"The ways of heaven are dark and intricate.

Puzzled with mazes and perplex'd with errors,

Our understanding traces them in vain--

Lost and bewilder'd in the fruitless search. Nor sees

With how much art the windings turn,

Nor where the regular confusion ends."--_Addison._

[Illustration: JAMES GODWIN.

W. L. THOMAS.

THE MOTHER'S HOPES BLASTED.

Vol. ii. page 179.]

When I entered the room, I found her reclining on a sofa, and in

tears, her three daughters weeping apart. Though I knew not the

cause of their distress, I felt at once that some great calamity had

befallen them. My presence seemed to revive their grief, for when

they beheld me, there was a spontaneous burst of anguish. At length,

when nature had given vent to her feelings, and recovered a portion

of that strength which had been consumed by the violence of grief,

the sufferer informed me that her son had brought upon them a deluge

of sorrow. Without going into particulars, she requested me to read

the following letter, which was lying on the table:--

"MY DEAR MOTHER,--Apprehensive that you may be alarmed by the

abruptness of my departure from home, I write to inform you

that I am well; and when I reach the place of my destination,

I will send you my address. I now regret the course I have

taken, but this will not bring back my departed reputation,

nor heal the wound which I have inflicted on your peace. Had

I taken your advice, and kept myself from evil companions and

vain amusements, I had still been a virtuous and happy man--your

comforter, and the support of the family; but I disregarded your

lessons, and became a regular attender of the theatre, to the

fatal attractions of which, I am convinced, I now owe my ruin.

From the theatre, it was but one step to the tavern and the

gaming table. To gratify my passion for the latter, I embezzled

my masters' property, and am now a wretched fugitive from the

pursuit of justice. Remember me very kindly to my sisters, and

tell them never to enter a theatre, for it is to my attendance

at that place of dissipation, that I attribute my first

deviation from the right path.--Your undutiful, yet affectionate

son,

W. HARVEY."

"Oh! my poor William," exclaimed his mother, "oh! that I should ever

have lived to see this day! Our disgrace is all over the town this

morning. Look at this, too," she continued, producing a hand-bill

offering a reward of £50 for the apprehension of William Harvey,

absconded.

After perusing these, I expressed my heartfelt sympathy with the

family, and tried to soothe their feelings and offer words of

comfort; but what comfort could I impart in such circumstances! In

answer to my inquiries, I drew from her, amidst sobs and tears, an

account of her son, and the causes which had produced the fatal

transformation in his character. It was to the following effect:--At

the decease of his father, he was removed from school, and placed

in the counting-house of Messrs. ----, extensive merchants in the

town. Being a lad of strong natural powers and quick perceptions,

active and industrious in his disposition, he soon made himself very

useful, and within the space of three years, had so established

himself in the esteem and respect of his employers, as to be

promoted to a post of responsibility and trust. He was distinguished

from most young men of his age, by the soundness of his judgment,

and the sobriety of his habits, and so devotedly attached to

his mother and his sisters, that he made the promotion of their

happiness his constant study. In the morning he went to the duties

of his station with cheerfulness; and in the evening, when the toils

of the day were ended, he either retired to his own room, to read

the amusing or instructive page, or passed it away in their society.

He would often admit, when conversing with his pious mother,

the necessity of personal religion, yet he thought some distant

futurity a more convenient season for attending to it than the

present time; and hence the strong impressions which he occasionally

received, when engaged in the public exercises of devotion, were

soon obliterated by the tumultuous anxieties of commercial life.

But when about the age of eighteen, he began to feel the necessity

of personal religion; and though he did not suffer its interesting

and important inquiries to divert his attention from his secular

pursuits, yet he was convinced that it was no less his duty to be

"fervent in spirit, serving the Lord," than diligent in his business.

His mother witnessed this moral renovation of his character with

peculiar delight; and soon had the pleasure of hearing him lead the

devotions of the family both morning and evening. For the space

of two years, he was equally distinguished for his diligence in

business and his fervour of devotion, till at length he fell into

the company of a young man who ultimately effected his ruin. This

young man was the son of a wealthy citizen, as accomplished in

manners as he was corrupt in principles; and though he made no

profession of religion, yet he affected to treat it with great

respect, and thus more effectually gained an ascendency over young

Harvey. Their first acquaintance soon ripened into the maturity

of an ardent friendship; and notwithstanding the dissimilarity

of their opinions, they became almost inseparable companions.

Each felt anxious to gain the other over to his own course, and

adopted what he conceived to be the most likely method; but it soon

became apparent, that evil communications more speedily corrupt

the virtuous, than good communications reclaim the vicious. One

of the earliest symptoms of this corruption of principle, was his

becoming an occasional frequenter of the theatre, a place which,

hitherto, the pious admonitions of his mother had prevented him from

entering. Then came abandonment of his home, and of the society of

its inmates, after the business of the day had terminated, which

broke in upon the devotional order of the family, and often led

to inquiries and remonstrances which were natural, but painful.

These gentle and affectionate remonstrances at first had a powerful

effect, and he was induced to return to his former habits; but

in process of time, they were either heard with indifference, or

resented, and he who had officiated at the family altar, in a

humble and apparently contrite spirit, informed his mother that he

should in future decline engaging in such a responsible office. She

besought him in the most urgent and imploring manner, to rescind

his avowed determination, and once more break away from that fatal

charm, which was seducing him from the path of righteousness and

peace; but she could not succeed. He was resolute and decided; and

after this time rarely returned home till very late at night.

"I have sat alone," said his mother, "watching for his return,

till one, two, three, and even four in the morning; and when I

have opened the door, he more often abused me for my kindness,

than apologized for his misconduct. Having spent his midnight

hours in dissipation, he consumed those of the morning in sleep;

and sometimes did not get to business much before noon. Though he

foresaw what might be the consequences of his folly and impiety, yet

no arguments were sufficient to induce him to change his course.

He grew worse and worse, till at length he disappeared two days

ago, and I heard nothing of him till yesterday, when I received

the letter which has thrown us all into such misery. This trial,

which would have been a severe one under any circumstances, is to

me peculiarly poignant; as it brings to my remembrance my sins. It

is now just seven years since the Almighty appeared to be taking

him from me, and such was the heavenly frame of his mind, that he

was not unwilling to go. Had he died then, I should have wept over

his grave, but I should have had the prospect of meeting him in

a better world. Or if I had felt resigned to the will of God, he

might have been restored to me in mercy, as was Isaac, when the

angel of the Lord forbade his venerable father to slay the sacrifice

which he had so willingly bound, and placed on the altar; but I was

rebellious. I prayed for his life, because I thought it essential to

my happiness; and his life has been spared; but alas, he is become

the destroyer of our peace. It is now, Sir, only two years since he

began to turn his attention to religious subjects, and to lead the

devotions of our family; and though, like most parents, I rejoiced

with trembling, yet hope preponderated, and I thought he would have

been my support and comfort in my old age; but alas, the vision of

bliss has disappeared, and I am left to desolation and despair."

Here she paused to weep, and then resumed her tale of sorrow. "I

watched his gradual departure from the ways of righteousness with

much anxiety, and made many efforts to reclaim him; and though he

yielded at first to my solicitations, and made many solemn promises,

yet he broke them all, and gave himself up to the company of the

wicked. _The stage has been his ruin._ Till he entered the ill-fated

theatre, which throws out its unhallowed attractions to beguile and

captivate the thoughtless and the gay, he was one of the best of

sons, and one of the kindest of brothers, fond of home, and devoted

to his mercantile duties; but after he had acquired a taste for

its scenes and its performances, he became undutiful to me, unkind

to his sisters, indolent and extravagant, unwilling to submit to

the control of authority or of reason, and determined to follow

the devices and desires of his own heart, even though he should

plunge us all in ruin. It was in the theatre that he fell into bad

company--it was there he lost his strength to resist temptation;

and being once overcome, he surrendered himself, a willing captive

to the service of iniquity. Ill-fated place! There many a virtuous

youth has become the victim of sin! and there my William fell, and

in his fall he has destroyed my happiness for life. Where he is

gone, I know not, nor do I know what destiny awaits him; but this

I know, from bitter experience, that the theatre will corrupt the

most virtuous; and while it professes to afford only amusement and

instruction, it often becomes the destroyer of personal honour and

of social happiness."

I retired from this scene, my mind loaded with anxiety on behalf

of the unfortunate family, deeply regretting that it was not in

my power to afford them any effectual relief. I could not reclaim

the infatuated youth, nor yet repair the moral injury which the

attractions of the theatre had brought upon the honour and peace of

their household. I was grieved by their tale of sorrow; but it did

not surprise me, as I had met with too many proofs of the debasing

tendency of theatrical amusements, to be astonished by such a

narrative.

I had an engagement to spend the evening of the day on which the

above conversation took place, at the house of a friend, who had

invited me to meet a gentleman from London, an acquaintance of his,

who was then paying him a visit. On arriving there I found a small

party assembled. In the course of the evening, after a desultory

conversation on various matters, we found ourselves involved in a

close, though not angry debate. The circumstance which led to this

spirited discussion, was a reference to a recent verdict which had

been given against a celebrated comedian, for a crime which never

can be visited with too much severity, as it tends not only to the

corruption of public morals, but the destruction of private and

domestic happiness.

"It is of importance," said Mr. Proctor, the gentleman at whose

house we were spending the evening, "that they who lash the vices

of the age, and who hold them up to scorn and contempt, should be

virtuous themselves, or they will do more injury by their example,

than they will do good by their professional labours."

"Very true, Sir," replied a Mr. Talbot, one of the party, who was

a great admirer of the drama, "but we must not expect to find the

perfection of human nature in a profession which is exposed to so

many and such powerful temptations!"

"The perfection of human nature!" exclaimed Mr. Proctor's London

friend, Mr. Falkland, "perhaps it would be impossible to find a

class of men, in any single profession, in which we shall find so

little virtue and so much vice as in the theatrical profession."

_Mr. Talbot._--"But, Sir, do you really mean to say, that the

stage never exhibits, in the private character of its performers,

the beauty and consistency of virtue? Surely you are not so

uncharitable!"

_Mr. Falkland._--"I will not say that every one who appears on the

stage is immoral, in the broad acceptation of that term; but I mean

to say that the great majority are more depraved in their tastes,

habits, and conduct, than the general average of society. This is

a fact which I presume no one will attempt to deny, who possesses

an accurate knowledge of the character of the performers at our

theatres."

_Mr. Talbot._--"There is, I admit, too much truth in what you now

say; and how will you account for it?"

_Mr. Falkland._--"To account for it is not difficult--the moral

tendency of their profession is a sufficient reason; and that we may

have the most palpable and unequivocal evidence of its nature, it

is allowed by Providence to operate in the first place and to the

fullest extent on the morals and character of the persons who are

engaged in it."

_Mr. Talbot._--"There, Sir, I am at issue with you; for I maintain

that the moral tendency of theatrical amusements is favourable to

the cultivation and growth of private and public virtue; and though

some who are touched with the puritanical spirit of the age, may

assert the contrary, yet I think they will not be able to prove it."

_Mr. Falkland._--"Then, Sir, if the moral tendency of theatrical

amusements be favourable to the cultivation and growth of private

and public virtue, will you be kind enough to say, how it comes to

pass that the very persons who are employed to conduct them, are, in

general, the most profligate members of society?"

_Mr. Talbot._--"Why, Sir, they are profligate before they enter the

profession."

_Mr. Falkland._--"But can't men of high-toned virtue be induced

to enter a profession, which is intended to promote the moral

improvement of the age--to make us wiser and better?"

_Mr. Talbot._--"Very few. The majority are persons of talent, who go

'_through all the vagabondry of life_,' and then offer themselves to

the stage as a _dernier_ resort."

_Mr. Falkland._--"They first become profligate, and then betake

themselves to the stage, as a forlorn hope!"

_Mr. Talbot._--"They are profligate before they enter on the stage,

which is an evil every virtuous man must deplore."

_Mr. Falkland._--"And _remain_ profligate after they are on."

_Mr. Talbot._--"Too many."

_Mr. Falkland._--"The majority, Sir."

_Mr. Talbot._--"Perhaps so."

_Mr. Falkland._--"Then, Sir, if the tendency of their profession be

favourable to the cultivation and growth of virtue, how is it that

it does not reclaim these profligate players? How is it that it does

not scatter the seeds of virtue among them, and raise it to a high

state of culture?"

_Mr. Talbot._--"Why, Sir, are there not many who wear the gown

immoral?"

_Mr. Falkland._--"I fear there are, Sir."

_Mr. Talbot._--"And yet, I presume, you will admit, that the moral

tendency of the clerical profession and duties is favourable to the

cultivation and growth of private and public virtue."

_Mr. Falkland._--"Most certainly, Sir."

_Mr. Talbot._--"Then, how comes it to pass, if it be so, that these

men still remain immoral?"

_Mr. Falkland._--"Permit me to say, that the introduction of this

question is no satisfactory reply to my argument. Answer that in the

first place, and then you are at liberty to propose what queries

you think proper. If the tendency of the theatrical profession be

favourable to the cultivation and growth of virtue, how is it that

it does not reclaim these profligate players? This is the question

under debate, and let us keep to it. We may ramble after we have

settled it."

_Mr. Talbot._--"Why, Sir, there are two reasons which may be

assigned--their extreme profligacy before they enter their

profession; and the numerous and powerful temptations to which they

are exposed after they have engaged in it."

_Mr. Falkland._--"Then, Sir, theatrical amusements will not reclaim

extreme profligacy, nor produce virtue where it is most needed?"

_Mr. Talbot._--"Perhaps not."

_Mr. Falkland._--"Then, Sir, you require a stock of virtue to insert

your graft on, or you do not calculate on raising any good fruit?"

_Mr. Talbot._--"Exactly so, Sir."

_Mr. Falkland._--"Then, as men of high-toned virtue, with few

exceptions, cannot be induced to engage in the theatrical

profession; and as it is found incapable of reclaiming the

profligate, we can never expect to find a preponderance of virtue

amongst the members of that profession; and, consequently, we are

reduced to the necessity of admitting this astounding fact--the men

who are employed to chastise the vices of the age, and to cultivate

its virtues, are, with few exceptions, the most profligate in their

manners!"

_Mr. Talbot._--"But, Sir, will you make no allowance for men and

women who are necessarily exposed to so many temptations in the

discharge of the duties of their profession?"

_Mr. Falkland._--"Why, Sir, what peculiar temptations to vice ought

to stand connected with the duties of a profession which is intended

to promote private and public virtue?"

_Mr. Talbot._--"Why, you know they often appear, when on the

stage, in a rank far above the level of their condition, which may

imperceptibly induce them to cherish those habits of extravagance

in private life, for which they are so notorious. But the most

fatal temptation to which they are exposed, is the too familiar

intercourse which necessarily takes place between the actors and

actresses on the stage, which cannot be avoided, unless the most

popular plays are suppressed; and would it not betray an ignorance

of human nature, to expect that this circumstance should produce no

injurious effect on their moral character?"

_Mr. Falkland._--"Certainly. You reason very properly. You have

given a faithful, just, and true account of an evil which is

generally admitted. But, in accounting for this evil, have you not

made a concession which invalidates the correctness of your general

position, that the tendency of theatrical amusements is to promote

the cultivation and growth of private and public morals?"

_Mr. Talbot._--"No, Sir, I have merely assigned the causes of that

general profligacy of manners which prevails amongst players, as a

reason why you should be more indulgent towards them; and why you

should not expect the perfection of virtue to grow in such near

contact with the most fascinating temptations."

_Mr. Falkland._--"I know full well what you intended to do, and also

what you have done. May I be permitted now, to place your leading

assertion, and your last concession, in one sentence?"

_Mr. Talbot._--"Yes, provided you do it fairly."

_Mr. Falkland._--"I will attempt it. The tendency of theatrical

amusements is to promote the cultivation and growth of private and

public virtue; but the actors and actresses, who are employed in

this good work, are necessarily placed in a position which destroys

their own virtue, and brings on amongst them a general profligacy

of manners. That is, their representation of vice and vicious

characters on the stage often leads to immoral practices in their

private conduct. Does not this prove that the tendency of their

professional duties is injurious to their own morals?"

_Mr. Talbot._--"Have I not admitted it, Sir?"

_Mr. Falkland._--"Yes, and proved it, at the extreme hazard of

endangering your own proposition, that the stage is favourable to

the interests of _private_ virtue."

_Mr. Talbot._--"But, Sir, are there not many who wear the gown, and

who make much higher pretensions to virtue than players do, who,

after they have given their public lectures on morality, will retire

and sin in secret. Now, permit me to ask, if the sanctimonious

hypocrite is not a more odious character than the profligate player?"

_Mr. Falkland._--"I regret, Sir, that you should overstep the bounds

of the question under discussion, to attack the clerical profession;

but lest you should imagine that you are occupying a position from

which no fair argument can displace you, I will for once attempt to

follow you. I admit, then, for the sake of the argument, that there

are some who make higher pretensions to private virtue than the

actors and actresses of our theatres, who, after delivering their

public lectures on morality, retire and sin in secret; but will the

vices of one class of men justify the vices of another? If some of

the clergy are corrupt, will the fact of their corruption diminish

the magnitude of the players' vices? Why you have introduced this

charge against the clergy into the discussion I cannot say, as

it has nothing to do with the question at issue, which is the

necessary connection between a player's profligacy of manners and

the duties of his profession. That is, that the very performance

of his duties, when he is engaged in promoting the morality of the

public, has a tendency to produce a corruption of his own morals.

But you can bring no such charge against the moral tendency of the

clerical duties. A clergyman is not compelled, in the discharge

of his functions, to give utterance to any expressions, or to

perform any actions, which have even a remote tendency to vitiate

his taste or corrupt his morals; so that if he should turn out a

bad man, you must look for the cause of it, not, as in the case

of the stage-player, in any impure and contaminating influence of

his profession, but in the depravity of his nature. If he become

immoral, he acts an inconsistent part, offers an insult to the

sentiments of the virtuous part of mankind, and loses his place

in society--as a man who is a disgrace to his profession, whose

example is in direct opposition to the acknowledged tendency of

his ministerial functions. But as a pure moral character is not

necessary to qualify a man to appear on the stage, no one feels at

liberty to charge a theatrical performer with inconsistency, even

if he should become notorious for swearing, gaming, drunkenness, or

debauchery. He may revel in these vices, and yet appear before an

audience with as much confidence of affording them gratification by

his performances as he would feel if he were a man of the purest

moral excellence. It is true, that if publicly convicted of some

flagrant offence, and held up, through the medium of the press,

as the base wretch who violates the sanctity of friendship, the

admirers of the drama will express a virtuous indignation, and

wish him to perform a sort of quarantine before he again makes his

appearance before them; yet they will never regard it as a lasting

disqualification for his professional duties."

_Mr. Talbot._--"Well, Sir, after all the attacks which you have

made on the character of theatrical performers, and the defence

which you have set up in favour of the clergy, I maintain that

the sanctimonious hypocrite who retires from the pulpit, where

he has delivered his grave moral lectures, to sin in secret, is

a more pernicious character than the most profligate player that

ever disgraced his profession. For do not the vices of the clergy

shake our confidence in the truth of religion, which you know is

never done by the vices of the stage; and is not their example, in

consequence of their more powerful influence over the public mind,

more destructive to the morals of society?"

The Sheepfold and the Common; Or, Within and Without. Vol. 2 (of 2) · 第 16 / 50 段