A seemly man our hoste was withal

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THE DOVER ROAD

HISTORIES OF THE ROADS

BY CHARLES G. HARPER.

THE BRIGHTON ROAD: The Classic Highway to the South.

THE GREAT NORTH ROAD: London to York.

THE GREAT NORTH ROAD: York to Edinburgh.

THE DOVER ROAD: Annals of an Ancient Turnpike.

THE BATH ROAD: History, Fashion and Frivolity on an old Highway.

THE MANCHESTER AND GLASGOW ROAD: London to Manchester.

THE MANCHESTER ROAD: Manchester to Glasgow.

THE HOLYHEAD ROAD: London to Birmingham.

THE HOLYHEAD ROAD: Birmingham to Holyhead.

THE HASTINGS ROAD: And The "Happy Springs of Tunbridge."

THE OXFORD, GLOUCESTER AND MILFORD HAVEN ROAD: London to Gloucester.

THE OXFORD, GLOUCESTER AND MILFORD HAVEN ROAD: Gloucester to Milford

Haven.

THE NORWICH ROAD: An East Anglian Highway.

THE NEWMARKET, BURY, THETFORD AND CROMER ROAD.

THE EXETER ROAD: The West of England Highway.

THE PORTSMOUTH ROAD.

THE CAMBRIDGE, KING'S LYNN AND ELY ROAD.

[Illustration: MERCERY LANE, CANTERBURY.]

_The_ DOVER ROAD

Annals of an Ancient Turnpike

_By_ CHARLES G. HARPER

_Illustrated by the Author and from

Old Prints and Portraits_

[Illustration]

HARTFORD, CONNECTICUT

EDWIN VALENTINE MITCHELL

_First Published 1895._

_Second and Revised Edition 1922._

Manufactured in England by C. TINLING & CO., Ltd.

53, Victoria Street, Liverpool,

and 187, Fleet Street, London.

[Illustration: THE MILLER]

PREFACE

_It has been said, by whom I know not, that "prefaces to books are like

signs to public-houses; they are intended to give one an idea of the kind

of entertainment to be found within." But this preface is not to be like

those; for it would require an essay in itself to give a comprehensive

idea of the Dover Road, in all its implications. A road is not merely so

many miles of highway, more or less well-maintained. It is not only

something in the surveyor's way; but history as well. It is life, touched

at every point._

_The Dover Road--the highway between London and that most significant of

approaches to the Continent of Europe--would have been something much

more in its mere name had it not been for the accident of London: one of

the greatest accidents. It would have been considered a part of the great

road to Chester and to Holyhead: the route diagonally across England, from

sea to sea, which really in the first instance it was._

_For the Dover Road is actually the initial limb of the Watling Street:

that prehistoric British trackway adopted by the Romans and by them

engineered into a road; and it would seem that those Roman engineers,

instructed by the Imperial authorities, considered rather the military and

strategic needs of those times than those of_ LONDINIUM; _for London was

not on the direct road they made; and it was only at a later date, when it

was grown commercially, they constructed an alternative route that served

it._

_It would be rash to declare that more history has been enacted on this

road than on any other, although we may suspect it; but certainly history

is more spectacular along these miles. Those pageants and glittering

processions are of the past: they ended in 1840, when railways were about

to supplant the road; when the last distinguished traveller along these

miles, Prince Albert of Saxe-Coburg Gotha, came up by carriage to wed

Queen Victoria._

CHARLES G. HARPER.

FEBRUARY, 1922.

THE ROAD TO DOVER

London Bridge (Surrey side) to--

MILES

Borough (St. George's Church) 1/2

Kent Street 3/4

Newington ("Bricklayers' Arms") 1

New Cross 3-1/4

Deptford 4-1/4

Blackheath 5

Shooter's Hill 8-1/4

Shoulder of Mutton Green 9-1/4

Belle Grove 9-1/2

Welling 10-1/4

Crook Log 10-3/4

Bexley Heath 11-1/4

Crayford (Cross River Cray) 13-1/4

Dartford (Cross River Darent) 15

John's Hole 16-1/4

Horn's Cross 17

Greenhithe 18

Northfleet 20-1/4

Gravesend (Jubilee Tower) 22

Milton 23

Chalk Street 23-1/2

Gad's Hill ("Falstaff" Inn) 26-1/4

Strood (Cross River Medway) 28-1/4

Rochester (Guildhall) 29

Chatham (Town Pier) 30

Rainham 34

Moor Street 34-1/4

Newington 36-3/4

Key Street 38

Chalk Well 39

Sittingbourne (Parish Church) 40

Bapchild 41-1/4

Radfield 41-3/4

Green Street 42-1/2

Ospringe 45-1/2

Preston 46-1/2

Boughton-under-Blean 49

Boughton Hill 50

Dunkirk 51-1/4

Harbledown 54

Canterbury (Cross River Stour) 55-1/4

Gutteridge Gate 57

Bridge (Cross River Stour) 58-1/4

Halfway House 62-3/4

Lydden 65-3/4

Temple Ewell 67-1/2

Buckland 69

Dover 70-3/4

LIST OF ILLUSTRATIONS

PAGE

Mercery Lane, Canterbury Frontispiece

South Gateway, Old London Bridge 6

The "George" 7

Old Telegraph Tower, Tooley Street 10

The "Spur" Inn 15

Saturday Night in the Old Kent Road 21

Greenwich Observatory 26

Arms of Spielman and his first wife 52

Dartford Church 54

The "Bull" Inn, Dartford 56

Dartford Bridge 59

Riverside, Gravesend 69

Denton Chapel 80

Joe Gargery's Forge 81

Ancient Carving--Chalk 82

Sailors' Folly 83

Jack come home again 84

The Light Fantastic. Bank Holiday at Chalk 85

Gad's Hill Place. Residence of Charles Dickens 92

The "Falstaff," Gad's Hill 94

A Good Samaritan 111

Rochester Castle and the Medway 116

High Street, Rochester: Eastgate House 122

Jack in his Glory 123

The Invasion of England: England 127

The Invasion of England: France 131

Paid off at Chatham 135

Key Street 148

Yard of the "Lion" Hotel, Sittingbourne 160

Ospringe: a June hop-garden 167

"Sir William Courtenay" 177

"Courtenay" 180

Westgate, Canterbury 190

The Duc de Nivernais 193

The Black Prince's Arms and Badge 205

"A Gorgeous Creature" 215

William Clements 216

Bridge 218

"Old England's Hole" 223

Barham Downs 227

Watling Street: Moonrise 231

Floods at Alkham: The Drellingore Stream 239

St. Radigund's Abbey 241

Dover Castle, from the Folkestone Road: Sunrise 251

[Illustration: The Dover Road]

I

Of all the historic highways of England, the story of the old Road to

Dover is the most difficult to tell. No other road in all Christendom (or

Pagandom either, for that matter) has so long and continuous a history,

nor one so crowded in every age with incident and associations. The

writer, therefore, who has the telling of that story to accomplish is

weighted with a heavy sense of responsibility, and though (like a village

boy marching fearfully through a midnight churchyard) he whistles to keep

his courage warm, yet, for all his outward show of indifference, he keeps

an awed glance upon the shadows that beset his path, and is prepared to

take to his heels at any moment.

And see what portentous shadows crowd the long reaches of the Dover Road,

and demand attention! Caesar's presence haunts the weird plateau of Barham

Downs, and the alert imagination hears the tramp of the legionaries along

Watling Street on moonlit nights. Shades of Britons, Saxons, Danes, and

Normans people the streets of the old towns through which the highway

takes its course, or crowd in warlike array upon the hillsides. Kings and

queens, nobles, saints of different degrees of sanctity, great blackguards

of every degree of blackguardism, and ecclesiastics holy, haughty, proud,

or pitiful, rise up before one and terrify with thoughts of the space the

record of their doings would occupy; in fine, the wraiths and phantoms of

nigh upon two thousand years combine to intimidate the historian.

How rich, then, the road in material, and how embarrassing the accumulated

wealth of twenty centuries, and how impossible, too, to do it the barest

justice in this one volume! Many volumes and bulky should go toward the

telling of this story; and for the proper presentation of its pageantry,

for the due setting forth of the lives of high and low, rich or poor, upon

these seventy miles of highway, the rugged-wrought periods of Carlyle, the

fateful march of Thomas Hardy's rustic tragedies, the sly humour and the

felicitous phrases of a Stevenson, should be added to the whimsical

drolleries of Tom Ingoldsby. To these add the lucid arrangement of a

Macaulay shorn of rhetorical redundancies, and, with space to command one

might hope to give a glowing word-portraiture of the Dover Road; while,

with the aid of pictorial genius like that possessed by those masters of

their art, Morland and Rowlandson, illustrations might be fashioned that

would shadow forth the life and scenery of the wayside to the admiration

of all. Without these gifts of the gods, who shall say he has done all

this subject demands, nor how sufficiently narrate within the compass of

these covers the doings of sixty generations?

The Dover Road, then, to make a beginning with our journey, is measured

from the south side of London Bridge, and is seventy and three-quarters of

a mile long.

II

[Sidenote: THE COACHES]

If we had wished, in the first year of the reign of Queen Victoria, to

proceed to Dover with the utmost expedition and despatch consistent with

coach-travelling, we should have booked seats in Mr. Benjamin Worthy

Horne's "Foreign Mail," which left the General Post-Office in Saint

Martin's-le-Grand every Tuesday and Friday nights, calling a few minutes

later at the "Cross Keys," Wood Street, and finally arriving at Dover in

time for the packets at 8.15 the following morning; thus beating by half

an hour the time of any other coach then running on this road.

If, on the other hand, we objected to night travel, we should have had to

sacrifice that half-hour, and go by either the "Express," which, starting

from the "Golden Cross," Charing Cross, at 10 a.m. every morning, did the

journey in nine hours; or else by the "Union" coach, which, travelling at

an equal speed, left the "White Bear," Piccadilly, at 9 a.m. Not that

these were the only choice. Coaches in plenty left town for Dover; the

"Eagle," the "Phoenix," Worthington's Safety Coaches, the "Telegraph,"

the "Defiance," the "Royal Mail," and the "Union Night Coach," starting

from all parts of London. The famous "Tally-ho Coach," too, between London

and Canterbury, left town every afternoon, and did the fifty-four miles in

the twinkling of an eye--that is to say (with greater particularity and

less vague figure of speech) in five hours and a half; while Stanbury and

Rutley's fly-vans and wagons conveyed goods and passengers who could not

afford the fares of the swifter coaches between the "George,"

Aldermanbury, and Dover at the rate of six miles an hour.

Besides these methods of conveyance, numerous coaches, vans, omnibuses and

carriers'-carts plied between the Borough and Chatham, Rochester and

Strood; or served the villages between London and Gravesend. Indeed, at

this period, we find the crack coaches, the long-distance mails, starting

from London city, leaving to the historic inns of Southwark only the

goods-wagons, the short-stages, and the carriers'-carts. In 1837, also,

you could vary the order of your going to Dover by taking boat from London

to Gravesend, Whitstable, or Herne Bay, and at any of those places waiting

for the coach. The voyage to Herne Bay took six hours, and the coach

journey from thence to Dover occupied another four, the whole costing but

ten shillings; which, considering that you could get horribly sea-sick in

the six hours between London and Herne Bay, and had four hours of jolting

in which to recover, was decidedly cheap, and not to be matched nowadays.

The traveller of this time would probably select the "Express" from the

"Golden Cross," because this was a convenient and central starting-point

from which that excellent coach started at an hour when the day was

well-aired. The coachman of that time was the ultimate product of the

coaching age, and we who travel by train do not see anything like him. He

owed something to heredity, for in those days son succeeded to father in

all kinds of trades and professions much more frequently than now; for the

rest of his somewhat alarming appearance he was indebted partly to the

rigours of the weather and partly to the rum-and-milk for which he called

at every tavern where the coach stopped--and at a good many where it had

no business to stop at all. As a result of these several causes, he

generally had cheeks like pulpit cushions, puffy, and of an apoplectic

hue, and a plum-coloured nose with red spots on it; he was, in fact, what

Shakespeare would call a "purple-hued malt-worm." He shaved scrupulously.

A rugged beaver hat with a curly brim and a coat of many capes would have

identified him as a coachman, even if the evidence of his face had failed,

and his talk, which consisted of "_Gee_-hups," biting repartees

administered to passing Jehus, and contemptuous references to the

railways, which were just beginning to be spoken of, was solely

professional.

Some of these latter-day coaches went direct from the West End, over

Westminster Bridge, and so to the Old Kent Road, but others had to call at

various inns on the way to the City, and so came over London Bridge in the

approved fashion.

III

[Sidenote: LONDON BRIDGE]

And the London Bridge by which they would cross in 1837 was a very

different structure from that driven over by their forbears of twenty

years previously.

[Illustration: South Gateway, Old London Bridge]

So late as 1831, Old London Bridge remained that, built in 1176, had thus

for nearly seven hundred years borne the traffic to and from London, and

had stood firmly centuries of storms and floods, and all the attacks of

rebels from Norman to late Tudor times. Its career was closed on the 1st

of August, 1831, when the new bridge, that had taken seven years in the

building, was opened. The old bridge crossed the Thames at a point about a

hundred feet to the eastward of the present one; the city approach leading

steeply down a narrow street by Monument Yard, and passing close under the

projecting clock of Saint Magnus the Martyr. The view was eminently

picturesque, with the many and irregular pointed arches of the bridge; the

rush of water in foaming cascades through the narrow openings; the

weathered stonework, and the curious old oil-lamps; and the soaring

Monument with the fantastic spire of St. Magnus, seen from Southwark, in

the background. This was the aspect of Old London Bridge at any time

between 1750, when the houses that had been for centuries standing on it

were removed, and 1831, when the bridge itself was destroyed with pick

and shovel. In previous ages there were gates both at the London and the

Southwark ends, and on these fortified gateways were stuck the heads of

many traitors to the State and martyrs to religious opinions. The heads of

Sir William Wallace, Jack Cade, Bishop Fisher of Rochester, Sir Thomas

More, and of many another, were once to be seen here; and in Queen

Elizabeth's time, when John Visscher made a drawing of London Bridge, so

many were the rotting skulls that the Southwark gate-house wore not so

much the appearance of an entry into the capital of a civilised kingdom as

that of a doorway to some Giant Blunderbore's bloodstained castle.

[Illustration: THE "GEORGE."]

[Sidenote: BRIDGE FOOT]

"Bridge Foot" was the name of the Southwark end of London Bridge. It was a

narrow lane leading to Southwark High Street, paved with knobbly stones

and walled in with tall houses. Bridge Foot is a thing of the past, and

London Bridge Station stands on the site of it. "High Street, Borough,"

too, is very different from not only mediaeval days, but even from coaching

times. The many old inns that used to front toward the street, dating

their prosperity back to the twelfth century, and their fabric to some

time subsequently to the fire of 1676, are nearly all either utterly

demolished, or are put to use as railway receiving offices. The "Queen's

Head" is gone; the "George," most interesting of all that remain here, is

threatened; the "Spur" is left, little changed; the "Half Moon" is still

the house for a good chop or steak and a tankard of ale; but the "White

Hart," where is it? Where the "Tabard," the "King's Head," the "Catherine

Wheel," the "Boar's Head," the "Old Pick my Toe," or the "Three Widows"?

In vain will the curious who pay pilgrimage to Southwark seek them. There

still are many cavernous doorways, stone-flagged passages, and great

courtyards; but nothing more romantic than railway vans is to be seen in

the most of them, and the yard where Sam Weller was first introduced to an

admiring public is quite gone.

The most romantically named of the Southwark inns now left is undoubtedly

the "Blue Eyed Maid," so named, possibly, in connection with Tamplin's

"Blue Eyed Maid" coach that used to run between Southwark and Rochester in

the twenties. The building, though, does not share the romanticism of its

name. Near it, let into the seventeenth-century brick frontage of No. 71,

High Street, is the old sign of the "Hare and Sun," the trade-mark of

Nicholas Hare; and this, together with the stone half-moon sign in the

yard of the "Half Moon Inn," is the sole relic of the many devices that

once decorated the street. The hop trade has taken almost undivided

possession of the place nowadays. The Hop Exchange is over the way, and

hop-factors are as frequently to be met with here as diamond-merchants in

Hatton Garden; and with their coming the old-fashioned appearance of

Southwark High Street is gone.

Even when Hogarth painted his "Southwark Fair," in 1733, the street was

suburban, and in the distance, seen between the crowds gathered round old

St. George's Church, are the hills and dales of Kent. The church was

pulled down in the following year, and the present building put up in its

place. The fair was suppressed in 1762.

At that time, Kent Street was the only way to the Dover Road, and, even

then, the dirt and over-crowding in that notorious thoroughfare were

phenomenal. Englishmen were ashamed of this disgraceful entrance into

London, and one whose duty lay in bringing a representative foreigner from

Dover to London craftily contrived that he should enter the Metropolis at

night, when the dirty tenements of Kent Street, by which their carriage

would pass, would be hidden in darkness. When Newington Causeway was made,

and direct access gained to the Old Kent Road, the horrors of Kent Street

were no longer to be braved by travellers. The street is here still, but

somewhat civilised, and now called "Tabard Street"; but to "give a bit of

Kent Street" is yet understood to mean language for which Billingsgate has

also been long renowned.

[Sidenote: THE TELEGRAPH TOWER]

A singular structure standing in Tooley Street, and visible for a very

great distance up or down the river, was the so-called "Telegraph Tower,"

which was burned down in the great fire of August, 1843. It had at one

time been a shot-tower, and had always completely dwarfed its next-door

neighbour, St. Olave's Church. It was very ugly, and so its loss was a

distinct gain; but with its disappearance went all recollection of the old

system of signalling that had no rival before the electric telegraph was

introduced in 1838.

[Illustration: OLD TELEGRAPH TOWER, TOOLEY STREET.]

This system was introduced in 1795, at the suggestion of the Rev. Lord

George Murray, afterwards Bishop of Saint David's. He proposed to the

Admiralty to erect signal-posts or towers on the heights between London

and the coast, and upon experiments being made, it was found easily

practicable to send messages in this way to our ships in the Downs. That

year, then, witnessed the establishment of a line of telegraph-towers

between the Admiralty and Deal, with a branch to Sheerness. The original

apparatus of revolving shutters was in use until 1816, when it was

changed for a semaphore system, resembling very closely that in use upon

railways at the present day, the chief peculiarity being that, instead of

only two movements of the semaphore arms, each one could be made to assume

six different positions. Some old prints of the Admiralty buildings in

Whitehall show a telegraph-station of this kind upon the roof, with the

little wooden cabin in which were stationed the men (generally four) whose

duty it was to read through telescopes the signals from the nearest

station, and to work the shutters or semaphores above their own. One of

these stations has given the name of "Telegraph Hill" to that knoll at

Hatcham, by New Cross, which was opened as a public park so recently as

April, 1895. From hence was signalled news of Nelson and Trafalgar, of

Wellington and Waterloo; here worked the arms that carried orders from the

Admiralty to the admirals in the Downs to sail east or west; to proceed

home or fare forth to foreign stations; to summon Courts Martial, and to

put the sentences of those stern drum-head tribunals into execution.

IV

[Sidenote: SOUTHWARK]

The Southwark of Chaucer's time was a very different place. For one thing,

it was a great deal smaller. The year in which his Canterbury Pilgrims

were supposed to set out has generally been fixed at 1383, and at that

time the whole country had only recently been smitten with three great

pestilences, which had carried off nearly half the population of England.

London numbered probably no more than thirty thousand inhabitants.

Southwark was comparatively a village; a village, too, not with the odious

surroundings of later years, but a pleasant spot over the water from the

City, where great prelates had their palaces, and whence a short walk of

five minutes or so would bring you into the open country, and among the

fragrant hedgerows of the Kent Road. No picture exists of Southwark as

Chaucer saw it, but when an ingenious Dutchman--one Antony van der

Wyngrerde--made a drawing of Southwark and London Bridge, in 1546, this

historic part of the "Surrey side" was still distinctly rural. Orchards

and pleasant gardens are seen clustering round St. George's Church, and

stretching away to the site of the present Kent Street, and bosky woods

flourished where the tall wharves of Bankside are crowded together. Where

are those orchards, woods, and gardens now? Where is Winchester House, the

grand palace of the Bishops of Winchester, that looked upon the river?

Where its neighbour, Rochester House? Where, too, is Suffolk House, the

princely residence of the Dukes of Suffolk? Gone, all of them, like the

morning dew; and the only recognisable object in Van Wyngrerde's drawing

is the tower of St. Mary Overie's Church that still, as "St. Saviour's,"

rears its four pinnacles above the Southwark of to-day.

The most famous of all the inns of Southwark was the "Tabard," famous not

only as an ordinary house of good cheer, but as a hostelry immediately

under the protection of the Church, whereto resorted many good folk bent

on pilgrimage. The Abbot of Hyde Monastery at Winchester was the owner of

the ground upon which the original "Tabard" was built, and he built here

not only an inn (which it is to be supposed he let out) but also a

guest-house for the brethren of Hyde, and all others of the clergy who

resorted to London to wait on the Bishop of Winchester, whose grand palace

stood close by. In 1307 did the Abbot of Hyde build the "Tabard," and

Chaucer gave it immortality in 1383. At that time the landlord was the

Harry Bailly of the "Canterbury Tales"; a real person, probably an

intimate friend of Chaucer's, and Chaucer's description of him is most

likely to be a careful portraiture of the man, his appearance, his

speech, and his ways of thought.

[Sidenote: CHAUCER'S PILGRIMS]

He was a considerable person, this host. He was a Member of Parliament,

and his name is an index of his importance, for Bailiff of Southwark his

ancestor, Henry Tite, or Martin, had been made in 1231, and himself held

the position through so long a line of grandfathers and great-grandfathers

that their name had become merged in that of his civic office. So

Chaucer's description we know to be very truth, so far as his worth and

position are concerned:--

A seemly man our hoste was withal

For to have been a marshal in a hall.

A large man was he, with eyen steep,

A fairer burgess is there none in Chepe;

Bold of his speech, and wise, and well ytaught;

And of manhood lacked righte nought,

Eke thereto he was right a merry man.

This explains the host's sitting at supper with his guests, even with such

gentlefolk as the knight and his son, the squire, and with the Lady

Abbess. Thus is he able to take charge of and assume leadership over his

party on the road to Canterbury, and to reprove or praise each and all,

according to his mind.

The "Tabard" is, of course, only a memory now, and, indeed, so often had

it been patched and repaired, that but little of the original could have

been standing when the great fire of Southwark, in 1676, swept away many

of the old inns. But the "Talbot," as it was called in later times, stood

until 1870 on the site of the older building, and was itself so venerable

that many good folks were used to believe it to have been the veritable

house where those old-time pilgrims lay before setting out on their

journey.

To that shrine of St. Thomas crowds of pilgrims flocked from every part of

the Christian world. Rich and poor, high and low alike, left court and

camp, palace or hovel. The knight left his castle, the lady her bower; the

merchant his goods, the sailor his ship; and the ploughman forsook his

tillage to partake in the blessings that radiated from Becket's

resting-place in Canterbury Cathedral. From such varied ranks of society

are Chaucer's pilgrims drawn. A knight whose manhood had been spent in

battle at home or in Palestine is at their head. He had been present at

the taking of Alexandria; had fought with the Germans against Russia, and

had campaigned in Granada against the Moors. Yet his is a meek and

Christian-like deportment, and he is in truth a very perfect, gentle

knight. With him is his son, the squire, a boy of twenty, who had already

made one campaign against the French, and had borne himself well, both in

battle and in the tourney. Love deprives him of his sleep, and for love he

writes sonnets and attires himself in smart clothes, broidered over with

flowers like a May meadow. In attendance on this love-lorn swain is a

yeoman clad in Lincoln green and bristling with arms. Sword and buckler, a

dagger in his belt, with bow and arrows complete his equipment. Following

upon these comes firstly Madame Eglantine, a lady prioress whose noble

birth is seen both in her appearance and in the nicety with which she eats

and drinks. With a sweet, if rather nasal, tone she chants portions of the

Liturgy, and speaks French by preference; but it is the French, not of

Paris, but of "Stratford-atte-Bow." So high-strung is her sensibility that

she would weep if she was shown a mouse in a trap, or if her little dog

was beaten with a stick. She wears--somewhat inconsistently, considering

her religious profession--a brooch bearing the inscription, _Amor vincit

omnia_.

[Illustration: THE "SPUR" INN.]

Next this dainty lady comes a fat monk of the Benedictine Order, whose

shaven crown and red cheeks are as smooth as glass, and whose eyes shine

like burning coals, both by reason of lust and good living. He is dressed

in a fashion no holy monk should affect, for the sleeves of his robe are

trimmed with the finest fur, and a golden love-knot pin holds his hood in

place. Clearly ring the bells on his horse's bridle; hare-hunting and a

feast off a fat swan are more to him than the rule of St. Benedict and

all the holy books in his cell. Beside this disgrace to his religious

profession is a mendicant friar who is no whit better than his fellow, for

he can sing tender songs to his harp, treats the country-folk in the

taverns, and knows well how to please the women with timely gifts of

needles and knives. Follow these a merchant and two learned men. Well does

the merchant know the rate of exchange, and better still does he know how

to secure his own interest. Not so the clerk of Oxenford, hollow-cheeked

and lean, dressed in threadbare clothes and riding a bare-ribbed horse. As

yet he is unbeneficed; but his books are his only joy. His fellow is a law

serjeant in good practice, and at his heels comes the Franklin, a

representative of a very large class who held land of their own, but were

not of gentle birth.

A lower social stratum is represented by a haberdasher, a carpenter, a

weaver, a dyer, and a tapster; all of consideration in their own grade,

and likely to become aldermen some day. As wealthy as any is the miller, a

big-bodied fellow, with a spade beard, red, like a fox, and as cunning. He

well knows how to take a share of the corn his customers bring him to

grind. He wears a white coat and a blue hood; plays on the bagpipes, and

tells stories fitted to make the young and innocent blush. The wife of

Bath is every whit as indelicate. She has been married five times, and of

love, says Chaucer, "she knew the olde dance." Therefore she is

privileged. A shipman from Dartmouth has with him a bottle of Burgundy

stolen from his captain's cabin, from which he thinks it no sin to drink

when on pious pilgrimage. A doctor of physic, a cook, a poor parson, a

ploughman, a reeve, or estate agent, a manciple, and two disgraceful

characters--a summoner and a pardoner--make up the total of the company.

The summoner has a fiery face, which nothing but abstinence from drink

will assuage; and the pardoner is totally without conscience or morals of

any kind. He makes a good living by selling pardons from the Pope, and

gets more by the sale of relics in one day than the parson can earn in two

months.

When these pilgrims rode forth on that April morning--nine and twenty of

them--from the "Tabard," to seek Becket's shrine, they started from the

ultimate suburb of London. Picture that, Londoners of to-day, who find

streets unceasing until Blackheath is gained, and no true roadside country

this side of Gravesend! The thymy air then blew in at the casements of the

many inns of Southwark, and the views thence extended over fields and

meadows where countless chimneys now pollute the sky. Some way down the

Kent Road ran a little stream across the highway--"Saint Thomas a

Watering" the ford was called, and here the pilgrims made their first

halt--

And forth we riden a litel more than pas,

Unto the watering of Saint Thomas,

And then our host began his hors arrest.

Saint Thomas's Road marks the site of this stream, and the "Thomas a

Becket" inn perpetuates a house of call for wayfarers; but the fame of all

these things--of the heretics, the cutpurses, the varied thieves and

beggars who were executed here, with their quarters stuck on poles by the

ford by way of warning, is lost in the latter-day commonplace of the Old

Kent Road.

Yet, at this place, which was something more than a mere water-splash, and

the Golgotha of this road out of London, many met their end through being

born a little in advance of their time. This was, and is yet, a criminal

offence; but it is no longer capital. If, for example, the unfortunate

John Penry, Welsh scholar and graduate alike of Oxford and Cambridge,

religious reformer and prime mover in the "Martin Marprelate" tracts,

directed against the Episcopal bench, had but been born fifty years later,

he would have been honoured, instead of meeting here an ignominious end.

He was hanged at St. Thomas a Watering, May 29, 1593, and was a victim to

the vengeance of my lords spiritual in general, and of Archbishop Whitgift

in particular.

V

[Sidenote: MILESTONES]

There are milestones on the Dover Road. Of course. Mr. F's aunt, in

_Little Dorrit_, knew something about them, but not much. Her knowledge

was general, not particular. We read in Chapter XXIII:--

"A diversion was occasioned here by Mr. F.'s aunt, making the

following inexorable and awful statement: 'There's milestones on the

Dover Road.' Clennam was disconcerted by this. 'Let him deny it if he

can,' continued the venomous old lady. He could not deny it. There are

milestones on the Dover Road."

We will not grow excited about this incontrovertible fact. But not many

people can say where the first milestone from London on this highway is to

be found. Although, in fact, it is at the end of the first mile from the

south side of London Bridge, no one in these days would suspect such a

relic of surviving in London streets. It stands where the Old Kent Road

begins, on the left-hand side as you go south, with an iron plate on it,

proclaiming this to be "1 mile from London Bridge." The stone, greatly

battered, stands prominently, on an elevated kerb. Just because we

associate milestones with country roads and hedgerows, we look upon this,

standing in that crowded urban region, as curious; but when it was first

set up, this was on the very verge of the country.

We have heard much of the Old Kent Road in recent years. People who never

so much as suspected the existence of it, grew familiar with its name, in

the refrain of a comic song dealing with costermongers. The music-halls in

1891 reverberated with the name. But that is all done with. The Old Kent

Road is not to be described in a phrase, nor thought of as the coster's

paradise. It is in fact a road of many aspects.

But how to catalogue the kinds of them that dwell here? It cannot well be

done. Shopkeepers of every kind and degree; private residents of a more

than average decent respectability; publicans, the landlords of

public-houses of a prodigious bigness; family doctors--these are the more

salient classes of the Old Kent Road. The coster? you ask. Nay, but he

does not "inhabit" here. He (shall I phrase it thus?) pervades the

road--the "road," _bien entendu_, not the houses that line the road--and

it is only on Saturday nights, when frugal housewives fare forth,

cheapening necessary provisions, that you who seek shall find him, with

his booths and shallows, his barrows and crazy trestles; his naphtha-lamps

flaring gustily, his voice raucous, his goods striking both eye and nose

in no uncertain manner. At such times the kennel becomes a busy mart,

where you may purchase most articles of daily food at a price much below

the current quotations in shops. Here a shilling possesses the purchasing

power of a half-crown expended in the West End, and at this _bon marche_

the artisan's table is fully furnished forth for a sum which would give

the dwellers in mid-London pause.

[Sidenote: IN THE OLD KENT ROAD]

I have said that the Old Kent Road is eminently respectable; and so it is.

But it is also (the natural sequence of respectability) not less eminently

dull. It is only when Saturday evening comes, with its street-market

commencing as the light dies out of the sky, that this long road becomes

really interesting. Then it takes on an aspect of mystery, and is filled

with flickering lights and shadows from the yellow gas-lamps and the gusty

naphtha-flares that illuminate the dealings of Mr. 'Enery 'Awkins with his

clients; and I am quite sure that, if Rembrandt was living now, he would

choose such a time and place as the best subject for a picture in all

London. One spot in especial he would select. Taking a tramcar from the

"Elephant and Castle," he would ask the conductor to set him down by the

bridge that crosses the Grand Surrey Canal, where the great gasometers of

the South London Gas Company rear themselves high in air above mean houses

and third-rate shops. Arrived here, he would select, as the best point of

view, the broad entrance of a large public-house, outside of which the

omnibuses stop in their career between the Borough and New Cross; and it

is very likely that the thing which happened to me while sketching here

would also befall him; that is to say, some short-sighted or dull-witted

old lady would probably dig him in the ribs with the ferrule of her

umbrella, and say, "Young man, how long before your 'bus starts?" And,

after all, I suppose one must not be satirical at the expense of that very

worthy person the British matron; for, to a superficial glance, a

sketch-block may be not unlike an omnibus way-bill; and who but a mad

impressionist would see sketchable material in an ugly gasometer? And who

other than a reckless Bohemian would be so far indifferent to public

opinion as to sketch outside a gin-palace?

[Illustration: SATURDAY NIGHT IN THE OLD KENT ROAD.]

The Old Kent Road of from seventy to eighty years ago presented a very

different aspect from that with which those are familiar who travel

nowadays up and down its great length in tramcars. It was distinctly

rural. The few houses that were to be seen here in coaching days were

chiefly inns, with swinging signs creaking, and horse-troughs lining the

roadside, and the "Kentish Drovers," that now wears much the same

appearance as any other London public-house, was a veritable rustic house

of call for countrymen driving their sheep and cattle to London markets.

"The Bricklayers' Arms" (a 'scutcheon, needless to say, unknown to

heraldry), "The World Turned Upside Down," the "Thomas a Becket," and the

"Golden Cross," at New Cross, were scarcely less rural. It was at the

"Golden Cross" that Pitt and Dundas, overtaken on the road from Dover to

London by bad weather, put up for the night, and drank seven bottles of

port before they went to bed.

Imagine, though, the condition of the roads, and locomotion upon them,

when two Cabinet Ministers could think it not only convenient, but merely

prudent, to halt for the night when so near London as New Cross! The

Londoner who can take 'bus, tram, or train, and reach the City in less

than half-an-hour, can scarce picture the necessity which faced those

distinguished travellers.

VI

[Sidenote: DEPTFORD]

When the old coachmen had got through New Cross Gate, which stood where

the "Marquis of Granby" occupies the junction of the Deptford and Lewisham

roads, they found themselves in the country, with Deptford, a busy but

small and compact place, yet some distance ahead. Also, they had entered

the county of Kent. Nowadays, it is difficult for the uninstructed to tell

where New Cross ends or Deptford begins, for there is never a break in the

houses all the way, while the street presents no attractions whatever; and

even though the "good view of part of the Greenwich Railway, the carriages

of which may be seen in motion to and fro" (a view which the local

guide-book, published in 1837, considered worthy a visit from London),

remains to this day, together with several other railways to keep it

company, one does not find crowds of visitors hanging on the delirious

delights of the several New Cross stations.

The Deptford of to-day is no place for the pilgrim. Instead of

reminiscences of _Kenilworth_ and Queen Elizabeth, of Drake and Peter the

Great, it is rich in "stores" and "emporiums." A workhouse stands where

Sayes Court afforded shelter under its roof, and amusement in its gardens,

for the Czar; the Trinity House of Deptford Strond has been removed to

Tower Hill; and perhaps the most remarkable thing in modern Deptford is

the Foreign Cattle Market. And yet here Elizabeth knighted Francis Drake,

in 1581, on that good ship the _Golden Hind_, in which he had "compassed

the world"; and here, on a site now occupied by cattle and by business

premises, was the greatest dockyard in England at the most interesting

period of English naval history.

It was at Deptford, they say, in 1593, that Christopher Marlowe, that

bright particular star of poesy, was slain, while yet in his thirtieth

year. We know too little of him, and no portraiture has come down to show

us what manner of man this was who wrote divinely and lived (if we may

believe the scribes) sottishly, after the manner, indeed, of the

fraternity of his fellow-dramatists. It should seem, by some contemporary

accounts, that he was killed by a rival in the affections of some saucy

baggage; but there were not wanting those who asserted that the poet was

assassinated by some myrmidon of the Church, whose priests he lost no

opportunity of reviling. To lend some colour to this, there remains a

pamphlet, printed in 1618, entitled--_what_ a title!--"The Thunderbolt of

God's Wrath Against Hard-hearted and Stiff-necked Sinners." It says, "We

read of one Marlowe, a Cambridge Scholler, who was a poet and a filthy

play-maker; this wretch accounted that meeke servant of God, Moses, to be

but a conjuror, and our Sweet Saviour to be but a seducer and deceiver of

the people. But harken, ye brain-sicke and prophane poets and players,

that bewitch idle eares with foolish vanities, what fell upon this

prophane wretch; having a quarrell against one whom he met in the street

in London, and would have stab'd him; but the partie perceiving his

villany prevented him with catching his hands, and turning his own dagger

into his braines; and so blaspheming and cursing he yeelded up his

stinking breath. Marke this, ye players that live by making fools laugh at

sinne and wickedness."

VII

Leaving "dirty Deptford," that being the contumelious conjunction by which

the place has generally been known, any time these last hundred years or

so (and far be it from me to deprive any place of its well-merited title,

whether good or ill), the road ascends steeply to Blackheath, past some

fine old mansions which, having been built in the days of Queen Anne and

the earlier Georges, and having long housed the aristocracy who at one

time frequented the place, became afterwards the homes of rich City

merchants. Finally, when the "schools for young ladies" are gone which now

occupy them, and give so distinct a scholastic air to this suburb, they

will doubtless disappear amid a cloud of dust and the clinking of trowels,

while on their sites will rise the unchanging pattern of suburban shops!

[Sidenote: BLACKHEATH]

Blackheath is one of the finest suburbs of London; a town girt round with

many particularly beautiful outskirts. Strange to say, it has not been

spoiled, and though thickly surrounded with houses, remains as breezy and

healthful as ever; perhaps, indeed, since highwayman and footpad have

disappeared, and now that duels are unknown, Blackheath may be regarded as

even more healthy a spot than it was a hundred years ago.

The air which gave Bleak Heath its original name, and nipped the ears and

made red the noses of the "outsides" who journeyed across it on their way

to Dover in the winter months, is healthful and bracing, and is not so

bleak as balmy in the days of June, when the sun shines brilliantly, and

makes a generous heat to radiate from the old mellow brick wall of

Greenwich Park that skirts the heath on its northern side. Outside the

gate of that steepest of all parks stood Montagu House, whence the Earl of

Chesterfield wrote those famous letters to his son--letters whose

precepts, if carefully and consistently followed, would have infallibly

sent their recipient to the Devil. Montagu House is gone now, pulled down

long ago, and the site where the worldly Dormer wrote, pointing out to his

son the way to perdition, is now a part of the Heath. Gone, too, is the

garden where the phenomenally vulgar and undignified Princess Caroline of

Wales, who lived here from 1797 to 1814, might have been seen, and _was_

seen one morning, sitting in the grounds in a gorgeous dress, looped up

to the knees, to show the stars with which her petticoats were spangled:

with silver wings on her shoulders, and drinking from a pewter pot of

porter, after the use and wont, between the acts, of the pantomime fairies

of Drury Lane.

[Illustration: GREENWICH OBSERVATORY.]

With this _Princesse au cafe chantant_ disappears the last vestige of

royalty hereabouts, and Greenwich, lying down beyond the Park, has only

dim memories of Henry the Eighth, and Queen Elizabeth, who was born in the

palace of Placentia beside the Thames. If you venture into the Park, and

stand upon Observatory Hill, you can at once glimpse London and gain an

idea of how plebeian Greenwich has become. But its history is not yet

done, and on this very spot, in 1893, a chapter of it was made by a

foreign Anarchist who blew himself up in the making; and when the park

keepers came and gleaned little pieces of him from the November boughs,

the incident shaped more picturesquely than any other happening on this

spot that I can think of.

[Sidenote: ON THE HEATH]

As for Blackheath, it seems that when, in older days, people had

assignations on the Dover Road, they generally selected this place for the

purpose; whether they were kings and emperors that met; or ambassadors,

archbishops, rebels, or rival pretenders to the crown, they each and all

came here to shake hands and interchange courtesies, or to speak with

their enemies in the gate. It is very impressive to find Blackheath thus

and so frequently honoured by the great ones of the earth; but it is also

not a little embarrassing to the historian who wants to be getting along

down the road, and yet desires to tell of all the pageants that here

befell, and how the high contending parties variously saluted or sliced

one another, as the case might be. Indeed, to write the history of

Blackheath would be to despair of ever seeing Dover, and so, instead of

beginning with Aulus Plautius, or any of the masterful Roman generals who

doubtless had something to say to those cerulean Britons on this spot, I

will skip the centuries, and only note the more outstanding and

interesting occasions on which the heath has figured largely. Hie we then

from the first to the fourteenth century, when, in 1381, Wat, the Tiler of

Dartford, encamped here as leader of a hundred thousand insurgents. The

fount and origin of this famous rebellion has ever been popularly sought

in the historic incident of Dartford, in which the tax-gatherer lost his

life; but a discontent had long been smouldering among the people, which

needed only an eloquent happening of this nature to be fanned into a

flame. The Poll Tax was one of the greatest grievances of the time, and

the high rent of land was even more burdensome. The price of land might,

perhaps, have been borne with, for it was of gradual growth, and regulated

more or less by the law of supply and demand, but the Poll Tax was a new

burden, and one exacted harshly from the people by the nobles among whom

the Government had farmed it. Then, too, the state of serfdom in which the

_villeins_ existed was odious to them at this lapse of time, when men

began to aspire to something better than to be the mere pawns of kings and

nobles, sent to fight for feudalism on foreign battlefields, or in

fratricidal conflicts at home. The days were drawing to a close when it

was possible for kings to issue prescriptions for the seizing of artisans

to be set to work on the building of royal palaces and castles; documents

couched in this wise: "To our trusty and well-beloved Richard, Earl of

Essex: Know ye that it is our pleasure that you do take and seize as many

masons, carpenters, braziers, and all kinds of artificers necessary to the

reparation of our Castle of Windsor, and that this shall be your warrant

for detaining them so long as may be necessary to the completion of the

work."

With grievances old and new, it wanted but little to set the home counties

in revolt, and so we find the cause of the Dartford tiler to have been

warmly taken up, not only throughout his native Kent, but also, across the

river, in Essex. The tiler's neighbours swore they would protect him from

punishment, and, marching to Maidstone, appointed him leader of the

commons in Kent. The Canterbury citizens, less enthusiastic, were overawed

by the number of the rebels, and several of them slain; five hundred

joining in the march to London, while a dissolute itinerant priest, that

famous demagogue John Ball, was enlarged from prison and appointed

preacher to the throng, rousing them to fury by the rough eloquence and

apt illustration with which he enlarged upon his text--

When Adam delved, and Eve span,

Who was then the gentleman?

[Sidenote: REBELS]

The Dover Road: Annals of an Ancient Turnpike · 第 1 / 18 段