Le Poitevin, 230
Louis, XVIII, 23
Louis Philippe, 13, 22, 24, 26, 27, 59, 79, 200, 201
Love in Bohème, 173-176, 178-182, 213-218, 246-248
Lucas, Le Petit, 261
M
MABILLE, Bal, 280
Mackeat, Augustus, 136, 141, 155, 272
Magny's Restaurant, 263
Maison d'Or, La, 96
"Mal du Siècle," Le, 35-64, 252, 253, 255
"Mal Romantique," _see_ "Mal du Siècle"
Malitourne, Armand, 101, 106
Maquet, Augustus, _see_ Mackeat
_Marcel_, 15, 16, 21, 119, 120, 126, 198-218, 244, 248, 250,
254, 265-267, 271, 277, 280, 282
Marilhat, 169, 185
Maurier, George Du, 7-9
Mediævalism, worship of by French Romantics, 43-46, 94, 95,
134, 141, 142, 150-153, 201, 210, 211, 221, 224
Mercœur, Elisa, 29
Meyerbeer, 175, 176, 270
_Mimi_, 213-218, 246-248, 258, 259, 277, 281
Mogador, Céleste, 280
Momus, Café, 198, 204, 246, 248, 265-268
Monnier, Henri, 97-101, 275
Monselet, Charles, 226, 233, 262
Montmartre, 67, 216, 288-290, 296, 297
Moreau, Hégésippe, 29, 53, 261
Murger, Henry, 15, 16, 33, 194-197, 232-251, 256,
261, 262, 266-268, 269, 272, 277, 280, 290, 296, 298
"Scènes de la Vie de Bohème," 1, 11, 12, 15, 16, 21, 33,
34, 119, 120, 126, 147, 159, 160, 194-218, 219, 237,
238, 241-249, 254, 263, 265-267, 272, 273, 277, 298
Bohemian generation of, 64, 200-251, 263, 266-268, 270,
271, 277-281
Musard, 14, 269, 270, 276
Bal, 270, 276
_Musette_, 213-218, 246, 247, 254, 258, 259, 277, 281
Music in Bohème, 249, 250
in Paris, 13, 14, 71, 73, 269-271
Musset, Alfred de, 13, 17, 48, 71, 76, 92, 93, 102, 106, 115, 184, 202, 244, 302
N
NADAR, 233, 235, 237, 238, 242, 262, 266-268
Nanteuil, Célestin, 133, 136, 141, 142, 149, 155, 169, 184
Nerval, Gérard de, 13, 16, 18, 133-136, 143-146, 148, 149,
154, 155, 160, 162-193, 207, 212, 227, 253, 272, 295, 302
Nodier, 42, 72, 73
Noel, 235, 237, 238
O
O'NEDDY, Philothée, 40, 56, 124, 125, 136, 137, 141, 150-153, 155
Opéra, 79, 96, 97, 104, 270, 271, 293
Bal de l', 204, 245, 274, 276
Ourliac, Edmond, 76, 169-172, 177, 186, 187, 272, 275
P
PALAIS Royal, 268, 289
_Palfèrine, Comte de la_, 14, 102, 111-114, 262
Paphos, 269
Paris, 11, 12-15, 24, 27, 66, 67, 105, 116, 282-302
balls in, 155, 177, 178, 181-185, 204, 225, 270, 274-281
Café de, 79, 86, 87, 91, 169, 259, 260
drama in, 221, 222, 271-274; _and see_ "Hernani"
gambling in, 268, 269
literary _salons_ in, 70-73
music in, 13, 14, 71, 73, 269-271
restaurants, &c., in, 121, 129, 130, 136, 147, 148, 169,
177, 181, 198, 204, 211, 225, 227, 230, 246, 248,
259-268; _and see_ Cabaret; Café
Society in, 65-86, 107, 108
student life in, 221-225, 231; _and see under_ Bohème
Pelloquet, Théodore, 197, 251
Petit Lucas, Le, _see_ Lucas
Moulin Rouge, _see_ Graziano
_Phèmie Teinturière_, 213-217, 247, 266
Pilodo, 275
Pimodan, Hôtel, 231
Piton, le _pâtissier_, 262
Planche, Gustave, 229
Pomaré, Reine, 280
Ponsard, 201
Pottier, 237
Prado, 275
Privat d'Anglemont, _see_ Anglemont
Punch, a Romantic drink, 150
Q
QUARTIER Latin, the, 8, 22, 75, 160, 170,
221-227, 231-233, 249, 250, 262-265, 276-280, 297-299
R
_Rastignac_, 14, 75, 78, 80-82, 256, 261
Récamier, Madame, 36, 37, 71
Restaurants, _see under_ Paris
Revolution of 1830, the, 22, 24-34, 200
Rocher de Cancale, Le, 121, 211, 260, 261
_Rodolphe_, 15, 119, 120, 126, 198-218, 236,
237, 241, 242, 244, 248, 253, 265-267, 273, 277, 302
Rogier, Camille, 101, 102, 145, 167-172, 177-180,
184, 187, 193, 256
Romantic Period in France, the, 12, 16, 20
_salons_ of, 70-73
Romanticism, 25, 26, 28-32, 35-64, 129-159, 201-203,
221-224, 252, 253, 255, 284, 301, 302
Romieu, 97, 98, 102
Roqueplan, Camille, 169
Nestor, 13, 17, 104, 105, 111, 162, 169, 212
Rousseau, 185
_Rubempré, Lucien de_, 14, 16, 62, 75, 76, 85, 256, 264, 271
Rue de la Tour d'Auvergne, 210-212, 240, 242, 243, 296, 297
de la Vieille Lanterne, 192, 295
Saint-Germain-des-Prés, Bohemian colony in, 187, 188
S
SAGUET, Cabaret of Mère, 129, 130
Sainte-Beuve, 13, 17, 28, 52, 53, 122, 129-132, 157
Saint-Victor, Paul de, 191, 192
Sand, George, 16, 17, 93
Sandeau, Jules, 188, 189
"Scènes de la Vie de Bohème," _see under_ Murger
Schann, 232, 237, 238, 242, 245, 248, 249, 266-268, 269
_Schaunard_, 15, 16, 126, 159, 198-218, 232, 238, 248, 250,
253, 263, 265-268, 271, 280, 281, 302
Seigneur, Jehan du, 136, 137, 139-141, 148-153, 155
Sénancour, 37
Seymour, Lord, 79, 88-90
Shakespeare, 10
Smoking in Bohème, 151, 152
Staël, Madame de, 37
Steele, Richard, 17
Students, life of Parisian, 221-225, 231
Sue, Eugène, 70, 285
T
TABAR, 237
Tattet, Alfred, 102, 103, 106
Thackeray, 264
Théâtre Bobino, 263, 271
Français, 133-136
du Luxembourg, _see_ Théâtre Bobino
Montparnasse, 263
des Variétés, ball at, 274
Thom, Napoléon, 136
Tolstoi, Monsieur de, 236, 240
Tortoni's Café, 13, 86, 259
Tournachon, F., _see_ Nadar
"Tout Paris," Le, 73-76
"Trilby," 7, 8
Trois Frères Provençaux, Les, 121, 169
V
VABRE, Jules, 56, 133, 136-138, 140, 155
Vastine, 237
Vauquer, La Maison, 14, 16, 81, 298, 299
Vernet, Horace, 203
Véron, Doctor, 103, 104
Vigny, Alfred de, 17, 28, 52, 53, 55, 73
Villain, 237
Villiers de l'Isle Adam, 233
Vincent, Charles, 241, 242
Viot's Restaurant, 263
Vitu, 277
"Viveurs," Les, 70, 76-108, 204, 231, 275, 276
W
WALLON, Jean, 238, 250, 266-268
Wattier, 185, 193
PRINTED AT
THE BALLANTYNE PRESS
LONDON ENGLAND
* * * * *
The following typographical errors were corrected by the etext
transcriber:
Célestin Nauteuil=>Célestin Nanteuil {8}
Les Champs Elisées=>Les Champs Elysées
Gerard de Nerval=>Gérard de Nerval
"Les Jeune France."=>"Les Jeunes France."
Elie Wildmannstadius=>Elie Wildman-stadius
decorated thus because a lew _louis d'or_=>decorated thus because a few
_louis d'or_
nor ne'er-do-weels=>nor ne'er-do-wells
Charles Mouselet says in his preface to "Paris Anecdote,"=>Charles
Monselet says in his preface to "Paris Anecdote,"
Pimodan, Hotel, 231=>Pimodan, Hôtel, 231
* * * * *
FOOTNOTES:
[1] "Les Enfants Perdus de Romantisme."
[2] A. Cassagne: "La Théorie de l'art pour l'art en France chez les
derniers romantiques et les premiers réalistes."
[3] "Essais de Psychologie contemporaine," the chapter on Flaubert.
[4] Philothée O'Neddy: "Feu et Flamme."
[5] See René Canat: "Du Sentiment de la Solitude morale chez les
romantiques et les parnassiens."
[6] See Chapter VII.
[7] Asselineau: "Bibliographie Romantique."
[8] "Causeries sur les artistes de mon temps."
[9] Mrs. Trollope: "Paris and the Parisians in 1835."
[10] "Derniers Jours de Bohème."
[11] "Les Salons de Paris."
[12] Challamel: "Souvenirs d'un Hugolâtre."
[13] "Paris in 1829 and 1830."
[14] Major Fraser's name appears in many memoirs of the time, but I owe
the above account to "An Englishman in Paris," by A. D. Vandam.
[15] "Vignettes Romantiques."
[16] Léon Séché tells his story in "La Jeunesse Dorée sous Louis
Philippe."
[17] "Histoire du Romantisme."
[18] Jules Claretie: "Pétrus Borel."
[19] Maxime du Camp: "Théophile Gautier."
[20] "Gérard de Nerval."
[21] "Portraits contemporains." The article on the artist Marilhat.
[22] "La Bohème Galante."
[23] Arsène Houssaye: "Les Confessions."
[24] Gérard, to be precise, quotes an earlier and more cruel version:
_...La_ reine du Sabbat
_Qui, depuis deux hivers, dans vos bras se débat,_
_Vous échapperait-elle ainsi qu'une chimère..._
[25] See Chapter xi for a further account of Bohemia's amusements.
[26] In a preface to Gérard de Nerval's "Œuvres."
[27] "Les Confessions."
[28] The following account combines much of the information given in
three books: Champfleury's "Souvenirs et Portraits de Jeunesse"; "Henri
Murger et la Bohème," by A. Delvau; and the curious little "Histoire de
Murger pour servir à l'histoire de la Vraie Bohème," par trois Buveurs
d'Eau, the anonymous authors of which are known to be his friends,
Lelioux, Nadar, and Noel. It is in the last named that some of Murger's
letters are given. There is a certain amount of conflict between the
dates given in these different books, but since they are all equally
likely to be inaccurate, I have chosen to ignore the discrepancies,
which are not very important.
[29] This appears in Charles Monselet's diary printed in the memoir by
A. Monselet.
[30] "Histoire anecdotique des Cafés et Cabarets de Paris."
[31] In the summer they took place in the Champs Elysées.
[32] M. Henri d'Alméras in "La Vie Parisienne sous Louis Philippe," from
whose book other details of these balls are taken.
[33] The popular term for the prison in which refractory members of the
Garde Nationale were confined.
[34] Now printed in his "Portraits Contemporains."
[35] The preface to George Cain's "Coins de Paris."
[36] See "Les Comédiens sans le savoir."
[37] Sanderson: "Paris in 1835."