CHAPTER XXV

More Clues

I put my arm around her shoulders and drew her close to me. “Honey,” I

said, “forgive your old Mary. We are all overstrung, overwrought. I

didn’t mean to speak so sharply.”

“There is nothing to forgive, dear,” she said. “But—I don’t

understand. What did I say, or do, that made you feel like being cross

to me?”

“Nothing,” I told her. “I’m all on edge—that’s all.”

“I know. Were you looking for something else, on the table? There was

nothing else in her bag.”

“I was wondering,” I said, “about that foreign looking letter she got

on the second of July. Did she burn it, with the other things?”

“Oddly, she didn’t. I found it in her desk; or, rather, beneath her

typewriter. Either she forgot about it; or knew that none of us could

read it.”

“It was written in a foreign language?”

“No. In code. Here it is.”

Code, indeed! When I took it from its envelope, this is what met my

eyes.

“Paexzazlytp! f-y nyx ogrgrsgo, rn fgao atf jan j-asn, ahzgo zkg c-.

ahhalo, vkgt nyx clplzgf rg lt zkg kypulzae, zkaz nyx palf, vlzk nyxo

lrlzazgf r-yta e-lpa prleg, ‘p-yoon, yef fgao, l- rafg——”

I have copied only the first lines on the first page. There were four

sleazy pages, all closely typewritten. Not a scratch of handwriting on

it. What I judged to be the signature, was, “Slrsl.”

“Do you know who wrote this?” I asked.

“I am sure, if I dare be sure of anything, that it was written by a

man named Lewis Bauermont.”

I counted the letters of “Lewis” on my fingers. Five. The number of

letters in the signature, “Slrsl.”

“If he signed his name Lewis,” I said, “then ‘S’ would be, ‘L,’ and

‘l’ would be ‘e’ and so on. Get a pencil, dear. Let’s see if we can

work it out.”

She came and looked over my shoulder at the jumbled letters.

“No,” she said, “you see, the letter ‘s’ comes twice in the last word,

and there are no duplicate letters in Lewis. I am sure it will be more

difficult than any substitution of letters. I don’t know anything

about codes; but I have a notion that the letters are mere symbols of

something else—numbers perhaps, that work out with a key quotation.”

“I’m going to have a try at my idea, anyway,” I insisted.

I went and sat at the desk. She sat beside me, and handed me a pencil.

“Perhaps,” I suggested, “the man who wrote this, signed some nickname.

Did he have one?”

“Men called him ‘Mexico,’ and ‘Mexie.’ Gaby never used either of those

names for him.”

“What name did she use?” I insisted, though I felt like a brute.

“None, except ‘Lewis,’ that I know of. She didn’t read the signature,

when she read the letter to me. At least I don’t remember——”

“She read it to you!” I exclaimed.

“I thought that she did. Now—I don’t know. I can’t be sure of

anything. She read to me what she said was a copy of the letter; that

is, the worked out code. She may have left out entire paragraphs. She

may have changed it, in any way, in order to keep her terrible secret

from me.”

“Yes, but what did she tell you the letter contained?”

Danny looked at her wrist-watch. “It is too long even to begin to

tell, now. And—I don’t want to tell it again; not to-day. I have told

John all about it, you see. Later, of course—— Or you may ask John to

tell you. It—it was an insult from beginning to end. An insult to her.

I can’t bear thinking of it, any more; not to-day.

“Mary,” her voice changed suddenly as did her manner, “do you know why

Uncle Sam asked me—almost commanded me to be in the living-room at

three o’clock to-day?”

“No, Danny, I don’t. But he told Mrs. Ricker and me to be there, too.

I guess he just wants to talk to all of us, together.”

“Oh—talk! What good is talk going to do? Talk, in a place like this,

now, where there is not one true, certain thing to get hold of,

anywhere; where not one of us can believe in another——”

She put a quick hand to her lips; her eyes widened; she turned, and

hastily pushing aside the heavy curtain, went through the clothes

closet into her own room.

I sat still, at the desk. The paper before me, and the sharp pencil in

my hand, tempted me to make a list, as they always do in books, of the

clues, to date. I wrote:

“Locked door.

“Key in my pocket.

“T. A. (I put only the initials of tobacco ashes.)

“Chad’s suicide.

“Chad’s note. What person was he trying to shield?

“What did Hubert Hand think that I had overheard in the cabin?

“Mrs. Ricker’s threat.

“‘Q’ cap for typewriter key.

“Contents of the beaded bag.

“1. Two cigs missing from full case.

“2. Empty match-box.

“3. Empty purse. Missing bill-fold. (Robbery?)

“4. Crumpled handkerchief. (Tears? Pleading?)

“5. Broken cig. holder.

“6. Hubert Hand’s note.

“The code letter.

“Gabrielle’s note to Danny.”

This, I submit as the world’s worst list of clues. It is the best

example I have ever seen of the saying that a person could not see the

forest for the trees. The forest was there, right enough. All I would

have needed to do, was to back off far enough away from the trees to

look at it.

My face burns, even yet, when I realize that, at half-past two o’clock

on the afternoon of the fifth of July, if I had been possessed of just

one lick of sense, I could, instead of writing that list of clues,

have written another one; a list that, step by step, just as sure as

straight ahead, would have led to the guilty person.

Why did I not take into consideration the fact that, for two months,

the Canneziano girls had been searching for something on the Desert

Moon; something which I was all but certain they had not found?

Why did I not give a thought to the fact that John, after a secret

conversation with Gaby—according to Mrs. Ricker—had been clean and

clear away off the place since early afternoon until evening?

Why did I not include in my list the fact that Gaby had given the gold

monkey to Martha?

Why, instead of trying to puzzle out the code letter, did I not read

between the lines of Gabrielle’s last note to Danny?

However, at the time, since it was of my own making, I was quite well

satisfied with my list. I took it to the table to check over the

items. Sam had put the key, with which I had opened the attic door,

alongside the other things there.

I picked it up, now, and looked at it for the first time. I had not

looked at it, I had merely used it, the night before. My heart jumped

up in my throat. It was not the key to the attic door. It was a rusty

old pass key that had hung on a nail in the broom closet, off the

kitchen, for more years than I could remember.

Whoever had put this key in my pocket, must have been well acquainted

with the Desert Moon kitchen, to have found that old key, under the

brooms, and mops, and dust-rags, and chamois skins, and the rest, that

hung around it and over it in the broom-closet.

What had become of the key to the attic door?

The Desert Moon mystery · 第 25 / 61 章