Suydam and De Ruyter went a floor higher, glancing into the rooms which

were open. Suydam knew most of the inhabitants, and they seemed glad to

see him. Evidently they looked on him as a friend.

On the top floor, under the steps which led to the roof, was a den

scarce six feet by eight. Small as it was, this room had better

furniture than most of those De Ruyter had seen; it contained evidences

of a desire to make a home. There were violent chromos pinned to the

wall. The bed had a parti-colored coverlet. The sole inhabitant was a

tall, dark Italian with fiery eyes. He was cooking macaroni with ropy

cheese over an oil-lamp. His door was ajar only.

"Good-morning, Pietro," said Suydam, cheerfully.

Pietro obeyed his first impulse, and shut the door swiftly. Then he

changed his mind, for he opened the door and peered out suspiciously.

Recognizing Suydam, he was about to throw it wide, when he caught sight

of De Ruyter. There was a moment of hesitancy, and then he took his hand

from the knob of the door and went on with his cooking.

"I am showing my friend over the building," explained Suydam.

The Italian said nothing. Apparently his cooking absorbed all his

attention. But he gave De Ruyter a searching glance.

Suydam turned to the novelist. "This is Pietro Barretti," he said; "he

is one of the most expert layers of mosaic in America. He is from

Naples; that's the reason he cooks macaroni so well, I suppose."

"Certainly I haven't seen macaroni cooked that way since I was in Naples

last," the novelist remarked, for the sake of talk, not knowing just

what to make of the Italian's manner.

"Your wife not here?" asked Suydam.

"No," the Italian answered, abruptly.

"Where is she?" persisted the young man.

"She mort," responded Barretti.

"Dead?" Suydam cried. "That is very sad. When did she die?"

"Ten days," the Italian replied.

When Suydam and De Ruyter had made an end of their visit, and were going

down the stairs cautiously, the young man from the University Settlement

asked the novelist if he had seen anything interesting.

"Oh yes," was the answer. "I've got lots of color; just what I wanted.

And that Italian whose wife was mort--he's copy, I'm sure."

"Copy?" queried Suydam.

"I mean I can use him in one of my sketches for the _Metropolis_," the

novelist explained. "I wish I knew what his wife was like."

"She was a pretty girl--dark-haired, dark-eyed, with a lively smile,"

Suydam said. "He was very jealous of her. I've been told they used to

quarrel bitterly."

"I shouldn't like to have that fellow for an enemy," De Ruyter declared,

as they passed through the alleyway and came out in the open air. "He

has an eye like a glass stiletto."

The novelist and the young man from the University Settlement walked up

the street together. As they drew near to a police-station, jealously

guarded by its green lamps, three officers came out and turned down the

street.

When the policemen were abreast of the two friends, one of them stepped

aside and accosted the young man from the Settlement.

"Mr. Suydam," he said, "you gentlemen from the Settlement sometimes know

what's going on better than we do. Have you seen Pietro Barretti

lately--the one they call Italian Pete?"

"I saw him not ten minutes ago--in his own room," Suydam answered.

"He's all right, boys," cried the policeman. "He's there."

"Do you want him?" asked Suydam.

"Don't we?" the policeman replied, promptly. "We've got to bring him

in."

"What has he done?" De Ruyter inquired.

"Oh, he's done enough!" responded the officer. "He murdered his wife

last week, that's what he's done."

Suydam looked at De Ruyter.

"Yes," said De Ruyter, "that completes the picture. I can get a good

_mot de la fin_ now."

(1893.)

BEFORE THE BREAK OF DAY

She lived in a little wooden house on the corner of the street huddled

in the shadow of two towering tenements. There are a few frail buildings

of this sort still left in that part of the city, half a mile east of

the Bowery and half a mile south of Tompkins Square, where the

architecture is as irregular, as crowded, and as little cared for as the

population. Amid the old private houses erected for a single family, and

now violently altered to accommodate eight or ten--amid the tall new

tenements, stark and ugly--here and there one can still find wooden

houses built before the city expanded, half a century old now, worn and

shabby and needlessly ashamed in the presence of every new edifice no

better than they. With the peak of their shingled roofs they are

pathetic survivals of a time when New York still remembered that it had

been New Amsterdam, and when it did not build its dwellings in imitation

of the polyglot loftiness of the Tower of Babel. It was in one of these

little houses with white clapboarded walls, ashen gray in the paling

moonlight, that Maggie O'Donnell lay fast asleep, when the bell in a

far-off steeple tolled three in the morning of the day that was to be

the Fourth of July.

She was asleep in the larger of the two little rooms over the saloon. In

that part of the city there are saloons on every corner almost, and

sometimes two and three in a block. The signs over the doors of most of

these saloons and over the doors of the groceries and of the bakeries

and of the other shops bear strangely foreign names. The German quarter

of the city is not far off, nor is the Italian, nor the Chinese; but

hereabouts the houses are packed with Poles chiefly, and chiefly

Jews--industrious, docile, and saving. Not until midnight had the whir

of the sewing-machines ceased in the tenements which occupied the three

other corners. The sign over the door of the saloon above which Maggie

lay fast asleep bore an Irish name, the name of her husband, Terence

O'Donnell. But the modest boards which displayed his name were overawed

by the huge signs that flanked them, filling a goodly share of the wall

on either street and proclaiming the "McGown's Pass Brewery, Kelly &

Company."

These brewer's signs were so large that they made the little house seem

even smaller than it was--and it was not more than twenty feet square.

The doors of the saloon were right at the corner, of course, to catch

trade. On one street there were two windows, and on the other one window

and a door over which was the sign "Family Entrance." This door opened

into a little passage, from which access could be had to the saloon, and

from which also arose the narrow stairs leading to the home of Terence

O'Donnell and Maggie, his wife, on the floor above. The saloon filled

the whole ground-floor except the space taken up by this entry and the

stairs. A single jet of gas had burned dimly over the bar ever since

Terry had locked up a little after midnight. The bar curved across the

saloon, and behind it the sideboard with its bevelled-edge mirrors lined

the two inner walls. The sideboard glittered with glasses built up in

tiers, and a lemon lay yellow at the top of every pyramid. The

beer-pumps were in the centre under the bar; at one end was the small

iron safe where Terence kept his money; and at the other end, against

the wall, just behind the door which opened into the Family Entrance,

was a telephone.

Up-stairs there were two little rooms and a closet or two. The smaller

of the rooms Maggie had turned into a kitchen and dining-room. The

larger--the one on the corner--was their bedroom, and here Maggie lay

asleep. The night was close and warm, and though the windows were open,

the little white curtains hung limp and motionless. The day before had

been hot and cloudless, so the brick buildings on the three other

corners had stored up heat for fifteen hours, and had been giving it out

ever since the sun had set. Stifling as it was, Maggie O'Donnell slept

heavily. It was after midnight when Terry had kissed her at the door,

and she had been asleep for three hours. Already there were faint hints

of the coming day, for here in New York the sun rises early on the

Fourth of July--at half-past four. A breeze began to blow lazily up from

the East River and fluttered the curtains feebly. Maggie tossed

uneasily, reached out her hand, and said "Terry."

Suddenly she was wide awake. For a moment she looked stupidly at the

empty place beside her, and then she remembered that Terry would be gone

all night, working hard on the boat and the barges making ready for the

picnic. She turned again, but sleep had left her. She lay quietly in bed

listening; she could catch nothing but the heavy rumble of a brewery

wagon in the next street and the hesitating toot of a Sound steamer.

Then she heard afar off three or four shots of a revolver, and she knew

that some young fellow was up early, and had already begun to celebrate

the Fourth on the roof of the tenement where he lived.

She tried to go to sleep, but the effort was hopeless. She was awakened

fully, and she knew that there was small chance of her dropping off into

slumber again. More than once she had wakened like this in the middle of

the night, an hour or so before daybreak, and then she had to lie there

in bed quietly listening to Terry's regular breathing. She lay there now

alone, thinking of Terry, grateful for his goodness to her, and happy in

his love. She lay there alone, wondering where she would be now if Terry

had not taken pity on her.

Then all at once she raised herself in bed, and held her breath and

listened. For a second she thought she heard a noise in the saloon below

her. She was not nervous in the least, but she wished Terry had not left

so much money in the safe; and this was the first night he had been away

from her since they had been married--nearly two years ago. She strained

her ears, but the sound was not repeated. She sank back on the pillow

again, making sure that it was a rat dropping down from the bar, where

he had been picking up the crumbs of cheese. There were many rats in the

cellar, and sometimes they ventured up even to the bedroom and the

kitchen next door.

Time was when it would have taken a loud noise to wake the girl who was

now Terence O'Donnell's wife out of a sound sleep. After her mother

died, when Maggie was not five years old, her father had moved into one

of the worst tenements in the city, a ram-shackle old barrack just at

the edge of Hell's Kitchen; and there was never any quiet there, day or

night, in the house or in the street. There was always a row of some

sort going on, whatever the hour of the day; if profanity and riot could

keep a girl awake she would never have had any sleep there. But Maggie

did not recall that she had been a wakeful child; indeed, she remembered

that she could sleep at any time and anywhere. On the hot summer nights,

when her father came home intoxicated, she would steal away and climb

up to the roof and lie down there, slumbering as healthily as though she

were in their only room.

Even then her father used to get drunk often, on Saturday night always,

and frequently once or twice in the middle of the week. And when he had

taken too much he was mad always. If he found her at home he beat her.

She could recall distinctly the first time her father had knocked her

down, but the oaths that had accompanied the blow she had forgotten. He

had not knocked her down often, but he had sworn at her every day of her

life. The vocabulary of profanity was the first that her infant ears had

learned to distinguish.

Her father quit drinking for a month after he married again. They moved

away from Hell's Kitchen to a better house near the East River. All went

well for a little while, and her step-mother was good to her. But her

father went back to his old ways again, and soon his new wife turned out

to be no better. When the fit was on they quarrelled with each other,

and they took turns in beating Maggie, if she were not quick to make her

escape. It was when aiming a blow at Maggie one Saturday night that her

father pitched forward and fell down a flight of the tenement-house

stairs, and was picked up dead. The neighbors carried him up to the room

where his wife lay in a liquorish stupor.

Maggie was nearly fourteen then. She went on living with her

step-mother, who got her a place in a box-factory. The first days of

work were the happiest of Maggie's girlhood. She remembered the joy

which she felt at her ability to earn money; it gave her a sense of

being her own mistress, of being able to hold her own in the world. And

she made friends among the other girls. One of them, Sadie McDermott,

had a brother Jim, who used to come around on Saturday night and tease

his sister for money. Jim belonged to a gang, and he never worked if he

could help it. He had no trade. Maggie remembered the Saturday night

when she and Sadie had walked home together, and when Jim got mad

because his sister would not divide her wages with him. He snatched her

pocket-book and started to run. When Maggie reproved him with an oath

and caught him by one arm, he threw her off so roughly that she fell and

struck her head on a lamp-post so hard that she fainted.

As Maggie lay in her bed that Fourth of July morning, while her past

life unrolled itself before her like a panorama, she knew that the scar

on the side of her head was not the worst wound Jim McDermott had dealt

her. As she looked back, she wondered how she had ever been friendly

with him; how she had let him follow her about; how she had allowed him

to make love to her. It was on Jim McDermott's account that she had had

the quarrel with her step-mother. Having robbed a drunken man of five

dollars, Jim had invited Maggie to a picnic; and the step-mother, a

little drunker than usual that evening, had said that if Maggie went

with him she would not be received again. Maggie was not one to take a

dare, and she told Jim she would go with him in the morning. The

step-mother cursed her for an ungrateful girl; and when Maggie returned

with him from the picnic late the next night, and came to the door of

the room where she and her step-mother lived, they found it locked

against her, and all Maggie's possessions tied in a bundle, and

scornfully left outside on the landing.

It had not taken Jim long that night to persuade Maggie to go away with

him; and she had not seen her step-mother since. A week later, but not

before he and Maggie had quarrelled, Jim was arrested for robbing the

drunken man; he was sent up to the Island. Since the picnic Maggie had

not been back to the factory. Jim had taken her with him one night to a

dance-hall, and there she went without him when she was left alone in

the world. There she had met Terry a month later. When she first saw

Terry the thing plainest before her was the Morgue; she was on the way

there, and she was going fast, and she knew it. Although winter had not

yet come, she had already a cough that racked her day and night.

And as she lay there in her comfortable bed, and thought of the chill of

the Morgue from which Terry had saved her, she closed her eyes to keep

out the dreadful picture, and she clinched her fists across her

forehead. Then she smiled as she remembered the way Terry had thrashed

Jim, who had got off the Island somehow before his time was up. Jim said

he had a pull with the police, and he came to her for money, and he

threatened to have her taken up. It was then Terry had the scrap with

him, and did him up. Terry had had a day off, for his boss kept closed

on Sundays; at that time Terry was keeping bar at a high-toned cafe near

Gramercy Park.

When he thrashed Jim that was not the first time Terry had been good to

her. Nor was it the last. A fortnight later he took her away from the

dance-hall, and as soon as he could get a day off he married her. They

went down to the Tombs, and the judge married them. The judge knew

Terry, and when he had kissed the bride he congratulated Terry, and said

that the new-made husband was a lucky man, and that he had got a good

wife.

A good wife Maggie knew she had been, and she was sure she brought Terry

luck. When the man who had been running the house which now bore the

name of Terence O'Donnell over its door got into trouble and had to skip

the country, the boss had put Terry in charge, and had let Maggie go to

house-keeping in the little rooms over the saloon; and when the boss

died suddenly, his widow knew Terry was honest, and sold out the place

to him, cheap, on the instalment plan. That was a year and a half ago,

and all the instalments had been paid except the last, which was not

due for a week yet, though the money for it lay all ready in the safe

down-stairs. And Terry was doing well; he was popular; his friends would

come two blocks out of the way to get a drink at his place; and he had

just had a chance to go into a picnic speculation. He was sure to make

money; and perhaps in two or three years they might be able to pay off

the mortgage on the fixtures. Then they would be rich; and perhaps Terry

would get into politics.

Suddenly the current of Maggie's thoughts was arrested. From the floor

below there came sounds, confused and muffled, and yet unmistakable.

Maggie listened, motionless, and then she got out of bed quickly. She

knew that there was some one in the saloon down-stairs; and at that hour

no one could be there for a good purpose. Whoever was there was a thief.

Perhaps it was some one of the toughs of the neighborhood, who knew that

Terry was away.

She had no weapon of any kind, but she was not in the least afraid. She

stepped cautiously to the head of the stairs, and crept stealthily down,

not delaying to put on her stockings. The sounds in the saloon

continued; they were few and slight, but Maggie could interpret them

plainly enough; they told her that a man having got into the house

somehow, had now gone behind the bar. Probably he was trying to steal

the change in the cash-drawer; she was glad that Terry had locked all

his money in the safe just before he went off.

When Maggie had slipped down the stairs gently, and stood in the little

passageway with the door into the saloon ajar before her, she felt a

slight draught, and she knew that the thief had entered through a

window, and had left it open. Yet there was no use in her calling for

assistance. The only people within reach of her voice were the poor

Poles, who were too poor-spirited to protest even if they saw her robbed

in broad daylight; they were cowardly creatures all of them; and she

could not hope for help from them as she would if they were only white

men. The policeman might be within reach of her cry; but he had a long

beat, and there was only a slim chance that he was near.

Her head was clear, and she thought swiftly. The thing to do, the only

thing, was to make use of the telephone to summon assistance. The

instrument was within two feet of her as she stood in the passage, but

it was on the other side of the door at the end of the bar, and

therefore in full view of any one who might be in the saloon. And it

would not be possible to ring up the central office and call for help

without being heard by the robber.

Having made up her mind what it was best for her to do, Maggie did not

hesitate a moment; she pushed the door gently before her and stepped

silently into the saloon. As the faint light from the single dim jet of

gas burning over the bar fell upon her, she looked almost pretty, with

the aureole of her reddish hair, and with her firm young figure draped

in the coarse white gown. She glanced around her, and for a second she

saw no one. The window before her was open, but the man who had broken

in was not in sight.

As she peered about she heard a scratching, grating noise, and then she

saw the top of a man's head just appearing above the edge of the bar

behind which his body was concealed. She knew then that the thief was

trying to get into the safe where Terry's money was locked up.

Leaving the door wide open behind her, Maggie took the two steps that

brought her to the telephone, and rapidly turned the handle. Then she

faced about swiftly to see what the man would do.

The first thing he did was to bob his head suddenly under the bar,

disappearing wholly. Then he slowly raised his face above the edge of

the bar, and Maggie found herself staring into the shifty eyes of Jim

McDermott.

"Hello, Maggie!" he said, as he stood up. "Is that you?"

She saw that he had a revolver in his right hand. But she put up her

hand again and repeated the telephone call.

"Drop that!" he cried, as he raised the revolver. "You try to squeal and

I'll shoot--see?"

"Where did you steal that pistol, Jim McDermott?" was all she answered.

"None o' your business where I got it," he retorted. "I got it good and

ready for you now. I kin use it too, and don't you forget it! You quit

that telephone or you'll see how quick I can shoot. You hear me?"

She did not reply. She was waiting for the central office to acknowledge

her call. She looked Jim McDermott square in the eyes, and it was he who

was uncomfortable and not she.

Then the bell of the telephone rang, and she turned and spoke into the

instrument clearly and rapidly and yet without flurry. "This is 31

Chatham. There's a burglar here. It's Jim McDermott. Send the police

quick."

This was her message; and then she faced about sharply and cried to him,

"Now shoot, and be damned!"

He took her at her word, and fired. The bullet bored a hole in the

wooden box of the telephone.

Maggie laughed tauntingly, and slipped swiftly out of the door, but not

swiftly enough to avoid the second bullet.

Five minutes later when the police arrived, just as the day was

beginning to break, they found Jim McDermott fled, the window open, the

safe uninjured, and Maggie O'Donnell lying in the passageway at the foot

of the stairs, her night-gown stained with blood from a flesh wound in

her arm.

(1893.)

A MIDSUMMER MIDNIGHT

After three years' service at sea on the flag-ship of the White

Squadron, Lieutenant John Stone had a long leave of absence. It was late

in the afternoon of one of the hottest days of August when he left the

navy-yard and took the ferry to New York. The street-car in which he

rode across town crawled along, the horses seeming to be exhausted by

the wearing weather of the preceding fortnight, and the driver had no

energy to keep them up to their work.

It mattered little to John Stone how slowly they went; he was in no

hurry; he had nothing to do; he had nobody waiting for him. At forty he

was alone in the world, without a blood-relation anywhere or any nearer

than a second cousin, without a home, without an address, except "Care

of the Navy Department, Washington, D.C." He was almost without ambition

even in the service now, for he had not yet had a command, and he would

not get his step for three or four years more. He was fond of his

profession, and of late he had been working lovingly at its early

history. He had come to New York now to look up in the libraries a few

missing links in an account of the rise and fall of Carthage as a sea

power. To be near the books he had to consult, he was going to stay at a

hotel within two or three blocks of Washington Square.

When he had registered at the hotel, the clerk, reading his name

upsidedown, said, courteously: "I'm sorry we can't do better for you,

Mr. Stone, but I shall have to put you on the sixth floor. You see, we

are overrun with our Southern and Western trade now; they have found out

that New York is the finest summer resort in the country. The best I can

do for you is to give you a room on the Avenue, with a bath-room

attached."

"That will do very well," Stone answered.

"Front!" called the clerk. "Show Mr. Stone up to 313."

When the naval officer reached room 313 it was nearly six o'clock. He

threw open the window and looked down at the street below. Even at that

height the heat welled up from the stone sidewalks and from the brick

walls opposite. To his ear it seemed almost as though the mighty roar of

the metropolis rose to him muffled and made more remote by the heat. He

lighted a cigar and leaned out of the window, and wondered how many

people there were in all the city whom he knew by sight, and how very

few there were who could call him by name.

A sweltering wind from the west swayed the thick and dusty branches of

the trees which lined the curb far down below him. He threw his cigar

away half smoked. Then he took a cold bath, and went down to the

dining-room somewhat refreshed.

Vignettes of Manhattan; Outlines in Local Color · 第 4 / 19 段