INTRODUCTION

It was the moon when leaves were falling, for Napa had finished

painting them for their dance with the North wind. Just over the

ragged mountain range the big moon hung in an almost starless sky, and

in shadowy outline every peak lay upon the plain like a giant pattern.

Slowly the light spread and as slowly the shadows stole away until the

October moon looked down on the great Indian camp--a hundred lodges,

each as perfect in design as the tusks of a young silver-tip, and all

looking ghostly white in the still of the autumn night.

Back from the camp, keeping within the ever-moving shadows, a

buffalo-wolf skulked to a hill overlooking the scene, where he stopped

to look and listen, his body silhouetted against the sky. A dog howled

occasionally, and the weird sound of a tom-tom accompanying the voice

of a singer in the Indian village reached the wolf's ears, but caused

him no alarm; for not until a great herd of ponies, under the eyes of

the night-herder, drifted too close, did he steal away.

Near the centre of the camp was the big painted lodge of War Eagle, the

medicine-man, and inside had gathered his grandchildren, to whom he was

telling the stories of the creation and of the strange doings of Napa,

the creator. Being a friend of the old historian, I entered

unhindered, and with the children listened until the hour grew late,

and on the lodge-wall the dying fire made warning shadows dance.

Indian Why Stories: Sparks from War Eagle's Lodge-Fire · 第 7 / 30 题