But without going into the arguable points of this latest duel of the

sexes, Mr. Punch, already in the last year which completes his

fourth score, may be allowed to indulge in an old man's privilege

of retrospect and incidentally to congratulate the ladies on the

wonderful and triumphant progress they have made in instrumental art

since the roaring 'forties. For in the 'forties women, though still

supreme on the lyric stage, had hardly begun to assert themselves as

executants, save on the pianoforte. _Punch_ well remembers LISZT--with

the spelling of whose name he had considerable difficulty--in his

meteoric pianofortitude. But the young WILMA NERUDA, who visited

London in 1849, escaped his benevolent notice. She was then only ten.

It was not until twenty years later that, as Madame NORMAN-NERUDA, she

revisited London, proved that consummate skill could be combined with

admirable grace in a woman-violinist, took her place as a leader of

the quartet at the Monday "Pops," upset the tyranny of the pianoforte

and harp as the only instruments suitable for the young person, and

virtually created the professional woman-violinist. Indeed, she may

be said to have at once made the fiddle fashionable and profitable for

girls.

On its invasion of Mayfair the pencil of DU MAURIER furnishes the best

comment. Before 1869, woman-violinists were only single spies; now

they are to be reckoned in battalions. And they no longer "play the

easiest passages with the greatest difficulty," as was once said of

an incompetent male pianist, but in all departments of technique and

interpretation have fully earned Sir HENRY WOOD'S tribute to their

skill, sincerity and delicacy. When the eminent conductor goes on, in

his catalogue of their excellences, to say, "They do not drink,

and they do not smoke as much as men," he reminds Mr. Punch of two

historic sayings of a famous foreign conductor. The first was uttered

at a rehearsal of the Venusberg music from _Tannhäuser_: "Gentlemen,

you play it as if you were teetotalers--_which you are not_." The

other was his lament over a fine but uncertain wind-instrument player:

"With ---- it is always Quench, Quench, Quench."

Mr. Punch is old-fashioned enough to hope that, whether teetotalers

or not, the ladies will leave trombones and tubas severely alone, and

confine their instrumental energies mainly to the nice conduct of the

leading strings--the aristocrats of the orchestra, the sovereigns of

the chamber concert.

* * * * *

From a butcher's advertisement:--

"SPECIAL PRE-WAR PORK, AND BEEF, SAUSAGES."--_Local Paper._

While all in favour of old-fashioned Christmas fare, here we draw the

line.

* * * * *

"Enough butter to cover 265,000,000 slices of bread was

produced in Manitoba this year. Of 8,250,000,000 pounds

produced, 4,100,000 has been exported."--_Canadian Paper._

Thirty-one pounds of butter to the slice is certainly the most

tempting inducement to Canadian immigration we have yet noticed.

* * * * *

[Illustration: THE INSPIRED MUSICIAN AND THE CHRISTMAS HAM.]

* * * * *

OUR BOOKING-OFFICE.

_(By Mr. Punch's Staff of Learned Clerks.)_

I can't help thinking that Mr. H. G. HIBBERT has not chosen altogether

the right name for his second volume of theatrical and Bohemian

gossip, _A Playgoer's Memories_ (GRANT RICHARDS). It is not so

unsophisticated as the title had somehow led me to expect. Indeed

"unsophisticated" is perhaps the last epithet that could justly be

applied to Mr. HIBBERT'S memories. I fancy I had unconsciously been

looking for something more in the style of my own ignorant playgoing.

"How wonderful she was in that scene with the broker's man," or "Do

you remember the opening of the Third Act?" Not thus Mr. HIBBERT. For

him the play itself is far less the thing than a peg upon which

to hang all sorts of tags and bobtails of recollection, financial,

technical and just not scandalous because of the discretion of the

telling. His book is a repository of theatrical information, but the

great part of it of more absorbing concern for the manager's-room or

the stage-door than, say, the dress circle. But I must not be wanting

in gratitude for the entertainment which, for all this carping, I

certainly derived from it. As an expert on stage finance, for example,

to-day and forty years back, Mr. HIBBERT has revelations that may well

cause the least concerned to marvel. And there is an appendix, which

gives a list of Drury Lane pantomimes, with casts, for half a century,

including, of course, the incomparable first one; but that is not

a memory of this world. A book to be kept for odd references in two

senses.

* * * * *

[Illustration: CULPABLE NEGLIGENCE ON THE PART OF AN EDITOR OF AN

ILLUSTRATED PAPER. IMPENDING LIBEL ACTIONS.

CAPTAIN ERIC BLIGHTMAN, WHOSE ENGAGEMENT TO LADY SARAH HUBB HAS JUST

BEEN ANNOUNCED.

BASHER SMITH, EX-HEAVYWEIGHT CHAMPION OF STEPNEY, WHO IS TO ACT AS

REFEREE AT THE CORKERY-HACKETT FIGHT ON FRIDAY.]

[Transcriber's Note: The captions were reversed.]

* * * * *

What most interfered with my peace of mind over _The Happy Highways_

(HEINEMANN) was, I think, its almost entire absence of highway, and

the exceedingly unhappy nature of its confused and uncharted lanes.

Indeed, I am wondering now if the title may not have been an instance

of bitter irony on the part of Miss STORM JAMESON. Certainly a more

formless mass of writing never within my experience masqueraded as a

novel. There are ideas and reflections--these last mostly angry and

vaguely socialistic--and here and there glimpses of illusory narrative

about a group of young persons, brothers and a girl-friend, who live

at Herne Hill, attend King's College and talk (oh, but interminably)

the worst pamphlet-talk of the pre-war age. It is, I take it, a

reviewer's job to stifle his boredom and push on resolutely through

the dust to find what good, if any, may be hidden by it. I will admit

therefore some vague interest in the record of how the War hit such

persons as these. Also (to the credit of the author as tale-teller)

she does allow one of the young men to earn a scholarship, and for

no sane reason to depart instantly thereupon before the mast of a

sailing-ship; also another, the central figure, to fall in love

with the girl. The book is in three parts, of which the third is

superfluously specialized as "chaos." Whether Miss JAMESON will yet

write a story I am unable to say; I rather wonder, however, that

Messrs. HEINEMANN did not suggest to her that these heterogeneous

pages would furnish excellent material for the experiment.

* * * * *

I have discovered that Miss PEGGY WEBLING has quite a remarkable

talent for making ordinary places and people seem improbable. She

achieves this in _Comedy Corner_ (HUTCHINSON) by sketching in her

scenery quite competently and then allowing her characters to live

lives, amongst it, so fraught with coincidence, so swayed by the most

unlikely impulses, that a small draper's shop, a West End "Hattery"

and an almshouse for old actresses become the most extraordinary

places on earth, where anything might happen and nobody would be

surprised. _Winnie_, her heroine, behaves more improbably than anyone

else, but she is such a dear little goose that most amiable readers

will be quite glad that she doesn't have to suffer as much as such

geese would if they existed in real life. You can see from this that

it is one of those books that are full of real niceness and goodwill,

and it has besides plenty of plot and lots of interesting characters,

and yet somehow it gives you the feeling of being out of focus. You

read on, expecting every moment that clever Miss WEBLING will give

things a little push in the right direction and make them seem true,

and, while you are reading and hoping, you come to the happy ending.

* * * * *

Should you enter _The Gates of Tien T'ze_ (HODDER AND STOUGHTON) you

will not regret it, but it is possible that you may be--as I was--a

little breathless before the end of this vehement story is reached.

The average tale of criminals and detectives is not apt to move

slowly, but here Mr. LESLIE HOWARD GORDON maintains the speed of a

half-mile relay race. I am not going to reveal his mystery except

to say that _Tien T'ze_ was a Chinese organisation which perpetrated

crimes, and that _Donald Craig_, _Kyrle Durand_--his secretary

(female) and cousin--and _Bruce MacIvor_, superintendent of the

Criminal Investigation Department, were employed in tracking it down

and smashing it to pieces. Never have I met anyone in fiction (let

fact alone) so clever as _Kyrle_ in getting herself and her friends

out of tight places. When _Craig_ and _MacIvor_ were so beset by _Tien

T'ze_ that their last hour seemed to have come I found myself saying,

"It is time for _Kyrle_ to emerge from her machine," and she emerged.

In a novel of this _genre_ it is essential that the excitement should

never fall below fever-heat, but Mr. GORDON'S book does better than

that; its temperature would, I think, burst any ordinary thermometer.

* * * * *

"The Vicar's Study Circle is now engaged in considering the

teaching of what is known as the 'Higher Criticism.' All

interested are invited to attend, whatever sex they may claim

to possess."

--_Parish Magazine._

The Vicar evidently possesses the open mind so necessary for

discussions of this sort.

* * * * *

[Illustration: EPILOGUE]

AS WE SEE OTHERS: A CANDID APPRECIATION OF U.S.A.

The liner _de luxe_ had swung in past Sandy Hook, and the tender had

already come alongside with its mail and Press-gang. There ensued a

furious race to interview the most distinguished passenger, and it

was by the representative of _The Democratic Elevator_, who got

there first, that the Sage, in the very act of recording the emotions

provoked by his first sky-scraper, was _abordé_.

"Mr. Punch, I guess?" said he. "Pleased to meet you, Sir. And what do

you think of the American nation?"

"Shall I tell you now," asked Mr. Punch, "or wait till I've actually

seen it?"

"Right here," said the interviewer, and drew his note-book.

"Well," began Mr. Punch, "I think a good deal of it--I mean, I think a

good deal about it. And it nearly always makes me smile. Of course you

won't understand why it nearly always makes me smile, because we

don't see fun in the same things. You don't appreciate our humour, and

therefore you say that we haven't any. And if we don't appreciate

your humour that proves again that we haven't any. So you'll never

understand why it makes me smile, sometimes gently and sometimes

rather bitterly, to think about your nation; but I'll tell you just

the same.

"In the first place, what you call 'America' is only a small fraction

of the American continent, not even as large as British North America.

And in the second place what you call your 'nation'--well, some rude

person once said of it that it isn't really a nation at all, but just

a picnic. I won't go so far as that, but I hardly suppose you will be

much better pleased if I call it a League of Nations. That is a phrase

that you hate, because your President WILSON loves it.

"By the way, I must be very careful how I speak of your President,

because you're so sensitive on that subject. You allow yourselves to

abuse him as the head of a political party, but if other nations so

much as question his omniscience he suddenly becomes the Head of

a Sovereign State. An English Cabinet Minister once told me how an

American gave vent in conversation to the most violent language in

regard to the policy of the President of the day, and when at the end

the Englishman very quietly said, 'I am inclined to agree with you,'

the American turned on him in a fury, saying: 'Sir, I didn't come here

to have my country insulted!'

"However, to return to your League of Nations. In England (where I

come from) they are just now reviving a play by Mr. ISRAEL ZANGWILL,

in which, if I recall it rightly, he makes out your country to be the

Melting Pot into which every sort of fancy alien type is thrown, and

turned out a pattern American citizen, a member of a United Family. I

wish I could believe it. It seems to us that your German, even after

passing through the Melting Pot, remains a German; that your Irishman,

however much he Americanises himself for purposes of political power

and graft, remains an Irishman. You never seem to get together as a

nation, except when you go to war, and even then you don't keep it

up, for you're not together now, although you're still at war with

Germany. The rest of the time you seem to spend in having Elections

and 'placating' (I think that's what you call it) the German interest,

or the negro interest, or the Sinn Fein interest.

"And this brings me to the point that makes me smile most of all--when

it doesn't make me weep. Isn't it a pathetic thing that a really great

and strong people like you should be so weak and little as to let your

Press sympathise blatantly with the campaign of murder in Ireland; to

suffer that campaign to be actively assisted by American gunmen; to

look on while it is being financed by American money, here employed in

conjunction with the resources of that very Bolshevism which you take

care to treat as criminal in your own country?

"Isn't it pitiful that you should regard reprisals (hateful though

they may be) as worse than the hideous murders which provoked them;

forgetting your own addiction to lynch law; forgetting too (as some

of our own people forget) that the sanctity of the law depends as much

upon the goodwill and assistance of the populace as it does upon the

police, and cannot else be maintained?

"Indeed your memory is not very good. Your Monroe Doctrine, which

insists that nobody from outside shall interfere with your affairs,

escapes you whenever you want to interfere with other people's. You

even forget, at convenient times, your own Civil War. Just as there

was not a protest made by you against the methods of our blockade of

Germany for which an answer could not be found in some precedent set

by you in that War of North and South, so now the best answer to your

sympathy with the preposterous claims of an Irish Republic is to be

found in those four years in which you fought so bloodily to preserve

the integrity of your own Union.

"Yet you let men like DE VALERA go at large proclaiming the brutal

tyranny of the alien Saxon and advertising his country as a Sovereign

State--all because you have to 'placate' the Irish interest. I should

very much like to hear what you would think of us if at our Elections

we ran an Anti-You campaign and even made Intervention a plank in our

platform (as one of your Parties did) for the sake of 'placating' the

niggers or the Cubans or the Filipinos or any other sort of Dago in

our midst.

"Of course we are told--and of course I believe it--that the 'best'

American sentiment is all right. But, if so, it must be cherished by a

very select few, or they would never tolerate a condition of things so

rotten that, unless your coming President finds some cure for it, you

are like to become the laughing-stock of Europe. I am almost tempted

to go into the Melting Pot myself and show you, as none but an

American citizen would ever be allowed to show you, how it is to be

done. Unfortunately I am too busy elsewhere, putting my own country

right.

"But to conclude--for I see that we are drawing close to the

landing-stage--I do hope that in my desire to be genial I have not

been too flattering. No true friend ever flatters. And in my heart,

which has some of our common blood in it (notoriously thicker than

water), I cannot help loving your country, and would love it better

still if only it gave me a better chance. Indeed, I belong at home to

a Society for the Promotion of Anglo-American Friendship. More than

that"--and here the Sage was seen to probe into a voluminous and

bulging breast-pocket--"I have brought with me a token of affection

designed to stimulate a mutual cordiality."

"_Not_ a flask of whisky?" exclaimed the representative of _The

Democratic Elevator_, suddenly moved to animation.

"No, not that, not that, my child," said Mr. Punch, "but something

far, far better for you; something that gives you, among other less

serious matter, a record of the way in which we in England, with

private troubles of our own no easier than yours to bear, and

exhausted with twice as many years of sacrifice in the War of Liberty

(whose colossal effigy I have just had the pleasure to remark), still

try to play an honourable part in that society of nations from which

you have apparently resolved, for your better ease and comfort, to cut

yourselves off. Be good enough to accept, in the spirit of benevolence

in which I offer it, this copy of my

ONE HUNDRED AND FIFTY-NINTH VOLUME."

[Illustration]

* * * * *

[Illustration: Index]

CARTOONS.

PARTRIDGE, BERNARD

Aladdin and the Miner's Lamp 311

Bad for the Bull 51

Cap of Liberty: Le Dernier Cri 191

Close Corporation (A) 351

Economists (The) 471

Experts (The) 291

Folly of Athens (The) 411

German Invasion (A) 431

Great Repudiation (The) 231

"House"-Breaker (The) 151

If Winston Set the Fashion-- 111

League of Youth (The) 91

Micawber and Son 511

Moral Suasion 71

Prince Comes Home (The) 271

Problem (The) 131

Road to Economy (The) 451

Salvage 251

Scales of Justice (The) 331

Session of Common Sense (A) 171

Shrine of Honour (The) 371

Snowed Under 211

Verdun 491

Worth a Trial 391

RAVEN-HILL, L.

Abysmalists (The) 383

Balm for the Sick Man 423

Blue Ribbon of the Sea (The) 83

Boblet (The) 463

Encourage Home Industries 363

Evil Communications 43

Good Fairy Georgina (The) 503

Iconoclast (The) 123

I. O. U. 11

Labor Omnia Vincit 443

Last Straw (The) 403

"Lion of Lucerne (The)" 143

Our Parish Church 31

Our Village Sign 343

Out of the Frying-Pan 183

Polish Hug (The) 283

Prospective Jonah? (A) 263

Public Benefactor (The) 203

Real Music (The) 103

Resources of Civilisation (The) 303

Road to Ruin (The) 163

Sing a Song of Drachmas 483

Tartarin dans les Indes 243

Too-Free Country (A) 323

REYNOLDS, FRANK

Under a Cloud (with a Golden Lining) 223

TOWNSEND, F. H.

L'Enfant Terrible 3

Sea-view of the Situation (A) 63

Subject to Revision 23

ARTICLES.

ALLEN, INGLIS

Difference of Class (A) 208

ANDERSON, MISS E. V. M.

Mudford Blight (The) 188

ARMSTRONG, H.

Working for Peace 330

BELL, NEIL

Cage (The) 349

BIDDULPH, MISS VIOLET

In Defence of Dorothy 102

BIRD, A. W.

Cricket Mannerism (A) 22

Edward and the B.O.F. 98

Fine Old Fruity (The) 490

Stuttfield and the Reds 374

Twenty Years On 55

BLAIKLEY, MISS E. L.

Pamela's Alphabet 270

BRETHERTON, CYRIL

Charivaria weekly

To Isis 76

Vignettes of Scottish Sport 458

BROWN, C. L. M.

Our Invincible Navy 362

BROWN, HILTON

Blue Mountains (The) 136

Nimrod 195

Santamingoes 24

BRYANT, A. W. M.

Kings and Queens 224

BUDGEN, C. G.

Language for Logic (The) 422

CAMERON, C. F.

Taxation of Virtue (The) 214

CASSON, C. R.

Eve Victorious 466

Humourist (The) 488

Light Fantastic (The) 366

Word Chains 28

CHALMERS, P. R.

Kelpie (The) 149

Visionary (The) 124

CHANDLER, MISS B. W.

Coup for _The Daily Trail_ (A) 182

Our Pastoral 36

CLARK, DUDLEY

Badly Synged 82

CROSS, W. H.

Cures for Insomnia 470

DARMADY, E. S.

Peculiar Case of Toller (The) 75

DARMADY, E. S. & J.

Human City and Suburban (The) 184

Superfection Laundry (The) 342

DAVIES, MISS S. M.

Prodigies (The) 202

Sources of Laughter 385

DYER, A. E. R.

Knell of the Navy (The) 246

Passing of Alfred (The) 298

EASTWOOD, CAPTAIN

Rabbits' Game (The) 144

ECKERSLEY, ARTHUR

Squatters 105

FARROW, R. S.

New Journalism (The) 370

FAY, S. J.

Authorship for All 46, 66

Dissimulation of Suzanne 176

My Right-Hand Man 234

Sayings of Barbara (The) 388

FOX-SMITH, MISS C.

All Sorts 46

Nitrates 86

Ship in a Bottle (A) 230

Yarns 390

FRANKLIN, BERNARD

Ballad of the Early Worm (A) 265

FYLEMAN, MISS ROSE

Check by the Queen 306

Consolation 264

Fairy Tailor (The) 482

Queen's Counsel 88

Rainy Morning 253

Wedding Presents 186

GARLAND, A. P.

Patient's Library (The) 118

Place of the Trombone in the Band (The) 428

Romance of Book-making (The) 2

Timon 1

GARSTIN, CROSBIE

Barrel of Beef (The) 456

Down Channel 77

Fair (The) 110

Letter to the Back-Blocks 324

Old Woman's House Rock, Scilly 213

Our Heavy-Waits 464

Reefs (The) 30

Spanish Ledges 237

GILLMAN, W. H.

Counter-Irritant (The) 108

Headlining 318

Very Personal 255

GOODHART, MRS. H.

Logs to Burn 337

GRAVES, C. L.

Between Two Stools 226

British Tarpon (The) 198

Changes in Club-Land 130

Cry of the Adult Author (The) 345

Cures Worth Making 38

Fashion and Physique 210

Footnote to the "Bab Ballads" 408

From Spa and Shore 122

Happy Gardener (The) 398

Mixed Meteorological Maxims 269

New Utopia (The) 366

Our Lucky Dippers 442

Our Natural History Column 69

Prawling's Theory 316

Puss at the Palace 490

Revival of the Fittest (The) 116

Revival of Ollendorff 335

Revolt of Youth (The) 168

St. Cecilia of Cremona 514

State and the Screen (The) 50

To Certain Cautious Prophets 256

To General Oi 198

Tragedy of Reaction (A) 19

Two Studies in Musical Criticism 276

When and If 289

GREENLAND, GEORGE

Miriam's Two Babies 254

HARWOOD, A. C.

How to Build a House 176

HASELDEN, PERCY

Old Beer Flagon (The) 358

HERBERT, A. P.

Art of Poetry (The) 164

Autobiography Shocker (The) 313

Contemporary Folksongs 384

Criminal Type (A) 62

Euclid in Real Life 346

Foul Game (A) 495

Grasshopper (The) 42

Happy Hoots (The) 502

Heart of Mine 88

If They were at School 408

Korban Bath (The) 288

Little Bits of London 468

Little Horse (The) 26

Mystery (The) 126

Mystery of the Apple-pie Beds 268

New Rhymes for Old Children 186, 215, 234, 244, 295, 306, 329, 350,

365, 416, 426, 455, 475, 485, 510

On with the Dance 6

Private Film (The) 338

Seven Whitebait 206

Spider (The) 116

Thoughts on _The Times_ 148

White Spat (The) 448

HEYER, GEORGE

Rhymes of the Underground 95, 115, 176, 193

HODGKINSON, T.

Best Laid Schemes (The) 66

Devoted Lover (The) 270

First Love and Last 146

Home from Home (A) 225

Love's Handicap 318

_Mens Conscia Mali_ 106

Ministering Angel (The) 85

Note on the Drama (A) 450

Sartorial Tragedy (A) 398

Vanished Glory 7

Warning from the Sky (A) 513

HOLMES, CAPT. W. K.

Ben and the Boot (The) 233

Territorial (The) 137

To James in the Bath 250

Victim of Fashion (A) 96

HOLT, E. C.

Songs of an Ovalite 45

JACKSON, LIEUT. GERALD, R.N.

Difficult Case (A) 410

JAGGER, ARTHUR

Elfin Tennis 405

_Rara Avis_ 182

Westward Ho! 169

JAY, THOMAS

Charivaria weekly

Questions 449

JENKINS, ERNEST

Barker that Missed Fire (The) 510

Downing of the Pen (The) 354

Improving "Hansard" 434

My Dromedary 78

Premier's Metaphors (The) 386

Should Millionaires read Homer? 58

Shrimp Test (The) 253

Solving the Holiday Fare Problem 81

When Charl. comes over 18

KIDD, ARTHUR

Another War to End War 175

More Secret History 326

Our "Promised" Land 429

Passing of the Cradle (The) 205

KILPATRICK, MRS.

Elizabeth Goes on Holiday 64

Elizabeth Goes to the Sales 4

Elizabeth Outwitted 284

Elizabeth's Christmas 504

Ernest Experiments 315

Hard Times for Heroines 146

KING, P. J.

Ministry for Heroes (The) 294

KITCHIN, HARCOURT

My Rat 25

KNOX, E. V.

About Conferences 326

About Golf 462

Coal Cup (The) 204

Converted Castles 48

D'Annunzio Dialogue (A) 406

George, Jane and Lenin 153

Gone Away! 302

Handy Man (The) 228

Harding and Cox 37

I remember--I remember 70

Maybirds 506

Miners' Opera (The) 262

More Pay for M.P.s 438

My Apologia 377

On Running Down to Brighton 190

Priscilla Paints 18

Priscilla Plays Fairies 446

Proof Positive 344

Sand Sports 170

September in My Garden 244

Squish 106

Taffy the Fox 486

Thoughts in a Cold Snap 484

Unauthentic Impressions 364, 382, 404, 424, 444

Ways and Means 68

Yet One More Plan for Ireland 282

LAMBURN, MISS R. C.

Anniversary (The) 118

Birthday Present (The) 94

Strike in Fairyland (A) 356

Way Out of the Present Unrest 238

LANGLEY, F. O.

Boot Mystery (The) 414

Conspirators (The) 248, 266, 286, 308, 328, 348

Genf and the League of Nations 368

King's Messenger (The) 8

Lucerne 154

Mountain and the Prophets (The) 476

Movement in the Money Market 189

Story about a Clock (A) 38

LEWIS, M. A.

Tragedy in Birdland (A) 395

Transmigration of Bowles (The) 128

_Vade Mecums_ 96

LEYS, MISS H. M.

Flowers' Names 57, 78, 90, 104, 122, 145, 198, 206, 229, 273, 298

LOCKER, W. A.

Essence of Parliament weekly during Session

LUCAS, E. V.

Among the Pedestals 122

Brown Lady (The) 430

Buckler's 76

Cabman and the Coin (The) 246

Cynosure (The) 397

Dining Gladiator (The) 304, 322

Down-our-Court Circular 117

End of the Season (The) 194

For Ourselves Alone 296

Honours Easy 274

If We All Took to Margotry 142

Letters I never Post (The) 416

Letters I never Posted 508

More Margobiography 102

Mother-in-law Mystery (The) 376

Other Half (The) 476

Philosophers 22

Points of View 56

Privileges of Margotism (The) 166

Ring in the Old 358

Succulent Comedians (The) 84

"Suggestions" 496

That Tea Interval 216

Three Exceptional Men 15

Wire and Barbed Wire 226

MARTIN, N. R.

Sniper (The) 406

Tips for Uncles 49

MAY, H. R. D.

Whiff of the Briny (A) 162

MORRISON, A. C. L.

Language Difficulty (The) 218

NORRISS, CECIL

Charivaria weekly

NOTT-BOWER, W. G.

"G.B.R.L." 435

OGILVIE, W. H.

Opening Run (The) 357

PENNEY, F. G.

To a Clerical Golfing Friend 455

PHELPS, S. K.

Ministry of Ancestry (The) 222

Pigs 258

PLATT, F. W.

Wail of the Wasp (The) 238

PLUMBE, C. C.

Roses all the Way 86

PRESTON-TEWART, A.

Bridge Conventions 242

RICHARDSON, R. J.

Cubbin' thro' the Rye 266

Headgear for Heroes 229

Room at the Back (The) 174

Scene at the Club (A) 74

Punch, or the London Charivari, Volume 159, December 29, 1920 · 第 2 / 3 段