CHAPTER XXXI.

A FRIEND IS WOMAN.

THE reader will again accompany us to the time when we find Annette

and Nicholas in the hands of Graspum, who will nurture them for

their increasing value.

Merciless creditors have driven Marston from that home of so many

happy and hospitable associations, to seek shelter in the obscure

and humble chamber of a wretched building in the outskirts of the

city. Fortune can afford him but a small cot, two or three broken

chairs, an ordinary deal table, a large chest, which stands near the

fire-place, and a dressing-stand, for furniture. Here, obscured from

the society he had so long mingled with, he spends most of his time,

seldom venturing in public lest he may encounter those indomitable

gentlemen who would seem to love the following misfortune into its

last stage of distress. His worst enemy, however, is that source of

his misfortunes he cannot disclose; over it hangs the mystery he

must not solve! It enshrines him with guilt before public opinion;

by it his integrity lies dead; it is that which gives to mother

rumour the weapons with which to wield her keenest slanders.

Having seized Marston's real estate, Graspum had no scruples about

swearing to the equity of his claim; nor were any of the creditors

willing to challenge an investigation; and thus, through fear of

such a formidable abettor, Marston laboured under the strongest, and

perhaps the most unjust imputations. But there was no limit to

Graspum's mercenary proceedings; for beyond involving Marston

through Lorenzo, he had secretly purchased many claims of the

creditors, and secured his money by a dexterous movement, with which

he reduced the innocent children to slavery.

Reports have spread among the professedly knowing that Marston can

never have made away with all his property in so few years. And the

manner being so invisible, the charge becomes stronger. Thus,

labouring between the pain of misfortune and the want of means to

resent suspicion, his cheerless chamber is all he can now call his

home. But he has two good friends left-Franconia, and the old negro

Bob. Franconia has procured a municipal badge for Daddy; and,

through it (disguised) he seeks and obtains work at stowing cotton

on the wharfs. His earnings are small, but his soul is large, and

embued with attachment for his old master, with whom he will share

them. Day by day the old slave seems to share the feelings of his

master,--to exhibit a solicitous concern for his comfort. Earning his

dollars and twenty-five cents a day, he will return when the week

has ended, full of exultation, spread out his earnings with

childlike simplicity, take thirty cents a day for himself, and slip

the remainder into Marston's pocket. How happy he seems, as he

watches the changes of Marston's countenance, and restrains the

gushing forth of his feelings!

It was on one of those nights upon which Daddy had received his

earnings, that Marston sat in his cheerless chamber, crouched over

the faint blaze of a few pieces of wood burning on the bricks of his

narrow fire-place, contemplating the eventful scenes of the few

years just passed. The more he contemplated the more it seemed like

a dream; his very head wearied with the interminable maze of his

difficulties. Further and further, as he contemplated, did it open

to his thoughts the strange social and political mystery of that

more strange institution for reducing mankind to the level of

brutes. And yet, democracy, apparently honest, held such inviolable

and just to its creed; which creed it would defend with a cordon of

steel. The dejected gentleman sighs, rests his head on his left

hand, and his elbow on the little table at his side. Without, the

weather is cold and damp; an incessant rain had pattered upon the

roof throughout the day, wild and murky clouds hang their dreary

festoons along the heavens, and swift scudding fleeces, driven by

fierce, murmuring winds, bespread the prospect with gloom that finds

its way into the recesses of the heart.

"Who is worse than a slave!" sighs the rejected man, getting up and

looking out of his window into the dreary recesses of the narrow

lane. "If it be not a ruined planter I mistake the policy by which

we govern our institution! As the slave is born a subject being, so

is the planter a dependent being. We planters live in

disappointment, in fear, in unhappy uncertainty; and yet we make no

preparations for the result. Nay, we even content ourselves with

pleasantly contemplating what may come through the eventful issue of

political discord; and when it comes in earnest, we find ourselves

the most hapless of unfortunates. For myself, bereft of all I had

once,--even friends, I am but a forlorn object in the scale of weak

mankind! No man will trust me with his confidence,--scarce one knows

me but to harass me; I can give them no more, and yet I am suspected

of having more. It is so, and ever will be so. Such are the phases

of man's downfall, that few follow them to the facts, while rumour

rules supreme over misfortune. There may be a fountain of human pain

concealed beneath it; but few extend the hand to stay its

quickening. Nay, when all is gone, mammon cries, more! until body

and soul are crushed beneath the "more" of relentless self.

"Few know the intricacies of our system; perhaps 'twere well, lest

our souls should not be safe within us. But, ah! my conscience

chides me here. And betwixt those feelings which once saw all things

right, but now through necessity beholds their grossest wrongs,

comes the pain of self-condemnation. It is a condemnation haunting

me unto death. Had I been ignorant of Clotilda's history, the

fiendish deed of those who wronged her in her childhood had not now

hung like a loathsome pestilence around my very garments. That which

the heart rebukes cannot be concealed; but we must be obedient to

the will that directs all things;--and if it be that we remain blind

in despotism until misfortune opens our eyes, let the cause of the

calamity be charged to those it belongs to," he concludes; and then,

after a few minutes' silence, he lights his taper, and sets it upon

the table. His care-worn countenance pales with melancholy; his hair

has whitened with tribulation; his demeanour denotes a man of tender

sensibility fast sinking into a physical wreck. A well-soiled book

lies on the table, beside which he takes his seat; he turns its

pages over and over carelessly, as if it were an indifferent

amusement to wile away the time. "They cannot enslave affection, nor

can they confine it within prison walls," he mutters. He has proof

in the faithfulness of Daddy, his old slave. And as he contemplates,

the words "she will be more than welcome to-night," escape his lips.

Simultaneously a gentle tapping is heard at the door. Slowly it

opens, and the figure of an old negro, bearing a basket on his arm,

enters. He is followed by the slender and graceful form of

Franconia, who approaches her uncle, hand extended, salutes him with

a kiss, seats herself at his side, says he must not be sad. Then she

silently gazes upon him for a few moments, as if touched by his

troubles, while the negro, having spread the contents of the basket

upon the chest, makes a humble bow, wishes mas'r and missus good

night, and withdraws. "There, uncle," she says, laying her hand

gently on his arm, "I didn't forget you, did I?" She couples the

word with a smile-a smile so sweet, so expressive of her soul's

goodness. "You are dear to me, uncle; yes, as dear as a father. How

could I forget that you have been a father to me? I have brought

these little things to make you comfortable,"-she points to the

edibles on the chest-"and I wish I were not tied to a slave, uncle,

for then I could do more. Twice, since my marriage to M'Carstrow,

have I had to protect myself from his ruffianism."

"From his ruffianism!" interrupts Marston, quickly: "Can it be, my

child, that even a ruffian would dare exhibit his vileness toward

you?"

"Even toward me, uncle. With reluctance I married him, and my only

regret is, that a slave's fate had not been mine ere the fruits of

that day fell upon me. Women like me make a feeble defence in the

world; and bad husbands are the shame of their sex," she returns,

her eyes brightening with animation, as she endeavours to calm the

excitement her remarks have given rise to: "Don't, pray don't mind

it, uncle," she concludes.

"Such news had been anticipated; but I was cautious not to"--

"Never mind," she interrupts, suddenly coiling her delicate arm

round his neck, and impressing a kiss on his care-worn cheek. "Let

us forget these things; they are but the fruits of weak nature. It

were better to bear up under trouble than yield to trouble's

burdens: better far. Who knows but that it is all for the best?" She

rises, and, with seeming cheerfulness, proceeds to spread the little

table with the refreshing tokens of her friendship. Yielding to

necessity, the table is spread, and they sit down, with an

appearance of domestic quietness touchingly humble.

"There is some pleasure, after all, in having a quiet spot where we

can sit down and forget our cares. Perhaps (all said and done) a man

may call himself prince of his own garret, when he can forget all

beyond it," says Marston affected to tears by Franconia's womanly

resignation.

"Yes," returns Franconia, joyously, "it's a consolation to know that

we have people among us much worse off than we are. I confess,

though, I feel uneasy about our old slaves. Slavery's wrong, uncle;

and it's when one's reduced to such extremes as are presented in

this uninviting garret that we realise it the more forcibly. It

gives the poor wretches no chance of bettering their condition; and

if one exhibits ever so much talent over the other, there is no

chance left him to improve it. It is no recompense to the slave that

his talent only increases the price of the article to be sold. Look

what Harry would have been had he enjoyed freedom. Uncle, we forget

our best interests while pondering over the security of a bad

system. Would it not be better to cultivate the slave's affections,

rather than oppress his feelings?" Franconia has their cause at

heart-forgets her own. She is far removed from the cold speculations

of the south; she is free from mercenary motives; unstained by that

principle of logic which recognises only the man merchandise. No

will hath she to contrive ingenious apologies for the wrongs

inflicted upon a fallen race. Her words spring from the purest

sentiment of the soul; they contain a smarting rebuke of Marston's

former misdoings: but he cannot resent it, nor can he turn the tide

of his troubles against her noble generosity.

They had eaten their humble supper of meats and bread, and coffee,

when Franconia hears a rap at the lower entrance, leading into the

street. Bearing the taper in her hand, she descends the stairs

quickly, and, opening the door, recognises the smiling face of Daddy

Bob. Daddy greets her as if he were surcharged with the very best

news for old mas'r and missus. He laughs in the exuberance of his

simplicity, and, with an air of fondness that would better become a

child, says, "Lor', young missus, how glad old Bob is to see ye!

Seems like long time since old man see'd Miss Frankone look so spry.

Got dat badge." The old man shows her his badge, exultingly.

"Missus, nobody know whose nigger I'm's, and old Bob arns a right

smart heap o' money to make mas'r comfortable." The old slave never

for once thinks of his own infirmities; no, his attachment for

master soars above every thing else; he thinks only in what way he

can relieve his necessities. Honest, faithful, and affectionate, the

associations of the past are uppermost in his mind; he forgets his

slavery in his love for master and the old plantation. Readily would

he lay down his life, could he, by so doing, lighten the troubles he

instinctively sees in the changes of master's position. The old

plantation and its people have been sold; and he, being among the

separated from earth's chosen, must save his infirm body lest some

man sell him for the worth thereof. Bob's face is white with beard,

and his coarse garments are much worn and ragged; but there is

something pleasing in the familiarity with which Franconia accepts

his brawny hand. How free from that cold advance, that measured

welcome, and that religious indifference, with which the would-be

friend of the slave, at the north, too often accepts the black man's

hand! There is something in the fervency with which she shakes his

wrinkled hand that speaks of the goodness of the heart; something

that touches the old slave's childlike nature. He smiles bashfully,

and says, "Glad t' see ye, missus; dat I is: 'spishilly ven ye takes

care on old mas'r." After receiving her salutation he follows her to

the chamber, across which he hastens to receive a welcome from old

mas'r. Marston warmly receives his hand, and motions him to be

seated on the chest near the fire-place. Bob takes his seat, keeping

his eye on mas'r the while. "Neber mind, mas'r," he says, "Big Mas'r

above be better dan Buckra. Da'h is somefin' what Buckra no sell

from ye, dat's a good heart. If old mas'r on'y keeps up he spirit,

de Lor' 'll carry un throu' 'e triblation," he continues; and, after

watching his master a few minutes, returns to Franconia, and resumes

his jargon.

Franconia is the same fair creature Bob watched over when she

visited the plantation: her countenance wears the same air of

freshness and frankness; her words are of the same gentleness; she

seems as solicitous of his comfort as before. And yet a shadow of

sadness shrouds that vivacity which had made her the welcome guest

of the old slaves. He cannot resist those expressions which are ever

ready to lisp forth from the negro when his feelings are excited.

"Lor, missus, how old Bob's heart feels! Hah, ah! yah, yah! Looks so

good, and reminds old Bob how e' look down on dah Astley, yander.

But, dah somefin in dat ar face what make old nigger like I know

missus don't feel just right," he exclaims.

The kind woman reads his thoughts in the glowing simplicity of his

wrinkled face. "It has been said that a dog was our last friend,

Bob: I now think a slave should have been added. Don't you think so,

uncle?" she enquires, looking at Marston, and, again taking the old

slave by the hand, awaits the reply.

"We rarely appreciate their friendship until it be too late to

reward it," he replies, with an attempt to smile.

"True, true! but the world is full of ingratitude,--very amiable

ingratitude. Never mind, Daddy; you must now tell me all about your

affairs, and what has happened since the night you surprised me at

our house; and you must tell me how you escaped M'Carstrow on the

morning of the disturbance," she enjoins. And while Bob relates his

story Franconia prepares his supper. Some cold ham, bread, and

coffee, are soon spread out before him. He will remove them to the

chest, near the fire-place. "Why, Missus Frankone," he says, "ye

sees how I'se so old now dat nobody tink I'se werf ownin; and so

nobody axes old Bob whose nigger he is. An't prime nigger, now; but

den a' good fo' work some, and get cash, so t' help old mas'r yander

(Bob points to old master). Likes t' make old master feel not so

bad."

"Yes," rejoins Marston, "Bob's good to me. He makes his sleeping

apartments, when he comes, at the foot of my bed, and shares his

earnings with me every Saturday night. He's like an old clock that

can keep time as well as a new one, only wind it up with care."

"Dat I is!" says Daddy, with an exulting nod of the head, as he, to

his own surprise, lets fall his cup. It was only the negro's

forgetfulness in the moment of excitement. Giving a wistful look at

Franconia, he commences picking up the pieces, and drawing his

week's earnings from a side pocket of his jacket.

"Eat your supper, Daddy; never mind your money now" says Franconia,

laughing heartily: at which Bob regains confidence and resumes his

supper, keeping a watchful eye upon his old master the while. Every

now and then he will pause, cant his ear, and shake his head, as if

drinking in the tenour of the conversation between Franconia and her

uncle. Having concluded, he pulls out his money and spreads it upon

the chest. "Old Bob work hard fo' dat!" he says, with emphasis,

spreading a five-dollar bill and two dollars and fifty cents in

silver into divisions. "Dah!" he ejaculates, "dat old mas'r share,

and dis is dis child's." The old man looks proudly upon the coin,

and feels he is not so worthless, after all. "Now! who say old Bob

aint werf nofin?" he concludes, getting up, putting his share into

his pocket, and then, as if unobserved, slipping the balance into

Marston's. This done, he goes to the window, affects to be looking

out, and then resuming his seat upon the chest, commences humming a

familiar plantation tune, as if his pious feelings had been

superseded by the recollection of past scenes.

"What, Daddy,--singing songs?" interrupts Franconia, looking at him

enquiringly. He stops as suddenly as he commenced, exchanges an

expressive look, and fain would question her sincerity.

"Didn't mean 'um, missus," he returns, after a moment's hesitation,

"didn't mean 'um. Was thinkin 'bout somefin back'ards; down old

plantation times."

"You had better forget them times, Bob."

"Buckra won't sell dis old nigger,--will he, Miss Frankone?" he

enquires, resuming his wonted simplicity.

"Sell you, Bob? You're a funny old man. Don't think your old

half-worn-out bones are going to save you. Money's the word: they'll

sell anything that will produce it,--dried up of age are no

exceptions. Keep out of Elder Pemberton Praiseworthy's way: whenever

you hear him singing, 'I know that my Redeemer liveth, and that he

shall come,' as he always does,--run! He lives on the sale of

infirmity, and your old age would be a capital thing for the

exercise of his genius. He will put you through a course of

regeneration, take the wrinkles smooth out of your face, dye those

old grey whiskers, and get a profit for his magic power of

transposing the age of negro property," she replied, gravely, while

Bob stares at her as if doubting his own security.

"Why, missus!" he interposes, his face glowing with astonishment;

"Buckra don't be so smart dat he make old nigger young, be he?"

"Traders can do anything with niggers that have got money in them,

as they say. Our distinguished people are sensitive of the crime,

but excuse themselves with apologies they cannot make cover the

shame."

"Franke!" interrupts Marston, "spare the negro's feelings,--it may

have a bad effect." He touches her on the arm, and knits his brows

in caution.

"How strange, to think that bad influence could come of such an

inoffensive old man! Truth, I know and feel, is powerfully painful

when brought home to the doors of our best people,--it cuts deep when

told in broad letters; but they make the matter worse by attempting

to enshrine the stains with their chivalry. We are a wondrous

people, uncle, and the world is just finding it out, to our shame.

We may find it out ourselves, by and by; perhaps pay the penalty

with sorrow. We look upon negroes as if they were dropped down from

some unaccountable origin,--intended to raise the world's cotton,

rice, and sugar, but never to get above the menial sphere we have

conditioned for them. Uncle, there is a mistake somewhere,--a mistake

sadly at variance with our democratic professions. Democracy needs

to reclaim its all-claiming principles of right and justice for the

down-trodden. And yet, while the negro generously submits to serve

us, we look upon him as an auspicious innovator, who never could

have been born to enjoy manhood, and was subjected to bear a black

face because God had marked him for servitude. Did God found an

aristocracy of colour, or make men to be governed by their

distinctive qualifications of colour relationship?" says Franconia,

her face resuming a flush of agitation. Touching Marston on the arm

with the fore-finger of her right hand, and giving a glance at Bob,

who listens attentively to the theme of conversation, she continues:

"Say no more of bad influence coming of slaves, when the corruptest

examples are set by those who hold them as such,--who crash their

hopes, blot out their mental faculties, and turn their bodies into

licentious merchandise that they may profit by its degradation! Show

me the humblest slave on your plantation, and, in comparison with

the slave-dealer, I will prove him a nobleman of God's kind,--of

God's image: his simple nature will be his clean passport into

heaven. The Father of Mercy will receive him there; he will forgive

the crimes enforced upon him by man; and that dark body on earth

will be recompensed in a world of light,--it will shine with the

brighter spirits of that realm of justice and love. Earth may bring

the slavetrader bounties; but heaven will reject the foul offering."

The good woman unfolds the tender emotions of her heart, as only

woman can.

Bob listens, as if taking a deep interest in the force and

earnestness of young missus's language. He is swayed by her pathos,

and at length interposes his word.

"Nigger ain't so good as white man" (he shakes his head,

philosophically). "White man sharp; puzzle nigger to find out what

'e don, know ven 'e mind t'." Thus saying, he takes a small hymn-

book from his pocket, and, Franconia setting the light beside him,

commences reading to himself by its dim glare.

"Well! now, uncle, it's getting late, and I've a good way to go, and

the night's stormy; so I must prepare for home." Franconia gets up,

and evinces signs of withdrawing. She walks across the little

chamber three or four times, looks out of the window, strains her

sight into the gloomy prospect, and then, as if reluctant to leave

her uncle, again takes a seat by his side. Gently laying her left

hand upon his shoulder, she makes an effort at pleasantry, tells him

to keep up his resolution-to be of good cheer.

"Remember, uncle," she says, calmly, "they tell us it is no disgrace

to be poor,--no shame to work to live; and yet poor people are

treated as criminals. For my own part, I would rather be poor and

happy than rich with a base husband; I have lived in New England,

know how to appreciate its domestic happiness. It was there

Puritanism founded true American liberty.--Puritanism yet lives, and

may be driven to action; but we must resign ourselves to the will of

an all-wise Providence." Thus concluding, she makes another attempt

to withdraw.

"You must not leave me yet!" says Marston, grasping her hand firmly

in his. "Franke, I cannot part with you until I have disclosed what

I have been summoning resolution to suppress. I know your

attachment, Franconia; you have been more than dear to me. You have

known my feelings,--what they have already had to undergo." He

pauses.

"Speak it, uncle, speak it! Keep nothing from me, nor make secrets

in fear of my feelings. Speak out,--I may relieve you!" she

interrupts, nervously: and again encircling her arm round his neck,

waits his reply, in breathless suspense.

He falters for a moment, and then endeavours to regain his usual

coolness. "To-morrow, Franconia," he half mutters out, "to-morrow,

you may find me not so well situated," (here tears are seen

trickling down his cheeks) "and in a place where it will not become

your delicate nature to visit me."

"Nay, uncle!" she stops him there; "I will visit you wherever you

may be-in a castle or a prison."

The word prison has touched the tender chord upon which all his

troubles are strung. He sobs audibly; but they are only sobs of

regret, for which there is no recompense in this late hour. "And

would you follow me to a prison, Franconia?" he enquires, throwing

his arms about her neck, kissing her pure cheek with the fondness of

a father.

"Yea, and share your sorrows within its cold walls. Do not yield to

melancholy, uncle,--you have friends left: if not, heaven will

prepare a place of rest for you; heaven shields the unfortunate at

last," rejoins the good woman, the pearly tears brightening in

mutual sympathy.

"To-morrow, my child, you will find me the unhappy tenant of those

walls where man's discomfiture is complete."

"Nay, uncle, nay! you are only allowing your melancholy forebodings

to get the better of you. Such men as Graspum-men who have stripped

families of their all-might take away your property, and leave you

as they have left my poor parents; but no one would be so heartless

as to drive you to the extreme of imprisonment. It is a foolish

result at best." Franconia's voice falters; she looks more and more

intently in her uncle's face, struggles to suppress her rising

emotions. She knows his frankness, she feels the pain of his

position; but, though the dreadful extreme seems scarcely possible,

there is that in his face conveying strong evidence of the truth of

his remark.

"Do not weep, Franconia; spare your tears for a more worthy object:

such trials have been borne by better men than I. I am but the

merchandise of my creditors. There is, however, one thing which

haunts me to grief; could I have saved my children, the pain of my

position had been slight indeed."

"Speak not of them, uncle," Franconia interrupts, "you cannot feel

the bitterness of their lot more than myself. I have saved a mother,

but have failed to execute my plan of saving them; and my heart

throbs with pain when I think that now it is beyond my power. Let me

not attempt to again excite in your bosom feelings which must ever

be harassing, for the evil only can work its destruction. To clip

the poisoning branches and not uproot the succouring trunk, is like

casting pearls into the waste of time. My heart will ever be with

the destinies of those children, my feelings bound in unison with

theirs; our hopes are the same, and if fortune should smile on me in

times to come I will keep my word-I will snatch them from the

devouring element of slavery."

"Stop, my child!" speaks Marston, earnestly: "Remember you can do

little against the strong arm of the law, and still stronger arm of

public opinion. Lay aside your hopes of rescuing those children,

Franconia, and remember that while I am in prison I am the property

of my creditors, subject to their falsely conceived notions of my

affairs," he continues. "I cannot now make amends to the law of

nature," he adds, burying his face in his hand, weeping a child's

tears.

Franconia looks solicitously upon her uncle, as he sorrows. She

would dry her tears to save his throbbing heart. Her noble

generosity and disinterestedness have carried her through many

trials since her marriage, but it fails to nerve her longer. Her's

is a single-hearted sincerity, dispensing its goodness for the

benefit of the needy; she suppresses her own troubles that she may

administer consolation to others. "The affection that refuses to

follow misfortune to its lowest step is weak indeed. If you go to

prison, Franconia will follow you there," she says, with touching

pathos, her musical voice adding strength to the resolution. Blended

with that soft angelic expression her eyes give forth, her calm

dignity and inspiring nobleness show how firm is that principle of

her nature never to abandon her old friend.

The old negro, who had seemed absorbed in his sympathetic

reflections, gazes steadfastly at his old master, until his emotions

spring forth in kindest solicitude. Resistance is beyond his power.

"Neber mind, old mas'r," (he speaks in a devoted tone) "dar's better

days comin, bof fo' old Bob and mas'r. Tink 'um sees de day when de

old plantation jus so 't was wid mas'r and da' old folks."

Concluding in a subdued voice, he approaches Franconia, and seats

himself, book in hand, on the floor at her feet. Moved by his

earnestness, she lays her hand playfully upon his head, saying:

"Here is our truest friend, uncle!"

"My own heart lubs Miss Frankone more den eber," he whispers in

return. How pure, how holy, is the simple recompense! It is nature's

only offering, all the slave can give; and he gives it in the bounty

of his soul.

Marston's grief having subsided, he attempts to soothe Franconia's

feelings, by affecting an air of indifference. "What need I care,

after all? my resolution should be above it," he says, thrusting his

right hand into his breast pocket, and drawing out a folded paper,

which he throws upon the little table, and says, "There, Franconia,

my child! that contains the climax of my unlamented misfortunes;

read it: it will show you where my next abode will be-I may be at

peace there; and there is consolation at being at peace, even in a

cell." He passes the paper into her hand.

With an expression of surprise she opens it, and glances over its

contents; then reads it word by word. "Do they expect to get

something from nothing?" she says, sarcastically. "It is one of

those soothsayers so valuable to men whose feelings are only with

money-to men who forget they cannot carry money to the graves; and

that no tribute is demanded on either road leading to the last abode

of man."

"Stop there, my child! stop!" interrupts Marston. "I have given them

all, 'tis true; but suspicion is my persecutor-suspicion, and trying

to be a father to my own children!"

"It is, indeed, a misfortune to be a father under such

circumstances, in such an atmosphere!" the good woman exclaims,

clasping her hands and looking upward, as if imploring the

forgiveness of Heaven. Tremblingly she held the paper in her hand,

until it fell upon the floor, as she, overcome, swooned in her

uncle's arms.

She swooned! yes, she swooned. That friend upon whom her affections

had been concentrated was a prisoner. The paper was a bail writ,

demanding the body of the accused. The officer serving had been kind

enough to allow Marston his parole of honour until the next morning.

He granted this in accordance with Marston's request, that by the

lenity he might see Daddy Bob and Franconia once more.

Lifting Franconia in his arms, her hair falling loosely down,

Marston lays her gently on the cot, and commences bathing her

temples. He has nothing but water to bathe them with,--nothing but

poverty's liquid. The old negro, frightened at the sudden change

that has come over his young missus, falls to rubbing and kissing

her hands,--he has no other aid to lend. Marston has drawn his chair

beside her, sits down upon it, unbuttons her stomacher, and

continues bathing and chafing her temples. How gently heaves that

bosom so full of fondness, how marble-like those features, how

pallid but touchingly beautiful that face! Love, affection, and

tenderness, there repose so calmly! All that once gave out so much

hope, so much joy, now withers before the blighting sting of

misfortune. "Poor child, how fondly she loves me!" says Marston,

placing his right arm under her head, and raising it gently. The

motion quickens her senses-she speaks; he kisses her pallid

cheek-kisses and kisses it. "Is it you uncle?" she whispers. She has

opened her eyes, stares at Marston, then wildly along the ceiling.

"Yes, I'm in uncle's arms; how good!" she continues, as if fatigued.

Reclining back on the pillow, she again rests her head upon his arm.

"I am at the mansion-how pleasant; let me rest, uncle; let me rest.

Send aunt Rachel to me." She raises her right hand and lays her arms

about Marston's neck, as anxiously he leans over her. How dear are

the associations of that old mansion! how sweet the thought of home!

how uppermost in her wandering mind the remembrance of those happy

days!

Our World; Or, the Slaveholder's Daughter · 第 12 / 37 章