LETTER VI.

Fears—Travelling Equipments—Passports—Coolie Costume—A Yedo

Diorama—Rice-Fields—Tea-Houses—A Traveller’s Reception—The Inn at

Kasukabé—Lack of Privacy—A Concourse of Noises—A Nocturnal Alarm—A Vision

of Policemen—A Budget from Yedo.

KASUKABÉ, _June_ 10.

FROM the date you will see that I have started on my long journey, though

not upon the “unbeaten tracks” which I hope to take after leaving Nikkô,

and my first evening alone in the midst of this crowded Asian life is

strange, almost fearful. I have suffered from nervousness all day—the

fear of being frightened, of being rudely mobbed, as threatened by Mr.

Campbell of Islay, of giving offence by transgressing the rules of

Japanese politeness—of, I know not what! Ito is my sole reliance, and he

may prove a “broken reed.” I often wished to give up my project, but was

ashamed of my cowardice when, on the best authority, I received

assurances of its safety. {32}

The preparations were finished yesterday, and my outfit weighed 110 lbs.,

which, with Ito’s weight of 90 lbs., is as much as can be carried by an

average Japanese horse. My two painted wicker boxes lined with paper and

with waterproof covers are convenient for the two sides of a pack-horse.

I have a folding-chair—for in a Japanese house there is nothing but the

floor to sit upon, and not even a solid wall to lean against—an

air-pillow for _kuruma_ travelling, an india-rubber bath, sheets, a

blanket, and last, and more important than all else, a canvas stretcher

on light poles, which can be put together in two minutes; and being 2½

feet high is supposed to be secure from fleas. The “Food Question” has

been solved by a modified rejection of all advice! I have only brought a

small supply of Liebig’s extract of meat, 4 lbs. of raisins, some

chocolate, both for eating and drinking, and some brandy in case of need.

I have my own Mexican saddle and bridle, a reasonable quantity of

clothes, including a loose wrapper for wearing in the evenings, some

candles, Mr. Brunton’s large map of Japan, volumes of the Transactions of

the English Asiatic Society, and Mr. Satow’s Anglo-Japanese Dictionary.

My travelling dress is a short costume of dust-coloured striped tweed,

with strong laced boots of unblacked leather, and a Japanese hat, shaped

like a large inverted bowl, of light bamboo plait, with a white cotton

cover, and a very light frame inside, which fits round the brow and

leaves a space of 1½ inches between the hat and the head for the free

circulation of air. It only weighs 2½ ounces, and is infinitely to be

preferred to a heavy pith helmet, and, light as it is, it protects the

head so thoroughly, that, though the sun has been unclouded all day and

the mercury at 86°, no other protection has been necessary. My money is

in bundles of 50 _yen_, and 50, 20, and 10 _sen_ notes, besides which I

have some rouleaux of copper coins. I have a bag for my passport, which

hangs to my waist. All my luggage, with the exception of my saddle,

which I use for a footstool, goes into one _kuruma_, and Ito, who is

limited to 12 lbs., takes his along with him.

I have three _kurumas_, which are to go to Nikkô, ninety miles, in three

days, without change of runners, for about eleven shillings each.

Passports usually define the route over which the foreigner is to travel,

but in this case Sir H. Parkes has obtained one which is practically

unrestricted, for it permits me to travel through all Japan north of

Tôkiyô and in Yezo without specifying any route. This precious document,

without which I should be liable to be arrested and forwarded to my

consul, is of course in Japanese, but the cover gives in English the

regulations under which it is issued. A passport must be applied for,

for reasons of “health, botanical research, or scientific investigation.”

Its bearer must not light fires in woods, attend fires on horseback,

trespass on fields, enclosures, or game-preserves, scribble on temples,

shrines, or walls, drive fast on a narrow road, or disregard notices of

“No thoroughfare.” He must “conduct himself in an orderly and

conciliating manner towards the Japanese authorities and people;” he

“must produce his passport to any officials who may demand it,” under

pain of arrest; and while in the interior “is forbidden to shoot, trade,

to conclude mercantile contracts with Japanese, or to rent houses or

rooms for a longer period than his journey requires.”

NIKKÔ, _June_ 13.—This is one of the paradises of Japan! It is a

proverbial saying, “He who has not seen Nikkô must not use the word

kek’ko” (splendid, delicious, beautiful); but of this more hereafter. My

attempt to write to you from Kasukabé failed, owing to the onslaught of

an army of fleas, which compelled me to retreat to my stretcher, and the

last two nights, for this and other reasons, writing has been out of the

question.

I left the Legation at 11 a.m. on Monday and reached Kasukabé at 5 p.m.,

the runners keeping up an easy trot the whole journey of twenty-three

miles; but the halts for smoking and eating were frequent.

These kuruma-runners wore short blue cotton drawers, girdles with tobacco

pouch and pipe attached, short blue cotton shirts with wide sleeves, and

open in front, reaching to their waists, and blue cotton handkerchiefs

knotted round their heads, except when the sun was very hot, when they

took the flat flag discs, two feet in diameter, which always hang behind

_kurumas_, and are used either in sun or rain, and tied them on their

heads. They wore straw sandals, which had to be replaced twice on the

way. Blue and white towels hung from the shafts to wipe away the sweat,

which ran profusely down the lean, brown bodies. The upper garment

always flew behind them, displaying chests and backs elaborately tattooed

with dragons and fishes. Tattooing has recently been prohibited; but it

was not only a favourite adornment, but a substitute for perishable

clothing.

Most of the men of the lower classes wear their hair in a very ugly

fashion,—the front and top of the head being shaved, the long hair from

the back and sides being drawn up and tied, then waxed, tied again, and

cut short off, the stiff queue being brought forward and laid, pointing

forwards, along the back part of the top of the head. This top-knot is

shaped much like a short clay pipe. The shaving and dressing the hair

thus require the skill of a professional barber. Formerly the hair was

worn in this way by the _samurai_, in order that the helmet might fit

comfortably, but it is now the style of the lower classes mostly and by

no means invariably.

[Picture: A Kuruma]

Blithely, at a merry trot, the coolies hurried us away from the kindly

group in the Legation porch, across the inner moat and along the inner

drive of the castle, past gateways and retaining walls of Cyclopean

masonry, across the second moat, along miles of streets of sheds and

shops, all grey, thronged with foot-passengers and _kurumas_, with

pack-horses loaded two or three feet above their backs, the arches of

their saddles red and gilded lacquer, their frontlets of red leather,

their “shoes” straw sandals, their heads tied tightly to the saddle-girth

on either side, great white cloths figured with mythical beasts in blue

hanging down loosely under their bodies; with coolies dragging heavy

loads to the guttural cry of _Hai_! _huida_! with children whose heads

were shaved in hideous patterns; and now and then, as if to point a moral

lesson in the midst of the whirling diorama, a funeral passed through the

throng, with a priest in rich robes, mumbling prayers, a covered barrel

containing the corpse, and a train of mourners in blue dresses with white

wings. Then we came to the fringe of Yedo, where the houses cease to be

continuous, but all that day there was little interval between them. All

had open fronts, so that the occupations of the inmates, the “domestic

life” in fact, were perfectly visible. Many of these houses were

road-side _chayas_, or tea-houses, and nearly all sold sweet-meats, dried

fish, pickles, _mochi_, or uncooked cakes of rice dough, dried

persimmons, rain hats, or straw shoes for man or beast. The road, though

wide enough for two carriages (of which we saw none), was not good, and

the ditches on both sides were frequently neither clean nor sweet. Must

I write it? The houses were mean, poor, shabby, often even squalid, the

smells were bad, and the people looked ugly, shabby, and poor, though all

were working at something or other.

The country is a dead level, and mainly an artificial mud flat or swamp,

in whose fertile ooze various aquatic birds were wading, and in which

hundreds of men and women were wading too, above their knees in slush;

for this plain of Yedo is mainly a great rice-field, and this is the busy

season of rice-planting; for here, in the sense in which we understand

it, they do not “cast their bread upon the waters.” There are eight or

nine leading varieties of rice grown in Japan, all of which, except an

upland species, require mud, water, and much puddling and nasty work.

Rice is the staple food and the wealth of Japan. Its revenues were

estimated in rice. Rice is grown almost wherever irrigation is possible.

The rice-fields are usually very small and of all shapes. A quarter of

an acre is a good-sized field. The rice crop planted in June is not

reaped till November, but in the meantime it needs to be “puddled” three

times, i.e. for all the people to turn into the slush, and grub out all

the weeds and tangled aquatic plants, which weave themselves from tuft to

tuft, and puddle up the mud afresh round the roots. It grows in water

till it is ripe, when the fields are dried off. An acre of the best land

produces annually about fifty-four bushels of rice, and of the worst

about thirty.

On the plain of Yedo, besides the nearly continuous villages along the

causewayed road, there are islands, as they may be called, of villages

surrounded by trees, and hundreds of pleasant oases on which wheat ready

for the sickle, onions, millet, beans, and peas, were flourishing. There

were lotus ponds too, in which the glorious lily, _Nelumbo nucifera_, is

being grown for the sacrilegious purpose of being eaten! Its splendid

classical leaves are already a foot above the water.

After running cheerily for several miles my men bowled me into a

tea-house, where they ate and smoked while I sat in the garden, which

consisted of baked mud, smooth stepping-stones, a little pond with some

goldfish, a deformed pine, and a stone lantern. Observe that foreigners

are wrong in calling the Japanese houses of entertainment

indiscriminately “tea-houses.” A tea-house or _chaya_ is a house at

which you can obtain tea and other refreshments, rooms to eat them in,

and attendance. That which to some extent answers to an hotel is a

_yadoya_, which provides sleeping accommodation and food as required.

The licenses are different. Tea-houses are of all grades, from the

three-storied erections, gay with flags and lanterns, in the great cities

and at places of popular resort, down to the road-side tea-house, as

represented in the engraving, with three or four lounges of dark-coloured

wood under its eaves, usually occupied by naked coolies in all attitudes

of easiness and repose. The floor is raised about eighteen inches above

the ground, and in these tea-houses is frequently a matted platform with

a recess called the _doma_, literally “earth-space,” in the middle, round

which runs a ledge of polished wood called the _itama_, or “board space,”

on which travellers sit while they bathe their soiled feet with the water

which is immediately brought to them; for neither with soiled feet nor in

foreign shoes must one advance one step on the matted floor. On one side

of the _doma_ is the kitchen, with its one or two charcoal fires, where

the coolies lounge on the mats and take their food and smoke, and on the

other the family pursue their avocations. In almost the smallest

tea-house there are one or two rooms at the back, but all the life and

interest are in the open front. In the small tea-houses there is only an

_irori_, a square hole in the floor, full of sand or white ash, on which

the live charcoal for cooking purposes is placed, and small racks for

food and eating utensils; but in the large ones there is a row of

charcoal stoves, and the walls are garnished up to the roof with shelves,

and the lacquer tables and lacquer and china ware used by the guests.

The large tea-houses contain the possibilities for a number of rooms

which can be extemporised at once by sliding paper panels, called

_fusuma_, along grooves in the floor and in the ceiling or cross-beams.

[Picture: Road-Side Tea-House]

When we stopped at wayside tea-houses the runners bathed their feet,

rinsed their mouths, and ate rice, pickles, salt fish, and “broth of

abominable things,” after which they smoked their tiny pipes, which give

them three whiffs for each filling. As soon as I got out at any of

these, one smiling girl brought me the _tabako-bon_, a square wood or

lacquer tray, with a china or bamboo charcoal-holder and ash-pot upon it,

and another presented me with a _zen_, a small lacquer table about six

inches high, with a tiny teapot with a hollow handle at right angles with

the spout, holding about an English tea-cupful, and two cups without

handles or saucers, with a capacity of from ten to twenty thimblefuls

each. The hot water is merely allowed to rest a minute on the

tea-leaves, and the infusion is a clear straw-coloured liquid with a

delicious aroma and flavour, grateful and refreshing at all times. If

Japanese tea “stands,” it acquires a coarse bitterness and an unwholesome

astringency. Milk and sugar are not used. A clean-looking wooden or

lacquer pail with a lid is kept in all tea-houses, and though hot rice,

except to order, is only ready three times daily, the pail always

contains cold rice, and the coolies heat it by pouring hot tea over it.

As you eat, a tea-house girl, with this pail beside her, squats on the

floor in front of you, and fills your rice bowl till you say, “Hold,

enough!” On this road it is expected that you leave three or four _sen_

on the tea-tray for a rest of an hour or two and tea.

All day we travelled through rice swamps, along a much-frequented road,

as far as Kasukabé, a good-sized but miserable-looking town, with its

main street like one of the poorest streets in Tôkiyô, and halted for the

night at a large _yadoya_, with downstairs and upstairs rooms, crowds of

travellers, and many evil smells. On entering, the house-master or

landlord, the _teishi_, folded his hands and prostrated himself, touching

the floor with his forehead three times. It is a large, rambling old

house, and fully thirty servants were bustling about in the _daidokoro_,

or great open kitchen. I took a room upstairs (i.e. up a steep

step-ladder of dark, polished wood), with a balcony under the deep eaves.

The front of the house upstairs was one long room with only sides and a

front, but it was immediately divided into four by drawing sliding

screens or panels, covered with opaque wall papers, into their proper

grooves. A back was also improvised, but this was formed of frames with

panes of translucent paper, like our tissue paper, with sundry holes and

rents. This being done, I found myself the possessor of a room about

sixteen feet square, without hook, shelf, rail, or anything on which to

put anything—nothing, in short, but a matted floor. Do not be misled by

the use of this word matting. Japanese house-mats, _tatami_, are as

neat, refined, and soft a covering for the floor as the finest Axminster

carpet. They are 5 feet 9 inches long, 3 feet broad, and 2½ inches

thick. The frame is solidly made of coarse straw, and this is covered

with very fine woven matting, as nearly white as possible, and each mat

is usually bound with dark blue cloth. Temples and rooms are measured by

the number of mats they contain, and rooms must be built for the mats, as

they are never cut to the rooms. They are always level with the polished

grooves or ledges which surround the floor. They are soft and elastic,

and the finer qualities are very beautiful. They are as expensive as the

best Brussels carpet, and the Japanese take great pride in them, and are

much aggrieved by the way in which some thoughtless foreigners stamp over

them with dirty boots. Unfortunately they harbour myriads of fleas.

Outside my room an open balcony with many similiar rooms ran round a

forlorn aggregate of dilapidated shingle roofs and water-butts. These

rooms were all full. Ito asked me for instructions once for all, put up

my stretcher under a large mosquito net of coarse green canvas with a

fusty smell, filled my bath, brought me some tea, rice, and eggs, took my

passport to be copied by the house-master, and departed, I know not

whither. I tried to write to you, but fleas and mosquitoes prevented it,

and besides, the _fusuma_ were frequently noiselessly drawn apart, and

several pairs of dark, elongated eyes surveyed me through the cracks; for

there were two Japanese families in the room to the right, and five men

in that to the left. I closed the sliding windows, with translucent

paper for window panes, called _shôji_, and went to bed, but the lack of

privacy was fearful, and I have not yet sufficient trust in my

fellow-creatures to be comfortable without locks, walls, or doors! Eyes

were constantly applied to the sides of the room, a girl twice drew aside

the _shôji_ between it and the corridor; a man, who I afterwards found

was a blind man, offering his services as a shampooer, came in and said

some (of course) unintelligible words, and the new noises were perfectly

bewildering. On one side a man recited Buddhist prayers in a high key;

on the other a girl was twanging a _samisen_, a species of guitar; the

house was full of talking and splashing, drums and tom-toms were beaten

outside; there were street cries innumerable, and the whistling of the

blind shampooers, and the resonant clap of the fire-watchman who

perambulates all Japanese villages, and beats two pieces of wood together

in token of his vigilance, were intolerable. It was a life of which I

knew nothing, and the mystery was more alarming than attractive; my money

was lying about, and nothing seemed easier than to slide a hand through

the _fusuma_ and appropriate it. Ito told me that the well was badly

contaminated, the odours were fearful; illness was to be feared as well

as robbery! So unreasonably I reasoned! {41}

My bed is merely a piece of canvas nailed to two wooden bars. When I lay

down the canvas burst away from the lower row of nails with a series of

cracks, and sank gradually till I found myself lying on a sharp-edged

pole which connects the two pair of trestles, and the helpless victim of

fleas and mosquitoes. I lay for three hours, not daring to stir lest I

should bring the canvas altogether down, becoming more and more nervous

every moment, and then Ito called outside the _shôji_, “It would be best,

Miss Bird, that I should see you.” What horror can this be? I thought,

and was not reassured when he added, “Here’s a messenger from the

Legation and two policemen want to speak to you.” On arriving I had done

the correct thing in giving the house-master my passport, which,

according to law, he had copied into his book, and had sent a duplicate

copy to the police-station, and this intrusion near midnight was as

unaccountable as it was unwarrantable. Nevertheless the appearance of

the two mannikins in European uniforms, with the familiar batons and

bull’s-eye lanterns, and with manners which were respectful without being

deferential, gave me immediate relief. I should have welcomed twenty of

their species, for their presence assured me of the fact that I am known

and registered, and that a Government which, for special reasons, is

anxious to impress foreigners with its power and omniscience is

responsible for my safety.

While they spelt through my passport by their dim lantern I opened the

Yedo parcel, and found that it contained a tin of lemon sugar, a most

kind note from Sir Harry Parkes, and a packet of letters from you. While

I was attempting to open the letters, Ito, the policemen, and the lantern

glided out of my room, and I lay uneasily till daylight, with the letters

and telegram, for which I had been yearning for six weeks, on my bed

unopened!

Already I can laugh at my fears and misfortunes, as I hope you will. A

traveller must buy his own experience, and success or failure depends

mainly on personal idiosyncrasies. Many matters will be remedied by

experience as I go on, and I shall acquire the habit of feeling secure;

but lack of privacy, bad smells, and the torments of fleas and mosquitoes

are, I fear, irremediable evils.

Unbeaten Tracks in Japan · 第 16 / 127 题