THE HOUSE AT HAMPSTEAD.

Thus began my powerful fight for Don Jose Casteno's rights!

Looking back to-day I, of course, can see quite clearly how very foolish

and headstrong I then was, how I refused to be warned, even by the best

friend man ever has--the woman who loves him. But there! we can all be

wise after the event, can't we?

Oddly enough though, I did not meet Casteno in my offices that day at

midnight as we had both so carefully arranged. True, I immediately made

my way to Stanton Street, and by then eight o'clock had actually boomed

forth from Big Ben, but no sooner did I reach my desk than I found

thereon a telegram which had been despatched at 4:30 PM from the Charing

Cross Telegraph Office by the mysterious Spaniard, cancelling the

appointment, and calling upon me to:

"Come immediately to St Bruno's, Chantry Road, Hampstead. I know

all.--Casteno."

As a consequence of this I was soon speeding half across London in that

swift ten-horse Panhard of mine, which had been given to me a month

previously in a burst of generosity by a foolish client, an old man,

whom I had succeeded in delivering from a gang of needy blackmailers

without scandal. Indeed, in less than an hour from receipt of his

message, I had reached the long, winding, and secluded thoroughfare

which he had specified.

As a matter of fact, too, if anybody sought a spot where he could hide

effectually from police and public in London, he could never choose a

better or a more suitable district than the aristocratic portions of

Hampstead. Much of the wild character of the heath still lingers in

those avenues, and the dwellers in those parts are curiously few,

select, and quite indifferent to what goes on outside their own ken.

St Bruno's, I discovered, was one of the finest of the many fine but

solitary-looking mansions that still exist in Chantry Road. It stood at

the far end of the thoroughfare in a _cul de sac_, in which but one gas

lamp burned feebly, throwing into more striking relief the dense, dark

character of the surrounding trees and moss-grown pavement. The only

entrance to the place I could find was a small oaken door in a lofty

wall of stone, like those we see built so often for the vestries of our

parish churches, and when I pulled an old and rusty iron bell-ring there

was a disquietening pause of some minutes before I heard the movement of

any servant. Even then the door itself did not open, but a small panel

about nine inches square was thrust apart at a point about the height of

the average man and commanding a good view of the stranger's face and

form.

"What seek you, my son?" asked a clear, refined voice like a priest's,

but when I answered; "Don Jose Casteno--he has sent for me," all was

changed. The space beyond seemed flooded with light--the door itself

was thrown open wide--and I found myself being escorted by a man in the

habit of a Benedictine monk, across a flagged courtyard to a fine

building, the entrance to which was commanded by two huge wooden doors.

"This is the home of the Order of St Bruno," said my guide, who was old

and decrepit, apparently about sixty years of age. His tones were those

of courteous conversation as used by a man of culture, and he swung to

and fro an old lantern he was carrying to light my path as we both

waited patiently for somebody inside the building to unbar this

formidable-looking entrance. "We St Bruno-ites," he added, "have

houses in many quarters--in Delhi for instance, in Sydney, in America--

but this is our principal place."

"Roman Catholic, of course," I remarked, buttoning up my overcoat, for I

felt chilled after my brisk ride. "Or High Church?" I ventured as I

saw his bright eyes frown.

"Not at all," the man returned with some asperity. "We are of neither

of those sects." But he never explained what their religion was. Just

then the doors of the main house opened and we were ushered into a

magnificent hall, decorated with dark oak panels, and relieved half-way

by a finely-wrought gallery which ran on three sides of this spacious

apartment. On the fourth wall was a wrought-iron bracket on which stood

an immense statue of a woman carved out of white marble, decorated with

rare exotic flowers, and cunningly lit by a series of candles, with

reflectors which depressed all the light on features beautiful only with

the passionless splendour of a Venus de Milo.

Down the centre of the hall was placed a long table, flanked on either

side by forms, and headed by a chair or a small throne fashioned like an

abbot's.

As a matter of fact, I had barely time to take these details in before

the brother who had first admitted me turned with a low bow and left me.

My new guide who had now ushered me in was much younger--about thirty I

guessed--but he also was dressed in the same sombre habit of black as

the one who had first received me, save that his hood and girdle were

white.

No words passed between us, but, in a silence that was almost oppressive

in so brilliantly illuminated and furnished a place, he escorted me down

a long, richly-carpeted passage, hung with valuable classical pictures

of a modern school, to a room at the far end, the door of which stood

invitingly open. Here I was left, but as I turned to examine my new

surroundings, which suggested the rich, well-furnished library of some

bibliophile of a generation ago, I was conscious of somebody stealing up

behind me.

The Hunchback of Westminster · 第 9 / 71 题