CHAPTER XV.

FURTHER INFLUENCE.

Before alluding to the affliction which for many years darkened the

later life of Miss Wordsworth, and gathering together some of the

remaining threads of her history, it is fitting that something further

should be said in relation to her sustained influence upon her brother

and her devotion to him, although it is with a feeling of how impossible

it is adequately to do this, or that the fruit of her dominant presence

should ever be fully known.

Those who know Wordsworth, and who, recognising his commanding place in

literature, have had their sympathies enlarged, their eyes opened to

discern in Nature and Providence their boundless sources of satisfaction

and delight--whose hearts have been expanded by his high and holy

teaching--will be ready to recognise all the spiritual aids by which he

was himself inspired. It would be unjust to others, who held high sway

over his heart, to say that everything was due to his sister. At the

same time it is manifest that she bore no insignificant part, and during

his early life the largely predominant part in that work, and thus was

to a great extent instrumental in introducing the new evangel of song

by which the century's literature has been uplifted. The elevating

presence of such a woman, in the delightful and close relationship of

sister, was to a man of Wordsworth's character, itself an inspiration.

If it be good to learn to look on Nature with a reverential eye, seeing

therein the Creation of God brought near, then to this poet, as Nature's

high priest and interpreter is due the gratitude of generations.

As the close companion and stimulator of this great poet during the

years of preparation and discipline, who "first couched his eye to the

sense of beauty," we owe it indirectly to Miss Wordsworth that Nature

has become to us so much more than she was to our forefathers, has been

revealed in a clearer and brighter light; that she speaks to us in a new

language, calling us away from the lower cares of life, and uplifting us

to a higher soul-inbreathing and restoring atmosphere of repose; thus

begetting a dignity of soul and making us capable of higher good, of

nobler endeavour, of capacities for enjoyment before unknown--keener,

more satisfying, and enduring.

Probably few natures are capable of receiving the more subtle

impressions of beauty in such a way as was that of Wordsworth, and fewer

still meet with the responsive soul able to touch them to the finest

issues. His boyhood's mind had been impregnated with thought, and his

young heart bounded with delight amid the beauties of earth. His sister

came, and together they seemed to possess the earth. His powers of

perception were intensified and rarified. The solitudes of Nature became

their home, their hearts grew still amidst its loveliness: the solemn

night breathed a benediction. They loved

"The silence that is in the starry sky,

The sleep that is among the lonely hills."

Shall we not say that, viewed in this way, the earth becomes almost as

an ante-chamber of Heaven, subduing, and awe-inspiring, leading us to

"Move along its shades,

In gentleness of heart; with gentle hand

Touch--for there is a spirit in the woods."

"What a life there is in trees," said Miss Wordsworth; and her own life

was one not only helping to reveal the living speech of the mute world,

not only finding life where it is by the duller eye unseen, and by the

dull sense unfelt, but helping to show what a noble thing all life may

be made.

It must not be supposed that in what may seem to have been a complete

abandonment to the worship of her brother and of Nature Miss Wordsworth

had no heart for others, no room for human sympathy. She was, on the

contrary, during their early years at Grasmere especially, widely known

and beloved; her ready ear was always open to the tale of sorrow, and

her helping hand ready to aid. It was after the commencement of her long

and tedious illness that Wordsworth said of her he did not believe her

tenderness of heart was ever exceeded by any of God's creatures, that

her loving kindness had no bounds. The following lines written by Mrs.

Fletcher, when 82 years of age, after reading Miss Wordsworth's

Grasmere journal, are very appropriate:--

"If in thine inmost soul there chance to dwell

Aught of the poetry of human life,

Take thou this book, and with a humble heart

Follow these pilgrims in their joyous walk;

And mark their high commission--not to domes

Of pomp baronial, or gay fashion's haunts,

Where worldlings gather; but to rural homes,

To cottages and hearths, where kindness dwelt,

They bent their way; and not a gentle breeze

Inhaled in all their wanderings, not a flower,

Blooming by hedge-wayside, or mountain rill,

But lent its inspiration, scent, and sound,

Deepening the inward music of their hearts.

_She_ touched the chord, and he gave forth its tone;

Without her he had idly gazed and dreamed,

In fancy's region of celestial things;

But she--by sympathy disclosed the might,

That slumbered in his soul, and drew it thence,

In richest numbers of subduing power,

To soften, harmonise, and soothe mankind;

Nor less to elevate, and point the way

To truth Divine--not with polemic skill,

He sought from Nature and the human heart,

That sacred wisdom from the fount of God."

It has been well said that with a masculine power of mind Miss

Wordsworth "had every womanly virtue, and presented with those splendid

gifts such a rare combination, that even the enthusiastic strains in

which her brother sang her praises borrowed no aid from his poetic

imagination. It was she who in childhood moderated the sternness of his

moody temper, and she carried on the work which she had begun. His chief

delight had been in scenes which were distinguished by terror and

grandeur, and she taught him the beauty of the simplest products and

mildest graces of Nature; while she was softening _his_ mind she was

elevating _herself_; and out of this interchange of gifts grew an

absolute harmony of thought and feeling." What was originally harsh in

Wordsworth was toned by the womanly sweetness of his sister, and his

spirit softened by her habitual delicacy of thought and act. Not only

so, but with a devotion (I will not say self-sacrifice, for it was none)

as rare as it is noble, she simply dedicated to him her life and

service, living in and for him. She read for him, saw for him, and heard

for him; found subjects for his reflection, and was always at hand--his

willing scribe. Rejecting for herself all thoughts of love and marriage,

she gave to him and his her mature life as willingly and cheerfully as

when he was alone and unfriended, she had done her bright girlhood. With

a mental capacity and literary skill, which would have enabled her to

carve out for herself an independent reputation and position of no mean

order, she preferred to sink herself, and her future, in that of her

brother, with whom she has thus become, for all time, so indelibly

associated. And he was grateful, and returned her devotedness with a

love, tender, and almost reverential. One other allusion to her in his

poems should be given. It may be thought that his praise of her is

exaggerated; but none so well as he himself knew the extent of his

obligation to her--and he was not one to bestow praise for the sake only

of poetic effect. Writing in the "Prelude," he says:--

"Child of my parents! Sister of my soul!

Thanks in sincerest verse have been elsewhere

Poured out for all the early tenderness

Which I from thee imbibed: and 'tis most true

That later seasons owed to thee no less;

For, spite of thy sweet influence, and the touch

Of kindred hands that opened out the springs

Of genial thought in childhood, and in spite

Of all that, unassisted, I had marked

In life, or Nature, of those charms minute,

That win their way into the heart by stealth;

Still, to the very going out of youth,

I too exclusively esteemed _that_ love,

And sought _that_ beauty, which, as Milton sings,

Hath terror in it. But thou didst soften down

This over-sternness; but for thee, dear Friend!

My soul, too reckless of mild grace, had stood

In her original self too confident,

Retained too long a countenance severe;

A rock with torrents roaring, with the clouds

Familiar, and a favourite of the stars:

But thou didst plant its crevices with flowers,

Hang it with shrubs that twinkle in the breeze,

And teach the little birds to build their nests

And warble in its chambers. At a time

When Nature, destined to remain so long

Foremost in my affections, had fallen back

Into a second place, pleased to become

A handmaid to a nobler than herself,

When every day brought with it some new sense

Of exquisite regard for common things;

And all the earth was budding with these gifts

Of more refined humanity; thy breath,

Dear Sister! was a kind of gentler spring,

That went before my steps."

It has, by some, been stated, in the way of objection, that Wordsworth

was not a Christian poet, that he looked too exclusively to Nature as

his inspirer and guide, and sought from her the consolation which

Christianity alone can afford. His friend and admirer, Professor Wilson,

states that all his poetry, published previously to the "Excursion," is

but the "Religion of the Woods"; and that though in that poem there is a

high religion brought forward, it is not the religion of Christianity.

But it must be admitted that although a large proportion of the poetry

of Wordsworth does not contain any specific Christian teaching, yet it

breathes the spirit of devotion and of Christian charity. Some of the

earlier poems, especially the lines composed at Tintern Abbey, have been

referred to as evidence, that at the shrine of Nature alone Wordsworth,

in his earlier, and presumably wiser, years worshipped. As this subject

has been more than once exhaustively dealt with, it is not now necessary

to do more than mention it. It should be remembered, that the same pen

which wrote what have been styled the pantheistic poems, also wrote the

Ecclesiastical Sonnets, the Ninth Evening Voluntary, and the

Thanksgiving Odes. What is much more needed by the heart of mankind than

specific Christian doctrine, is the high and holy teaching with which

the works of Wordsworth abound. His work was most conscientious, ever

done under the "eye that hath kept watch o'er man's mortality." If

lessons of endurance and fortitude under the ills and privations of

life, and faith in the future, are needed, we have them taught us in

such poems as that containing the story of the poor leech gatherer; if

storms of passion and suffering are to be allayed, we are reminded of

"the sure relief of prayer," and the advice given to the Solitary to aid

in the restoration of a lost trust and hope:

"One adequate support

For the calamities of mortal life

Exists--one only: an assured belief

That the procession of our fate, however

Sad or disturbed, is ordered by a Being

Of infinite benevolence and power;

Whose everlasting purposes embrace

All accidents, converting them to good.

--The darts of anguish _fix_ not where the seat

Of suffering hath been thoroughly fortified

By acquiescence in the Will supreme

For time and for eternity; by faith,

Faith absolute in God, including hope,

And the defence that lies in boundless love

Of His perfections; that habitual dread

Of aught unworthily conceived, endured

Impatiently, ill done, or left undone,

To the dishonour of His holy name.

Soul of our Souls, and safeguard of the world!

Sustain, thou only canst, the sick of heart;

Restore their languid spirits, and recall

Their lost affections unto Thee and Thine!"

If Wordsworth and his sister in their early life seem to have too

exclusively glorified Nature, it cannot with any shadow of reason be

said that they were at any period devoid of that faith and trust in the

Creator through which we receive Nature's most beneficent lessons. It

is, indeed, noticeable that during their Scottish tour no difference

seems to have been made in the days of the week--that their Sundays were

spent in travel. Such a thing is certainly to be regretted, which in

after years probably no one would have been more ready than they to

acknowledge. Thus the last entry in that journal--one made after an

interval of many years--we find as follows: October 4th, 1832.--"I find

that this tour was both begun and ended on a Sunday. I am sorry that it

should have been so, though I hope and trust that our thoughts and

feelings were not seldom as pious and serious as if we had duly attended

a place devoted to public worship. My sentiments have undergone a great

change since 1803 respecting the absolute necessity of keeping the

Sabbath by a regular attendance at church.--D. W." It cannot be doubted

that the feeling which dictated those words marks a distinct advance. I

doubt not that Miss Wordsworth was able to worship the Creator as

devoutly on the green slope of a sun-crowned mountain or in the solemn

woods, murmuring their eternal mysterious secrets, as in the public

assembly of saints. And such would be in accord with the glow of

youthful life with which she bounded to greet Nature's subtle

influences. But a longer experience brought its inevitable sobering

tendencies, accompanied by the longing for a closer approach towards the

Infinite which is felt by all searching and great souls. Wordsworth

could truly say, in view of his work, that it was a consolation to him

to feel that he had never written a line which he could wish to blot. To

this happy and rare result his sister contributed. Remembering the

exalted character of that work, there is no other conclusion than that

she had no mean part in a work, the issues of which were beneficial not

only for time--adding to the sweet influences and graces of life--but

will be far-reaching as eternity.

In illustration of Miss Wordsworth's own literary style, I take the

liberty to insert in later chapters a few poems which have been deemed

worthy to have a place with those of her brother, as well as a journal

of a tour on Ullswater. What most in her journals arrests the attention

is her unusual quickness and minuteness of observation, combined with a

graceful and poetic diction. With her ardent love of Nature, nothing

seems to have escaped her notice; and all the varying shades of beauty

in earth and sky, which, to the observant eye and loving heart, invest

with such a glory this old world, were duly appreciated. Describing a

birch tree, she says: "As we went along we were stopped at once, at a

distance of, perhaps, fifty yards from our favourite birch tree. It was

yielding to a gust of wind, with all its tender twigs; the sun shone

upon it, and it glanced in the wind like a flying sunshiny shower. It

was a tree in shape, with stem and branches; but it was like a spirit of

water." Noticing a number of daffodils near Ullswater, she writes: "When

we were in the woods below Gowbarrow Park we saw a few daffodils close

to the water side. As we went along there were more and yet more; and at

last, under the boughs of the trees, we saw there was a long belt of

them along the shore. I never saw daffodils so beautiful. They grew

among the mossy stones about them. Some rested their heads on these

stones as on a pillow; the rest tossed, and reeled, and danced, and

seemed as if they verily laughed with the wind, they looked so gay and

glancing." These daffodils suggested to her brother one of the most

beautiful of his short poems, that which has been previously quoted,

commencing

"I wandered lonely as a cloud."

Of this description of Miss Wordsworth Mr. Lockhart says: "Few poets

ever lived who could have written a description so simple and original,

so vivid and picturesque. Her words are scenes, and something more."

Miss Wordsworth was for many years a great correspondent, and it is to

be regretted that more of her letters have not been given to the world.

From those quoted in this volume it will be seen that they exhibit the

same fluent, graceful, and animated style which characterised all her

productions.

"I have seen

That reverent form bowed down with age and pain,

And rankling malady. Yet not for this

Ceased she to praise her Maker, or withdraw

Her trust in Him, her faith, and humble hope;

So meekly had she learnt to bear her cross--

For she had studied patience in the school

Of Christ; much comfort she had thence derived,

And was a follower of the NAZARENE."

LAMB.

"So fails, so languishes, grows dim and dies.

All that the world is proud of."

Dorothy Wordsworth: The Story of a Sister's Love · 第 15 / 19 章