaries. Indeed, I am not the first in referring to it in English
literature. De Quincey has done so in prose, for instance, and Lord
Byron talks of 'The nympholepsy of a fond despair,' though _he_ never
was accused of being overridden by his Greek. Tell me now if I am not
justified, I also? We are all nympholepts in running after our
ideals--and none more than yourself, indeed!
Our American friend Mr. Jarves wrote to us full of gratitude and
gratification on account of your kindness to him, for which we also
should thank you. Whether he felt most overjoyed by the clasp of your
hand or that of a disembodied spirit, which he swears was as real (under
the mediumship of Hume, his compatriot), it was somewhat difficult to
distinguish. But all else in England seemed dull and worthless in
comparison with those two 'manifestations,' the spirit's and yours!
How very very kind of your mother to think of my child! and how happy I
am near the end of my paper, not to be tempted on into 'descriptions'
that 'hold the place of sense.' He is six years old, he reads English
and Italian, and writes without lines, and shall I send you a poem of
his for 'illumination'? His poems are far before mine, the very prattle
of the angels, when they stammer at first and are not sure of the
pronunciation of _e_'s and _i_'s in the spiritual heavens (see
Swedenborg). Really he is a sweet good child, and I am not bearable in
my conceit of him, as you see! My thankful regards to your mother, whom
I shall hope to meet with you, and do yourself accept as much from us
both.
Most truly yours,
ELIZABETH B. BROWNING.
We leave Florence next week, and spend at least a week in Paris, 138
Avenue des Champs-Elysées.
* * * * *
_To Miss Browning_
Florence: June 12, 1855 [postmark].
How kind and tender of you, my dearest Sarianna, to care so much to hear
that I am better! I was afraid that Robert had written in the Crimean
style about me, for he was depressed and uneasy, poor darling, and
looked at things from the blackest point of view. Nevertheless, I have
escaped some bad symptoms. No spitting of blood, for instance, no loss
of voice, and scarcely a threatening of pain in the side. Also I have
not grown thinner than is natural under the circumstances. At Genoa
(after our cold journey[45]) I _wasted_ in a few days, and thought much
worse of myself than there was reason to do this time.
I can assure you I am now much restored. The cough is decidedly got
under, and teases me, for the most part, only in the early morning; the
fever is gone, and the nights are quiet. I am able to take animal food
again, and shall soon recover my ordinary strength. Certainly it has
been a bad attack, and I never suffered anything like it in Italy
before. The illness at Genoa was the mere _tail_ of what began in
England, and was increased by the Alpine exposure. Our weather has been
very severe--wind and frost together--something peculiarly irritating in
the air. I am loth to blame my poor Florence, who never treated me so
before (and how many winters we have spent here!)--and our friends write
from Pisa that the weather was as trying there, while from Rome the
account is simply 'detestable weather.' At Naples it is sometimes
furiously cold; there's no perfect climate anywhere, that's certain. You
have only to choose the least evil. Here for the last week it has been
so mild that, if I had been in my usual state of health, I might have
gone out, they say; and, of course, I have felt the influence
beneficially. One encourages oneself in Italy when it is cold, with the
assurance that it can't last. Our misfortune this time has been that it
has lasted unusually long. How the Italians manage without fires I
cannot make out. So chilly as they are, too, it's a riddle.
You would wonder almost how I could feel the cold in these two rooms
opening into each other, and from which I have not stirred since the
cold weather began. Robert has kept up the fire in our bedroom
throughout the night. Oh, he has been spoiling me so. If it had not been
that I feared much to hurt him in having him so disturbed and worried,
it would have been a very subtle luxury to me, this being ill and
feeling myself dear. Do not set me down as too selfish. May God bless
him!...
Robert has been frantic about the Crimea, and 'being disgraced in the
face of Europe,' &c. &c. When he is mild he wishes the ministry to be
torn to pieces in the streets, limb from limb. I do not doubt that the
Aberdeen side of the Cabinet has been greatly to blame, but the system
is the root of the whole evil; if they don't tear up the system they may
tear up the Aberdeens 'world without end,' and not better the matter; if
they do tear up the system, then shall we all have reason to rejoice at
these disasters, apart from our sympathy with individual sufferings.
More good will have been done by this one great shock to the heart of
England than by fifty years' more patching, and pottering, and knocking
impotent heads together. What makes me most angry is the ministerial
apology. 'It's always so with us for three campaigns,'!!! 'it's our
way,' 'it's want of experience,' &c. &c. That's precisely the thing
complained of. As to want of experience, if the French have had Algerine
experiences, we have had our Indian wars, Chinese wars, Caffre wars, and
military and naval expenses _exceeding_ those of France from year to
year. If our people had never had to pay for an army, they might sit
down quietly under the taunt of wanting experience. But we have
soldiers, and soldiers should have military education as well as red
coats, and be led by properly qualified officers, instead of Lord
Nincompoop's youngest sons. As it is in the army, so it is in the State.
Places given away, here and there, to incompetent heads; nobody being
responsible, no unity of idea and purpose anywhere--the individual
interest always in the way of the general good. There is a noble heart
in our people, strong enough if once roused, to work out into light and
progression, and correct all these evils. Robert is a good deal struck
by the generous tone of the observations of the French press, as
contradistinguished from the insolences of the Americans, who really are
past enduring just now. Certain of our English friends here in Florence
have ceased to associate with them on that ground. I think there's a
good deal of jealousy about the French alliance. That may account for
something....
Dearest, kindest Sarianna, remember not to think any more about me,
except that I love you, that I am your attached
BA.
FOOTNOTES:
[15] _Life and Letters of Robert Browning_, by Mrs. Sutherland Orr, p.
216.
[16] The late Earl Lytton.
[17] Auguste Brizieux
[18] _Uncle Tom's Cabin_, published in 1852.
[19] Mrs. Jameson's _Legends of the Madonna_.
[20] General Franklin Pierce.
[21] 'Tamerton Church Tower, and other Poems.'
[22] In a letter to Miss Mitford, written four days later than this,
Mrs. Browning alludes again to the performance of 'Colombe's Birthday:'
'Yes--Robert's play succeeded, but there could be no "run" for a play of
that kind; it was a _succès d'estime_ and something more, which is
surprising, perhaps, considering the miserable acting of the men. Miss
Faucit was alone in doing us justice.'
[23] A few lines have been cut off the letter at this place.
[24] A letter to the _Athenæum_ on July 2, 1853, giving the result of
some experiments in table-turning, the tendency of which was to show
that the motion of the table was due to unconscious muscular action on
the part of the persons touching the table.
[25] Senatore Villari.
[26] Mr. George Barrett. The omitted passage describes an act of
generosity by him to one of his younger brothers.
[27] Hardly a successful horoscope of the future Ambassador at Paris and
Viceroy of India.
[28] Afterwards wife of Signor Carlo Botta, an Italian man of letters,
with whom she returned to America and lived in New York.
[29] This refers to the death of the infant child of the Storys, with
whom Mr. and Mrs. Browning were on intimate terms of friendship, as the
previous letters show.
[30] According to Mr. R.B. Browning, this is practically what has
happened with Page's portrait of Robert Browning (now in Venice). The
surface has become thick and waxy, and the portrait has almost
disappeared.
[31] Author of 'IX. Poems, by V.' (1840).
[32] This portrait is now in the possession of Mr. R.B. Browning at
Venice.
[33] _I.e._ 'grandfather,' a name by which Mr. Browning, senior, is
frequently referred to in these letters.
[34] 'Hush, hush!'
[35] For the subsequent fate of this picture, see note on p. 148, above.
[Transcriber's note: Reference is to Footnote [30].]
[36] To Mr. Barrett.
[37] This letter is written in very faint ink.
[38] The news of Inkerman had come only a few days before.
[39] Mrs. Browning's 'Song for the Ragged Schools of London' (_Poetical
Works_, iv. 270) and her husband's 'The Twins' were printed together as
a small pamphlet for sale at Miss Arabella Barrett's bazaar. Mrs.
Browning's poem had been written before they left Rome.
[40] The horrors of the Crimean winter were now becoming known, which
fully accounts for this outburst.
[41] The death of Mrs. Jameson's husband in 1854 had left her in very
straitened circumstances, which were ultimately relieved, in part, by a
subscription among her friends and the admirers of her works.
[42] Dr. Braun's _Ruins and Museums of Rome_ (1854).
[43] The late Lord Leighton, P.R.A.
[44] The picture of Cimabue's Madonna carried in procession through the
streets of Florence. It was exhibited in the Royal Academy Exhibition of
1855, and was bought by the Queen.
[45] In 1852.