A NORTHERN WONDERLAND

“To those unaccustomed to desert lands the Navajo country

presents in form and color and grouping of topographic

features a surprising and fascinating variety; and those

familiar with arid regions will find here erosion features

of unusual grandeur and beauty.”—Gregory: The Navajo Country

The nearest place of change was the town, with a dinner at the Harvey

House. I planned to make this trip each month, to have a food spree,

quite as on a time rude gentlemen of the cattle days came in from the

ranges, hungry for sights and pleasures, and devoted themselves to the

swift consumption of raw liquors. But four hours of dragging through

heated sand and sunlight, from one lonely landmark to another, with

nothing of interest between, destroyed much of the anticipated

satisfaction. I recall a bit of Washington advice.

“You will find that country,” said the well-meaning fellow, “covered

with black gramma grass. Buy a pinto pony the very first thing you do.

Its keep will be negligible. A saddle will cost but a few dollars. Thus

you will have transportation at all times. It will be a pleasure to

ride into town after office hours. You’ll enjoy riding above all

things.”

Twenty-six miles—fifty-two miles there and back!

Now I had read Western stories, written by O. Henry and others who knew

less about the subject. Playing the sedulous ape, I had written a few

myself. These epics all mentioned areas of black gramma grass, and made

much of swift-footed cayuses that were camouflaged by Nature and

possessed Dante-like noses and broom tails. There is a wondrous lot of

this in the movies, too, and the joyous bounding of the aforesaid

animals, from prairie rise to prairie rise, pressing the miles behind

them, and the carefree demeanor of their riders, surrounded as they are

by creaking leather, wide-barred shirts, and jingling spurs, appeals to

one.

But when you learn that a cayuse-bronk in northern Arizona eats

imported hay at forty and sometimes sixty dollars the ton, the black

gramma grass and pastures all being three hundred miles to the south;

and when you find that the devil is not to be trusted for an instant,

and that he has to be flayed constantly to produce even an amble; and

when you feel—“feel” is the word—the misery twitching completely

throughout the human system from pounding on the wooden anatomy of the

brute, a large part of this paper-and-film appeal vanishes. Moreover,

dusty shirts, alkali-impregnated handkerchiefs, and the smell of a

harness shop do not combine to flavor one’s meals delicately. Big Bill

Hart may have my share of this, and he is welcome.

But there does come a longing “for to admire and for to see” what is

actually out back. That adventure and romance are not to be found in

the beautiful desert distances seems impossible. The dim blue buttes of

the north, mysterious altars of the gods, promised to yield something

from the land they guarded. And when an Agency mechanic told me that he

had orders to visit the Castle Butte station, a far-away outpost, I

recommended myself as a standard camp-cook, recalling the early

mornings of newspaper days when I fried eggs on a gas-stove. We did not

go to the horse-corral and lay our ropes over two spirited steeds, but

at an early hour wended to the barn and harnessed two sturdy old plugs

to a twelve-hundred-pound farm wagon. They were capable of making four

miles an hour, and the wagon had capacity for a grub-box, for blankets,

shovels, rope, and all the things necessary—perhaps—to our getting

there first, and to accomplishing something afterward.

Have you never wondered how those adventurous fellows of the yarns,

outfitted with nothing but a handkerchief, a saddle, and a lariat,

manage to cover leagues upon leagues with the one horse, and never stop

overnight? A Navajo Indian can do with one blanket and a sheepskin

lashed behind his saddle; but even he contrives to find the

trading-posts of the Desert for his grub, and he always reaches a

friendly camp at nightfall.

Smith cautioned me to take a heavy coat, which I would not have thought

of. Right at the start I committed a serious blunder, one that caused

me to suffer bitterly, and one that I have not repeated since.

Expecting to return next day, I persuaded myself that two sacks of

beck-a-shay nahto, or genuine “cattle” tobacco, would be sufficient for

the trip. But desert plans are subject to change, and desert wisdom is

painfully acquired. I now have drilled myself never to forget matches

and a filled canteen, baling-wire,—otherwise “Arizona silk,”—repair

parts for the lizard, a piece of rope, tools, and a heavy coat of

sheepskin, plus a tobacco factory unless the route is marked by

trading-posts every thirty miles. I arrange these things automatically,

because on that trip I tried to smoke powdered alfalfa in a cob pipe.

Northward we wended all day, one rugged mesa slope and huge flat

succeeding another, always rising. After passing Lone Cottonwood

Spring, where the water was an excellent imitation of thick gray

pea-soup that the horses disdained, we lunched at a delightful place

known as Coyote Springs, one of the ten thousand Southwest waterholes

so named. In the naming of springs and precious water it would seem

that the vocabulary of the pioneers was decidedly limited. But it would

have been the same by any other name. A hole scooped in a soft rock and

sand hill, fenced with crooked and cracking cottonwood branches, as the

Navajo build their corrals, with not a vestige of relieving green

within miles of it. All around the sand was packed hard by the flocks

of sheep that came to water. Overhead was a broiling sun, and this

barren area reflected every bit of the glare and heat that it did not

hold as a stove. The air was heavy with the aroma of sheep, and alkali

showed ghastly white in the spring’s overflow. Nevertheless, it was an

oasis and held water. Here and there were picked and bleaching bones.

The coyotes knew its name.

Many buttes not to be seen from the Agency were now in sight. One lumpy

mound resembled a coiled snake—Rattlesnake Butte; another was shaped as

a pyramid, although no one had heard of Cheops or Chephren; and a

third, which had crumbled, was like a huge four-poster bed that some

forgotten giant had wrecked.

A bite to eat, and on again, lumbering down the yielding banks of

washes, and scrambling up and out of them. Truly a couple of sturdy

plugs were required to drag the wagon up those heavy slopes. Providing

the traveler has time and patience, and is built with a steel-riveted

frame, the old-time farm wagon with three-inch tires is the surest

method of making such a journey. It rolls and pitches as a squat lugger

in a choppy sea, but it gets there.

While the Desert appears as a level sward, one soon finds that there is

no sward to speak of, and that one million tangled hummocks fast follow

the first million, each bunch of sparse grass, each growth of

greasewood or saltbush having its own protecting hillock of sand. A

good road in those days was one that a stout wagon could get over

without being wrecked.

It is quite an experience to travel for hours toward a given point

marked by a solitary pinnacle, a veritable mountain having sheer sides,

and fail to reduce the distance appreciably. The sun was nearly down

when we crawled along a valley between two of these monsters. One,

named Chimney Butte, a huge truncated cone resting on massive

shoulders, was the highest in that country; and the other, Castle

Butte, looked like a ruined mediæval stronghold, having a causeway

flanked by towers, above which loomed dim embattlements and casements.

In the brilliant daylight the height of Chimney Butte is dwarfed by

desert distances; and Castle Butte is not always robed in fancy; but it

was now twilight, the time when the Desert is most sombre and fanciful,

and it was my entrance to that garden of the vanished gods. These two

gigantic piles were as the awesome portals of a ruined gateway, the

pass to an unknown, mysterious country; and the whole setting, fading

into night, gloomy with the menace of silence, held something of the

strange unreality of a dream. And came on suddenly the dark and cold.

How did Smith manage to follow the road? I could no longer see it, and

had more than enough to do to cling to the pitching seat of the wagon.

We headed straight into the blackness. What yawning precipices might be

awaiting us! I became chilled and cramped, and was thankful for that

greatcoat, though it did not pad me against the rude shocks of the

going.

“How much farther is it to this Agency?” I asked.

“Oh! over in the hills a bit—‘bout three miles furder to go yit. It

ain’t an agency, yeh know—nothin’ but a missionary and a log hut.”

And we plunged into another of the dark defiles. Then out of the black,

on a bit of cold wind, came a desert welcome that one never forgets, a

promise of rare comfort when one is hungry and cramped with cold, the

pungent incense of burning cedar. Now from the deep shadow of a

hillside arose a thin column of sparks, glinting, flying jewels of the

night.

“There’s it,” he announced, as if somewhat relieved, himself.

It was a little house, built of boards, having but two rooms, one large

enough for a bed and dresser, the other containing a cookstove, table,

and two chairs. Its outside dimensions could not have been more than

twelve by twenty feet. And when the stove was filled with dry cedar one

was tempted, after a complete toasting on one side, to dispense with

the table. But there was no complaint to make of this on our arrival.

The fire had the cheering crackle of Yuletide, and soon coffee and

bacon added their aroma. The hospitality of the good missionary and his

wife was like all those welcomes extended in the solitary places, when

the visitor is not touring with a notebook and a nose. The meal ended,

and all news exchanged, we said good night and opened the door.

“’Ere’s a go!” one might have exclaimed, without hurting the feelings

of a preacher. It was snowing! And even a preacher would have remarked

further, probably with adjectives, on seeing that Government house in

which we were to spend the night. It was a log hut in truth, built

corral-fashion, the poles set on end, the chinks originally plastered

with adobe. There was but one room, containing a single bunk made of

boards, an old cookstove, and a collection of broken tools and empty

canned-goods cases. The floor was of packed earth. Without

exaggeration, I may say that the roof and the floor were intact; but

practically all the caulking had escaped from the log walls, and the

wind felt its way inside with long icy fingers. The mechanic dropped

into the bunk and was asleep almost instantly; and, after building a

rushing fire in the stove, I rolled myself in Government blankets, and

rolled again, this time under the stove, to pass the night.

But I did not rest in the poetry of the wild. The refulgent moon did

not come up to spill its splendor through the open door, nor even

through the extensive openings of the wall; the perfume of the growing

pines did not soothe with healing balsam, the cry of the loon did not

sound from across the lake, and so forth. The floor, however, was under

that stove; and the floor had not been constructed along those

scientific lines followed in the building of Ostermoor mattresses.

Plastic as is my figure, it refused to conform.

And to add to my distress, someone in all that vast and lonely country

owned an old gray horse. I know he was old, and I know he was gray, for

he acted just like a silly old gray horse. And he was hobbled, and he

was out in the snow, and he had a bell tied to his neck.

Clankety-clank-clank, clang, claaangngng—clankety, clang, clank!

Around and around and around the house he voyaged all that night,

proceeding by hops and plunges as a hobbled horse must, his gait just

enough hampered by the lashings of his two front feet to impart a

syncopated tempo to the discords and jangles of that flat metallic

bell. At times he would pause, as if for breath, and there would be

quiet—deep silence—just sufficient for a doze; then—clankety, clang,

clang, clank! he would break out again.

I have listened to jazz orchestras of various colors and degrees of

crime, and other peace-destroying nuisances meriting death; but I have

never heard anything equal to the nocturnal pilgrimage of that old gray

horse. I would drop off to sleep, and suddenly wake as if feeling his

hobbled feet squarely in the centre of my contracted chest; but he

would be ten yards off, miserably clanking his way to another sector of

the snow-covered terrain. And confused, I would lift my head to listen,

knocking it of course against the bottom of the stove, when a long

icicle would stab through a wall chink and take me fairly in the ear.

Perhaps it was a pleasant night for Smith, who faithfully and

harmoniously snored away the hours.

With the dawn I struggled up. No! I did not bound out joyously to

gambol in the pure air of the stunted cedar-forest. It was a cold gray

dawn with a foot of snow, and there was a dank rheumatic caress in it.

With all speed I began smashing a packing case for kindling. Crash!

down came the axe, and splinters flew wide, when Smith stirred in his

bunk, awakening to duty and the dangers thereof. He blinked his eyes

and spluttered:—

“Watch out for that dynamite.”

“Dynamite?”

“Yes; it’s right under my bunk. Chop your wood furder off.”

I followed these directions to the letter. In fact, I gently carried

all the wood outside and chopped it.

The getting of breakfast, a complete demonstration of my culinary

ignorance, occupied me fully in the half-dark. I walked to and fro

gingerly, fearing to wake the dynamite; and I wondered how that stupid

fellow could have slept and have snored as he did, superimposed above a

quiescent earthquake. Dynamite is a great friend to man in the rocky

gorges of the West, but it should not be permitted to join the family

circle.

When next I opened the door, what a transformation! I had come to this

place in the cold grim darkness, heartened only by the perfume of

burning cedar. Occupied with the wood and the wet-handled axe, I was

dimly aware of a drowsy landscape in the clammy mist of dawn. But now

the sun had lifted, and the scene was a snowy fairyland. The gnarled

cedars of the foreground were laden with dripping snow, their branches

picked out with gems. And where the snow lay in unbroken sheets, pure

white, glistening, the shadows of the dwarfed trees formed rare

patterns. Behind the house were cliffs, and each gaunt angle held its

draping of snow. The time-worn bastions of those lava ledges stood as

gaping at the winter’s cheery Good-morning. It was a stage scene under

the great amber light.

A long valley stretched away to the Bidahoche Plains and the Bad Lands

with their honeycombed hills. Its dim recesses were now painted by the

first plashes of sunshine. To left and right, overhanging the snowy

meadows, reared great buttresses and crags of lava, and all down the

valley ancient promontories loomed amid the fading veils of mist.

Prehistoric ages had seen these as the shelving inner walls of some

vast crater, when they had seared and glazed and baked and colored to

form Nature’s pottery. Now, broken and rent apart, they stood as

fantastic separate monuments, lining that sunlit corridor to the outer

plains.

Dominating the foreground was Squash Blossom Butte, an inverted bloom

that the storms of æons had carved and a million rare sunsets tinted.

The Indians reverence the squash blossom as a symbol of fruition, and

perhaps—who knows—in its delicate bell-shaped flower they see more than

the mere promise of a harvest. It is found in Navajo silver-work,

strung into those massive necklaces of which they are so proud; and

when one goes into Hopi land he finds it imitated in the dressing of

their maidens’ hair. So they named this altar.

It was commanding in the morning light; it was the last thing seen down

the valley, a scarlet head thrust into a sober sky, as that second

night came on. The sunset lavished all its rainbow shades on it.

Richest gold and lavender above, purple tones and lava-green below;

bands of saffron melting into slatey shades; emerald and crimson

deepening into jetty blacks when the afterglow had vanished. An aged

throne of the gods. And clearly sweet, as desert music, came the

half-hushed sound of sheep moving among the cedars; and a young Navajo

girl paused at the edge of a thicket to gaze shyly at our cabin, then

to hurry away, the tiny bells at her belt tinkling, having all the

romance of the gypsies.

There is no finer landscape in the Southwest than this seldom-visited

country of the Moqui Buttes where, according to the Hopi, the one-time

giants had their dwelling places. The wondrous piles and pinnacles of

the Grand Cañon present a chaotic struggle that has ceased in all its

awesome disorder and aged grandeur. It makes man gasp and wonder, but

it does not invite the smile of reverie. This scene about the sunset

throne had that serenity born of isolation. It was small enough to

invite intimacy. Like the kingdom of a fairy tale, the tranquil valley

encompassed its own world, dreaming, smiling in its sleep.

Many times since have I crossed the Butte country, seeing it frozen in

winter and again broiling under a summer sun that scorched from the

cedars their sweetest aromas. I have always found it a haven, full of

peace.

Next day we returned to the Agency, an uneventful retreat, save for a

jouncing box of dynamite that leaped like a thing fiendishly alive

whenever the wheels slammed into a rut. My nerves were not in the best

shape. I had been smoking powdered alfalfa in a pipe. And I would look

back from the high seat, half fearing each time to catch that dynamite

in the very act of going off. But luck was with us; we herded it safely

into the Agency storehouse; and I rushed to the post for a can of real

tobacco.

Indians of the Enchanted Desert · 第 30 / 91 题