COLONIAL AND LATER PERIODS.
Under the broad head of Colonial Furniture may really be classed all
the "movables and chattels" which belonged to the early settlers, while
to be entirely correct, this characterization belongs only to such
furniture as was brought in or made before 1776. As the pioneers came
from many lands, so many different kinds of furniture will be included
in the list.
We must begin at the South, with the melancholy little plantation at
Jamestown. Through evil times the feeble colony struggled, harassed
by poverty, disease, savage foes, and internal dissensions. There in
1607 were planted the first beginnings of the settlements which were in
three hundred years to cover a continent. Traces of the little colony
have almost disappeared now by the action of the James River, high tide
covering the brick foundations of the ancient buildings. Walking along
the shore one may find little red and white clay pipes, in smoking
which, filled with the fragrant weed, the pioneers forgot their woes.
Glass beads striped like gooseberries, to take the eyes of the Indians
in barter, pieces of water-soaked brick from these toil-built houses,
and even traces of the days of Smith, sword-hilts, bits of armour,
balls, etc., and--more pathetic mementos of Jamestown's trials--human
bones and coffin-handles.
Yet in 1639, thirty-two years after the foundation of the colony,
there were in Maryland some planters called "rich," who measured their
worldly goods by their value in tobacco, the raising of which weed
had proved their only salvation. The laws regarding its cultivation,
particularly in Massachusetts, were very stringent. It was only to be
grown as medicine and used privately. It was considered a more harmful
indulgence than liquor, and the "Creature called Tobacko" was hemmed
and hedged about with rules and restrictions. It circumvented them all,
was planted and grown, and finally became a commodity of much value
and a medium of exchange. About ninety years later we find an item
which shows how universal had become its use. The will of May Bickley,
attorney general of the province of New York, filed April 27, 1724,
directs that he "wishes to be buried without pipes and tobacco as is
usual."
[Illustration: Figure 44. KITCHEN AT DEERFIELD, MASS.]
To Maryland and Virginia were transplanted almost bodily rich homes
from the mother country, filled with the luxuries to which their
occupants had been accustomed. It has been said that many of the grand
old homes in the South were built of "English brick." While this is
true in the letter, it is entirely misleading to the reader in general.
The bricks were not brought from England, because at that time there
were few ships afloat capable of bearing any such quantity as would
have been necessary for a house of any considerable size. Mr. McCrady,
in his "History of South Carolina," has taken considerable pains to
explain how this error arose. The historic Miles Brewton house, now
called the Pringle house built about 1770 in the city of Charleston, is
one of the best known houses in the State. It was used as military
headquarters during both the Revolutionary and the Civil wars. It has
been computed, by actual measurement, that the house contains 1,278,720
bricks. Each of these weighs eight pounds, the whole amounting to
4,566 tons. No vessels then afloat could carry more than 500 tons, so
it would have taken nine of such vessels to bring over the bricks for
this house alone. Josiah Quincy says in his Journal that this house
cost about $50,000, which sum would hardly have covered the expense of
so many vessels from London. Mr. McCrady's solution is that there were
two styles of brick made, one, large and heavy, known as "English" the
other called "Dutch" which were very small.
There were, however, bricks brought from England, for the prices of
brick, both of British and New England make, were fixed by statute. As
early as 1662 brickmakers and bricklayers were paid by each thousand
bricks made and laid by them. The first material brought into Virginia
for building purposes was in 1607, for the use of George Percy.
Brickmakers were twice advertised for in 1610, and joiners were at work
on the furniture needed for the new homes.
The houses late in the seventeenth century were by no means so large as
one would expect. Six or eight rooms was the usual size, and many had
even fewer. The house of Cornelius Lloyd, whose estate was valued at
131,044 pounds of tobacco, contained a chamber and hall and a kitchen
with loft and dairy. The windows were often but sliding panels, but
in houses of any pretensions glass was used. In 1684 Colonel Byrd
sent to London for 400 feet of glass, with drawn lead and solder
in proportion. Robert Beverly, Sr., one of the richest men in the
Virginia colony prior to the opening of the eighteenth century, had in
his dining-hall one oval and one folding table, a leather couch, two
chests, a chest of drawers and fifteen Russia-leather chairs, value
£9 9_s._ His supply of table linen was abundant, and the table-ware
was pewter, with wooden trenchers and some earthenware. Richard
Hobbs, of Rappahannock, who died in 1667, owned, among much household
stuff, but a single fork, John Frison, of Henrico County had one of
tortoise-shell. Robert Dudley, of Middlesex County who died in 1700,
had several forks made of horn.
To show some of the luxuries for sale in Virginia prior to 1670 the
inventory of the store of John Frison, mentioned above, is given.
"Holland night-caps; muslin neck-cloths; silk-fringed gloves;
silver shoe-buckles; embroidered Holland waistcoats; 2 doz.
pr. white gloves; 1 lace cap; 7 lace shirts; 9 lace ruffles;
holster-caps of scarlet embroidered with silver and gold; gold and
silver hat-bands; a parcel of silver lace; and a feathered velvet
cap."
There were also many valuable furs.
Mrs. Diggs, widow of the governor of Virginia, died in 1699. She was
a person of much consequence in the colony, and her inventory is
interesting on that account. In her hall parlour were--
--"5 Spanish tables; 2 green and two Turkey-worked carpets; 9
Turkey-worked chairs, and 11 with arrows woven on the seats; 1
embroidered and 1 Turkey-worked couch; 5 pictures (valued at five
shillings); 2 pairs of brass andirons; 3 pr. old tongs; and 1
clock."
[Illustration: Figure 45. WILLIAM PENN'S TABLE.]
Not only did English ships bring on every voyage the best that England
afforded, but Dutch traders, too, crowded in with their own goods, and
others besides from the East. The inventories mention "Dutch cases",
and "Dutch turned chairs", before 1680; and as these rich planters
had tobacco to trade, they obtained all the luxuries to be had. It is
seen that New England had her rich and prosperous men also, and some
fine homes were built as early as 1639. Figure 27, shows a room in
the famous old Whipple House, Ipswich, Mass., built about 1642. The
solidity of these houses is exemplified by the beams, with their finely
moulded edges. The furniture is both interesting and beautiful, one of
the most attractive pieces being the desk made on Sheraton lines which
stands on the right-hand side. A handsome bookcase and desk fill the
corner, and a little Pembroke table holds much glass.
The picture (Figure 44) shows a typical New England kitchen in Colonial
times. It has been arranged in the Deerfield Memorial Hall, and all the
furniture and utensils shown herein were gathered in the neighbourhood.
These primitive homes did not have mantelpieces as a rule, but the
heavy wooden beam fashioned with an axe was called the mantel-tree.
The one shown here did duty for a hundred and sixty-eight years. The
wide chimney-piece could easily accomodate the small children of the
family sitting on billets of wood, while the elders were comfortable on
the settle with its high backboard. It has a convenient candle-bracket
which could be adjusted to suit the reader, and if more light were
needed the candle-stand was convenient. The back of this settle is
sixty inches high, more than is usual. It was owned by Jacob Rich, who
settled in the neighbourhood of Deerfield, Mass., in 1777.
A famous house was known as the "Old Stone House" at Guilford, Conn.,
while at Boston, Salem, Danvers, Dedham, and Dorchester was built many
a sturdy dwelling still standing to show with what solidity these
pioneers did their work. In the earliest days of the Colony's struggles
too much luxury was not deemed good for those battling with the
wilderness. Governor Winthrop writes with some gratification in 1630 of
the burning up of some fine table linen, brought by a "godly woman of
the Church of Boston" from London, and of which she was very proud.
"But it pleased God that the loss of this linen did her much
good, both in taking off her heart from worldly comforts, and
in preparing her for a far greater affliction by the untimely
death of her husband, who was slain not long after at Isle of
Providence."
Yet in 1647, when he married the widow Coytemore, he seems to have had
no hesitation in accepting with her a rich dowry, her share of the
estate of her former husband, and valued at £640 1_s_ 8_d_. Among the
items were such frivolities as "a silver girdle and a silk iacket."
There must have been also other choice garments in the many chests and
trunks enumerated. One of these chests is specified as "spruce." The
widow had a brave stock of pewter, worth £135, and among other goods
unusual at this period were,
"1 chest of drawers £1
a copp. furnace £1 10_s._
A parcel of cheney platters and soucers £1
2 flaskets
A bedstead, trundle bed with ropes and mats."
[Illustration: Figure 46. RUSH-BOTTOMED CHAIRS.]
It is a matter of wonder how the governor reconciled his conscience
to the silver girdle and "iacket," for in 1634 the Massachusetts
General Court had particularly prohibited the wearing of either "gold
or silver girdles, hattbands, belts, ruffs, and beaver hatts." Also
they forbade the purchase of "any appell, either wollen, silke, or
lynnen with any lace on it, silver golde, silke or threed." They
were only allowed one "slash" on each sleeve and one on the back.
These rules were operative for many years, for in Salem, in 1653, a
man is haled before the court for excess "in bootes, rebonds, gould,
and silver lace." In Newbury, Mass., in 1653, two women were brought
before the court for wearing "a silk hood and scarfe," but both were
discharged for proving their husbands were worth over £100. John
Hutchin's wife was also discharged "upon testimony of her being brought
up above the ordinary ranke." These items show that both rank and
property were saving grace even among the Puritans, and no doubt Mrs.
Winthrop escaped censure under this rule.
Boston, about 1650, had houses partly of brick and partly of stone,
as well as plainer wooden ones. In 1640 John Davys built for William
Rix, a weaver, a house "16 feet long and 14 feet wide, with a chamber
floare finished with summer and ioysts." There was also a cellar, the
walls were covered with clapboards, and the chimney was made of hewn
timber, daubed. The whole house cost £21. This was a typical house of
a workingman, and must have required little furniture besides the loom
to fill it. The fine houses with ample halls and large rooms were but
the forerunners of that comfortable style we call by the name Colonial.
But they were precious things when once built, and it is by no means
uncommon to find them parcelled out to different relatives. In 1658
John Greene of Warwick, R. I., gives to his beloved wife--
--"a large hall and chimni with a little chamber adjoining to
the hall, as also a large chamber with a little chamber within
y^t, with a large garret and with a little dary room which buttes
against ye oule house during her life; also half ye orchard."
It seems as if this bequest might have been open to different
interpretations among the heirs. He does not specify if he left the
"goods" which were in the hall and rooms,--quite important items.
The widow Francis Killburn's house at Hartford, whose estate in 1650
was valued at £349, had in her hall "tables, formes, chaires, stools,
and benches," all valued at £1.
Mr. Palfrey says in his "History of New England" that Whitfield's
house at Guilford, Mass., built in 1639, is the oldest house standing
now in New England. There were three stone houses built at Guilford
this same year, and it is now asserted that there are quite a number
of houses still standing which were built before that of Whitfield.
The Barker house at Pembroke, Mass., built in 1628, is said to be the
most ancient. The walls of the Whitfield house are of stone; it is
two stories high with garret, and the timber is oak. There are two
secret closets which were found by removing a board in the attic. This
house was ample and commodious, and the household furnishings were of
corresponding value.
[Illustration: Figure 47. CONNECTICUT CHEST.]
In the colonies during the seventeenth century the doublet was worn
by women as well as by men. Men wore it over a sleeved waistcoat. The
sleeves were elaborately slashed and embroidered. There were falling
bands at the neck for those who wished, while the sedately inclined
wore white linen collars. Trunk hose were used, and shoes plainly tied
or with rosettes. A beaver or felt hat was a necessary adjunct, and all
those who could afford it wore gloves, embroidered if possible. These
gloves had gauntlets, worked or fringed, and such an important item of
dress were the gloves that in 1645 the glovers petitioned the Council
to prevent the export of undressed goat-skins.
In many inventories the item of leather breeches appears, and in
connection with them the comment "half wore out." Henry Webb, of
Boston, who died in 1660, left an estate much of which descended to
Harvard College. His wearing-apparel was unusually limited for a man of
means. In women's inventories the most important item is always linen
or plate, a "ring with a diamond" valued at eight shillings being an
unusual piece of luxury belonging to Mistress Anne Hibbins in 1656.
The best articles which New England exported, and for which England
was most greedy, were masts, thirty-three to thirty-five inches in
diameter, selling for from £95 to £115 each. These and salt fish proved
of more value to the colonies than any other commodity possessed at
that time.
Much of the furniture of the old homes has disappeared. Some is still
retained by the descendants of its original owners, and there are other
pieces now gathered in museums, nearly every city endeavouring to
retain the mementos of her early history.
By 1700 Philadelphia was quite a flourishing town. The life of the
country magnates was elegant and dignified. Many rich men had both town
and country houses complete in every detail. Before the Pennsylvania
Colony was five years old, (the grant was given March 24, 1681) William
Penn had set the example of having a town and country house, the latter
being completed in 1685. He owned a coach and a calash, and had,
besides, a fine barge with oars-men who rowed him between his house and
Philadelphia. Fairfield, the home of the Norris family, was finished in
1717, and was at that time the most beautiful home in Philadelphia. The
sashes for the windows and most of the interior woodwork was imported
from England, as was the furniture. The hall was considered wonderfully
elegant, being paved with marble. There were substantial houses of
brick, the latter of which were home-made, and many artizans of all
trades, Dutch as well as English, were coming over. William Penn wrote
to his agent of such a one, and said that he was to be set to work
making wainscot and tables and chairs, as Penn himself was to bring
much furniture with him. His house in Bucks County was of brick, two
stories and a half high, and was comfortably filled with furniture,
some, as we see, made before he arrived, but most of which he brought
with him. There was much silver plate, pewter dishes, cisterns, etc.,
beds, tables, stands and chairs. In the best parlour were two tables,
one great cane chair, four small cane chairs, one couch, and many
cushions of divers materials. The great hall where they dined had "one
long table, two forms, and six chairs." The dining-room was a later
development, and not until the eighteenth century was well advanced do
we find rooms so called in even the better class of houses.
Figure 45 shows an oak table, of what is called the thousand-legged
pattern. It belongs to Mrs. B. H. Oliver, of Chester, Pa., and has an
interesting history. It is circular in shape, five feet in diameter,
and is in good order. It is said to be part of the furniture brought
to America by William Penn, from whom it descended to the Bradfords, a
well-known Philadelphia family of printers. It was given by them to a
young clerk in their office, named McGowan. In 1849 it came into the
possession of Mrs. Oliver's father, and when he died he bequeathed
it to his son, Dr. John Hepburn, of Warren, Pa., who gave it to his
sister, Mrs. Oliver.
[Illustration: Figure 48. MAHOGANY DESK.]
This style of table dates to the first half of the seventeenth century,
as may be seen by the drawer which all these early tables had. The
brass handle is a late addition, and the drawer has about it the
overlapping edge, this style immediately succeeding the drawers with
mouldings like those shown in the chest on frame in Figure 5. The legs
fold together, fitting into the lower braces, and the leaves drop. This
make of table was always considered of value, so we find them selling
at Philadelphia in 1705 at £2; at Boston, 1699, at £2; in 1690 at
Salem, "a round, black walnut table, £2 5_s_." Such a table as this was
used by Sir William Johnson, so potent a factor in the settlement of
the Mohawk Valley. His table is of mahogany, the leaves drop on hinges,
and it has one more leg on each side than our example. It is oval in
shape instead of round, six feet six inches long, and five feet eleven
inches in its shortest diameter. In 1776 this table was confiscated,
and was bought by the Hon. John Taylor. His descendents have lent it to
the Albany Historical Society.
The social life in Philadelphia in Revolutionary times was easy and
agreeable, consisting of the original Quaker families and another class
connected with the government, and these two gave the tone to society.
The pleasures of the table were the only luxuries which the sedate
Quakers allowed themselves, and the city was famous for the quality of
its Madeira and French wines, and the wonderful cooking of West India
turtle. In 1778 differences in rank were strongly marked. The labourer
wore his leather breeches, checkered shirt, and neat's-hide shoes. The
queue or club was still worn by men of fashion; so were rich broadcloth
coats of every colour except scarlet, which was seen only on the "backs
of soldiers, Carolinians, and dancing-masters." Winthrop Sargent, a
Philadelphian himself, writing of this time, says:
"Silver tankards and china punch-bowls were evidences of
prosperity, as were the small mirrors in wooden frames, and the
mahogany tea-boards that are still sometimes met with in the
lumber-rooms of old-time houses. Glass tumblers were rarely seen,
a dipper for the punch-bowl, or gourd or cup for the water-pail
supplied those who did not have recourse to the vessel itself."
This latter statement seems hardly compatible with "elegance," but
there were certainly great extremes to be met with even in the Capitol
City, as Philadelphia was at that time.
[Illustration: Figure 49. CORNER CUPBOARD.]
When it became fashionable to have tables round or oval, it was no
longer possible to use forms or settles at them. So chairs took their
place, and we notice with greater frequency in the inventories "sets"
of chairs, six, twelve, and occasionally twenty-four. These early
chairs, straight-backed (Figure 46), with rush or bass bottoms, or of
carved wood or leather, were hard to sit upon, so cushions were
provided in large numbers and of varying degrees of elegance. These
rush-bottomed chairs with turned wood frames remained in use for many
years. They were made with different degrees of elaboration, one of
the two in Figure 46 showing a more ornamental banister back (_i. e._,
the vertical slats) than the other. These two chairs have seen much
service, but are uncommonly well preserved, and belong to Mr. William
M. Hoyt, of Rochester, N. Y. They were frequently painted dark green,
a fashion said to have come to us from Holland. As chairs grew more
comfortable the decrease in the number of cushions is very marked.
With the increase in comfort in household belongings a corresponding
increase in the elegance of dress was visible. There was a "court
circle" in America as well as in England. Broadway, as early as
1700, presented a brilliant sight at church time. Lord Bellomont was
governor, and Colonel Bayard and his wife were citizens of wealth and
importance. On such an occasion as church-going, on a fine spring
morning, Mrs. Bayard wore no bonnet, but a "frontage", a sort of
head-dress of rows of muslin stiffened with wire. She also wore a
"steenkirk", or voluminous necktie, which fell over her bodice. The
skirt of her purple and gold atlas gown was cut away to show her black
velvet petticoat edged with two silver orrices, and short enough to
show her green silk stockings and fine embroidered shoes. Her hair was
powdered and her kerchief scented with rosewater.
The furniture in use at this time has been already shown in Chapter I.
Oak chairs, leather chairs, and those of cane are all mentioned. We
find entries of "12 cane chairs with black frames" (1712); "6 Spanish
leather chairs" (1703); "one fine chest of drawers," of maple (1703);
"a fine chest of drawers of olive and walnut wood" (1705) and other
similar items.
Furniture was now being made in the Colonies in quite large quantities,
and New England was actively engaged in the furniture business, which
employed many cabinet-makers. Salem had James Symond as early as 1714,
and others, with each succeeding year. Lynn had John Davis by 1703, and
Marblehead, which was expected to become a great commercial centre, had
at least a dozen more or less celebrated between 1729 and 1780. Figure
47 is an example of home-made furniture. It is known to collectors
as the Connecticut chest, because this design is found only in that
vicinity. Quite a number of such chests are in existance, all bearing
the same pattern carved on the panels. They are of oak, often with pine
tops, backs, and bottoms. The one shown has the top of oak; the turned
drops and ornaments are of pine stained black; its height is 40 inches,
width 48 inches, and breadth 22 inches. It is at Deerfield, Mass.
In the eighteenth century ministers were often glad to turn their hands
to some work which would eke out their slender stipends. We have seen
how Mr. Ripley of Concord increased his. The Rev. Theophilus Pickering,
of Salem, in 1724, made furniture. Pieces are still in existance which
he made, sturdy and in good order, showing that he put his best work
and best wood into this business, as he put his best thought into his
pulpit labour.
[Illustration: Figure 50. BANQUET-ROOM, INDEPENDENCE HALL,
PHILADELPHIA.]
The woods used by these cabinet-makers embrace all kinds, walnut,
maple, cherry, nut-wood (hickory), poplar, ash, and pine. American
dealers imported mahogany also in quantities, and it was for sale in
planks as well as made up into furniture.
"New York Gazette and Weekly Mercury" for 1774 published the following
advertisements.
"To be sold by Leonard Kip, A quantity of New Beef by the barrel,
Honey by the barrel or half barrel, Albany boards and planks,
Highland butter in firkins and European Goods. Which he will sell
very low for cash or short credit, at his store in Dock Street
opposite Mr. Gerardus Duyckinck's."
The following also appeared in many issues of the paper.
"Mahogany Furniture, 3 elegant desks & book cases, 1 chest upon
chest of drawers, 1 lady's dressing-chest & bookcase, 3 desks & 1
pr. card tables, 2 setts of chairs, 3 dining-tables & 5 breakfast
tables, 1 clock-case furnished with a good plain 8 day clock,
Sundry stands, etc. The above articles are well made and most of
them are of wood of the first quality and will be sold as low as
any furniture of equal value in the city by Willett & Pearsey,
cabinet & chair-makers, at the sign of the clothes-press nearly
opposite the Oswego Market, at the end of Maiden Lane."
In Philadelphia, renowned for its manufacture of household goods,
the trade was so large and important that the "Journeyman's Cabinet
& Chair-maker's Philadelphia Book of Prices" was issued. In a second
edition (1795) are given the prices of many local furniture-makers,
such as:
"A plain mahogany high-post bedstead £1. 4_s._ 6_d_.
"A plain sofa 6 ft. long, with 6 legs, fast back & no low rails.
£1. 8_s._ 0_d_."
The desk shown in Figure 48 is a piece found at Bedford Springs, Pa.,
a place which was known as a "resort" as early as 1778, and had houses
with plastered walls, quite an unusual luxury in country regions,
though as these Springs were frequented by the fashionable society of
Philadelphia and New York, who went for the waters, special effort was
used to make the place attractive. The desk is mahogany and solid,
not veneered. It has a roll-top of the style made by Sheraton, which
falls back behind the drawers and cupboards. The brasses are new, and
the lid has been restored; otherwise the desk is as it was made. It
stood for many years in one of the little outside houses near the main
hotel, and when, a number of years ago, a visitor asked to buy it, the
proprietor told him the piece was known as "Jimmy Buchanan's desk." Mr.
Buchanan was in the habit of spending his summers at Bedford Springs
and always occupied the room where this desk was. In 1857, when as
President Buchanan he arrived at Bedford, the proprietors in his honour
had refurnished his room. They were congratulating themselves that the
President would be gratified at what they had done for him, when he
suddenly came into the room and demanded in a rage what had become of
the desk. If it was not forthcoming he would go elsewhere. He could
use it, he said, to write on, and then the drawers were roomy and just
suited him for his clean shirts. It is needless to say that the desk
was brought down from the garret, and was never removed from the room
when President Buchanan visited there.
[Illustration: Figure 51. WINDSOR CHAIRS.]
The desk is in company suited to its age, the larger powder-horn
hanging above it being a veteran also. It is seventeen inches long and
ten inches broad at the largest end. It bears the following inscription
cut in quaint old letters on lines drawn so that they should go
straight:
"This is William Norton's Horn made at Qubeck y^e 10 day of Aprill
1776. I powder with my Brother Ball we wound them all that in Our
way may chance to fall."
The smaller horn bears the date 1810, and the two swords were used
in the General Training days of the first quarter of the nineteenth
century. All these relics belong to Anthony Killgore, Esq., of
Flemington, N. J.
During the first quarter of the eighteenth century, and even a little
earlier, houses were built with wainscoting and panelling, and it was
the fashion to build into walls cupboards for the display of china and
plate. Frequently they were placed in the corner of the room, and were
either with or without doors. Such a cupboard was called a "beaufait,"
which was sometimes shortened to "bofet," or "buffet," according to the
taste of the owner. Figure 49 shows a specimen. The house from which
this beaufait came was built in 1696 in Vernon Place, Boston, Mass.,
by William Clough. Two years later he sold it, and it passed through
several hands by inheritance and sale till in 1758 it was bought by
Captain Vernon, who with various members of his family held it for
seventy-five years. The cherub's heads which ornament the cupboard are
somewhat unusual on a piece of furniture of this kind, and it has also
a very handsome shell at the top. It is now at the Old State House,
Boston.
Mention is also made in many inventories of "Court cupboards," and
"livery cupboards." The former were light movable shelves, making a
kind of sideboard, and used to display plate and porcelain. A livery
cupboard was somewhat similar. It had usually but three shelves and
stood upon four legs. It sometimes had a drawer for linen, but no
doors. Mugs and cups were hung from the bottom of the shelves, and a
ewer stood below. These were put in what was called the dining-parlour,
a stately room on the second floor never used to dine in. (See Figure
50 showing the banquet room at Independence Hall, Philadelphia, with
the beautiful moulding, wainscot, and over-mantel which were seen in
handsome houses in the middle of the eighteenth century.) It was many
years before the dining-room was set apart for meals. At first only
a screen gave privacy, but gradually the dining-room grew in favour.
The early dining-rooms held beds, as well as the parlours, they being
given to guests on account of the warmth. Joint stools were there, and
Flanders chests, in which the mistress often rummaged, so that the
guest should see the goodly store of clothes and linen owned by the
family.
As was the custom in England, many wealthy men had their furniture made
to order, often in their own houses, where the cabinet-makers came and
worked. Sometimes they imported their own woods, as in the case of Mr.
Champlin, a merchant of Newport, R. I., who brought home with him in
1762, from a voyage in the West Indies, some logs of mahogany, from
which he had several pieces of furniture made. Watson, in his "Annals
of New York," says that the use of what was foreign and modish was
noted earlier in New York before the Revolution than elsewhere.
"They earlier used carpets, wall-papers, foreign milliners,
dress-makers, Windsor chairs, glass utensils, jewelry, dentistry,
watches, umbrellas, stage-playbills, etc.
Windsor chairs were advertised in 1768 as made and sold by William
Gautier in New York. He also had high-backed, low-backed,
sack-backed chairs and settees, and dining and low chairs. A pair of
Windsor chairs are shown in Figure 51.
[Illustration: Figure 52. WALL-PAPER.]
Carriages were imported in 1766 from Dublin, as also men to keep them
in repair. They were landaus, curricles, sedans, and even sleighs with
gildings, carvings, and japan to suit. In 1774 there was advertised
for sale "A handsome Riding Chair with full set of harness," and an
announcement was made that there was "To be sold a Genteel Post-chaise."
The carpets referred to above were imported ones, Turkey and Scotch.
"Persian and plat carpeting" was offered for sale in 1761 by H. Van
Vleck. A later advertisement announced: "There will be sold at Public
Auction, April 7, 1777, Two very handsome Turkey carpets." Rag carpets
were used as early as 1660, and private families who could afford it
owned their own looms. Sometimes those who wished extra elegance bought
the yarn and paid for the weaving.
In 1761, "Pennsylvania Stoves newly invented, both round and square, to
be sold by Peter Clopper" were advertised in the "New York Gazette."
These were, no doubt, what became known as Franklin stoves. This same
year were also advertised wall-papers by quite a number of firms in
various cities: "A variety of paper-hangings imported from London."
"Flowered papers," "printed papers," and "printed papers for hanging
rooms," were imported as early as 1752. Figure 52 shows the fashionable
wall-paper of about this period. It is in the Cowles House, Deerfield,
Mass., and is in an excellent state of preservation. The sofa below
is of the late Sheraton or early Empire, similar to the one belonging
to Rev. Mr. Ripley and shown in Figure 36. Some wall-paper of equal
elaboration is shown in the Frontispiece, which gives the hallway of
the famous "King Hooper House," built at Danvers, Mass., now occupied
by Francis Peabody, Esq.
Wall-paper, however, was not very generally used,--just why one
cannot tell, but some of the gaily flowered papers were used for
window-shades. Curtains for windows and beds were at this time very
popular, and it was the fashion of the time to have the window- and
bed-curtains alike. The materials were very numerous and their names
have a most unfamiliar sound. There was perpetuana, Kitterminster,
serge, darnick (a coarse damask,) silke darnick, camlet, mohair,
fustian, seersucker, camac or camoca, bancour, red and green
paly-(vertical stripes of equal size,) printed calico, checked and
striped linen, India and Patma chintzes, corded dimities, harrateen,
lutestring, moreens of all colours, fine French chintzes, Pompadour
chintzes, "fine laylock and fancy callicoes," and "muzlins." There were
bed-cords, and fringes to edge and trim all these materials, and the
bed in full dress was a very ornamental affair.
Beds varied in size and height in quite a remarkable degree. The one
shown in Figure 53 has a very wide reputation, and is now to be seen
at the rooms of the Antiquarian Society, Concord, Mass. It is of
mahogany, with bandy legs and ball-and-claw feet. The curtains are the
original ones that came with the bed and are worn in many places. They
are very curious showing agricultural scenes and domestic animals in
large numbers. These curtains were not intended to be drawn, but to
hang permanently in place, and there were to be inner curtains of
"muzlin" or "callico" to draw and keep out drafts. One peculiarity of
this bed is its extreme narrowness; it is intended for a double bed and
yet its width is only four feet, it was included in the wedding outfit
of Miss Martha Tufts, who was married at Concord in 1774. The cabriole
leg and style of curtain lead to the supposition that the piece is
Dutch.
[Illustration: Figure 53. BED AT CONCORD, MASS.]
In February, 1768, Miss Harriott Pinckney was married to Daniel Horry
in "Charles Town," South Carolina. This was one of twelve weddings that
took place that year, all the bridegrooms being wealthy rice-planters.
The furniture to fill the houses of these rich couples was all brought
from England, and the beds were lofty mahogany ones, four-posters
with tester, canopy, curtains, and valances complete. The large heavy
posts for all twelve beds were said to be alike, and were carved with
rice-stalks, the heavy clustering heads forming the capitals. So tall
were these beds that steps were necessary to climb into them, and the
ones belonging to Mrs. Horry were in existence a few years ago.
In the "History and Present State of Virginia," 1705, is the following
paragraph relating to the homes:
--"The private buildings are of late very much improved; several
Gentlemen having built themselves large Brick Houses of many Rooms
on a floor and several stories high, as also some Stone-Houses;
but they don't covet to make them lofty having extent enough of
Ground to build upon. They always contrive to have large rooms
that they may be cool in Summer. Of late they have made their
Stories much higher than formerly, and their windows large and
sasht with Cristal Glass, and within they adorn their apartments
with rich furniture."
The eighteenth century was rightly called the Golden Age of Virginia.
The planter in his manor-house, surrounded by his family, served by a
vast army of retainers, was like a feudal patriarch, though his rule
was milder. On the plantation itself were produced all the necessaries
of life; it was a little community in itself. Wool was woven into
clothing, flax was spun, shoes were made, and blacksmithing done.
Luxuries such as books, wines, silks, laces, and the more elegant
household plenishings were brought to the very wharf from London in the
planters' own ships in return for tobacco. The writer previously quoted
goes on to say, about the people themselves:
--"They are such abominable ill husbands that, though their
country be overrun with wood, yet they have all their wooden ware
from England, their cabinets, chairs, tables, stools, chests,
boxes, cart-wheels, and all other things, even so much as their
bowls and birchen brooms, to the eternal reproach of their
laziness."
Although Beverly calls himself an "Inhabitant of Virginia", it
is curious that he was not aware that the southern colonies were
interdicted by special act of legislature from trading with the Dutch
or English colonies. "Wooden ware" is especially mentioned as being
subject to "imposicon."
[Illustration: Figure 54. BED AT MOUNT VERNON.]
A typical bed of the last quarter of the eighteenth century is shown
in Figure 54. This bed belonged to George Washington, and is in his
bedroom at Mount Vernon. It is said to be the one he used in his last
illness. Unlike the bed shown in Figure 53, this bed is of unusual
proportions, being nearly as wide as it is long. The small table
between the doors shows an excellent example of the Dutch foot. Upon
it stands a small dressing-glass, so much in use at this period, of
very handsome black and gold lacquer. Whenever General Washington had
the opportunity he added to the furniture and appointments of Mount
Vernon. Belvoir, the home of the Fairfax family, was one of the most
splendid of the mansions on the Potomac. In 1774 its contents were sold
at auction, and Colonel George Washington bought goods to the value of
£200 sterling. Among the most important lots were the following:
"1 mahogany shaving desk, 1 settee bed and furniture (£13), 4
mahogany chairs, 1 chamber carpet, 1 oval glass with gilt frame, 1
mahogany chest and drawers in Mrs. Fairfax's chamber, (£12. 10s)
1 mahogany sideboard, (£12. 5_s._) 1 mahogany cistern and stand,
1 mahogany voider, 1 desk and 1 knife tray, 12 chairs & 3 window
curtains from dining room (£31), 1 mahogany wash desk, (£1. 2_s._
6_d._)."
Among the smaller articles were several pairs of andirons, tongs
and shovels, bellows, brushes, toasting-forks, and "1 hot rache in
cellar," with many blankets, 19 coverlids, pillows, bolsters, bottles
and pickle-pots, wine-glasses and pewter water-plates. There were also
two tables, one "a mahogany spider-make tea-table, £1 11_s._" and "1
mahogany table £11," showing that articles of this wood obtained good
values even then. The list of the goods in all of the rooms of Belvoir
is far too long to be given here, but in the dressing-room connected
with Colonel Fairfax's bedroom were "1 oval glass in burnished gold,
(£5 10_s._), 1 mahogany shaving-table, 1 mahogany desk (£16 16_s._), 4
chairs and covers, 1 mahogany settee bedstead, Saxon green, covers for
same, 1 mahogany Pembroke table, dogs, shovel, tongs and fender."
It is also a matter of interest to see of what books a library
consisted among people who were considered to have a literary bent and
to be extensive readers. There is nothing "light" about it, and would
to-day be accounted very dull reading.
Batavia Illustrated
London Magazine, 7 vols.
Parkinson's Herbal
Knoll's History of the Turkish Empire
Coke's Institutes of the Laws of England, 3 vol.
England's Recovery
Laws of the Colony of Massachusetts Bay
Laws of Merchants
Laws of Virginia
Complete Clerk and Conveyancer
Hawkin's Pleas of the Crown
Gunnel's Offences of the Realm of England
Ainsworth's English and Latin Dictionary
Haine's Dictionary of Arts and Sciences
Blackmore's Prince Arthur
History of the Twelve Cæsars by Suetonius
John Calvin's Institution of Religion
Fuller's Church History from its Rise
Locke on the Human Understanding
Hughes's Natural History of Barbadoes
A New Body of Geography
Croope's Law Reports
Heylin's Cosmography, in 4 vols.
Collection of Voyages and Travels
Political Discourses by Henry, Earl of Monmouth
Wooten's State of Christendom
Hobart's Law Reports
Johnson's Excellency or Monarchical Government
Latin and French Dictionary
Langley's Pomona, or Gardening
A Political Piece
Strada's History of the Low Country Wars
Spanish and English Dictionary
Latin Bible
A Poem on Death
Judgement & Hell
Knox's Martyrology
Jacob's Law Dictionary
Chamberlayne's Great Britain
Laws of His Majesty's Plantations.
[Illustration: Figure 55. BED AT SOMERVILLE, N. J.]
A bed showing better the handsome solid posts is given in Figure 55.
This is also associated with the Father of his Country, for it is in
the house at Somerville, N. J., occupied by him as headquarters
during one of his campaigns in the Revolutionary War.
In Chapter I a "bedsteade of carven oak" was referred to as having
been sent for to England by Mrs. Lake, as a wedding-present for her
daughter. It could hardly have been such a very splendid piece of
furniture as that shown in Figure 56, with its coat of arms on the
headboard, and the two beautiful foot-posts. The draperies were
intended to cover the two head-posts, so that they were left plain.
The old easy-chair standing beside the bed has unfortunately lost its
feet, but they were the well-known ball-and-claw pattern generally
seen on this style of chair, which was well calculated to keep off
swirling draughts from the head and back of the occupant. These chairs
were popular for a century or more, and were made not only by English
cabinet-makers like Chippendale and Hepplewhite, but by the Dutch and
Flemish makers as well. They all have the bandy leg, but the Dutch foot
is sometimes used instead of the ball-and-claw.
But all the luxury and elegance were not absorbed by the South and New
York. Boston kept well to the front. In 1700 Andrew Faneuil, Huguenot,
came to Boston and engaged in business. His brother was in this
country, too, and, he dying not long after, Andrew assumed the care
of, and took into business with himself, first one and then a second
nephew. They were merchants and the following entries of consignments,
taken from their old ledgers, which are still in existence, show the
nature of their business. Besides crapes, poplins, lawns, and silks,
they had for sale durants and duroys, osnaburgs, camblets, narrow,
double and cherry, with ingrains, silk druggets and calamancoes. They
also imported dishes, pans, and kettles, "wooden lanthorns and tin
ditto" (1725). Nor did they neglect to provide amusement for their
fellow townsmen, for they imported "one-half gross man-in-the-moon
cards." Among other goods in this same invoice were "1 chest muskets
and one large pair looking-glasses."
Andrew Faneuil died in 1738, and his favourite nephew and chief
heir, Peter Faneuil, did not hesitate, on account of the cost, to
have an elaborate and seemly funeral. Three thousand pairs of gloves
were distributed, and later two hundred mourning-rings were given to
intimate friends. Peter Faneuil, now a wealthy young man by inheritance
as well as by his own exertions, lived in the old house with his maiden
sister. This same year, 1738, he sends to London for "a handsome
chariot with two setts of harness," and a coachman warranted to remain
sober. A few months later he writes for china and glass from England,
for table-cloths and napkins from France, and he sends for silver
spoons, "forks with three prongs," all to have upon them the Faneuil
crest. "Let them be very neat and handsome," says he.
The next order is for silver candlesticks and a punch-bowl of silver
holding two gallons, also to be decorated with the family crest. His
clothes were also a matter of concern, and he sends to London a pattern
of a piece of Duncy, orders buttons of the newest fashion to match it,
of mohair silk, and knee-straps. Nor is he less scrupulous about his
sister's affairs, and sent all the way back to London six pairs of
stockings which had been sent of worsted instead of "3 pairs thread
hose, and 1 pair Galous hose, and 2 pair of thread ditto."
[Illustration: Figure 56. CARVED OAK BEDSTEAD.]
Boston at this time (1738) seems to have had some luxuries demanded
by New York, for an order comes to Peter Faneuil to send there "a
dozen red Turkey or Morocker leather chairs." One of these easy-chairs
cost £14 14_s._ In 1742 Peter Faneuil gave to the city of Boston the
hall called by his name. It was built of home-made brick (Salem had a
brick-kiln as early as 1629), but the glass in the windows was brought
from England in Mr. Faneuil's own ships. The first furnishings bought
by the selectmen for Faneuil Hall were "two pairs of brass candlesticks
with steel snuffers, and a poker, for the town's use."
Peter Faneuil's inventory, filed in 1742, contains items under 158
heads, and makes quite a volume of manuscript. It includes not only
his and his uncle's gatherings in the way of household goods, but the
contents of warehouses, cellar, coach-house, and stables. The house was
handsomely furnished. In the best room were, "12 carved vineered chairs
& couch, £105; 1 pier glass, £100." Other costly articles were, "1
buffet with parcel of china delph & glass, £199." There were, besides,--
--"1 chimney glass and arms; 1 marble table; 1 large Turkey
carpet; 1 compleat brass sett, hearth-dogs, tongs, shovel, and
bellows; 1 copper tea-table; cups, saucers, tea-pot, stand,
bowl and sugar-dish; 3 alabaster bowls and stands; 1 large oval
mahogany table, 12 plain walnut-frame leather-bottom chairs; 1
prospect of Boston, 2 landskips on copper, and the Temple of
Solomon."
The "Great Centre Hall" must have made a quaint appearance, since here
hung the fire apparatus; "1 large entry lantern; 12 baggs and buckets,
and books £50."
The sleeping-rooms were handsomely equipped, and each was furnished
with its appropriate colour. The list includes:
"1 harrateen bed, bedstead and window curtains, matrass and two
green silk quilts and feather-bed, £65
3 scones with arms
1 bureau, 1 table, 1 pr. brass-faced dogs, 1 fire-shovel, tongs
bellows, and one Turkey carpet, £107"
Peter Faneuil's own room was not lacking in comforts, as is shown by
the enumeration of:
--"1 silver-hilted sword, 1 pair of pistols and 1 powder-flask,
£15; 1 case 6 razors, bone penknife, strap, 2 bottles,
looking-glass tipt with silver; yellow mohair bed-counterpane,
feather-bed, bolster, 2 false pillows, false curtains, 6 chairs, 1
great chair, 2 stools, window curtains," etc.
The furnishings of this room, exclusive of the small-arms, was valued
at £245. He had "6 lignum-vitæ chocolate-cups lined with silver",
which were probably Dutch, for among the goods of Sara Van der Vulgen,
of Schenectady, at about this same period, was a great "saler" or
salt-cellar, made of lignum-vitæ, bound with silver and standing on
three little silver feet.
In Mr. Faneuil's kitchen were many utensils of copper, pots, pans, and
kettles, together with an "engine and cistern." He had many jewels,
1,400 ounces of plate, including a shaving-basin worth £40. There were
silver snuff-boxes, seven gold rings, and "chrystall buttons set in
gold." Just before he died he sent to London for "six gross of the very
best London King Henry's cards", for his store no doubt, for cards were
becoming more popular among the descendants of the Puritans than they
had been.
In 1729 Governor Burnet, of New York and Massachusetts, died, leaving
behind him a long list of valuable personal goods. He owned as many
as seventy chairs and twelve tables. The chairs were of mahogany and
walnut, with leather or bass bottoms, and one easy-chair was covered
with silk. Twenty-four chairs had seats of red leather, a noble set,
and there are two chairs now in the Yale University Library which
belonged to Governor Burnet, and which are of the exact style of what
we call Chippendale. They were made more than twenty-five years before
the "Director" was published, but are made of mahogany with richly
carved knees, ball-and-claw feet, with carved and ornamentally pierced
splats, handsome upper rail curved and ending in the little ears before
mentioned.
In all the inventories of wealthy and poor alike there is mention of
candlesticks, sconces, girandoles, etc. The "entry lanthorns," as well
as the perforated tin ones, were made to hold bits of candles and lamps
are few and far between. It was not till 1783 that the flat-wick lamp
was invented, the lamps before that time being pewter and glass, with
small, round, string wicks, burning whale oil. When the question of
lighting was so difficult, it is no wonder that the pioneers were in
the habit of going to bed at dark and rising with the sun. The bayberry
or candleberry was of recognized value, and the laws of Brookhaven, as
early as 1687, forbade the gathering of the berries before September
15, under a penalty of a fine of fifteen shillings.
Candlewood, as pine knots were called, was burned in the fireplace on
long winter evenings. The manufacture of home-made candles was one of
the tests by which the careful housewife was distinguished, dozens of
candles being made and laid away in the candle-box. In 1753, in the
"New York Gazette," were advertised "Green mould candles for sale, at
the Old Slip Market." The old moulds, generally of tin, were passed
around among neighbours in country districts and villages. "Dipping"
candles was a trying business, and required skill and experience on the
part of the dipper. Lustres holding many candles were used on festive
occasions, and four or six lights were often set in branches on either
side of mirrors. Many candlesticks with cut-glass prisms are still to
be found, and betty-lamps, crude little metal lamps, were often used
for bedrooms or in sick-rooms. "Glass lamps and chamber lamps" were
advertised as early as 1759, and "fine large lamps at 20 shilling
each" in 1752. Candle-screens, "red, green, gilt and black japanned
candlesticks with snuffers and extinguishers", were on sale in 1773,
and no card-table was complete without at least a pair of tall massive
candlesticks of Sheffield plate.
By 1760 the newspapers contain advertisements of what are really
luxuries. James Gilliland, dealer in earthen, delf, and glass in Wall
street, New York, has the following named articles: "Enamelled and
cabbage teapots [Wedgwood, no doubt], cut and ground glass decanters,
tumblers, punch and wine glasses."
The fair sex is by no means forgotten, and even during the stress of
the great struggle for freedom her appearance is considered. Many times
the following announcement appears: "The Venetian Paste so well-known
to the ladies for enameling the Hands, neck and face of a lovely
white" is for sale by Hugh Gaine, printer. Nesbit Deane offers hats
"to exceed in fineness, cut, colour, and cock." He also has "Ladies'
white riding hats." "Goods for the approaching season" are duly set
forth in the spring advertisements, and "Sagothies, Hairbine, white
silk embroidered and tambour with gold shades" are recommended for
waistcoats. There was also to be bought "gold and silver vellum lace,
gold and silver bullion fringe, silk sashes and hat feathers for the
gentlemen of the militia and army." "Spittlefield corded tabbey,
peneaffcoes and peling sattens" were to be had in all colours for
ladies' use, while "Prunells and Oxford crape" were provided for the
"Rev'd clergy."
The servant question was a burning issue even at that time, and there
are quantities of rewards offered for runaway slaves and apprentices.
Some desperate householder advertised in March, 1777:
"WANTED. A cook, black or white, male or female. Such a person
will meet with good encouragement by applying to Hugh Gaine,
printer."
Those who did not wish to be annoyed by the labour of housekeeping
could be accommodated with "Diet and Lodging," also, by applying to
Hugh Gaine, printer.
Other advertisements read:
[1761] "Morrison, peruke maker from London, dresses ladies and
gentlemen's hair in the politest taste. He has a choice parcel of
human, horse, and goat's hairs to dispose of."
[1768] "James Daniel, wig-maker and hairdresser also operates on
the teeth, a business so necessary in this city."
Wigs were an important feature in the costume of the men. They were
subject to tax and were a good source of revenue. The Treasurer of the
Colony of New York, as early as 1732, reported that he had received
from the tax on wigs the sum of £9 17_s._ 6_d_. This tax was called--
--"a wise and prudent measure, because it was the fashion for even
young boys to conceal their own hair under large and spacious
wigs. To repress a custom so absurd, or to make a source of
revenue has been the object of the legislature."
So we paid, and gladly, for our wigs, even though visiting Englishmen
spoke of us thus: "The people, both in town and country, are sober,
industrious, and hospitable, though intent upon gain."
All travellers mention our hospitality. Prince de Broglie writes in
1782:
"M. de la Luzerne took me to tea at Mrs. Morris, wife of the
Secretary of the Treasury of the United States. Her house is
small, but well ordered and neat, the doors and tables of superb
well-polished mahogany, the locks and andirons of polished
brass, the cups arranged symetrically, the mistress of the house
good-looking and very grey."
Mrs. Morris was considered to have one of the handsomest houses in
Philadelphia, and it was not at all the mode to display one's own hair
if it had turned grey, so the fact of Mrs. Morris doing so seems to
have impressed the volatile Frenchman.
Another traveller, Captain Laurence Butler, writes from Westmoreland,
Virginia, in 1784, to Mrs. Craddock, an Englishwoman, as follows:
"When balls are given, which is very frequent, the company stay
all night (not as in your country), for every gentleman has ten
or fifteen beds, which is sufficient for the ladies, and the men
shift for themselves."
These beds were the high four-posters, carved and draped, and ten or
fifteen seems a liberal allowance for every household. One Alexander
Mackraby, visiting Philadelphia in 1768, before the Revolution, writes
home: "I could hardly find myself out this morning in a most elegant
crimson silk damask bed." Poor indeed was the householder who did not
manage to have one "feder bed," or one of flock, or something soft, and
there were always pillows, bolster, coverlids, and blankets, though
sometimes, judging from the inventories, the owners did not care
particularly about sheets.