BY WAY OF INTRODUCTION

What else is talent but a name for experience, practice,

appropriation, incorporation, from the times of our forefathers?

--FRIEDRICH NIETZSCHE.

A century is a mere clock-tick in eternity, but measured by human

events it is a hundred long years. Napoleon Bonaparte, born in 1768,

became an officer of artillery and gravedigger for an epoch. Born in

1868, he might have become a journeyman genius of the boulevards, a

Franco-Yankee trust magnate, or the democratic boss of Kansas City. And

so, contrariwise, George Bernard Shaw, born in 1756 instead of 1856,

might have become a gold-stick-in-waiting at the Court of St. James or

Archbishop of Canterbury. The accident that made him what he is was one

of time. He saw the light after, instead of before Charles Darwin.

Darwin is dead now, and the public that reads the newspapers remembers

him only as the person who first publicly noted the fact that men

look a great deal like monkeys. But his soul goes marching on. Thomas

Huxley and Herbert Spencer, like a new Ham and a new Shem, spent their

lives seeing to that. From him, through Huxley, we have appendicitis,

the seedless orange, and our affable indifference to hell. Through

Spencer, in like manner, we have Nietzsche, Sudermann, Hauptmann,

Ibsen, our annual carnivals of catechetical revision, the stampede for

church union, and the aforesaid George Bernard Shaw. Each and all of

these men and things, it is true, might have appeared if Darwin were

yet unborn. Ibsen might have written “A Doll’s House,” and a rash synod

or two might have turned impertinent search-lights upon the doctrine

of infant damnation. It is possible, certainly, but it is supremely,

colossally, and overwhelmingly improbable.

Why? Simply because before Darwin gave the world “The Origin

of Species” the fight against orthodoxy, custom, and authority

was perennially and necessarily a losing one. On the side of

the defense were ignorance, antiquity, piety, organization, and

respectability--twelve-inch, wire-wound, rapid-fire guns, all of them.

In the hands of the scattered, half-hearted, unorganized attacking

parties there were but two weapons--the blowpipe of impious doubt and

the bludgeon of sacrilege. Neither, unsupported, was very effective.

Voltaire, who tried both, scared the defenders a bit and for a while

there was a great pother and scurrying about, but when the smoke

cleared away the walls were just as strong as before and the drawbridge

was still up. One had to believe or be damned. There was no compromise

and no middle ground.

And so, when Darwin bobbed up, armed with a new-fangled dynamite gun

that hurled shells charged with a new shrapnel--facts--the defenders

laughed at the novel weapon and looked forward to slaying its bearer.

Spencer, because he ventured to question Genesis, lost his best friend.

Huxley, for an incautious utterance, was barred from the University

of Oxford. And then of a sudden, there was a deafening roar and a

blinding flash--and down went the walls. Ramparts of authority that

had resisted doubts fell like hedge-rows before facts, and there began

an intellectual reign of terror that swept like a whirlwind through

Europe, America, Asia, Africa, and Oceania. For six thousand years it

had been necessary, in defending a doctrine, to show only that it was

respectable or sacred. Since 1859, it has been needful to prove its

truth.

It will take the perspective of centuries to reveal to us the exact

metes and bounds of Darwin’s influence. He himself probably gave little

thought to it. His own business in life was the investigation of

biological phenomena and he was too busy at that to take an interest in

politics or ethics. But his new method of assailing tradition appealed

to men laboring in far distant vineyards, and soon there was in

progress a grand assault-at-arms that left orthodoxy and custom dying

on the field. Huxley led the physicians and Spencer the metaphysicians.

Every time the former overturned an old theory of matter, the latter

pricked an old maxim of ethics. And so the search for the ultimate

verities, which had been a pariah hiding in cellars, like anarchism or

polygamy, became the spirit of the times. Whenever custom or tradition

reared one of its hydra-heads, there was a champion ready to strike it

down.

The practical result of this was that seekers after the truth, growing

bold with success, began attacking virtues as well as vices. And herein

you will find the fundamental difference between the philosophers

before Darwin and those after him. The _Spectator_, in the ’teens

of the eighteenth century, inveighed against marital infidelity--an

amusement counted among the scarlet sins since the days of Moses.

Ibsen, a century and a half later, asked if there might not be evil,

too, in unreasoning fidelity. If you pursue this little inquiry to its

close, you will observe that George Bernard Shaw, in nearly all of

his plays and novels, follows Ibsen rather than Addison. Sometimes he

lends his ear to one of the two classes of pioneers he mentions in “The

Quintessence of Ibsen,” and sometimes to the other, but it is always to

the pioneers. Either he is exhibiting a virtue as a vice in disguise,

or exhibiting a vice as a virtue in vice’s clothing. In this fact lies

the excuse for considering him a world-figure. He stands in a sense

as an embodiment of the _welt-geist_, which is a word invented by the

Germans to designate world-spirit or tendency of the times.

George Bernard Shaw: His Plays · 第 9 / 23 题