TO MY HUSBAND

I

Lilah closed the door of the apartment and walked slowly across the

living-room to the window, removing her black hat and the chiffon veil

which had about it an unpleasant and penetrating odor of mourning. The

silence was good. To be rid of all those people, those eyes, trying to

gauge her grief, to measure it, as if it were soluble! Tears! Suppose

she hadn’t shed enough? Then they would have said that she had not

loved her father....

Well, she had.

Now she could do as she pleased about everything. She turned her back

to the window and with quick, critical eyes appraised the room her

father had liked to call the “library.” He had brought his books and

possessions from Ohio to New York when he accepted the professorship at

Columbia. “No, my dear, we mustn’t leave this, or this--these things

are very precious to me. They are--sanctified.”

Sanctified! A little burst of laughter shook Lilah. She wanted to sweep

everything into a great heap and set a match to it; to make a bonfire

of sanctified ugliness.

She felt very young and invincible as she stood there with her back

to the window. She had asked to be alone because she was afraid of

the exuberance that had taken possession of her on the way back

from the cemetery. Everything had looked so fresh, so gay, so

desirable--streets, houses, little flocks of sparrows, people passing

with disinterested glances at the long procession of funeral hacks. She

had wanted to jump out and walk. But she had kept her handkerchief over

her face to hide the upward curving of her lips, the look she knew must

be there of eagerness. She had gone through the business of burying

her father famously, had made all the conventional gestures. Something

within her had said: “I am free. This is the beginning for me.”

She was sorry that she had pitied her father. She would have preferred

to admire him. He had never understood, as she understood, life or

men. A failure, he had capitalized his defeat. She had seen through

him--his artful gentleness, his calculated patience, his martyrdom. He

never complained, but his eyes looked out at you like a startled deer;

you had a feeling that you had hurt him in some way. He was forever

turning the other cheek, accepting reverses and disappointments with

enthusiasm, as saints have worn and rejoiced in hair shirts.

Lilah thought: “Did I love him? Of course I did. Old hypocrite! I

shouldn’t. He lived his own life and never gave a thought to mine. And

he has left me penniless. He made me love beautiful things and I’ve got

to shift for myself in order to get them. But I loved him.”

She remembered his hands, large, hairy hands with freckles, that had

groped for hers in those last, terrified moments of wavering. And her

heart contracted with a deep pity, a shame, a pervading loneliness.

She began to cry....

She would save the books, of course. They were valuable. Her father,

who had been a gluttonous reader, had had excellent taste. Most of his

salary had gone into first editions--that rare Aretino, the Baudelaire,

the exquisite copy of Vasari’s “Vita di Leonardo da Vinci.” All the

book clerks in the city had gone to the funeral. He had belonged to

that rare genus, the veritable connoisseur.

“Your father was a wonderful man, Miss Norris. Wonderful. I’ll always

remember him prowling up and down between the shelves, peering and

questioning. He knew how to handle books! _He_ never broke their backs!”

Wiping the tears away, Lilah went into her bedroom. She hated herself

in black; she was too blonde and too slender. She decided, leaning

forward to stare at herself in the dressing-table mirror, that she

was positively plain.... And she made a little face at herself. She

undressed slowly, slipping out of the black dress she had bought for

the funeral. Then, sitting on the edge of the bed in her underthings,

she took stock of herself. She could still see herself in the mirror,

rather blurred by the dim light, but charming, not plain now that the

black was gone and her eyes were free of tears. She was one of those

women who take a serious pleasure in regarding themselves; she was

never unconscious of her cleverly modeled face, the misty quality of

her loveliness. And because of this preoccupation, her expression was

watchful, with something petulant in the droop of her mouth. She was

small and compact; she had the broad shoulders and meager hips of

a boy. Her hands were too large but she had inherited her mother’s

pointed and lustrous nails and a certain fineness, almost an elegance

of gesture. She was strong but indolent; she disliked fussy, unsteady

people.

She turned her head and gravely studied another angle of her face; she

had always taken a peculiar delight in the possession of her own nose;

its blunt, deft outlines were modern, audacious, “funny.” How lucky

not to be aquiline, or worse, Roman! It was part of her good fortune

to have been born in physical key with her period. She would have been

considered ugly in the sixteenth, the eighteenth centuries; in the

twentieth, she was delightful because her features were irregular and

provocative.

She thought again: “I am alone.”

All young lives, she reflected, must begin, be founded upon, the

death of some one already old. From the stale and disillusioned, such

soaring as hers! For she meant to soar. Change, decline, a difference

in her delicious outline, were remote and unimaginable calamities. She

remembered, with a shudder, her father’s last year. He had seemed to

surrender too easily to the little habits of senility--he had not been

always--quite nice. Why were old people so pathetic, so remote, so

unaware of their lack of grace?

Now, she knew, she was glad that it was over. She could be free of that

breathless pity, that impatience which had bordered on disgust and had

hurt her so--

She jumped up and went back to the library.

Her father’s chair was drawn up beside the table, so that the light

from the lamp might fall across his open book. He had been reading

Emerson. Not Nietzsche, at the end. He had said, with one of his

smiles, that as he drew nearer to the devil he sought a better

acquaintance with God.

Lilah wondered whether he had found God; whether, after that frantic

struggle not to die, he had come upon green hills and clouds white as

snow. She smiled at the thought of him, reading “Essays in Pessimism”

and neglecting his harp, or his pitch fork. Perhaps he had sought

acquaintance with God too late, as she herself was sure to.

She sat down in the old chair and contemplated her slippers, her

ankles, her legs. Pretty enough legs. She might try the stage. It was

an amusing thought, and while it lasted, she saw herself, very much

blonder, wearing one of those soubrette costumes with a bouffant skirt

and a “plate” hat tied under her chin....

The idea trailed off.

* * * * *

When the telephone rang, she hesitated. It might be Aunt Jo--one of the

relatives, who had made this pilgrimage to New York with the gusto of

the confirmed funeral enthusiast. Or it might be David, who had made

her grief an excuse for offering his shoulder again.

On the chance that it might be Robert Peabody, she answered.

His voice, with that peculiar hesitation, said: “Miss Norris?”

He wanted to see her. He had only just heard. Might he come? Of course!

To-night.... She was alone and unhappy, depressed. He could imagine....

“Eight o’clock, then.”

She put the instrument down and ran into her bedroom, her spirits

flying again, like a whir of swift birds across a sunset sky. The

window was open, and, bare-armed, she leaned on the sill, watching

the tide in the street, people hurrying home, with bundles, with

newspapers, with twisted cornucopias full of flowers. The sky was

slate blue and the street a deep cañon full of purple shadows. All

the ugliness was erased; the cornices had a sort of beauty. A tall

apartment house over on the Avenue rose like a tower, a shaft of white

stone set with lights and crowned with wisps of steam, purple-blue

plumes in a giant’s cap. The murmur of the city rose, confused, a vast

grumble. She thought again of her father, lying out there beneath

a heap of flowers, and of herself, here, alive, with everything

unfolding....

He had always said that he had given his life to her. What he had

really given her was a dubious inheritance. She had all of his

impatience, his detestation of the crude or the banal.

He had taken her with him on his annual vacations in Europe, meager

excursions to Switzerland and Italy. Lilah summered in innumerable,

obscure _pensions_. She wore crêpe waists that “did up” without ironing

and comfortable German-Swiss shoes with hob-nails, and tramped through

the Alpine valleys carrying a stick and a knapsack. Her quick eyes saw

everything, took things in, assorted, rejected, accepted. She spoke

French and Italian with a pert accent, and while her father sought out

and worried his intellectual bones she absorbed the European Blue Book.

Beyond the redolent _pensions_ with their grottoed gardens and dingy

dining-rooms, there were the Grands Hôtels d’Europe, emblazoned

_concièrges_ and _parcs_ equipped with statuary and pavilions. And

beyond the hotels, a sacred circle of _chateâux_ and _villine_

sheltering the lives of people whose very names stirred in her a

melancholy envy. She had never thought herself socially inferior;

she had the peculiar pride of the pedagogical aristocracy; she was,

moreover, American in her assumption of equality. But she could not

be patient, she could not accept what she knew to be a surrender to

mediocrity.

In the meantime, several men fell in love with her--a Swedish pianist

with a bang and long finger-nails, an Italian cavalry officer and an

English engineer who wanted her to go with him to South Africa. She

knew, before she was twenty, the depth and the danger of passion. A man

had groveled at her feet, begging for something she could not feel. She

had known disgust and terror; afterwards, an exultation. She seemed to

have a certain persuasion. Realizing it, she cultivated her charm, what

men called her “mystery.” Part artifice, part instinct, this charm of

hers was deepened, made permanent, during those summers in Europe. She

was feminine and adroit. She knew that, given the right soil, she might

cultivate a very rare garden indeed.

* * * * *

Now this....

She closed the window and began to dress. Black again, she supposed.

Robert Peabody was conventional enough to question grief in orchid

chiffon; he would expect pallor--and pearls. Her own string was

imitation and she threw it down again. The telephone was ringing ...

David.... She crinkled her nose at herself in the mirror. Let him ring!

He was one of those dumb, worshipful creatures made more ardent by

rebuffs. He would ring to-morrow, and the next day, and the next, until

she answered. Nothing must interfere with her seeing Robert Peabody

alone.

The bell stopped with a querulous note of surrender, and she went about

the library, straightening the chairs, pushing the ugliest ornaments

out of sight. She moved quickly, conscious of an unpleasant sensation

of fear. Her father seemed to be there, watching her, mournful and

beseeching, with those eyes of a dog or a wounded deer. She felt that

she had done something unfair; that she might, she might have held him

on this side a little longer--if she had resisted whatever it was that

was pulling him down and away! How horrible! Death should never come

near the living. It was unkind. Even to know--

She had put a silk scarf over her shoulders. The fringed ends touched

the floor; with one hand she held the heavy folds across her hips so

that the grace of her figure was visible.

When the door bell rang--it was one of the push-button variety--she

waited a moment before answering, an artistic interval intended to stir

a doubt in Peabody’s mind and then to reassure him so that he would

mount the four flights of carpeted stairs with a sense of victory, of

security.

While he climbed, she leaned over the banister. She could see his blond

head with the neat parting, his black and white muffler, a gloved hand

on the railing.... The ghost in the room behind her drifted out of the

window, back to the pyramid of flowers.

She thought: “He has never been here before. He’ll hate the room.”

But Robert Peabody seemed only to see her. His light eyes, not quick

like her own, but steady and almost expressionless, stared at her as he

took her hand: “I was so sorry to hear--so awfully sorry for you.”

Lilah’s lips trembled. She led him back to the library and took from

him the heavy overcoat, the silk muffler, his hat and gloves. The feel

of them pleased her; they were so exactly right in texture.

“I’ve been at the Point,” he said, taking her father’s chair. “I never

see a paper there. Gillow told me when I got back this morning.” He

hesitated. “I liked your father.”

“Every one did,” Lilah said.

“I know. I dare say he was better than most of us.”

“He was.”

“See here. I wish you wouldn’t cry! When people die, it’s a confounded

shame to talk about their good qualities. I’m a fool. I didn’t mean to

do what every one else does. I meant to cheer you up a bit.... Are you

alone?”

Lilah wiped her eyes. “Yes. I sent the relatives away. They enjoyed it

too much.”

He laughed. “Sensible of you! What can I talk to you about? Dogs?

People? Gardens?”

“Yourself,” Lilah answered. “I’m curious about you.”

This was obvious, but he was not the sort to be alarmed.

“Your father must have told you,” he said. And to her surprise he

flushed. “I was his worst pupil. I flunked everything. I’m terribly

stupid.”

“I don’t believe that.”

“But I am. I wouldn’t be anywhere to-day if it weren’t for my

grandfather. He created the family, and he still runs it. Funny

thing--he had all the creative instinct. He saw the possibilities in

lumber sixty years ago. He saw, and, he dared. Magnificent old chap! He

outlived my father. I dare say he’ll outlive me.”

“Hardly.”

“Eighty-four. Thin as a leaf and hard as steel! I’m third generation.

And drinkin’.”

“Why?”

“What else is there to do? My grandfather had all the fun. He broke

the ground and planted the seed. Now the trees are up--if I can put

it that way--and there’s nothing for me to do but sit in the shade....

Sometimes I envy him.”

Lilah glanced down at her slippers. “You shouldn’t. He gives you

everything.”

“And laughs at me! Because I’m soft. And thick-pated. He couldn’t hate

me any more than I hate myself. My God, Miss Norris, to be as rich as I

am and to look like an English governess.... Now, don’t I? Honest? You

ought to see my knees--they’re as pink as a baby’s! Look at my hands!

And this hair--it parts like that, neat, in the middle! Great God!” He

stared at her. “So I’m drinkin’.”

“You don’t blame your grandfather for your knees, do you?”

“Of course I do.” He slid forward and offered his cigarette case.

“Smoke?”

Lilah thought quickly: “Do I, or don’t I?”

She decided: “Yes.”

And leaning to the match he lighted, she puffed delicately, with quick

little intakes of breath. The smoke came through her nostrils. She

tipped her head back and let Peabody see the firm line of her throat,

her chin, round and feminine.

“I made you laugh, didn’t I? I wanted to.” His expression changed,

and she saw again that bland, sympathetic look, an intensification,

as if he were trying to focus on his emotion. He had no complexities

of feeling; he seemed to grope for the most simple reaction. It was,

Lilah thought, like one of those “slowed-up” pictures in the movies.

You saw his mood change as you watched him. She could anticipate

the conclusion before he was aware of it himself. Was he going to

bore her too much? Her mind was not always accurate but it was quick

as lightning. She saw--pounced--judged. She lay back in her chair

watching this man whose path had crossed hers only twice, once in

Europe, and again at a dinner given in honor of her father. He was

the only rich man she knew. The satellites that had revolved about

her in her _pension_ days had been on the lookout for the traditional

American heiress; she had no _dot_, and therefore no claim to their

serious attention. She knew this. And her attitude toward men had been

unconsciously established; she believed that she could not advance

without a compromise. She took it for granted that she would have to

forego love. She was too ironical to consider the possibility of a

lovable Robert Peabody.

“See here,” he said. The match burned out between his fingers and he

tossed it into the grate. “I have a suggestion.... You ought not to

stay here alone. Suppose you let me take you back to the Point? My

grandfather’s there. He’d love you. And there’s my Aunt Whiteside,

who’s a sort of housekeeper. It would do you good. What do you say?”

Lilah shook her head. “No.”

“Why not?”

She stood up, flicking the ashes into the hearth, with a gesture she

had perhaps copied from some one--it was not insolent, but it was very

“Russian.” She was picturesque, standing there, the lamplight on the

curious silver-gold of her hair, which she wore straight back from

her forehead. She had about her that peculiar and elusive element of

elegance which is usually the patina, unmistakable, of wealth. There

was no trace of her rather shoddy experience in either her carriage or

her attitude. She was not arrogant. She was assured. And this was her

most valuable asset.

She shook her head again. “I can’t. I’m penniless. I’ve got to do

something.”

Robert Peabody stared at his hands as if they offended him. “I’m sorry.

Terribly sorry. That’s rotten luck.”

The rich can be magnificently casual about money. It was rotten luck!

But to people like the Peabodys, financial calamity is too remote to be

classed among the realities of life.

Lilah, glancing down at the neat part in Robert Peabody’s hair, knew

that she had made a misstep.

“It’s all right,” she said lightly. “I’ll manage.”

“Of course you will! Only I’d hoped that you’d come. It would be jolly

for my grandfather. And for me.”

It would have been jolly for her, if she could have afforded it.

How could she tell Robert Peabody that she had only the one dress,

and nothing for evening? If she had been a personality, some one

established, a woman of importance, it would not have mattered. A

great woman needs only her wits and her name. But Lilah was nobody.

Twenty-seven years old, and nobody. She felt that her potentiality

had been walled in. Her father had had a streak of something common

in his nature; he had preferred mediocre people. He was always giving

money to blatant, down-at-the-heel sycophants whom he suspected of

talent or spiritual loveliness. He lent a sympathetic ear to tales

of degradation. There was something coarse in him--a streak aslant

the pure crystal of his intellect. His friends had called him a

humanitarian; to Lilah, his passion for derelicts meant a lack of

fastidiousness. She wanted him to be an epicurean; he had ended by

being a pathetic Nietzschan bleating for God....

Oh, to get away ... to forget, in the freshness of the country in May,

the stale odor of crêpe and wilted carnations....

“You ought to see the Point, Miss Norris. Some day, you must. I was

brought up there. I’m pretty much of a country chap. I’d like to show

you the kennels. D’you like spaniels?”

“Rather.”

“I’ve got a new litter. Four of the prettiest little chaps. Smooth as

silk with perfectly gorgeous ears.”

He went on, talking about spaniels, leaning back in her father’s chair.

She smiled. But her mind was busy making pictures of the Point; she

was walking down a garden path paved with brick between rose hedges.

The sun was warm on her back; she could feel it through the lace of

her gown, and on her neck, where her leghorn hat turned up and you saw

her hair twisted so smoothly, honey-colored. She was not with Robert

but with his grandfather. There was a look between them of perfect

understanding, something warm, mutual, delicious. And the sky was like

a Canaletto, flecked with “mackerel,” gentian and crystal. She saw the

chimneys of a house, and a sort of terrace where a cow grazed under

some trees....

“The little chaps hadn’t opened their eyes.”

“No?” she said. She came back out of the dream with a shiver of

pleasure. Then one by one the details of the room assailed her. This

was hers.

She twisted her shoulders and smiled. “Aren’t you hungry? I’ll make a

rarebit.”

Robert Peabody flushed again. “Will you?”

She led the way to the kitchen, and, letting the silk scarf fall

into Robert’s hands, she put on an apron. She was very expert and

swift, lighting the gas stove, opening and shutting the ice-box,

grating cheese, toasting crackers, stirring and measuring. She put

Robert in a corner, where he sat with her scarf between his hands,

caressing the stuff, not as some men would have caressed it, with

luxury, but with a sort of unconscious pleasure, as one strokes the

silky ears of a dog. All the while he watched her. She had decided

not to be ashamed of the way she lived; there was little or no use in

pretending luxury. A medley of sounds rose from the court outside,

and she closed the window. They were more alone in the silence. Their

intimacy and their strangeness demanded words, but he said nothing,

only watched, with emotions making their slow and obvious passage

across his eyes. He found her fascinating and she puzzled him. She

was practical, and pretty, a lady; you couldn’t be quite sure, these

days; he might have a shot at a flirtation; he pitied her; he was a

little afraid of her--but fascinating, by George. Damned attractive!

Something foreign about her.... And then the idea of love crossed his

mind. While she was stirring the rarebit, she watched the beginning of

that idea. His eyes were fixed on her hands and arms, from which the

black sleeves fell back. His eyes clouded with the poignant onslaught

of his conception--to love her, to be loved by her. Tremendous. A

responsibility. His mouth betrayed, by a droop at the corners, his

humility and discouragement. And his hands, touching the silk fringes,

began suddenly to caress them, gently.

When she leaned across the table to pour the rarebit, he bent quickly

and kissed her arm.

Lilah said: “Oh.”

“Forgive me, there’s a dear! I didn’t mean to. I swear I didn’t.”

“And you pretend to be stupid?”

“But I am. That’s just it.”

She shrugged. Her reaction was immediate and would have startled him

had he known how swift and inexorable her judgments were. She had

decided to make him suffer, and to land him full and fair in her net.

This one, and no other! You will see that she was romantic; only a

very sentimental woman enjoys making a man suffer. As a gauge of love

the process is primitive, even savage. It meant simply that in that

moment, so light, so brief, when he had put his lips to her arm, he had

attracted her.

“It’s a good rarebit,” he said. “And it seems to me you’re awfully cozy

here. Nice little flat. Everything comfortable.”

“But I haven’t any money.”

“Not literally?”

“Quite. When the nurses and doctors are paid, I shan’t have anything.”

She stifled a sudden depression. “I’ll do something. I can make hats!”

He looked up from the rarebit. “I bet you can! I’ll tell Aunt Whiteside

and the James girls. I know mobs of women....”

He branched off into the eccentricities of his Aunt Whiteside’s

hats. “Awful little bonnets with trees and crystal dew-dabs and

strings--everything shakes and shivers--all of her hats have the palsy.

But she pays like thunder for ’em. And the bills go to my grandfather.

He always says: ‘The price of virtue’ when he writes the check. She’s

sort of a mother superior in sequins. One day my grandfather said:

‘Robert, have you ever noticed Grace Whiteside’s legs?’ I’d never

thought of such a thing! But the next day I looked, and by George, they

were magnificent! Something terrible about it.... An old lady with

legs....”

“Go on,” Lilah said.

But Robert shook his head. “I’m shockin’ you.”

“No. I’ve known Italian men. They all talk like that, only, in Italian,

it sounds like d’Annunzio: _Le gambe belle di una vecchia donna_....”

They laughed.

He had forgotten about her poverty again.

Before he left, standing in the darkened hallway with his muffler on

and eyes sympathetic again, he said: “I’m going to ask Grace Fuller to

come around and see you. She’s looking for a room-mate. Splendid girl.

I’m rather sweet on her. You’d like her.”

“Grace Fuller?”

“She’s a nurse. Took care of me when I had my appendix. And she always

sees Aunt Whiteside through the gall-stones.”

He offered his hand.

Lilah felt that, behind her, the ghost had drifted in again. “I’d be

very glad,” she said faintly.

“Now you cheer up.” His voice deepened a note. He was genuinely sorry

for her. “Good night.”

Lilah leaned against the closed door.... Tired.... Tired.... Grace

Fuller.... Sweet on her.... What a damned fool of a man! What a bore!

Stupid! Stupid! To have had him here at all! To have tried....

She ran to the window and leaned out. A motor moved away with a silvery

clink of chains. It had been raining.... He was gone.... The street

lights were like balloons on sticks and an odor of wet dust rose,

pungent, acrid.

For a long time she leaned there, with dry eyes, her breath shallow.

The day flowed back over her spirit and she saw herself, little,

heartless, unsuccessful. She had better make up her mind to do with

what she had. To accustom herself to such ugliness as this.

The tide · 第 6 / 17 题