NOTES

[1] The Hopi joined their kinsmen in the Pueblo rebellion of 1680, and

four Franciscan friars were killed at their missions in the Tusayan

provinces: at Aguatobi (Awatobi), mission of San Bernardino, the

Reverend Padre Fray Joseph de Figueroa, a native of Mexico; at

Xongopavi (Chimopovi), mission of San Bartolome, the Reverend Padre

Fray Joseph de Truxillo; at Oraibi, mission of San Francisco, the

Reverend Padre Fray Joseph de Espeleta, a native of Estela in the

Kingdom of Navarre, and the Reverend Padre Fray Agustin de Santa Maria,

a native of Pasquaro. The pueblos of Machongnovi and Walpi were

visitas.

[2] Pronounced Shay.

[3] Sections 2140 and 2141 of the United States Revised Statutes,

together with later laws and amendments, empower Indian Agents and

their properly commissioned deputies to search for, confiscate, and

destroy intoxicating beverages within Indian country, to seize the

means of transportation, to destroy stills, and to prosecute in the

Federal Courts those persons who violate these statutes. Indian Agents

and their “special deputies” are clothed by law with the authorities of

United States Marshals and their deputies in the prosecution of this

work. The possession of intoxicating liquors in the Indian country is

prima facie evidence of unlawful introduction.

While the provisions of the National Prohibition Act limited these

authorities for a period, the United States Supreme Court has held that

the earlier laws enacted for the control of Indian country are not

inconsistent with and were not repealed by the National Prohibition

Act. To-day, an Indian Agent has practically all the original power

with which to curb the liquor traffic within his jurisdiction.

[4] This facies has been recognized by the laity, and the folklore of

Europe abounds in sayings about the facial expression of the

consumptive. Writers of fiction and painters have also considered it

“interesting,” and make great use of it in their productions. Many of

the classical and modern painters have depicted this cast of

countenance, showing the false euphoria of the smiling, tranquilly

bright, yet melancholy eyes of the consumptive, which are perhaps best

seen in Leonardo da Vinci’s La Gioconda—a picture of a phthisical face

superior to any description that can be given of it.

—Fishberg: Pulmonary Tuberculosis

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