CHAPTER V. GREYFRIARS.

It was Queen Mary who threw open the gardens of the Grey Friars: a new

and semi-rural cemetery in those days, although it has grown an antiquity

in its turn and been superseded by half-a-dozen others. The Friars must

have had a pleasant time on summer evenings; for their gardens were

situated to a wish, with the tall castle and the tallest of the castle

crags in front. Even now, it is one of our famous Edinburgh points of

view; and strangers are led thither to see, by yet another instance, how

strangely the city lies upon her hills. The enclosure is of an irregular

shape; the double church of Old and New Greyfriars stands on the level at

the top; a few thorns are dotted here and there, and the ground falls by

terrace and steep slope towards the north. The open shows many slabs and

table tombstones; and all round the margin, the place is girt by an array

of aristocratic mausoleums appallingly adorned.

Setting aside the tombs of Roubiliac, which belong to the heroic order of

graveyard art, we Scotch stand, to my fancy, highest among nations in the

matter of grimly illustrating death. We seem to love for their own sake

the emblems of time and the great change; and even around country

churches you will find a wonderful exhibition of skulls, and crossbones,

and noseless angels, and trumpets pealing for the Judgment Day. Every

mason was a pedestrian Holbein: he had a deep consciousness of death, and

loved to put its terrors pithily before the churchyard loiterer; he was

brimful of rough hints upon mortality, and any dead farmer was seized

upon to be a text. The classical examples of this art are in Greyfriars.

In their time, these were doubtless costly monuments, and reckoned of a

very elegant proportion by contemporaries; and now, when the elegance is

not so apparent, the significance remains. You may perhaps look with a

smile on the profusion of Latin mottoes—some crawling endwise up the

shaft of a pillar, some issuing on a scroll from angels’ trumpets—on the

emblematic horrors, the figures rising headless from the grave, and all

the traditional ingenuities in which it pleased our fathers to set forth

their sorrow for the dead and their sense of earthly mutability. But it

is not a hearty sort of mirth. Each ornament may have been executed by

the merriest apprentice, whistling as he plied the mallet; but the

original meaning of each, and the combined effect of so many of them in

this quiet enclosure, is serious to the point of melancholy.

Round a great part of the circuit, houses of a low class present their

backs to the churchyard. Only a few inches separate the living from the

dead. Here, a window is partly blocked up by the pediment of a tomb;

there, where the street falls far below the level of the graves, a

chimney has been trained up the back of a monument, and a red pot looks

vulgarly over from behind. A damp smell of the graveyard finds its way

into houses where workmen sit at meat. Domestic life on a small scale

goes forward visibly at the windows. The very solitude and stillness of

the enclosure, which lies apart from the town’s traffic, serves to

accentuate the contrast. As you walk upon the graves, you see children

scattering crumbs to feed the sparrows; you hear people singing or

washing dishes, or the sound of tears and castigation; the linen on a

clothes-pole flaps against funereal sculpture; or perhaps the cat slips

over the lintel and descends on a memorial urn. And as there is nothing

else astir, these incongruous sights and noises take hold on the

attention and exaggerate the sadness of the place.

[Picture: Greyfriars]

Greyfriars is continually overrun by cats. I have seen one afternoon, as

many as thirteen of them seated on the grass beside old Milne, the Master

Builder, all sleek and fat, and complacently blinking, as if they had fed

upon strange meats. Old Milne was chaunting with the saints, as we may

hope, and cared little for the company about his grave; but I confess the

spectacle had an ugly side for me; and I was glad to step forward and

raise my eyes to where the Castle and the roofs of the Old Town, and the

spire of the Assembly Hall, stood deployed against the sky with the

colourless precision of engraving. An open outlook is to be desired from

a churchyard, and a sight of the sky and some of the world’s beauty

relieves a mind from morbid thoughts.

I shall never forget one visit. It was a grey, dropping day; the grass

was strung with rain-drops; and the people in the houses kept hanging out

their shirts and petticoats and angrily taking them in again, as the

weather turned from wet to fair and back again. A grave-digger, and a

friend of his, a gardener from the country, accompanied me into one after

another of the cells and little courtyards in which it gratified the

wealthy of old days to enclose their old bones from neighbourhood. In

one, under a sort of shrine, we found a forlorn human effigy, very

realistically executed down to the detail of his ribbed stockings, and

holding in his hand a ticket with the date of his demise. He looked most

pitiful and ridiculous, shut up by himself in his aristocratic precinct,

like a bad old boy or an inferior forgotten deity under a new

dispensation; the burdocks grew familiarly about his feet, the rain

dripped all round him; and the world maintained the most entire

indifference as to who he was or whither he had gone. In another, a

vaulted tomb, handsome externally but horrible inside with damp and

cobwebs, there were three mounds of black earth and an uncovered thigh

bone. This was the place of interment, it appeared, of a family with

whom the gardener had been long in service. He was among old

acquaintances. ‘This’ll be Miss Marg’et’s,’ said he, giving the bone a

friendly kick. ‘The auld ---!’ I have always an uncomfortable feeling

in a graveyard, at sight of so many tombs to perpetuate memories best

forgotten; but I never had the impression so strongly as that day.

People had been at some expense in both these cases: to provoke a

melancholy feeling of derision in the one, and an insulting epithet in

the other. The proper inscription for the most part of mankind, I began

to think, is the cynical jeer, _cras tibi_. That, if anything, will stop

the mouth of a carper; since it both admits the worst and carries the war

triumphantly into the enemy’s camp.

Greyfriars is a place of many associations. There was one window in a

house at the lower end, now demolished, which was pointed out to me by

the gravedigger as a spot of legendary interest. Burke, the resurrection

man, infamous for so many murders at five shillings a-head, used to sit

thereat, with pipe and nightcap, to watch burials going forward on the

green. In a tomb higher up, which must then have been but newly

finished, John Knox, according to the same informant, had taken refuge in

a turmoil of the Reformation. Behind the church is the haunted mausoleum

of Sir George Mackenzie: Bloody Mackenzie, Lord Advocate in the

Covenanting troubles and author of some pleasing sentiments on

toleration. Here, in the last century, an old Heriot’s Hospital boy once

harboured from the pursuit of the police. The Hospital is next door to

Greyfriars—a courtly building among lawns, where, on Founder’s Day, you

may see a multitude of children playing Kiss-in-the-Ring and Round the

Mulberry-bush. Thus, when the fugitive had managed to conceal himself in

the tomb, his old schoolmates had a hundred opportunities to bring him

food; and there he lay in safety till a ship was found to smuggle him

abroad. But his must have been indeed a heart of brass, to lie all day

and night alone with the dead persecutor; and other lads were far from

emulating him in courage. When a man’s soul is certainly in hell, his

body will scarce lie quiet in a tomb however costly; some time or other

the door must open, and the reprobate come forth in the abhorred garments

of the grave. It was thought a high piece of prowess to knock at the

Lord Advocate’s mausoleum and challenge him to appear. ‘Bluidy

Mackingie, come oot if ye dar’!’ sang the fool-hardy urchins. But Sir

George had other affairs on hand; and the author of an essay on

toleration continues to sleep peacefully among the many whom he so

intolerantly helped to slay.

[Picture: The Grassmarket] For this _infelix campus_, as it is dubbed in

one of its own inscriptions—an inscription over which Dr. Johnson passed

a critical eye—is in many ways sacred to the memory of the men whom

Mackenzie persecuted. It was here, on the flat tombstones, that the

Covenant was signed by an enthusiastic people. In the long arm of the

church-yard that extends to Lauriston, the prisoners from Bothwell

Bridge—fed on bread and water and guarded, life for life, by vigilant

marksmen—lay five months looking for the scaffold or the plantations.

And while the good work was going forward in the Grassmarket, idlers in

Greyfriars might have heard the throb of the military drums that drowned

the voices of the martyrs. Nor is this all: for down in the corner

farthest from Sir George, there stands a monument dedicated, in uncouth

Covenanting verse, to all who lost their lives in that contention. There

is no moorsman shot in a snow shower beside Irongray or Co’monell; there

is not one of the two hundred who were drowned off the Orkneys; nor so

much as a poor, over-driven, Covenanting slave in the American

plantations; but can lay claim to a share in that memorial, and, if such

things interest just men among the shades, can boast he has a monument on

earth as well as Julius Cæsar or the Pharaohs. Where they may all lie, I

know not. Far-scattered bones, indeed! But if the reader cares to learn

how some of them—or some part of some of them—found their way at length

to such honourable sepulture, let him listen to the words of one who was

their comrade in life and their apologist when they were dead. Some of

the insane controversial matter I omit, as well as some digressions, but

leave the rest in Patrick Walker’s language and orthography:—

‘The never to be forgotten Mr. _James Renwick_ told me, that he was

Witness to their Public Murder at the _Gallowlee_, between _Leith_

and _Edinburgh_, when he saw the Hangman hash and hagg off all their

Five Heads, with _Patrick Foreman’s_ Right Hand: Their Bodies were

all buried at the Gallows Foot; their Heads, with _Patrick’s_ Hand,

were brought and put upon five Pikes on the _Pleasaunce-Port_. . . .

Mr. _Renwick_ told me also that it was the first public Action that

his Hand was at, to conveen Friends, and lift their murthered Bodies,

and carried them to the West Churchyard of _Edinburgh_,’—not

Greyfriars, this time,—‘and buried them there. Then they came about

the City . . . . and took down these Five Heads and that Hand; and

Day being come, they went quickly up the _Pleasaunce_; and when they

came to _Lauristoun_ Yards, upon the South-side of the City, they

durst not venture, being so light, to go and bury their Heads with

their Bodies, which they designed; it being present Death, if any of

them had been found. _Alexander Tweedie_, a Friend, being with them,

who at that Time was Gardner in these Yards, concluded to bury them

in his Yard, being in a Box (wrapped in Linen), where they lay 45

Years except 3 Days, being executed upon the 10th of _October_ 1681,

and found the 7th Day of October 1726. That Piece of Ground lay for

some Years unlaboured; and trenching it, the Gardner found them,

which affrighted him the Box was consumed. Mr. _Schaw_, the Owner of

these Yards, caused lift them, and lay them upon a Table in his

Summer-house: Mr. _Schaw’s_ mother was so kind, as to cut out a

Linen-cloth, and cover them. They lay Twelve Days there, where all

had Access to see them. _Alexander Tweedie_, the foresaid Gardner,

said, when dying, There was a Treasure hid in his Yard, but neither

Gold nor Silver. _Daniel Tweedie_, his Son, came along with me to

that Yard, and told me that his Father planted a white Rose-bush

above them, and farther down the Yard a red Rose-bush, which were

more fruitful than any other Bush in the Yard. . . . Many came’—to

see the heads—‘out of Curiosity; yet I rejoiced to see so many

concerned grave Men and Women favouring the Dust of our Martyrs.

There were Six of us concluded to bury them upon the Nineteenth Day

of _October_ 1726, and every One of us to acquaint Friends of the Day

and Hour, being _Wednesday_, the Day of the Week on which most of

them were executed, and at 4 of the Clock at Night, being the Hour

that most of them went to their resting Graves. We caused make a

compleat Coffin for them in Black, with four Yards of fine Linen, the

way that our Martyrs Corps were managed. . . . Accordingly we kept

the aforesaid Day and Hour, and doubled the Linen, and laid the Half

of it below them, their nether jaws being parted from their Heads;

but being young Men, their Teeth remained. All were Witness to the

Holes in each of their Heads, which the Hangman broke with his

Hammer; and according to the Bigness of their Sculls, we laid the

Jaws to them, and drew the other Half of the Linen above them, and

stufft the Coffin with Shavings. Some prest hard to go thorow the

chief Parts of the City as was done at the Revolution; but this we

refused, considering that it looked airy and frothy, to make such

Show of them, and inconsistent with the solid serious Observing of

such an affecting, surprizing unheard-of Dispensation: But took the

ordinary Way of other Burials from that Place, to wit, we went east

the Back of the Wall, and in at _Bristo-Port_, and down the Way to

the Head of the _Cowgate_, and turned up to the Church-yard, where

they were interred closs to the Martyrs Tomb, with the greatest

Multitude of People Old and Young, Men and Women, Ministers and

others, that ever I saw together.’

And so there they were at last, in ‘their resting graves.’ So long as

men do their duty, even if it be greatly in a misapprehension, they will

be leading pattern lives; and whether or not they come to lie beside a

martyrs’ monument, we may be sure they will find a safe haven somewhere

in the providence of God. It is not well to think of death, unless we

temper the thought with that of heroes who despised it. Upon what

ground, is of small account; if it be only the bishop who was burned for

his faith in the antipodes, his memory lightens the heart and makes us

walk undisturbed among graves. And so the martyrs’ monument is a

wholesome, heartsome spot in the field of the dead; and as we look upon

it, a brave influence comes to us from the land of those who have won

their discharge and, in another phrase of Patrick Walker’s, got ‘cleanly

off the stage.’

Edinburgh: Picturesque Notes · 第 5 / 10 章