CHAPTER XIII.

THE DISCLOSURE.

Maria montesque polliceri cæpit,

Minari interdum ferro, nisi obnoxia foret.

SALLUST.

A woman, master.

LOVE’S LABOUR LOST.

Among all those of Senatorial rank—and they were very many—who were

participants of the intended treason, one alone was absent from the

assemblage of the Order on that eventful night.

The keen unquiet eye of the arch-traitor missed Curius from his place, as

it ran over the known faces of the conspirators, on whom he reckoned for

support.

Curius was absent.

Nor did his absence, although it might well be, although indeed it _was_,

accidental, diminish anything of Catiline’s anxiety. For, though he fully

believed him trusty and faithful to the end, though he felt that the man

was linked to him indissolubly by the consciousness of common crimes, he

knew him also to be no less vain than he was daring. And, while he had no

fear of intentional betrayal, he apprehended the possibility of

involuntary disclosures, that might be perilous, if not fatal, in the

present juncture.

It has been left on record of this Curius, by one who knew him well, and

was himself no mean judge of character, that he possessed not the faculty

of concealing any thing he had heard, or even of dissembling his own

crimes; and Catiline was not one to overlook or mistake so palpable a

weakness.

But the truth was, that knowing his man thoroughly, he was aware that,

with the bane, he bore about with him, in some degree, its antidote. For

so vast and absurd were his vain boastings, and so needless his

exaggerations of his own recklessness, blood-thirstiness, and crime, that

hitherto his vaporings had excited rather ridicule than fear.

The time was however coming, when they were to awaken distrust, and lead

to disclosure.

It was perfectly consistent with the audacity of Catiline—an audacity,

which, though natural, stood him well in stead, as a mask to cover deep

designs—that even now, when he felt himself to be more than suspected,

instead of avoiding notoriety, and shunning the companionship of his

fellow traitors, he seemed to covet observation, and to display himself in

connection with his guilty partners, more openly than heretofore.

But neither Lentulus, nor Vargunteius, nor the Syllæ, nor any other of the

plotters had seen Curius, or could inform him of his whereabout. And, ere

they separated for the night, amid the crash of the contending elements

above, and the roar of the turbulent populace below, doubt, and almost

dismay, had sunk into the hearts of several the most daring, so far as

mere mortal perils were to be encountered, but the most abject, when

superstition was joined with conscious guilt to appal and confound them.

Catiline left the others, and strode away homeward, more agitated and

unquiet than his face or words, or anything in his demeanor, except his

irregular pace, and fitful gestures indicated.

Dark curses quivered unspoken on his tongue—the pains of hell were in his

heart already.

Had he but known the whole, how would his fury have blazed out into

instant action.

At the very moment when the Senate was so suddenly convoked on the

Palatine, a woman of rare loveliness waited alone, in a rich and

voluptuous chamber of a house not far removed from the scene of those

grave deliberations.

The chamber, in which she reclined alone on a pile of soft cushions, might

well have been the shrine of that bland queen of love and pleasure, of

whom its fair tenant was indeed an assiduous votaress. For there was

nothing, which could charm the senses, or lap the soul in luxurious and

effeminate ease, that was not there displayed.

The walls glowed with the choicest specimens of the Italian pencil, and

the soft tones and harmonious colouring were well adapted to the subjects,

which were the same in all—voluptuous and sensual love.

Here Venus rose from the crisp-smiling waves, in a rich atmosphere of

light and beauty—there Leda toyed with the wreathed neck and ruffled

plumage of the enamoured swan—in this compartment, Danaë lay warm and

languid, impotent to resist the blended power of the God’s passion and his

gold—in that, Ariadne clung delighted to the bosom of the rosy wine-God.

The very atmosphere of the apartment was redolent of the richest perfumes,

which streamed from four censers of chased gold placed on a tall

candelabra of wrought bronze in the corners of the room. A bowl of stained

glass on the table was filled with musk roses, the latest of the year; and

several hyacinths in full bloom added their almost overpowering scent to

the aromatic odours of the burning incense.

Armed chairs, with downy pillows, covered with choice embroidered cloths

of Calabria, soft ottomans and easy couches, tables loaded with implements

of female luxury, musical instruments, drawings, and splendidly

illuminated rolls of the amatory bards and poetesses of the Egean islands,

completed the picture of the boudoir of the Roman beauty.

And on a couch piled with the Tyrian cushions, which yielded to the soft

impress of her lovely form, well worthy of the splendid luxury with which

she was surrounded, lay the unrivalled Fulvia, awaiting her expected

lover.

If she was lovely in her rich attire, as she appeared at the board of

Catiline, with jewels in her bosom, and her bright ringlets of luxuriant

gold braided in fair array, far lovelier was she now, as she lay there

reclined, with those bright ringlets all dishevelled, and falling in a

flood of wavy silken masses, over her snowy shoulders, and palpitating

bosom; with all the undulating outlines of her superb form, unadorned, and

but scantily concealed by a loose robe of snow-white linen.

Her face was slightly flushed with a soft carnation tinge, her blue eyes

gleamed with unusual brightness. And by the fluttering of her bosom, and

the nervous quivering of her slender fingers, as they leaned on a tripod

of Parian marble which stood beside the couch, it was evident that she was

labouring under some violent excitement.

"He comes not," she said. "And it is waxing late. He has again failed me!

and if he have—ruin—ruin!—Debts pressing me in every quarter, and no hope

but from him. Alfenus the usurer will lend no more—my farms all mortgaged

to the utmost, a hundred thousand sesterces of interest, due these last

Calends, and unpaid as yet. What can I do?—what hope for? In him there is

no help—none! Nay! It is vain to think of it; for he is amorous as ever,

and, could he raise the money, would lavish millions on me for one kiss.

No! _he_ is bankrupt too; and all his promises are but wild empty

boastings. What, then, is left to me?" she cried aloud, in the intensity

of her perturbation. "Most miserable me! My creditors will seize on

all—all—all! and poverty—hard, chilling, bitter poverty, is staring in my

face even now. Ye Gods! ye Gods! And I can not—can not live poor. No more

rich dainties, and rare wines! no downy couches and soft perfumes! No

music to induce voluptuous slumbers! no fairy-fingered slaves to fan the

languid brow into luxurious coolness! No revelry, no mirth, no pleasure!

Pleasure that is so sweet, so enthralling! Pleasure for which I have lived

only, without which I must die! _Die_! By the great Gods! I _will_ die!

What avails life, when all its joys are gone? Or what is death, but one

momentary pang, and then—quiet? Yes! I will die. And the world shall learn

that the soft Epicurean can vie with the cold Stoic in carelessness of

living, and contempt of death—that the warm votaress of Aphrodite can

spend her glowing life-blood as prodigally as the stern follower of

Virtue! Lucretia died, and was counted great and noble, because she cared

not to survive her honour! Fulvia will perish, wiser, as soon as she shall

have outlived her capacity for pleasure!"

She spoke enthusiastically, her bright eyes flashing a strange fire, and

her white bosom panting with the strong and passionate excitement; but in

a moment her mood was changed. A smile, as if at her own vehemence, curled

her lip; her glance lost its quick, sharp wildness. She clapped her hands

together, and called aloud,

"Ho! Ægle! Ægle!"

And at the call a beautiful Greek girl entered the chamber, voluptuous as

her mistress in carriage and demeanor, and all too slightly robed for

modesty, in garments that displayed far more than they concealed of her

rare symmetry.

"Bring wine, my girl," cried Fulvia; "the richest Massic; and, hark thee,

fetch thy lyre. My soul is dark to-night, and craves a joyous note to

kindle it to life and rapture."

The girl bowed and retired; but in a minute or two returned, accompanied

by a dark-eyed Ionian, bearing a Tuscan flask of the choice wine, and a

goblet of crystal, embossed with emeralds and sapphires, imbedded, by a

process known to the ancients but now lost, in the transparent glass.

A lyre of tortoiseshell was in the hands of Ægle, and a golden plectrum

with which to strike its chords; she had cast loose her abundant tresses

of dark hair, and decked her brows with a coronal of myrtle mixed with

roses, and as she came bounding with sinuous and graceful gestures through

the door, waving her white arms with the dazzling instruments aloft, she

might have represented well a young priestess of the Cyprian queen, or the

light Muse of amorous song.

The other girl filled out a goblet of the amber-coloured wine, the

fragrance of which overpowered, for a moment, as it mantled on the

goblet’s brim, the aromatic perfumes which loaded the atmosphere of the

apartment.

And Fulvia raised it to her lips, and sipped it slowly, and delightedly,

suffering it to glide drop by drop between her rosy lips, to linger on her

pleased palate, luxuriating in its soft richness, and dwelling long and

rapturously on its flavour.

After a little while, the goblet was exhausted, a warmer hue came into her

velvet cheeks, a brighter spark danced in her azure eyes, and as she

motioned the Ionian slave-girl to replenish the cup and place it on the

tripod at her elbow, she murmured in a low languid tone,

"Sing to me, now—sing to me, Ægle."

And in obedience to her word the lovely girl bent her fair form over the

lute, and, after a wild prelude full of strange thrilling melodies, poured

out a voice as liquid and as clear, aye! and as soft, withal, as the

nightingale’s, in a soft Sapphic love-strain full of the glorious poetry

of her own lovely language.

Where in umbrageous shadow of the greenwood

Buds the gay primrose i’ the balmy spring time;

Where never silent, Philomel, the wildest

Minstrel of ether,

Pours her high notes, and caroling, delighted

In the cool sun-proof canopy of the ilex

Hung with ivy green or a bloomy dog-rose

Idly redundant,

Charms the fierce noon with melody; in the moonbeam

Where the coy Dryads trip it unmolested

All the night long, to merry dithyrambics

Blissfully timing

Their rapid steps, which flit across the knot grass

Lightly, nor shake one flower of the blue-bell;

Where liquid founts and rivulets o’ silver

Sweetly awaken

Clear forest echoes with unearthly laughter;

There will I, dearest, on a bank be lying

Where the wild thyme blows ever, and the pine tree

Fitfully murmurs

Slumber inspiring. Come to me, my dearest,

On the fresh greensward, as a downy bride-bed,

Languid, unzoned, and amorous, reclining;

Like Ariadne,

When the blythe wine-God, from Olympus hoary,

Wooed the soft mortal tremulously yielding

All her enchantments to the mighty victor—

Happy Ariadne!

There will I, dearest, every frown abandon;

Nor do thou fear, nor hesitate to press me,

Since, if I chide, ’tis but a girl’s reproval,

Faintly reluctant.

Doubt not I love thee, whether I return thy

Kisses in delight, or avert demurely

Lips that in truth burn to be kissed the closer,

Eyes that avoid thee,

Loth to confess how amorously glowing

Pants the fond heart. Oh! tarry not, but urge me

Coy to consent; and if a blush alarm thee,

Shyly revealing

Sentiments deep as the profound of Ocean,

If a sigh, faltered in an hour of anguish,

Seem to implore thee—pity not. The maiden

Often adores thee

Most if offending. Never, oh! believe me,

Did the faint-hearted win a girl’s devotion,

Nor the true girl frown when a youth disarmed her

Dainty denial.

While she was yet singing, the curtains which covered the door were put

quietly aside, and with a noiseless step Curius entered the apartment,

unseen by the fair vocalist, whose back was turned to him, and made a sign

to Fulvia that she should not appear to notice his arrival.

The haggard and uneasy aspect, which was peculiar to this man—the

care-worn expression, half-anxious and half-jaded, which has been

previously described, was less conspicuous on this occasion than ever it

had been before, since the light lady loved him. There was a feverish

flush on his face, a joyous gleam in his dark eye, and a self-satisfied

smile lighting up all his features, which led her to believe at first that

he had been drinking deeply; and secondly, that by some means or other he

had succeeded in collecting the vast sum she had required of him, as the

unworthy price of future favours.

In a minute or two, the voluptuous strain ended; and, ere she knew that

any stranger listened to her amatory warblings, the arm of Curius was

wound about her slender waist, and his half-laughing voice was ringing in

her ear,

"Well sung, my lovely Greek, and daintily advised!—By my faith! sweet one,

I will take thee at thy word!"

"No! no!" cried the girl, extricating herself from his arms, by an elastic

spring, before his lips could touch her cheek. "No! no! you shall not kiss

me. Kiss Fulvia, she is handsomer than I am, and loves you too. Come,

Myrrha, let us leave them."

And, with an arch smile and coquettish toss of her pretty head, she darted

through the door, and was followed instantly by the other slave-girl, well

trained to divine the wishes of her mistress.

"_Ægle_ is right, by Venus!" exclaimed Curius, drawing nearer to his

mistress; "you are more beautiful to-night than _ever_."

"Flatterer!" murmured the lady, suffering him to enfold her in his arms,

and taste her lips for a moment. But the next minute she withdrew herself

from his embrace, and said, half-smiling, half-abashed, "But flattery will

not pay my debts. Have you brought me the moneys for Alfenus, my sweet

Curius? the hundred thousand sesterces, you promised me?"

"Perish the dross!" cried Curius, fiercely. "Out on it! when I come to

you, burning with love and passion, you cast cold water on the flames, by

your incessant cry for gold. By all the Gods! I do believe, that you love

me only for that you can wring from my purse."

"If it be so," replied the lady, scornfully, "I surely do not love you

much; seeing it is three months, since you have brought me so much as a

ring, or a jewel for a keepsake! But you should rather speak the truth out

plainly, Curius," she continued, in an altered tone, "and confess honestly

that you care for me no longer. If you loved me as once you did, you would

not leave me to be goaded by these harpies. Know you not—why do I ask? you

_do_ know that my house, my slaves, nay! that my very jewels and my

garments, are mine but upon sufferance. It wants but a few days of the

calends of November, and if they find the interest unpaid, I shall be cast

forth, shamed, and helpless, into the streets of Rome!"

"Be it so!" answered Curius, with an expression which she could not

comprehend. "Be it so! Fulvia; and if it be, you shall have any house in

Rome you will, for your abode. What say you to Cicero’s, in the Carinæ? or

the grand portico of Quintus Catulus, rich with the Cimbric spoils? or,

better yet, that of Crassus, with its Hymettian columns, on the Palatine?

Aye! aye! the speech of Marcus Brutus was prophetic; who termed it, the

other day, the house of _Venus_ on the Palatine! And you, my love, shall

be the goddess of that shrine! It shall be yours _to-morrow_, if you

will—so you will drive away the clouds from that sweet brow, and let those

eyes beam forth—by all the Gods!"—he interrupted himself—"I _will_ kiss

thee!"

"By all the Gods! thou shalt not—now, nor for evermore!" she replied, in

her turn growing very angry.—"Thou foolish and mendacious boaster! what?

dost thou deem me mad or senseless, to assail me with such drivelling

folly? Begone, fool! or I will call my slaves—I _have_ slaves yet, and, if

it be the last deed of service they do for me, they shall spurn thee, like

a dog, from my doors.—Art thou insane, or only drunken, Curius?" she

added, breaking off from her impetuous railing, into a cool sarcastic

tone, that stung him to the quick.

"You shall see whether of the two, Harlot!" he replied furiously,

thrusting his hand into the bosom of his tunic, as if to seek a weapon.

"Harlot!" she exclaimed, springing to her feet, the hot blood rushing to

her brow in torrents—"dare you say this to me?"

"Dare! do you call this daring?" answered the savage. "This? what would

you call it, then, to devastate the streets of Rome with flame and

falchion—to hurl the fabric of the state headlong down from the blazing

Capitol—to riot in the gore of senators, patricians, consulars!—What, to

aspire to be the lords and emperors of the universe?"

"What mean you?" she exclaimed, moved greatly by his vehemence, and

beginning to suspect that this was something more than his mere ordinary

boasting and exaggeration. "What can you mean? oh! tell me; if you do love

me, as you once did, tell me, Curius!" and with rare artifice she altered

her whole manner in an instant, all the expression of eye, lip, tone and

accent, from the excess of scorn and hatred, to blandishment and fawning

softness.

"No!" he replied sullenly. "I will not tell you—no! You doubt me, distrust

me, scorn me—no! I will tell you nothing! I will have all I wish or ask

for, on my own terms—you shall grant all, or die!"

And he unsheathed his dagger, as he spoke, and grasping her wrist

violently with his left hand, offered the weapon at her throat with his

right—"You shall grant all, or die!"

"Never!"—she answered—"never!" looking him steadily yet softly in the

face, with her beautiful blue eyes. "To fear I will never yield, whatever

I may do, to love or passion. Strike, if you will—strike a weak woman, and

so prove your daring—it will be easier, if not so noble, as slaying

senators and consuls!"

"Perdition!" cried the fierce conspirator, "I _will_ kill her!" And with

the word he raised his arm, as if to strike; and, for a moment, the guilty

and abandoned sensualist believed that her hour was come.

Yet she shrunk not, nor quailed before his angry eye, nor uttered any cry

or supplication. She would have died that moment, as carelessly as she had

lived. She would have died, acting out her character to the last sand of

life, with the smile on her lip, and the soft languor in her melting eye,

in all things an Epicurean.

But the fierce mood of Curius changed. Irresolute, and impotent of evil,

in a scarce less degree than he was sanguinary, rash, unprincipled, and

fearless, it is not one of the least strange events, connected with a

conspiracy the whole of which is strange, and much almost inexplicable,

that a man so wise, so sagacious, so deep-sighted, as the arch traitor,

should have placed confidence in one so fickle and infirm of purpose.

His knitted brow relaxed, the hardness of his eye relented, he cast the

dagger from him.

The next moment, suffering the scarf to fall from her white and dazzling

shoulders, the beautiful but bad enchantress flung herself upon his bosom,

in the abandonment of her dishevelled beauty, winding her snowy arms about

his neck, smothering his voice with kisses.

A moment more, and she was seated on his knee, with his left arm about her

waist, drinking with eager and attentive ears, that suffered not a single

detail to escape them, the fullest revelation of that atrocious plot, the

days, the very hours of action, the numbers, names, and rank of the

conspirators!

A woman’s infamy rewarded the base villain’s double treason! A woman’s

infamy saved Rome!

Two hours later, the crash and roar of the hurricane and earthquake cut

short their guilty pleasures. Curius rushed into the streets headlong,

almost deeming that the insurrection might have exploded prematurely, and

found it—more than half frustrated.

Fulvia, while yet the thunder rolled, and the blue lightning flashed above

her head, and the earth reeled beneath her footsteps, went forth, strong

in the resolution of that Roman patriotism, which, nursed by the

institutions of the age, and the pride of the haughty heart, stood with

her, as it did with so many others, in lieu of any other principle, of any

other virtue.

Closely veiled, unattended even by a single slave, that delicate luxurious

sinner braved the wild fury of the elements; braved the tumultuous frenzy,

and more tumultuous terror, of the disorganised and angry populace; braved

the dark superstition, which crept upon her as she marked the awful

portents of that night, and half persuaded her to the belief that there

were Powers on high, who heeded the ways, punished the crimes of mortals.

And that strange sense grew on her more and more, though she resisted it,

incredulous, when after a little while she sat side by side with the wise

and virtuous Consul, and marked the calmness, almost divine, of his

thoughtful benignant features, as he heard the full details of the awful

crisis, heretofore but suspected, in which he stood, as if upon the verge

of a scarce slumbering volcano.

What passed between that frail woman, and the wise orator, none ever fully

knew. But they parted—on his side with words of encouragement and

kindness—on her’s with a sense of veneration approaching almost to

religious awe.

And the next day, the usurer Alfenus received in full the debt, both

principal and interest, which he had long despaired of touching.

But when the Great Man stood alone in his silent study, that strange and

unexpected interview concluded, he turned his eyes upward, not looking,

even once, toward the sublime bust of Jupiter which stood before him,

serene in more than mortal grandeur; extended both his arms, and prayed in

solemn accents—

"All thanks to thee, Omnipotent, Ubiquitous, Eternal, ONE! whom we, vain

fools of fancy, adore in many forms, and under many names; invest with the

low attributes of our own earthy nature; enshrine in mortal shapes, and

human habitations! But thou, who wert, before the round world was, or the

blue heaven o’erhung it; who wilt be, when those shall be no longer,—thou

pardonest our madness, guidest our blindness, guardest our weakness. Thou,

by the basest and most loathed instruments, dost work out thy great ends.

All thanks, then, be to thee, by whatsoever name thou wouldest be

addressed; to thee, whose dwelling is illimitable space, whose essence is

in every thing that we behold, that moves, that is—to thee whom I hail,

GOD! For thou hast given it to me to save my country. And whether I die

now, by this assassin’s knife, or live a little longer to behold the

safety I establish, I have lived long enough, and am content to

die!—Whether this death be, as philosophers have told us, a dreamless,

senseless, and interminable trance; or, as I sometimes dream, a brief and

passing slumber, from which we shall awaken into a purer, brighter,

happier being—I have lived long enough! and when thou callest me, will

answer to thy summons, glad and grateful! For Rome, at least, survives me,

and shall perchance survive, ’till time itself is ended, the Queen of

Universal Empire!"

The Roman Traitor, Vol. 1 · 第 13 / 16 章