HOLYROOD ABBEY, EDINBURGH.

The traditional story connected with the foundation and name of this

monastery is well known--viz., that a rood or cross miraculously passed

into the hands of King David I., and thus saved his life when attacked

by a stag in hunting, in commemoration of which he erected an abbey to

the Holy Rood. The abbey was founded by David I., and richly endowed

early in the twelfth century, and building is said to have commenced in

1128. The house was colonised by Canons Regular of the Order of St.

Augustine, brought from St. Andrews. Being so near the capital, the

abbey became a favourite place of sojourn of the kings of Scotland,

especially after the accession of the Stewarts to the throne. Robert

III. and James I. lived in the abbey. James II. was born and resided

there, and was buried in the church. James III. and James IV. stayed

much at Holyrood, and the latter began the erection of a palace attached

to, but distinct from, the monastery. The palace was extended by James

V., and formed the chief scene of many of the incidents in Queen Mary’s

reign.[32]

The abbey church was a structure of great size and of beautiful

architecture. It consisted of the usual divisions, having nave, choir,

and transepts, with aisles and probably a lady chapel to the east, two

western towers, and a tower over the crossing. But of all that splendid

structure there now only remain the ruins of the nave and one western

tower. The abbey and palace were frequently attacked and burnt by the

English, particularly under Hertford in 1544, and the abbey was again

destroyed by Somerset in 1547. At the latter date the monks had left the

abbey, and the invaders stripped the lead off the roofs of the

buildings. These “visitations” seem to have led to the serious injury of

the choir; but the choir and transept do not appear to have been

completely ruined till after 1569. At that date, Adam, Bishop of Orkney

and Commendator of Holyrood, stated to the General Assembly that “the

Abbay Church of Halyrud house hath been these 20 years bygane ruinous,

through decay of two principall pillars, so that none were assured under

it ... he purposed to provide the means that the superfluous ruinous

parts to wit the Queir and Croce Kirk might be disponed to faithfull men

to repair the remanent sufficiently.”[33] The bishop’s proposal was

apparently carried out, and the materials of the choir and transept were

demolished and sold “to provide funds for converting the nave into the

Parish Kirk of the Canongate.”

The two pillars referred to by the bishop as unsafe were probably the

east pillars of the crossing, which are now removed, but the two west

pillars still stand. They form the east end of the existing nave. Sir D.

Wilson believes that, when the choir was taken down, the vault which

contained the remains of the kings and queens of Scotland was built in

the south-east angle of the nave, and their coffins transferred into it.

Holyrood Palace was the principal residence in Scotland of James VI. and

Charles I. The latter took considerable interest in the church, and

wished to restore it as the chapel royal. He had the west end

re-edified, as the style of the architecture of the upper portion and

the inscriptions thereon bear witness.

James VII. of Scotland (while Duke of York) lived for a considerable

time in the palace, and had a wish to restore the church and make it the

place of meeting of the Knights of St. Andrew. But his operations were

disapproved of by the populace, and all the fittings were destroyed by

the mob in 1688. The tombs of the royal family were, at the same time,

desecrated, and the remains scattered over the pavement. After the

middle of the eighteenth century an attempt was made to restore the

nave, and the roof was covered with heavy stone flags. But the materials

employed were too heavy for the old walls, and the new roof fell in

1768, drawing down with it the whole of the vaulting and clerestory. At

the same time, the tombs of the kings were again pillaged, and Captain

Grose describes having seen some of the remains exposed and defiled by

the populace.

The nave (Fig. 482), which now alone survives in a ruinous state,

consists of eight bays, the main piers of which are complete on the

south side, but are only represented by two fragments on the north side.

The vaulting of the south aisle also survives, but that of the north

aisle is gone. The north wall of the aisle, however, still stands, and

the east and west ends of the nave are restored. The north-west tower is

still preserved, but its companion tower, which formerly stood at the

south-west angle, was demolished when the palace was rebuilt in the

seventeenth century. Some remains of the cloister are still observable

on the south side of the nave.

The chief part of the architecture is of the first pointed period; but

at the south-east angle, the doorway (Fig. 483), which led from the

cloister into the nave, is of genuine, though late, Norman architecture.

The doorway had a nook shaft on each side, the divided cushion caps of

which survive. The arch is round, and contains two orders, both

ornamented with varieties of zigzags. These orders are enclosed with a

label, containing a double row of square facets and sinkings. Some

alterations have taken place in the building adjoining the doorway. On

the west side of it runs the wall of the south aisle, the roof of which

rested on a ledge at some height above the doorway. Under this ledge are

the windows of

[Illustration: FIG. 482.--Holyrood Abbey. Plan.]

[Illustration: FIG. 483.--Holyrood Abbey. South-East Doorway.]

the south aisle. Two of these windows, that over the doorway and the one

to the west of it, are circular headed, and have a Norman character in

their nook shafts and cushion caps. These windows are, however,

[Illustration: FIG. 484.--Holyrood Abbey. North Aisle.]

restorations, probably constructed in imitation of Norman windows which

existed there originally. It will be observed that the inner order of

the arch contains two reprises wrought on the stone, which were

evidently the ends of two simple pieces of tracery springing from a

central mullion. This form of design shows that the construction was

undoubtedly of a late period. Besides, the sconsions of these windows

are wrought with an obtuse nook containing a shaft, so as to correspond

with the other first pointed windows of the south aisle. It is not

improbable that the choir was built before the nave, and was of Norman

work. This supposition may account for the Norman work found in the

first bay of the nave, which may have been erected in connection with

the choir and crossing.

[Illustration: FIG. 485.--Holyrood Abbey. Arcade in North Aisle.]

The oldest part of the nave, after the south-east doorway, is the wall

of the north aisle (Fig. 484). The responds opposite the piers are very

bold. Each consists of a central shaft, with sharp edge to the front,

and a round shaft on each side of it. The responds have rounded abaci

and caps all richly carved with foliage, and a moulded band in the

centre. The lower story of the wall contains an arcade of interlacing

arches springing from single shafts, the caps of which have square abaci

and very rich foliage (Fig. 485). The arch mouldings are flat, and

contain a quantity of small nail-head ornament between the rolls. The

windows above the arcade are single lancets--one in each bay (Fig. 486.)

On the exterior the lower part of the wall is

[Illustration: FIG. 486.--Holyrood Abbey. North Doorway and North Side

of Church.]

plain, and each lancet has a pair of nook shafts, with simple cap,

having a square abacus. The arch head is in two orders, both splayed,

the outer order having the splay enriched with a series of plain ball

[Illustration: FIG. 487.--Holyrood Abbey. South Aisle.]

ornaments. In the interior (see Fig. 484) these windows show a plain

splayed ingoing, the inner sconsion being formed into an obtuse nook,

containing a bold shaft, with cap spreading its foliage widely so as to

fill up the obtuse angle. The arch contains bold first pointed

mouldings.

[Illustration: FIG. 488.--Holyrood Abbey. Details of South Aisle:

Inside.]

The south wall of the south aisle (Fig. 487) is designed in a similar

manner to the above, but the details are different and of a rather later

character. The responds, although bold, are different from those of the

north wall, the shafts being all round, and the centre shaft is

separated from the side shafts by a square member, having the angle

chamfered. The caps have the same round abacus and bold foliage as those

of the north side. The lower story contains a wall arcade, having single

pointed arches, with first pointed mouldings. The shafts are free, and

the richly foliaged caps (Fig. 488) have round and square abaci. The

windows over the arcade correspond generally to those in the north wall;

but being above the cloister roof, they are short externally, and the

sill is deeply

[Illustration: FIG. 489.--Holyrood Abbey. South Wall: Exterior.]

sloped on the inside. The windows are all pointed, except those of the

two east bays already mentioned. The obtuse nooks for the shafts on the

sconsions of the pointed windows are repeated in the two round-headed

east windows. The lower part of the exterior of the south wall running

westwards from the Norman doorway (Fig. 489) is arcaded with a series

of large pointed arches, each enclosing five smaller pointed arches, and

having a plain wall space between the large and small arches. The caps

of these arcades are all of early first pointed work. The one shown in

Fig. 490 is of peculiar design, having probably been worked on at some

period. Fig. 491 shows one of the caps of the triple shaft supporting

the springing of the large and small arches. The above large arches

were, doubtless, the wall arches for a groined roof over the cloister

walk; but whether that vault was ever built it is now impossible to say.

The south aisle is the only portion of the edifice which retains its

vaulting (see Fig. 487). This is of a very simple character, consisting

of transverse ribs and diagonal ribs. The vaulting of the north aisle

has apparently been similar.

[Illustration: FIG. 490.--Holyrood Abbey.

The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3 · 第 32 / 160 题