The Two Stand Face to Face

The room had been arranged with a view to the dancing, the large

oak table having been moved back till it stood as a breastwork to

the fireplace. At each end, behind, and in the chimney-corner were

grouped the guests, many of them being warm-faced and panting, among

whom Eustacia cursorily recognized some well-to-do persons from

beyond the heath. Thomasin, as she had expected, was not visible, and

Eustacia recollected that a light had shone from an upper window when

they were outside--the window, probably, of Thomasin's room. A nose,

chin, hands, knees, and toes projected from the seat within the

chimney opening, which members she found to unite in the person of

Grandfer Cantle, Mrs. Yeobright's occasional assistant in the garden,

and therefore one of the invited. The smoke went up from an Etna of

peat in front of him, played round the notches of the chimney-crook,

struck against the saltbox, and got lost among the flitches.

Another part of the room soon riveted her gaze. At the other side of

the chimney stood the settle, which is the necessary supplement to a

fire so open that nothing less than a strong breeze will carry up the

smoke. It is, to the hearths of old-fashioned cavernous fireplaces,

what the east belt of trees is to the exposed country estate, or the

north wall to the garden. Outside the settle candles gutter, locks

of hair wave, young women shiver, and old men sneeze. Inside is

Paradise. Not a symptom of a draught disturbs the air; the sitters'

backs are as warm as their faces, and songs and old tales are drawn

from the occupants by the comfortable heat, like fruit from melon

plants in a frame.

It was, however, not with those who sat in the settle that Eustacia

was concerned. A face showed itself with marked distinctness against

the dark-tanned wood of the upper part. The owner, who was leaning

against the settle's outer end, was Clement Yeobright, or Clym, as

he was called here; she knew it could be nobody else. The spectacle

constituted an area of two feet in Rembrandt's intensest manner. A

strange power in the lounger's appearance lay in the fact that, though

his whole figure was visible, the observer's eye was only aware of his

face.

To one of middle age the countenance was that of a young man, though a

youth might hardly have seen any necessity for the term of immaturity.

But it was really one of those faces which convey less the idea of so

many years as its age than of so much experience as its store. The

number of their years may have adequately summed up Jared, Mahalaleel,

and the rest of the antediluvians, but the age of a modern man is to

be measured by the intensity of his history.

The face was well shaped, even excellently. But the mind within was

beginning to use it as a mere waste tablet whereon to trace its

idiosyncrasies as they developed themselves. The beauty here visible

would in no long time be ruthlessly over-run by its parasite, thought,

which might just as well have fed upon a plainer exterior where there

was nothing it could harm. Had Heaven preserved Yeobright from a

wearing habit of meditation, people would have said, "A handsome man."

Had his brain unfolded under sharper contours they would have said, "A

thoughtful man." But an inner strenuousness was preying upon an outer

symmetry, and they rated his look as singular.

Hence people who began by beholding him ended by perusing him.

His countenance was overlaid with legible meanings. Without being

thought-worn he yet had certain marks derived from a perception of his

surroundings, such as are not unfrequently found on men at the end of

the four or five years of endeavour which follow the close of placid

pupilage. He already showed that thought is a disease of flesh, and

indirectly bore evidence that ideal physical beauty is incompatible

with emotional development and a full recognition of the coil of

things. Mental luminousness must be fed with the oil of life, even

though there is already a physical need for it; and the pitiful sight

of two demands on one supply was just showing itself here.

When standing before certain men the philosopher regrets that thinkers

are but perishable tissue, the artist that perishable tissue has to

think. Thus to deplore, each from his point of view, the mutually

destructive interdependence of spirit and flesh would have been

instinctive with these in critically observing Yeobright.

As for his look, it was a natural cheerfulness striving against

depression from without, and not quite succeeding. The look suggested

isolation, but it revealed something more. As is usual with bright

natures, the deity that lies ignominiously chained within an ephemeral

human carcase shone out of him like a ray.

The effect upon Eustacia was palpable. The extraordinary pitch of

excitement that she had reached beforehand would, indeed, have caused

her to be influenced by the most commonplace man. She was troubled at

Yeobright's presence.

The remainder of the play ended: the Saracen's head was cut off, and

Saint George stood as victor. Nobody commented, any more than they

would have commented on the fact of mushrooms coming in autumn or

snowdrops in spring. They took the piece as phlegmatically as did the

actors themselves. It was a phase of cheerfulness which was, as a

matter of course, to be passed through every Christmas; and there was

no more to be said.

They sang the plaintive chant which follows the play, during which all

the dead men rise to their feet in a silent and awful manner, like

the ghosts of Napoleon's soldiers in the Midnight Review. Afterwards

the door opened, and Fairway appeared on the threshold, accompanied

by Christian and another. They had been waiting outside for the

conclusion of the play, as the players had waited for the conclusion

of the dance.

"Come in, come in," said Mrs. Yeobright; and Clym went forward to

welcome them. "How is it you are so late? Grandfer Cantle has been

here ever so long, and we thought you'd have come with him, as you

live so near one another."

"Well, I should have come earlier," Mr. Fairway said, and paused to

look along the beam of the ceiling for a nail to hang his hat on; but,

finding his accustomed one to be occupied by the mistletoe, and all

the nails in the walls to be burdened with bunches of holly, he at

last relieved himself of the hat by ticklishly balancing it between

the candlebox and the head of the clock-case. "I should have come

earlier, ma'am," he resumed, with a more composed air, "but I know

what parties be, and how there's none too much room in folks' houses

at such times, so I thought I wouldn't come till you'd got settled a

bit."

"And I thought so too, Mrs. Yeobright," said Christian earnestly, "but

father there was so eager that he had no manners at all, and left home

almost afore 'twas dark. I told him 'twas barely decent in a' old man

to come so oversoon; but words be wind."

"Klk! I wasn't going to bide waiting about, till half the game was

over! I'm as light as a kite when anything's going on!" crowed

Grandfer Cantle from the chimney-seat.

Fairway had meanwhile concluded a critical gaze at Yeobright. "Now,

you may not believe it," he said to the rest of the room, "but I

should never have knowed this gentleman if I had met him anywhere off

his own he'th--he's altered so much."

"You too have altered, and for the better, I think Timothy," said

Yeobright, surveying the firm figure of Fairway.

"Master Yeobright, look me over too. I have altered for the better,

haven't I, hey?" said Grandfer Cantle, rising and placing himself

something above half a foot from Clym's eye, to induce the most

searching criticism.

"To be sure we will," said Fairway, taking the candle and moving it

over the surface of the Grandfer's countenance, the subject of his

scrutiny irradiating himself with light and pleasant smiles, and

giving himself jerks of juvenility.

"You haven't changed much," said Yeobright.

"If there's any difference, Grandfer is younger," appended Fairway

decisively.

"And yet not my own doing, and I feel no pride in it," said the

pleased ancient. "But I can't be cured of my vagaries; them I plead

guilty to. Yes, Master Cantle always was that, as we know. But I am

nothing by the side of you, Mister Clym."

"Nor any o' us," said Humphrey, in a low rich tone of admiration, not

intended to reach anybody's ears.

"Really, there would have been nobody here who could have stood as

decent second to him, or even third, if I hadn't been a soldier in the

Bang-up Locals (as we was called for our smartness)," said Grandfer

Cantle. "And even as 'tis we all look a little scammish beside him.

But in the year four 'twas said there wasn't a finer figure in

the whole South Wessex than I, as I looked when dashing past the

shop-winders with the rest of our company on the day we ran out o'

Budmouth because it was thoughted that Boney had landed round the

point. There was I, straight as a young poplar, wi' my firelock, and

my bag-net, and my spatter-dashes, and my stock sawing my jaws off,

and my accoutrements sheening like the seven stars! Yes, neighbours,

I was a pretty sight in my soldiering days. You ought to have seen me

in four!"

"'Tis his mother's side where Master Clym's figure comes from, bless

ye," said Timothy. "I know'd her brothers well. Longer coffins were

never made in the whole country of South Wessex, and 'tis said that

poor George's knees were crumpled up a little e'en as 'twas."

"Coffins, where?" inquired Christian, drawing nearer. "Have the ghost

of one appeared to anybody, Master Fairway?"

"No, no. Don't let your mind so mislead your ears, Christian; and be

a man," said Timothy reproachfully.

"I will." said Christian. "But now I think o't my shadder last night

seemed just the shape of a coffin. What is it a sign of when your

shade's like a coffin, neighbours? It can't be nothing to be afeared

of, I suppose?"

"Afeared, no!" said the Grandfer. "Faith, I was never afeard of

nothing except Boney, or I shouldn't ha' been the soldier I was. Yes,

'tis a thousand pities you didn't see me in four!"

By this time the mummers were preparing to leave; but Mrs. Yeobright

stopped them by asking them to sit down and have a little supper. To

this invitation Father Christmas, in the name of them all, readily

agreed.

Eustacia was happy in the opportunity of staying a little longer.

The cold and frosty night without was doubly frigid to her. But the

lingering was not without its difficulties. Mrs. Yeobright, for want

of room in the larger apartment, placed a bench for the mummers

half-way through the pantry door, which opened from the sitting-room.

Here they seated themselves in a row, the door being left open: thus

they were still virtually in the same apartment. Mrs. Yeobright

now murmured a few words to her son, who crossed the room to the

pantry-door, striking his head against the mistletoe as he passed, and

brought the mummers beef and bread, cake pastry, mead, and elder-wine,

the waiting being done by him and his mother, that the little

maid-servant might sit as guest. The mummers doffed their helmets,

and began to eat and drink.

"But you will surely have some?" said Clym to the Turkish Knight,

as he stood before that warrior, tray in hand. She had refused, and

still sat covered, only the sparkle of her eyes being visible between

the ribbons which covered her face.

"None, thank you," replied Eustacia.

"He's quite a youngster," said the Saracen apologetically, "and you

must excuse him. He's not one of the old set, but have jined us

because t'other couldn't come."

"But he will take something?" persisted Yeobright. "Try a glass of

mead or elder-wine."

"Yes, you had better try that," said the Saracen. "It will keep the

cold out going home-along."

Though Eustacia could not eat without uncovering her face she

could drink easily enough beneath her disguise. The elder-wine was

accordingly accepted, and the glass vanished inside the ribbons.

At moments during this performance Eustacia was half in doubt about

the security of her position; yet it had a fearful joy. A series of

attentions paid to her, and yet not to her but to some imaginary

person, by the first man she had ever been inclined to adore,

complicated her emotions indescribably. She had loved him partly

because he was exceptional in this scene, partly because she had

determined to love him, chiefly because she was in desperate need of

loving somebody after wearying of Wildeve. Believing that she must

love him in spite of herself, she had been influenced after the

fashion of the second Lord Lyttleton and other persons, who have

dreamed that they were to die on a certain day, and by stress of a

morbid imagination have actually brought about that event. Once let

a maiden admit the possibility of her being stricken with love for

some one at a certain hour and place, and the thing is as good as

done.

Did anything at this moment suggest to Yeobright the sex of the

creature whom that fantastic guise inclosed, how extended was her

scope both in feeling and in making others feel, and how far her

compass transcended that of her companions in the band? When the

disguised Queen of Love appeared before Aeneas a preternatural

perfume accompanied her presence and betrayed her quality. If such a

mysterious emanation ever was projected by the emotions of an earthly

woman upon their object, it must have signified Eustacia's presence to

Yeobright now. He looked at her wistfully, then seemed to fall into

a reverie, as if he were forgetting what he observed. The momentary

situation ended, he passed on, and Eustacia sipped her wine without

knowing what she drank. The man for whom she had predetermined to

nourish a passion went into the small room, and across it to the

further extremity.

The mummers, as has been stated, were seated on a bench, one end of

which extended into the small apartment, or pantry, for want of space

in the outer room. Eustacia, partly from shyness, had chosen the

midmost seat, which thus commanded a view of the interior of the

pantry as well as the room containing the guests. When Clym passed

down the pantry her eyes followed him in the gloom which prevailed

there. At the remote end was a door which, just as he was about to

open it for himself, was opened by somebody within; and light streamed

forth.

The person was Thomasin, with a candle, looking anxious, pale, and

interesting. Yeobright appeared glad to see her, and pressed her

hand. "That's right, Tamsie," he said heartily, as though recalled

to himself by the sight of her, "you have decided to come down. I am

glad of it."

"Hush--no, no," she said quickly. "I only came to speak to you."

"But why not join us?"

"I cannot. At least I would rather not. I am not well enough, and we

shall have plenty of time together now you are going to be home a good

long holiday."

"It isn't nearly so pleasant without you. Are you really ill?"

"Just a little, my old cousin--here," she said, playfully sweeping her

hand across her heart.

"Ah, mother should have asked somebody else to be present tonight,

perhaps?"

"O no, indeed. I merely stepped down, Clym, to ask you--" Here he

followed her through the doorway into the private room beyond, and,

the door closing, Eustacia and the mummer who sat next to her, the

only other witness of the performance, saw and heard no more.

The heat flew to Eustacia's head and cheeks. She instantly guessed

that Clym, having been home only these two or three days, had not as

yet been made acquainted with Thomasin's painful situation with regard

to Wildeve; and seeing her living there just as she had been living

before he left home, he naturally suspected nothing. Eustacia felt

a wild jealousy of Thomasin on the instant. Though Thomasin might

possibly have tender sentiments towards another man as yet, how long

could they be expected to last when she was shut up here with this

interesting and travelled cousin of hers? There was no knowing what

affection might not soon break out between the two, so constantly

in each other's society, and not a distracting object near. Clym's

boyish love for her might have languished, but it might easily be

revived again.

Eustacia was nettled by her own contrivances. What a sheer waste of

herself to be dressed thus while another was shining to advantage! Had

she known the full effect of the encounter she would have moved heaven

and earth to get here in a natural manner. The power of her face all

lost, the charm of her emotions all disguised, the fascinations of her

coquetry denied existence, nothing but a voice left to her; she had a

sense of the doom of Echo. "Nobody here respects me," she said. She

had overlooked the fact that, in coming as a boy among other boys, she

would be treated as a boy. The slight, though of her own causing, and

self-explanatory, she was unable to dismiss as unwittingly shown, so

sensitive had the situation made her.

Women have done much for themselves in histrionic dress. To look far

below those who, like a certain fair personator of Polly Peachum early

in the last century, and another of Lydia Languish early in this, have

won not only love but ducal coronets into the bargain, whole shoals of

them have reached to the initial satisfaction of getting love almost

whence they would. But the Turkish Knight was denied even the chance

of achieving this by the fluttering ribbons which she dared not brush

aside.

Yeobright returned to the room without his cousin. When within two or

three feet of Eustacia he stopped, as if again arrested by a thought.

He was gazing at her. She looked another way, disconcerted, and

wondered how long this purgatory was to last. After lingering a few

seconds he passed on again.

To court their own discomfiture by love is a common instinct with

certain perfervid women. Conflicting sensations of love, fear, and

shame reduced Eustacia to a state of the utmost uneasiness. To escape

was her great and immediate desire. The other mummers appeared to be

in no hurry to leave; and murmuring to the lad who sat next to her

that she preferred waiting for them outside the house, she moved to

the door as imperceptibly as possible, opened it, and slipped out.

The calm, lone scene reassured her. She went forward to the palings

and leant over them, looking at the moon. She had stood thus but a

little time when the door again opened. Expecting to see the remainder

of the band Eustacia turned; but no--Clym Yeobright came out as softly

as she had done, and closed the door behind him.

He advanced and stood beside her. "I have an odd opinion," he said,

"and should like to ask you a question. Are you a woman--or am I

wrong?"

"I am a woman."

His eyes lingered on her with great interest. "Do girls often play as

mummers now? They never used to."

"They don't now."

"Why did you?"

"To get excitement and shake off depression," she said in low tones.

"What depressed you?"

"Life."

"That's a cause of depression a good many have to put up with."

"Yes."

A long silence. "And do you find excitement?" asked Clym at last.

"At this moment, perhaps."

"Then you are vexed at being discovered?"

"Yes; though I thought I might be."

"I would gladly have asked you to our party had I known you wished to

come. Have I ever been acquainted with you in my youth?"

"Never."

"Won't you come in again, and stay as long as you like?"

"No. I wish not to be further recognized."

"Well, you are safe with me." After remaining in thought a minute he

added gently, "I will not intrude upon you longer. It is a strange

way of meeting, and I will not ask why I find a cultivated woman

playing such a part as this."

She did not volunteer the reason which he seemed to hope for, and

he wished her good night, going thence round to the back of the

house, where he walked up and down by himself for some time before

re-entering.

Eustacia, warmed with an inner fire, could not wait for her companions

after this. She flung back the ribbons from her face, opened the

gate, and at once struck into the heath. She did not hasten along.

Her grandfather was in bed at this hour, for she so frequently walked

upon the hills on moonlight nights that he took no notice of her

comings and goings, and, enjoying himself in his own way, left her to

do likewise. A more important subject than that of getting indoors

now engrossed her. Yeobright, if he had the least curiosity, would

infallibly discover her name. What then? She first felt a sort of

exultation at the way in which the adventure had terminated, even

though at moments between her exultations she was abashed and

blushful. Then this consideration recurred to chill her: What was

the use of her exploit? She was at present a total stranger to the

Yeobright family. The unreasonable nimbus of romance with which she

had encircled that man might be her misery. How could she allow

herself to become so infatuated with a stranger? And to fill the

cup of her sorrow there would be Thomasin, living day after day in

inflammable proximity to him; for she had just learnt that, contrary

to her first belief, he was going to stay at home some considerable

time.

She reached the wicket at Mistover Knap, but before opening it she

turned and faced the heath once more. The form of Rainbarrow stood

above the hills, and the moon stood above Rainbarrow. The air was

charged with silence and frost. The scene reminded Eustacia of a

circumstance which till that moment she had totally forgotten. She

had promised to meet Wildeve by the Barrow this very night at eight,

to give a final answer to his pleading for an elopement.

She herself had fixed the evening and the hour. He had probably come

to the spot, waited there in the cold, and been greatly disappointed.

"Well, so much the better: it did not hurt him," she said serenely.

Wildeve had at present the rayless outline of the sun through smoked

glass, and she could say such things as that with the greatest

facility.

She remained deeply pondering; and Thomasin's winning manner towards

her cousin arose again upon Eustacia's mind.

"O that she had been married to Damon before this!" she said. "And

she would if it hadn't been for me! If I had only known--if I had only

known!"

Eustacia once more lifted her deep stormy eyes to the moonlight, and,

sighing that tragic sigh of hers which was so much like a shudder,

entered the shadow of the roof. She threw off her trappings in the

out-house, rolled them up, and went indoors to her chamber.

The Return of the Native(#17500) · 第 51 / 107 题