CHAPTER XLII.

HE WOULD DELIVER HER FROM BONDAGE.

ABOUT twelve o'clock of a hazy night, in the month of November, and

while Annette, in the hands of Mr. Pringle Blowers, with death-like

tenacity refuses to yield to his vile purposes, a little

taunt-rigged schooner may be seen stealing her way through the grey

mist into Charleston inner harbour. Like a mysterious messenger, she

advances noiselessly, gibes her half-dimmed sails, rounds to a short

distance from an old fort that stands on a ridge of flats extending

into the sea, drops her anchor, and furls her sails. We hear the

rumble of the chain, and "aye, aye!" sound on the still air, like

the murmur of voices in the clouds. A pause is followed by the sharp

sound of voices echoing through the hollow mist; then she rides like

a thing of life reposing on the polished water, her masts half

obscured in mist, looming high above, like a spectre in gauze

shroud. The sound dies away, and dimly we see the figure of a man

pacing the deck from fore-shroud to taffrail. Now and then he stops

at the wheel, casts sundry glances about the horizon, as if to catch

a recognition of some point of land near by, and walks again. Now he

places his body against the spokes, leans forward, and compares the

"lay" of the land with points of compass. He will reach his hand

into the binnacle, to note the compass with his finger, and wait its

traversing motion. Apparently satisfied, he moves his slow way along

again; now folding his arms, as if in deep study, then locking his

hands behind him, and drooping his head. He paces and paces for an

hour, retires below, and all is still.

Early on the following morning, a man of middle stature, genteelly

dressed, may be seen leaving the craft in a boat, which, rowed by

two seamen, soon reaches a wharf, upon the landing slip of which he

disembarks. He looks pale, and his countenance wears a placidness

indicating a mind absorbed in reflection. With a carpet-bag in his

right hand does he ascend the steps to the crown of the wharf, as

the boat returns to the mysterious-looking craft. Standing on the

capsill for a few minutes, his blue eyes wander over the scene, as

if to detect some familiar object. The warehouses along the wharfs

wear a dingy, neglected air; immense piles of cotton bales stand

under slender sheds erected here and there along the line of

buildings which form a curvature declining to the east and west.

Again, open spaces are strewn with bales of cotton waiting its turn

through the press (a large building near by, from which steam is

issuing in successive puffings and roarings); from which compressed

bales emerge out of the lower story, followed by a dozen half-naked

negroes, who, half-bent, trundle it onward into piles, or on board

ships. Far above these is spread out a semicircle of dwellings,

having a gloomy and irregular appearance, devoid of that freshness

and brightness which so distinguish every New England city. The

bustle of the day is just commencing, and the half-mantled ships,

lying unmoved at the wharfs, give out signs of activity. The new

comer is about to move on up the wharf, when suddenly he is accosted

by a negro, who, in ragged garb, touches his hat politely, and says,

with a smile, "Yer sarvant, mas'r!"

"Your name, my boy?" returns the man, in a kind tone of voice. The

negro, thrusting his hands deep into the pockets of his old sack

coat, seems contemplating an answer. He has had several names, both

surname and Christian; names are but of little value to a slave.

"Pompe they once called me, but da' calls me Bill now," he answers,

eyeing the stranger, suspiciously. "Pompe, Pompe! I've heard that

name: how familiar it sounds!" the stranger says to himself.

"One mas'r call me Turtle Tom," rejoins the negro, scratching his

head the while.

"Turtle Tom!" reiterates the stranger. "Had you no other name

coupled with Pompe, when that was the name by which you were

recognised?"

The negro will not wait his finishing the sentence. He says he had

good old mas'r's name; but good old mas'r-"so dey tells"-dead and

gone long time ago. "His name was Marston; and dat war dis child's

name den, God bless 'um!" he answers the stranger.

"Marston, who lived on the banks of the Ashley?" again he enquires,

as his face crimsons with excitement.

"Dat war my mas'r; and dem war good old times when I lived dar,"

returns the negro, significantly nodding his head.

"Then you are the first man I have met, the first I want to see,"

exclaimed the stranger, grasping the negro by the hand, and, much to

his surprise, shaking it heartily.

"'Taint Lorenzo," returns the negro, contemplating the stranger with

astonishment.

The stranger is not Lorenzo, but he has heard much of him. What

happy recollections its familiar sound recalls: how it strengthens

his hopes of success in his mission. The negro tells him he is a

labourer on the wharf, and cannot leave to conduct him to an hotel;

he will, however, direct the stranger to a comfortable abode in

Church Street. It is quiet and unostentatious, but will serve his

purpose. Placing a piece of money in the negro's hand, he assures

him that he is his friend-has much need of his services-will pay him

well for their employment. He has equally aroused the negro's

curiosity; and, were it nothing more than satisfying that, he would

be faithful to his promise to call the same night at seven o'clock.

Precisely at that hour the negro will fulfil his engagement. The

stranger wends his way to Church Street, and up a narrow alley, on

the left hand side, finds comfortable apartments, as directed. Here

he makes his toilet, and sallies out to reconnoitre the city.

Meanwhile the little craft is entered at the custom-house as a

fruiter, bound from New Providence to New York, and put in for a

harbour. There is something suspicious about a fruiter putting in

for a harbour at this season, and many curious glances are cast upon

the little captain as he bows to the truth of his entry before the

deputy collector.

The stranger has spent the day in viewing the city, and at

nightfall, the negro, true to his engagement, presents his sable

figure at his lodgings. A servant having shown him up stairs, he is

ushered into his presence, where, seeming bewildered, he looks about

inquiringly, as if doubting the object for which he has been

summoned. Abjectly he holds his tattered cap in his hand, and

tremblingly inquires what master wants with him.

"Have confidence, my good fellow," the stranger speaks, with a

smile; "my mission is love and peace." He places a chair beside a

small table in the centre of the room; bids the negro sit down,

which he does with some hesitation. The room is small; it contains a

table, bureau, washstand, bed, and four chairs, which, together with

a few small prints hanging from the dingy walls, and a square piece

of carpet in the centre of the room, constitute its furniture. "You

know Marston's plantation-know it as it was when Marston resided

thereon, do you?" enquires the stranger, seating himself beside the

negro, who evidently is not used to this sort of familiarity.

"Know 'um well, dat I does," answers the negro, quickly, as if the

question had recalled scenes of the past.

"And you know the people, too, I suppose?"

"Da'h people!" ejaculates the negro, with a rhapsody of enthusiasm;

"reckon I does."

"Will you recount them."

The negro, commencing with old master, recounts the names of Miss

Franconia, Clotilda, Ellen, Aunt Rachel, old Daddy Bob, and Harry.

"It is enough," says the stranger, "they are all familiar names."

"Did you know my good old master?" interrupts the negro, suddenly,

as if detecting some familiar feature in the stranger's countenance.

"No," he replies, measuredly; "but his name has sounded in my ears a

thousand times. Tell me where are the children, Annette and

Nicholas? and where may I find Franconia?"

The negro shakes his head, and remains silent for a few minutes. At

length he raises his hand, and in a half-whisper says, "Gone, gone,

gone; sold and scattered, good mas'r. Habn't see dem child dis many

a day: reckon da'h done gone down south." He hesitates suddenly, as

if calling something to memory; and then, placing his left hand on

the stranger's right arm, as he rubs his left across his forehead,

stammers out-"Mas'r, mas'r, I reckon dis child do know somefin 'bout

Miss Frankone. Anyhow, mas'r (ye knows I'se nigger do'h, and don't

keep up 'quaintance a'ter mas'r sell um), can put ye straight 'bout

Missus Rosebrook's house, and reckon how dat lady can put ye

straight on Miss Frankone's where'bout." It is what the stranger

wants. He has heard of Mrs. Rosebrook before; she will give him the

information he seeks; so, turning again to the negro, he tells him

that, for a few days at least, he shall require his presence at the

same hour in the evening: tonight he must conduct him to Mrs.

Rosebrook's sequestered villa.

The watch-tower bell of the guard-house sounds forth nine o'clock.

The soldier-like sentinel, pacing with loaded musket, and armed with

sharpest steel, cries out in hoarse accents, "All's well!" The bell

is summoning all negroes to their habitations: our guide, Bill,

informs the stranger that he must have a "pass" from a white man

before he can venture into the street. "Mas'r may write 'um," he

says, knowing that it matters but little from whom it comes, so long

as the writer be a white man. The pass is written; the negro

partakes of refreshment that has been prepared for him at the

stranger's request, and they are wending their way through the city.

They pass between rows of massive buildings, many of which have an

antique appearance, and bear strong signs of neglect; but their

unique style of architecture denotes the taste of the time in which

they were erected. Some are distinguished by heavy stone colonnades,

others by verandas of fret-work, with large gothic windows standing

in bold outline. Gloomy-looking guard-houses, from which numerous

armed men are issuing forth for the night's duty,--patrolling figures

with white cross belts, and armed with batons, standing at corners

of streets, or moving along with heavy tread on the uneven

side-walk,--give the city an air of military importance. The love of

freedom is dangerous in this democratic world; liberty is simply a

privilege. Again the stranger and his guide (the negro) emerge into

narrow lanes, and pass along between rows of small dwellings

inhabited by negroes; but at every turn they encounter mounted

soldiery, riding two abreast, heavily armed. "Democracy, boast not

of thy privileges! tell no man thou governest with equal justice!"

said the stranger to himself, as the gas-light shed its flickers

upon this military array formed to suppress liberty.

They have reached the outskirts of the city, and are approaching a

pretty villa, which the negro, who has been explaining the nature

and duties of this formidable display of citizen soldiery, points

to, as the peaceful home of the Rosebrook family. Brighter and

brighter, as they approach, glares the bright light of a window in

the north front. "I wish Mas'r Rosebrook owned me," says the negro,

stopping at the garden gate, and viewing the pretty enclosure ere he

opens it. "If ebery mas'r and missus war as kind as da'h is, dar

wouldn't be no need o' dem guard-houses and dem guardmen wid dar

savage steel," he continues, opening the gate gently, and motioning

the stranger to walk in. Noiselessly he advances up the brick walk

to the hall entrance, and rings the bell. A well-dressed negro man

soon makes his appearance, receives him politely, as the guide

retires, and ushers him into a sumptuously furnished parlour. The

Rosebrook negroes quickly recognise a gentleman, and detecting it in

the bearing of the stranger they treat him as such. Mrs. Rosebrook,

followed by her husband, soon makes her appearance, saluting the

stranger with her usual suavity. "I have come, madam," he says, "on

a strange mission. With you I make no secret of it; should I be

successful it will remove the grief and anxiety of one who has for

years mourned the fate of her on whom all her affections seem to

have centred. If you will but read this it will save the further

recital of my mission." Thus saying, he drew a letter from his

pocket, presented it, and watched her countenance as line by line

she read it, and, with tears glistening in her eyes, passed it to

her husband.

"I am, good sir, heartily glad your mission is thus laudable. Be at

home, and while you are in the city let our home be yours. Franconia

is here with us to-night; the child you search after is also with

us, and it was but to-day we learned the cruelties to which she has

been subjected during the last few years. Indeed, her fate had been

kept concealed from us until a few weeks ago, and to-day, having

escaped the brutal designs of a ruffian, she fled to us for

protection, and is now concealed under our roof-"

"Yes, poor wretch-it is too true!" rejoins Rosebrook. "But something

must be done as quickly as possible, for if Pringle Blowers regains

her she will be subjected to tortures her frame is too delicate to

bear up under. There must be no time lost, not a day!" he says, as

Mrs. Rosebrook quickly leaves the room to convey the news to

Franconia, who, with Annette, is in an adjoining apartment.

Like a hunted deer, Annette's fears were excited on hearing the

stranger enter; Franconia is endeavoring to quiet them. The poor

slave fears the ruffian's pursuit, trembles at each foot-fall upon

the door-sill, and piteously turns to her old friend for protection.

Blowers, maddened with disappointment, would rather sacrifice her to

infamy than sell her for money to a good master. The price of a

pretty slave is no object with this boasting democrat,--the

gratification of his carnal desires soars supreme. Rosebrook knows

this, as the abject woman does to her sorrow.

As Rosebrook and the stranger sit conversing upon the object of his

mission, and the best way to effect it, this good woman returns

leading by the arm a delicately-formed girl, whose blonde

countenance is shadowed with an air of melancholy which rather adds

to her charms than detracts from her beauty. The stranger's eye

rests upon her,--quickly he recognises Clotilda's features,

Clotilda's form, and gentleness; but she is fairer than Clotilda,

has blue eyes, and almost golden hair. She hesitates as her eyes

meet the stranger's. "Do not fear, my child," speaks Franconia,

whose slender figure follows her into the room. Assured that the

stranger is her friend, she is introduced to him, and modestly takes

her seat on a chair by the window. The stranger's name is Maxwell,

and on hearing it announced Franconia anticipated the pleasure of

meeting with her old friend, through whose agency she effected

Clotilda's escape. Advancing towards him with extended hand, she

looks enquiringly in his face, saying, "Am I mistaken?" She shakes

her head, doubtingly. "No! it is not my friend Maxwell," she

continues.

"No!" rejoins the stranger; "he is my cousin: by his directions I

have come here. I have brought a letter from his wife Clotilda,

whose dear deliverer you were; and whose thoughts now daily recur to

you, to your love and kindness to her, with undying brightness."

"Ah!" interrupts Franconia, welcoming him with a fervent heart, "I

knew Clotilda would never forget Annette; I knew she would remember

me; I knew her ardent soul would give forth its measure of

gratitude. Happy am I that you have come-though years have rolled by

since I gave up all hopes of the joyous consummation-to relieve this

sorrowing child," she says, running to Annette, and with tears of

joy in her eyes, exclaiming, "My child! my child! you 'll yet be

saved. The ruffian who tortured you to-day will torture you no

more-no more!" And she kisses the sorrowing girl's cheek, as tears

of sympathy gush into her eyes.

Rosebrook handed Franconia the letter, which she read as her face

brightened with joy. "Good Clotilda! how happy she must be! How

generous, how kind, how true dear Maxwell was to her; and they are

living together so comfortably, and have such a nice family growing

up; but she wants her slave child! A slave mother never forgets her

slave offspring!" she exclaims, with enthusiastic delight, as she

reads and re-reads the letter. Back she paces to Annette, lays her

right arm gently over her shoulder, and pats her cheek with her left

hand: "Annette will see her mother, yet. There is an all-protecting

hand guiding us through every ill of life. Be of good cheer, my

child; never despond while there is a hope left; bury the horrors of

the past in the brighter prospect of the future." And leading her to

the table she seats her by her side and reads the letter aloud, as

with joy the forlorn girl's feelings bound forth. We need scarcely

tell the reader that Clotilda's letter was read in listening

silence, and ran thus:--"Nassau, New Providence, "October 24, 18-.

"My Dear Franconia,

"My thoughts have never ceased to recur to you, nor to my dear

Annette. You were a mother and a deliverer to me; I know-though I

have not received a word in reply to any of my letters-you have been

a mother to my child. As you know, I dare not write as much as I

would, lest this letter fall into the hands of those whose interest

it is to perpetuate our enslavement. I hope you are happy with a

good husband, as I am. Years have rolled by since we parted, and

many have been the scenes and changes through which I have passed,

but they were all pleasant changes, each for brighter and happier

prospects. I was married to him who, with you, effected my escape, a

few weeks after landing at Harbour Island. Since then we have

resided in Nassau, where my husband, who loves me dearly, pursues an

extensive and lucrative business, and we both move in the best

society of the place. We have a pretty family of three children, the

oldest nine years old, and the youngest five. How my heart would

leap with joy if I thought you would accept an invitation to come

and see me, to spend a few weeks with me, and see yourself how

comfortable and happy a slave may be! Perhaps I should not say

happy, for I never can be truly happy without my Annette. Something

haunts my mind whenever I recur to her,--which is every day. And then

I have written so many letters to which no answers have been

returned; but, a whispering angel, as if to console me, says,

Franconia will be her mother, and you will yet see her.

"The gentleman who bears this letter is my husband's cousin. He has

all my husband's generosity of character, and will seek you for the

purpose of finding Annette, and bearing her safely to me. He has

proffered his services, and sworn to carry out his object; and being

on his way to New York for the purpose of entering into business

with his uncle now in that city, will touch at Charleston, for the

object herein stated. Further his object, my dear Franconia, and

that heaven will reward the hand that in mercy helps the enslaved,

"Is the prayer of your grateful "CLOTILDA MAXWELL."

"I knew mother would never forget me; I knew she would come back to

me, would be kind to me, as she used to be, and save me from such

cruelty as I have suffered. Several times have I resolved on putting

an end to my unhappy existence, but as often did something say to

me, 'live hoping-there is a better day coming.' God guides, governs,

and raises up the weary soul," says Annette, in touching accents, as

Franconia finished reading the letter.

While this conversation is progressing, and the plan of getting

Annette out of the city being devised, a nice supper, at Mrs.

Rosebrook's request, is being prepared in the adjoining room. To

this the stranger is invited, and all sit down in a happy circle.

Franconia seems invested with new life; Annette forgets for the time

her troubles; Mrs. Rosebrook, who does the honours of the table,

wishes every ill-used slave could find means of escaping into

freedom; and Deacon Rosebrook says he will join heart and hand in

getting the forlorn girl free from her base purchaser.

Our World; Or, the Slaveholder's Daughter · 第 23 / 37 章