Curled maple--how grained 100
Davis rubber rollers used in graining 32
Description of material used in graining 23
Dove marble--how imitated 147
Egyptian green marble--how done 149
Fan overgrainers--their uses 28
Flakes--how wiped in quartered oak graining 85
Florence marble--how imitated 148
General remarks on Ash graining 92
General remarks on Bird's-eye maple graining 100
General remarks on Chestnut graining 97
General remarks on Cherry graining 109
General remarks on Burled Walnut graining 122
General remarks on graining operations 38
General remarks on preparing grounds 41
General remarks on preparing megilps 43
General remarks on preparing graining grounds 41
General remarks on preparing graining colors 43
General remarks on Mahogany imitation 112
General remarks on Maple (plain) imitation 98
General remarks on marbles, imitation 130
General remarks on Oak graining 79
General remarks on Quartered Oak graining 84
General remarks on Rosewood graining 133
General remarks on Satinwood graining 110
General remarks on Sycamore graining 104
General remarks on making tints 42
General remarks on tools used in graining 31
Glycerine--to retard drying of distemper colors 48
Graining colors for oak 80
Granites--how imitated 160
How to do the combing in distemper 58
How to do the combing in oil 58
How to blend distemper work 62
How to do the wiping with rags 57
How to grain Ash 93
How to grain Ash (Hungarian) 95
How to grain Bird's-eye Maple 99
How to grain Curled Maple 99
How to grain Cherry 100
How to grain Chestnut 97
How to grain Mahogany 112
How to grain Maple (plain) 96
How to grain Rosewood 127
How to grain Walnut 116
How to grain Walnut (curled) 118
How to grain Satinwood 113
How to grain Sycamore 108
How to marble Egyptian green marble 148
How to marble Florentine marble 152
How to marble Italian pink marble 150
How to marble Italian scarlet marble 150
How to marble Sienna marble 150
How to marble Serpentine marble 145
How to marble Tennessee marble 153
How to marble Verd antique marble 156
How to marble white veined and black veined marbles 157
How to imitate Onyxes 158
How to imitate Granites 160
How to imitate Jaspers 160
How to imitate Porphyries 160
How to use the Davis graining rollers 65
How to use the Ridgely graining tools 65
How to use the colored crayons 72
How to use the wax in finishing 80
Italian pink marble--how imitated 148
Italian scarlet marble--how imitated 148
Jasper--how imitated 160
Mahogany--how to prepare ground for 109
Mahogany--how to grain 112
Mahogany--how to make the featherings 115
Maple, plain--how to prepare the ground 99
Maple, plain--how to grain 99
Maple, bird's-eye--how to grain 101
Maple, bird's-eye--how to put in the eyes 104
Marbling--general remarks on 130
Marbling--imitation of agate 145
Marbling--imitation of black and gold marble 146
Marbling--imitation of Brocatello marble 147
Marbling--imitation of Dove marble 148
Marbling--imitation of Egyptian green marble 148
Marbling--imitation of Florence marble 152
Marbling--imitation of Italian pink marble 150
Marbling--imitation of Italian scarlet marble 150
Marbling--imitation of Serpentine marble 152
Marbling--imitation of Tennessee marble 153
Marbling--imitation of Verd antique marble 156
Marbling--imitation of white and black veined marble 157
Marbling--imitation of Onyxes 158
Marbling--imitation of Granites 160
Marbling--imitation of Porphyries 160
Marbling--imitation of Jaspers 160
Material used in graining 21
Mottlers--their uses 29
Mottling--how done in distemper 73
Oak graining--general remarks on 79
Oak graining--how to grain 84
Oak graining--how overgrained 86
Onyxes--how to imitate 160
Old varnished work--how to treat it for graining 41
Old woodwork--how to treat for graining 40
Overgraining--the use made of it 62
Overgraining--how to use the four overgrainers 63
Pencilling the veining in distemper 61
Pencilling the veining--how done 61
Porphyries--how imitated 160
Practice boards--to study graining upon 77
Quarter-sawed Oak--general remarks on 84
Quarter-sawed Oak--grained in distemper 88
Quarter-sawed Oak--how the dark flakes are put on 96
Quarter-sawed Oak--how the checkroller is used 91
Quarter-sawed Oak--how overgrained 91
Quarter-sawed Oak--how wiped out 89
Quarter-sawed Oak--how finished 95
Rags--their use in graining 37
Ridgely rubber graining tools 34
Rosewood graining--general remarks on 126
Rosewood graining--how to make the grounds 127
Rosewood graining--how to grain it 128
Rosewood graining--how to overgrain it 129
Rubber graining rollers (Davis) 32
Rubber graining combs 35
Rubbing in color in oil in graining 49
Rubbing in color--how applied 52
Satinwood--how grained 100
Serpentine marble--how imitated 146
Sienna marble--how imitated 150
Stippler--its use in graining 27
Stippling--for walnut--how done 119
Stippling--general rules for 55-75
Sponges--their use in distemper 74
Steel graining combs 35
Varnish brushes used in graining 30
Varnishing--how it should be done 81-87
Verd antique marble--how imitated 156
Walnut graining--general remarks on 116
Walnut graining--grounds for 118
Walnut graining--how to stipple for 119
Walnut graining--how grained in oil and distemper 120
Walnut graining--how overgrained 121
Wax used in preparing megilp 22
Wax polish--how applied 82
Whiting--its uses in preparing megilps 23
White veined marble--how imitated 149
Wiping out--what it means 56
Wiping out--how done 57
Woods--how classed 83
* * * * *
Typographical errors corrected by the etext transcriber:
bevelled to a sharpe edge=> bevelled to a sharp edge {pg 36}
are two short for use=> are too short for use {pg 77}
no dofficulty=> no difficulty {pg 94}
is a synonim=> is a synonym {pg 104}
most fastiduous=> most fastidious {pg 122}
has sufficied to confine=> has sufficed to confine {pg 126}
prefering a plain wall=> preferring a plain wall {pg 131}
should be attemped=> should be attempted {pg 140}
General remarks on preparing meglips....43=> General remarks on
preparing megilps....43 {pg iv}
Marbling--imitation of Brocatella marble....147=> Marbling--imitation of
Brocatello marble....147 {pg vi}
End of Project Gutenberg's Graining and Marbling, by Frederick Maire