CHAPTER V

_In which it is obvious that the owner is a guest in his own house_

Leonard Grath entered the Copper House like a visitor, hat in hand. A

sunbeam lay right across the polished oak floor of the hall, and in the

middle of the patch of light stood a tall, old lady, as upright as a

grenadier, and as thin and dark as a Bedouin, who fixed a penetrating

glance upon the new-comer. She went on crocheting a piece of lace, the

other end of which was hidden in an old-fashioned basket-work satchel

that hung on her left arm.

Leo stopped short, as though her look was an actual barrier, and bowed.

"Sonia Andreievna," said the old lady, in the tone of a drill sergeant

on parade, "where have you been?"

The girl shot a covert glance at the young man, and threw down her

riding-whip.

"Aunt Lona," she replied meekly, "this gentleman has just been mistaken

for a squirrel...."

"Sonia Andreievna" ... the sharp voice interrupted, "speak sensibly;

you know that I detest riddles."

"My name is Leonard Grath," the latter interposed, hastily, bowing

again and feeling somewhat embarrassed.

The crochet-needles came to a standstill, and their owner took two

strides towards him, and stared unblinkingly into his eyes. He noticed

that, in spite of her iron-gray hair and lean, dried-up looks, she

could hardly be more than sixty. Her imperious eyes still flashed with

youthful energy, every movement betokened strength, and her whole

bearing was that of a well-bred lady, even though she might be a bit

of a martinet. Like her niece, she was plainly dressed in black, with

white ruffles, and a necklace of jet beads, which clicked gently as she

moved.

"Leonard Grath," she echoed; "the owner?"

"Yes, I am afraid I have arrived rather unexpectedly, and if I have in

any way...."

"Sonia Andreievna! pick up your whip at once" (the young man was quite

startled) "and put it in its place. Yes, Mr. Grath, I cannot deny that

you _have_ taken us by surprise."

"Oh dear, I certainly never meant...."

"Sonia Andreievna! Do you see what time it is? Have I not told you a

thousand times that we have a fixed hour for dinner?"

Her remarks seemed to Leo to be emphasized by a perfect regiment of

exclamation-points, and he did not wonder that the girl darted away

like an arrow from a bow. But to his surprise, no sooner were they

alone, than the old lady's tone became almost cordial.

"I am Lona Ivanovna Bernin, and as your tenant I bid you welcome to the

Copper House. You will give us the pleasure of your company at dinner?

Good, let us have a cigarette while we are waiting."

Still wondering, Leo allowed himself to be ushered to an armchair in

the familiar old Empire drawing-room on the left side of the hall.

Lona Ivanovna offered him a cigarette case, and herself took a Russian

cigarette, which she lighted with one hand. Leo was thinking what to

say next, when she forestalled him.

"Have you come from abroad?"

"Yes, from California."

"Ah, California; a magnificent climate, I believe. No doubt you have

become tired of living out there?"

"Not exactly, but I felt inclined to come home."

"Hm--Do you think of making a long stay?"

"That depends. You see, it isn't a question of climate, exactly...."

She pursed up her mouth and frowned.

"In my opinion, the climate of California is far preferable," she

remarked, looking sharply at him.

"Very possibly, but this visit will be quite a change for me."

"How so?"

"Oh, there is so much that is new, I mean ... a whole lot of

strange ... well, in short...."

Leo stopped short in confusion, and puffed away furiously at his

cigarette. The old lady blew a perfect ring, looked quizzically at him

through it, and said dryly: "Young man, whatever you do, don't go and

fall in love with Sonia!"

Leo stared dumbfounded at his cigarette. The conversation dropped, and

silence reigned in the room, broken only by the buzzing of a stray bee

on the window pane.

* * * * *

Dinner was over, and Leonard Grath the richer by several experiences.

First of all, he had proved the truth of the old adage that: "guests

are hosts in the host's house," for was not he a guest and stranger,

and moreover a thoroughly unwelcome one, in his own home? It seemed to

him as though the girl and her aunt took it in turns to keep an eye on

him: he could see them exchanging glances and whispers whose meaning

was unintelligible to him, and, what struck him as strangest of all,

in the whole of that spacious house and its adjoining buildings there

appeared to be no living creature except the two ladies. He inquired,

as a matter of politeness, for Mr. Andrei Bernin, who was stated to be

in bed in his own room, and far too unwell to see the honored guest.

As soon as the dinner was over, Sonia, obeying a signal from her aunt,

proposed a turn round the garden, and the two young people strolled

along for a while in silence. It was getting towards sunset, and the

rural orchestra was in full chorus: birds were fluting in a medley of

youthful emulation, bumble-bees droned in their drowsy baritones,

and in the grass the crickets added their violin notes to the evening

concert.

Now that Sonia Bernin in the flesh was alongside of him, Leo found her

ten times more interesting than when he had first seen her portrait on

Wallion's table; her boyish unconstraint, added to a lissom, almost

kitten-like grace, and her ready wit, gave him a delightful sensation

of comradeship--but the minute he attempted to strike a note of

intimacy, he ran up against a barrier of chilly reserve, and the pose

of the boyish, black head became all of a sudden alarmingly ladylike.

Whatever the reason might be, she appeared totally unimpressed by his

masculine superiority, and this was a very novel experience for the

spoilt young man.

At length he remarked: "I had thought of staying some time at the

Copper House, but it seems to me I am rather 'de trop' here."

She twisted a leaf between her lips like a cigarette: "How so?" she

inquired.

"Oh, there's no doubt about it. The man at the gate showed it quite

unmistakably--for one."

"With his gun, you mean? It _was_ too bad; but you see, he naturally

took you for an impostor, having heard that the owner of the Copper

House was in America. I expect he will be discharged, in any case," she

added.

"And you told me yourself to go away, as soon as ever you knew who I

was," he continued.

"Wasn't it kind of me to warn you, when it is so dull here?" laughed

the girl.

"It is not dull here, and that is not why you warned me," he retorted.

She looked up, and their eyes met: for the second time that day, Leo

saw hers dilate and darken. She did not reply, but hurried on a little,

as though to evade him, but he kept step with her, and proceeded:

"As you know, your father wants to buy this property; it is a pity I

can't have a talk with him about it. Your aunt is reticent, and you are

mysterious. Won't you have a little pity on me?"

They had walked to the top of a slight rise, from which they could see

down the greater part of the avenue. The girl stood still, panting a

little. Suddenly she asked:

"Have you seen Mr. Tassler?"

Leo shook his head, and they were silent again. The girl seemed to

be listening to something, rather uneasily. Far off in the sunlit

stillness a rhythmical throbbing sound became audible; it approached

with uncanny rapidity, getting louder every minute, then suddenly

ceased altogether.

"Did you hear that?" whispered the girl.

"Yes," he answered. "A motor cycle has apparently stopped at Karka

gates; it's a pity we can't see them from here, it must be someone from

Stockholm."

As he said this, he remembered the young man with the attaché-case,

whom he had so unintentionally startled with Sonia's photograph, but

as he was about to tell her of the occurrence, there was a dramatic

interruption. A shot was fired at the gate, and it was followed by a

long, thrilling cry. A few seconds later, a man came dashing up the

avenue as though he was running for his life. Leo at once recognized

his fellow passenger, and the girl cried out in a voice of terrified

dismay: "Sergius, Sergius!"

The fugitive raised his face, which was deathly pale, and without

stopping, he exclaimed: "Rastakov!"

The girl turned round to Leo, and said in a rapid stifled voice: "Hide

yourself; and, mind, you have seen nothing!"

With that, she sprang down from the little hill, followed by the

fugitive, and both disappeared. Almost immediately afterwards, two more

men came running up the avenue: one was the porter who had threatened

Leo with the same gun that he still carried in his hand, the other was

a tall fellow, dressed as a motor cyclist. They also vanished in the

direction of the house.

Without further delay, Leo hastened back along the same path by which

he had come, and in five seconds he came in sight of the terrace in

front of the Copper House. He saw the man with the case run up the

steps, hesitate for a moment, then dash into the house. The girl

followed on his heels, and the porter and the cyclist reached the

terrace to find it deserted. Then, as though by the touch of a magic

wand, some more men appeared from both sides of the house. These, with

the two men already mentioned, made a party of nine, of whom four

carried guns. They approached the house at the double. The cyclist

called out some order in a commanding voice, and began to mount the

terrace-steps. Leo reached the spot at the same moment, and exclaimed:

"What's wrong?"

The motor cyclist took no notice of him.

Again a shot rang out, this time inside the Copper House; most of the

men had passed out of earshot on the other side of the house, but the

cyclist, the porter, and one other unknown man, ran into the hall,

together with Leo.

The old lady advanced to meet them, with a revolver in her hand. She

looked firmly and menacingly at the intruder and said: "Rastakov, did I

invite you to come in?"

The cyclist halted.

"Who fired, Lona Ivanovna?" he demanded.

"I did."

"Where is he?"

"Whom do you mean?"

"Oh, you know perfectly well, that thief Bernard Jenin; what have you

done with him?"

Lona Ivanovna thrust the revolver into her workbag, looked resignedly

at the cyclist, and said: "You may look for him."

Leo, who understood nothing of this hurried interchange of questions,

looked on bewildered. Rastakov caught sight of the fugitive's case

lying open on the floor, caught it up, and flung it against the wall

with an oath, for it was empty.

"I will have him, dead or alive," he shouted, "and the damned document

too!"

He ran half-way up the stairs to the first floor, but turned round as

though he had remembered something.

"And what's more," he cried across the hall, "I know how pigheaded you

are, Lona Ivanovna! All right, if you would rather have the Chief to

deal with, just let me know! But beware of meddling with Tarraschin's

memorandum, for it means death!"

With that, he disappeared. Lona Ivanovna took Leo by the arm, and drew

him with unexpected force, though not unkindly, into the dining-room

after her.

"Isn't it a case for the police?" he began.

"Don't mix yourself up in this," she said kindly. "Sonia, they want

to search the house: you must see that Mr. Grath is spared hearing

anything more of Rastakov...."

Sonia came up to them; she was very pale, but quite composed; the

boyish look had vanished, and she answered quietly: "If Mr. Grath is

determined to stay, I am afraid he will be obliged to see a good deal

both of Rastakov and of Baron Fayerling."

The two women looked expectantly at him. They could hear the hasty

steps of the searchers echoing through the whole house.

"I should like to know who this Rastakov is, that he takes so much upon

himself in a house where my honored guests are staying," said Leo,

emphasizing the word 'guests'--"neither have I heard anything of Baron

Fayerling. But I shall be glad to make the acquaintance of anyone who

is good enough to honor the Copper House with his presence."

He was quite aware that his tone was not courteous, in spite of the

formality of his speech, but he was thoroughly roused. He could see

now, as though a curtain had been drawn back, that these people,

whose strange dark faces were stamped with furtive menace, were the

mysterious offspring of the lurid shadows of the World War.

He thought of the panic-stricken fugitive whom he had just seen flying

for his life; of the shot which had so recently rung through the house:

of Lona Ivanovna with the revolver in her hand. The frenzied search

was still progressing overhead; footsteps and voices echoed through

the passages. "Living or dead!" As Rastakov's words recurred to Leo's

mind, he was seized with the horrible conviction that murder had been

committed already: what ought he to do?

The two women were watching his face as though they longed to read his

thoughts.

"Your room is quite ready," said the elder one gravely.

Before Leo had decided what to answer, he found himself alone. He

began to pace up and down in great perturbation. He could see one of

the men, with his gun, outside on the terrace, silhouetted against the

rosy, sunset sky. For the last few minutes, such a silence had fallen,

that he could have fancied himself alone in the house. He listened

attentively, but could hear nothing. His thoughts circled irresolutely

over what had occurred, but he could find no explanation of it, and

began to feel more and more uneasy. An hour passed by, the shadows

lengthened and still no sound broke the stillness. Was no one coming

back?

At last he could bear the suspense no longer, and he went into the

hall. He could still see, through the glass doors, the armed sentry on

the terrace, but inside the house all was empty and silent. He went

from one room to another, and ran upstairs to the first floor, but not

a soul did he meet. The thought that the fugitive was perhaps lying

dead, huddled away in some dark corner, obsessed him like a nightmare,

and his limbs trembled as though with fever. Suddenly a sort of panic

came over him, he ran breathlessly up another flight of stairs, burst

open the door of his bedroom, and shut it after him with a bang that

resounded through the house. Leaning against the door, and alone in the

little room, where everything was just as it always had been since his

earliest childhood, and where he had dreamed so many boyish dreams, he

breathed again.

"Have I gone mad?" he asked himself. "What is going on here? The

Problem-hunter was right, the Copper House is full of mysteries!"

He looked round for some water, for his lips felt parched, but there

was none in the room. "Can they have killed him!" he thought. "And is

it possible that I have stood by, without moving a finger, and allowed

a man to be done to death!"

At last he heard a door creak outside, and he peeped out into the dusky

corridor. The door of the spare bedroom at the other end of the passage

was opening slowly, an inch at a time, and he could see first a feeble,

bony hand, and then a stooping figure outlined against the window

behind.

The figure moved uncertainly, groping with a stick along the edge of

the carpet, and walked with short, senile steps towards the stairs. Leo

watched him narrowly, trying to get a glimpse of his face; he thought

he could make out a short white beard and straggling white hair under a

velvet skull-cap, and the glimmer of a pair of blue spectacles. A blind

man! In an instant he realized that his wealthy tenant, Andrei Bernin,

was before him for the first time. The old man seemed to hesitate,

and called softly: "Sonia!" but receiving no answer, he finally went

towards the staircase, tapping with his stick at every step. Leo could

hear his quavering voice calling to Lona Ivanovna, the sound getting

fainter as it receded. There was something so eerie about those feeble

tones, uttered in the silent, lonely house at nightfall, that the young

man, with a shudder, shut himself into his room again. After a minute

he double-locked the door, and went over to the open window. The sky

had faded to sulphur-yellow in the west, and night was closing in,

cool and dim, over the countryside. A soft breeze was blowing in from

the sea. He heard the crunching of gravel under his window, and leaned

out. Two figures passed beneath, one of whom pointed upwards, and said

something in an imperious tone. Leo fancied he recognized Rastakov's

voice.

They knew, then, that he was in his bedroom, and they were keeping

an eye on him! The conviction awakened fresh misgivings. He sat down

on the bed, and buried his head in his hands. Was he afraid? Yes, he

had to confess that he _was_ afraid, because there was nobody within

reach in whom he could confide, or whom he could ask for advice.... The

Problem-hunter! He sprang to his feet.

Five minutes later, he had climbed down the thick clumsy copper

gutter-spout, with the same soundless agility, and the same intense

excitement as had characterized such escapades twenty years ago. He

expected to be halted by a challenge from the shadowy avenue, but

none came, and the owner of Copper House crept away like a Red Indian

through the trees into the wood. Three times he caught a glimpse of

the dark forms of the men whom Sonia Bernin called forest-guards,

but, lucky for once, he did not attract their notice. When he turned

round, he could see in the far distance, behind the top of the massive

pile of the Copper House, a flickering, bluish glimmer, which seemed

to come from the direction of the Bay. He did not venture to delay

that he might investigate the source of this unusual light.... When he

strung himself aboard the last train to Stockholm, which was already

moving out of Karkby, he was gasping for breath, and drenched with

perspiration.

The Copper House · 第 5 / 21 章