CHAPTER XVIII.

_Bonaparte's Talents in Finance.--Garrick and the Madman.--Palace

of the Conservative Senate.--Process of transferring Oil Paintings

from Wood to Canvas.--The Dinner Knife.--Commodities.--Hall of the

National Convention.--The Minister Talleyrand's Levee._

The first consul is said to add to his other extraordinary powers, an

acute and comprehensive knowledge of finance. Monsieur S---- informed

me, that whenever he waited upon him in his official capacity, with the

national accounts, he displayed an acquaintance with the most

complicated statements, which seemed intuitive.

He exhibits the same talents in philosophy, and in matters which are

foreign to those vast objects of public employ, which have raised him to

his present height of glory, and which in general preclude the

subordinate enjoyment of elegant study.

Those acquirements, which providence in its wisdom has thinly scattered

amongst mankind, and which seldom ripen to full maturity, although

cherished by the most propitious advantages, and by the unreposing

labours of a long, and blissful existence, spread their rich abundance,

in the May morning of life, before this extraordinary being, who in the

commencement of that very revolution, upon the ruins of which he has

stepped to supreme authority, was a beardless stripling.

From the great performers upon the public stage of life, our

conversation, one evening, at Madame S----'s, by a natural transition,

embraced a review of the wonderful talents, which have at various times

adorned the lesser drama of the theatre. Madame S---- made some

judicious remarks upon the french players of distinction, to all of whom

she imputed a manner, and enunciation which have been imbibed in a

school, in which nature has not been permitted to preside. Their

tragedy, she said, was inflated with too much pomp, and their elegant

comedy suffered by too volatile an airiness. She bestowed upon our

immortal Garrick, the most decided preference, and superiority to any

actor whom she had ever seen. The opportunity which she had of judging

of his powers, was short, and singular, but fully enabled her to form a

decisive opinion. When Garrick visited Paris for the last time, she was

just married. This celebrated actor had letters of introduction to

Monsieur S----. At a large party, which Monsieur S---- formed for the

purpose of doing honour to his distinguished visitor, he exhibited

several specimens of his unrivalled talents. Amongst others, he

represented in dumb show, by the wonderful powers of his expressive

countenance, the feelings of a father, who in looking over a lofty

balcony with his only child in his arms, by accident dropped it. The

disaster drove the unhappy parent mad. Garrick had visited him in his

cell; where the miserable maniac was accustomed, several times in the

course of the day, to exhibit all those looks and attitudes which he

had displayed at the balcony[9]. On a sudden he would bend himself

forward, as if looking from a window into the street, with his arms

folded as if they embraced a child, then he would start back, and appear

as if he had lost something, search the room round and round, run again

forward, as to the railing of a window, look down, and beat his

forehead, as if he had beheld his infant bleeding, and breathless upon

the pavement. Garrick's imitation was exquisite. The feelings of his

beholders were wrought up to horror. The tears, and consternation of a

gay fashionable french party, were applauses more flattering to the

british Roscius, than the thunder of that acclamation, which, in the

crowded theatre, followed the flash of his fiery eye, or the close of

his appalling speech.

[9] The cause which induced Garrick to visit this unhappy person was, it

is said, to render the representation of his King Lear more perfect.

The english drama, however, has not escaped the animadversions of a

french critic, whose taste and liberality are not very congenial with

those of my charming, and generous friend. "Their tragedies," he says,

(speaking of the english) "it is true, though interesting, and replete

with beauties, are nevertheless dramatic monsters, half _butchery_, and

half _farce_. Grotesque characters, and extravagant pleasantry

constitute the chief part of their comedies. In one of them, (not named)

the devil enters sneezing, and somebody says to the devil, _God bless

you_. They are not, however, all of this stamp. They have _even some_ in

very good taste."

Yes, Monsieur Dourx, I agree with you, I think we have _some_ in very

good taste. I know not in what dramatic work the facetious frenchman has

discovered the introduction of his satanic majesty under the influence

of a cold, and receiving, as he enters, the usual deprecation on such

occasions. I rather suspect that the adventures of Punch, and his fickle

lady, who are always attended by a dancing demon, have afforded the

materials for this sapient observation.

In the course of one of my morning rambles in Paris, I visited the ruins

of the celebrated Bastille, of which prison, only the arsenal, some

fragments of its massy walls, and two or three dungeons remain. The

volcanic vengeance of the people, has swept away this mighty fabric,

which the revolting mind of republican liberty denounced as the

frightful den of despotism, upon the approach to which no marks of

returning footsteps were imprinted, whilst, in her mad career, she

converted every private dwelling in the metropolis into a revolutionary

prison: So much for popular consistency!

In the mutations of time, to what different purposes are the same places

applied! Where the consuming martyr expired[10], the unwieldy prize hog

is exposed to sale; and the modern parisian derives the sources of

warmth and comfort, from a place, the very name of which, once _chilled_

the circulation of his blood. The site of the Bastille is now a magazine

of wood, which supplies the city with fuel.

[10] Smithfield.

Every lover of pure liberty must leap with delight upon the

disincumbered earth, where once stood that gloomy abode of "broken

hearts," and reflect upon the sufferings of the wretched Latude, and the

various victims of capricious pique, or prostitute resentment. It was

here that, in the beautiful lines of Cowper, the hopeless prisoner was

doomed

"To fly for refuge from distracting thought

To such amusements as ingenious woe

Contrives, hard shifting, and without her tools--

To read, engraven on the mouldy walls,

In stagg'ring types, his predecessor's tale,

A sad memorial, and subjoin his own--

To turn purveyor to an overgorg'd

And bloated spider, till the pamper'd pest

Is made familiar, watches his approach,

Comes at his call, and serves him for a friend--"

The cells of the Bastille were constantly filled, during the syren reign

of la Pompadour over the gloomy affections of Lewis the XVth.

The overthrow of this dungeon has not rendered state prisons out of

fashion in the republic, although it has mitigated the severity of their

internal government. The towers of the Temple, look down upon the

prostrate ruins of the Bastille.

From this memorable spot of ground, I went to the Observatory. In the

rooms, which open upon an artificial terrace, were some prodigious

astronomical apparatus. A very ingenious frame was then constructing,

for elevating, or depressing the astronomer, and the telescope at the

same time, by an easy, and simple process of machinery. The Observatory

is a noble building, and contains libraries, students rooms, and

apartments for the various artificers, and machinists who are occupied

in fabricating the apparatus, and instruments necessary to the science

of astronomy. From the exterior of the dome, there is a fine view of the

city, suburbs, and country.

From the Observatory, I visited the Conservative Senate, formerly the

Palace of the Luxembourg. The back of this beautiful building is in the

Rue de Vaugirand, in the Fauxbourg of St. Germains. The gardens of this

noble pile, are receiving great improvement, and alteration, from

designs which have been approved of by the first consul, who in his wise

policy, intends that they shall, in time, rival those of the

Thuilleries, for the purpose of affording an elegant, and fashionable

promenade to the people who reside in this part of the capital, who are

considerably removed from the beautiful walks which adorn the consular

palace. Here I saw the Hall of Deliberation, in which the Conservative

Senate assembles. It is nothing more than a large, handsome

drawing-room, in which are placed, upon rising platforms, sixty armed

chairs, for so many members, the chair of the president, and the

tribune. This magnificent palace is repairing, and fitting up for the

residence, and accommodation of its members. I was introduced to the

artist who has the care of the gallery here, and who, with his

assistants, was very busily occupied in a process for removing the oil

colours of a painting from wood, and transferring them to canvas. He

received me with great politeness, and explained to me the mode of doing

it, in which there appeared to be more toil, nicety, and steadiness

required, than ingenuity.

The painting is laid upon a cloth stretched upon a marble slab, and the

wood behind is shaved off until nothing but the picture, like a flat

cake, or rather a sheet of goldbeater's skin, remains, a piece of canvas

coated with a cement is then placed upon it, to which it adheres, and

presents all the appearance of having been originally painted upon it.

The pictures from the subject of St. Bruno, were then undergoing this

operation.

The apartments in which these people were at work, presented very

convincing indications of the mutability of human ambition.

This palace was allotted to the celebrated Council of Five Hundred.

During their ephemeral reign, these very rooms were designed for their

halls of audience, and levees, the rich mouldings, and cornices of which

were half gilt, and covered with silver paper to preserve them: the poor

council were never indulged in a house warming.

The pictures, which were collected by Henry IV, and deposited in the

gallery there, which bears his name, are said to be valuable. I did not

see them, on account of their having been removed into store rooms

during the repairs of the palace.

It was late when I left the Luxembourg, and somewhat exhausted for want

of refreshment, I determined upon dining at the first restaurateur's

which I could meet with, instead of going to the Gardens of the

Thuilleries. To find such an accommodation in Paris, is no difficult

thing. A stranger would naturally suppose, from the frequency with which

the words caffé, limonade, and restaurateur present themselves to the

eye, that three parts of the inhabitants had turned their talents to the

valuable study of relieving the cravings of an empty stomach.

I had not moved three yards down the Rue de Tournon, before, on my left,

I saw the welcome board which, in large golden characters, announced the

very best entertainment within. At this moment, the celebrated picture

of the banquet in the Louvre, could scarcely have afforded me more

delight. I had an excellent dinner, wine, and fruit for four livres. In

the course of my repast, I begged that a knife, might be permitted to

aid the services of a three pronged silver fork, which graced my plate

on the left. After rather a laborious search, my wishes were gratified

by an instrument, which certainly was entitled to the name of one, but

was assuredly not the handsomest of its species. Whether there had been

any dispute between the handle, and the blade, I know not, but there

were very evident appearances of an approaching separation. Not wishing

to augment the rupture, between two personages so necessary to each

others service, and to those who were to be benefitted by it, I begged

of my fair hostess, who, with two pretty girls (her daughters), were

picking the stalks from some strawberries, which were intended for my

desert, at the other end of the room, that she would favour me with

another knife. The maitresse d'hôtel, who had a pair of fine dark

expressive eyes, very archly said, "Why would you wish to change it,

Sir? it is an english one." It certainly looked like one; no compliment

could be neater. Whether I gave it too great a latitude of

interpretation, I will not pretend to say, but it led me into such a

train of happy _comparative thinking_, that I ate my dinner with it very

comfortably, without saying another word. I have since thought, that the

maitresse d'hôtel had not another knife in her house, but what was in

use.

In France, I have before had occasion to remark, that fanciful notions

of excessive delicacy, are not permitted to interfere with comfort, and

convenience. Amongst these people, every thing turns upon the principle

of accommodation. To this motive I attribute the frequent exhibition,

over the doors of respectable looking houses, in the fashionable walks,

and in different parts of Paris, of the following characters,

"Commodités pour Hommes, et Femmes." An english prude would start to

read these words. I mention this circumstance, for the purpose of

communicating some idea of the people, convinced, as I well am, that it

is only by detail, that we can become acquainted with the peculiar

characteristics of any community.

I very often passed by the ci-devant Hall of the National Convention; in

which the hapless king and queen were doomed to the scaffold, where

murder was legitimated, religion denounced, and the grave declared to be

the bed of _eternal repose_.

In vindication of the ways of eternal justice, even upon earth, this

polluted pile is participating the fate of its devoted members.

Those walls which once resounded with the florid, heightened declamation

of republican visionaries, the most worthless, imposing, and desperate

of mankind, are prevented, for a short time, by a few crazy props, from

covering the earth below with their dust and ruins. The famed temple of

the Goddess of Liberty, is not tenantable enough to cover the Babel

Deity from the peltings of the midnight storm.

Where is now the enthusiastic Gironde, where the volcanic mountain, the

fiery, and eloquent Mirabeau, the wily Brissot, the atheistic Lequinios,

the remorseless Marat, the bloody St. Just, and the chief of the

deplumed and fallen legions of equality? All is desolate and silent. The

gaping planks of the guillotine are imbued with their last traces. The

haunt of the banditti is uncovered. The revolution has preyed upon her

own children, and metaphysical murderers have perished by the daggers of

speculative republicans.

About two years since this place was converted into a ménagerie. The

cave, and the wilderness, the desert, and the jungle, presented to the

eye of the beholder, representative successors of those savages who,

with more powers and more ferocity, were once enclosed within the same

den. From the remembrance of such miscreants, I turn, with increased

satisfaction, to the traces of approaching civilization, which mark the

career of the present government, in which the want of suitable

splendour no longer repels the approach and friendship of those nations

which once shuddered at the idea of coming into contact with the

infected rags of visionary fraternity. Some indications of this change I

saw pourtrayed at the levee of Monsieur Talleyrand, the minister of

foreign relations, when I had the honour of being presented to that able

and celebrated politician by Mr. B. The hotel of Talleyrand is very

superb. We entered the court yard through two lines of about twenty

carriages in waiting. Under the portico, were several turks seated, who

formed a part of the suite of the turkish embassador, who had just

arrived, and was then closetted with Monsieur T----.

We passed through several noble apartments, preceded by servants, to a

magnificent levee room, in which we met most of the foreign embassadors

who were then at the consular court.

After waiting some time, the folding doors of the cabinet opened, the

turkish embassy came out, making their grand salams, followed by

Talleyrand, in his rich costume of embroidered scarlet, his hair full

dressed, and a shining sabre by his side.

In his person, he is small and thin, his face is "pale and penetrating."

He always looks obliquely, his small quick eyes and features, very

legibly express mildness, wit, and subtilty. His right leg appears

contracted. His address is insinuating. As the spirit of aggrandizement,

which is said to have actuated the public and private conduct of

Monsieur T----has been so much talked of, it may, perhaps, excite some

surprise, when it is mentioned that several persons who know him well,

some of whom esteem him, and with some of whom he is not a favourite,

declare, notwithstanding the anecdotes related of X Y, and Monsieur

Beaucoup d'Argent, in the american prints, that they consider him to be

a man, whose mind is raised above the influence of corruption. Monsieur

T----may be classed amongst the rarest curiosities in the revolutionary

cabinet. Allied by an illustrious ancestry to the Bourbons, and a

royalist from his birth, he was, with unusual celerity, invested with

the episcopal robe and crosier[11]. During the temporary triumph of the

abstract rights of man, over the practicable rights of reason, he moved

with the boisterous cavalcade, with more caution than enthusiasm. Upon

the celebrated national recognition of the sovereignty of man's _will_,

in the Champs de Mars, the politic minister, adorned in snowy robes, and

tricolor ribands, presided at the altar of the republic as its high

priest, and bestowed his patriarchal benedictions upon the standard of

France, and the banners of her departments.

[11] Monsieur Talleyrand is ex-bishop of Autun.

Some time afterwards, in the shape of a secret unaccredited negotiator,

he was discovered in the metropolis of England, and immediately

transferred, upon the spread wings of the alien bill, to his own shores.

Since that period, after having dissociated and neutralized the most

formidable foes of his country, by the subtle stratagems of his

consummate diplomacy, we beheld him as the successor of la Croix, armed

with the powers, and clothed in the gaudy costume of the minister of

foreign relations. In the _polished Babel_ of the antichamber of this

extraordinary man, I have beheld the starred and glittering

representatives of the most distinguished princes of the earth waiting

for hours, with exemplary resignation, contemplating themselves, in all

their positions, in his reduplicating mirrors, or examining the

splendour and exquisite ingenuity of his time pieces, until the silver

sound of his little bell announced, that the invoked and lagging moment

of ministerial leisure was arrived.

It is certain that few people possess the valuable qualities of

imperturbable calmness and self possession, more than Monsieur T----.

Balanced by these amiable and valuable qualities, he has been enabled to

ride the political whirlwind, and in the diplomatic cabinet, to collect

some advantage from the prejudices or passions of all who approached

him. The caution and cunning of T---- have succeeded, where the sword

and impetuous spirit of Bonaparte would have been unavailing. The

splendour of his apartments, and of many of the personages present,

displayed a very courtlike appearance, and inclined a stranger, like

myself, to think, that nothing of the old government was missing, but

the expatriated family of France.

The stranger in France · 第 18 / 21 章