[49] Without venturing my own opinion, I must say that in this work

Kropotkin enunciates a theory which few radicals accept--the

Decentralisation of Industries. Briefly stated, the doctrine is this: It

is untrue that certain nations are specialised either for industry or

for agriculture. Countries which economists have declared to be merely

agricultural lands, have recently advanced so rapidly in industries that

the supremacy of the champions is seriously threatened. No one or two

nations can again secure a monopoly of industry, for the tendency of

modern civilization is towards a spreading and scattering of industries

all over the earth. Not a mere shifting of the center of gravity from

one country to another, as formerly happened in Europe when the

commercial hegemony migrated from Italy to Spain, then to Holland, and

finally to Britain, but an actual and permanent decentralisation of

industry, by its very nature making it impossible for any nation to gain

industrial ascendancy. Even the most backward nations will soon

manufacture almost everything they need. There is much advantage in this

combination of industrial with agricultural pursuits. It is well to have

production for home use--each region producing and consuming its own

manufactured goods and its own agricultural product.----Of course the

Socialists are diametrically opposed to this contention, and they answer

it with one word--the trusts.--When I spoke with Leonard D. Abbott about

Kropotkin, he told me his high opinion of him, but soon referred to this

hypothesis, and laughed. It was the same when I mentioned the point to

Dr. Antoinette Konikov, etc. See Abbott's "A Visit to Prince Kropotkin,"

(Twentieth Century, October 2, 1897).

[50] My friend Elmer Littlefield has demonstrated the same thing on his

acre on Fellowship Farm, Westwood, Mass. His magazine, Ariel, is an

enthusiastic advocate of intensive agriculture.

[51] Bolton Hall's "Three Acres and Liberty" is based to a great extent

on this work of Kropotkin's.

[52] After finishing the "Memoirs," my friend, Miss Margaret Scott wrote

me: "As a system of ethical training it might be advisable to have our

police lieutenants read one chapter a day of Kropotkin, while lawyers,

mayors and such, should have to get thru three. Think of the mental

upheaval!"

[53] Spargo the Socialist--always a vehement foe of the

Anarchists--calls this "a wonderful book." See his "The Socialists."

[54] This book is not permitted in Russia--when Kellogg Durland traveled

there, he had to rip off the cover and wrap the pages around his body.

[55] Several intelligent Russians tell me Nadson is their favorite poet;

therefore this must be considered a serious omission. One exclaimed,

"What, he writes about Fet and not Nadson!"

[56] On this subject see "Russia and the Russians," by Edmund Noble.

[57] "The history of Russian Literature is a martyrology." See "Russian

Traits and Terrors," by E. B. Lanin, the collective signature of several

writers in the Fortnightly Review. The Twentieth Century (June 26, 1897)

ends its review of this volume with this sentence: "Concerning Russian

prisons the book makes revelations so sickening that language is

polluted by the recital of them. Swinburne's fierce ode is mild in its

characterization of their brutal infamy, and it is possible, after

reading these pages to agree with Ernest Belfort Bax's assertion that

any sane man, knowing the facts, who pronounces it wrong to assassinate

the Czar, deliberately lies."--Swinburne's poem, "Russia: An Ode," altho

it contains a few weak lines, is certainly one of the most fiery

outbursts in the language, and is clearly the work of a master. Here is

a representative passage:

"Hell recoils heart-stricken: horror worse than hell

Darkens earth and sickens heaven; life knows the spell,

Shudders, quails, and sinks--or, filled with fierier breath,

Rises red in arms devised of darkling death.

Pity mad with passion, anguish mad with shame,

Call aloud on justice by her darker name;

Love grows hate for love's sake; life takes death for guide.

Night hath none but one red star--Tyrannicide."

[58] Imagine the United States of America if Franklin had been murdered,

if Irving had been knouted, if Bryant had been exiled, if Emerson had

been imprisoned, if Longfellow had been starved, if Whittier had been

hanged, if Holmes had been flogged, if Thoreau had been shot, if Whitman

had been poisoned, if Hawthorne had been chained with iron, if Lowell

had been kept in a secret dungeon, if Motley had spent his life in a

mine, if Parkman had been tortured, etc., etc., etc.

[59] See "Russian Novelists" by Viscount Vogue. But the statements of

this virulent French reactionary must be received with extreme caution

as his perverted brains frequently prevent him from stating the truth.

For example, in speaking of Turgenev, he says, "But, tho always ready to

help others, he certainly never gave his aid to any political intriguer.

Was it natural that a man of his refinement and high culture should have

aided the schemes of wild and fruitless political conspiracies?" By

'political intriguer' he means an 'enemy to the empire, a revolutionist.

Now the facts are that no one was of greater use to Herzen the

arch-revolutionist and his thundering Kolokol, than Turgenev. Herzen was

in England and often it was impossible to explain how he knew some of

the events which he described. It was Turgenev who furnished him this

information. All this is revealed by the published correspondence of

Herzen and Turgenev. Turgenev was fully and entirely in sympathy with

the Russian Revolution. He earnestly desired to meet Ippolit Mishkin,

and begged Kropotkin to tell him all he knew about this defiant

revolutionary orator. Turgenev deeply loved his own Bazaroff, and in

explaining him says, "If the reader is not won by Bazaroff,

notwithstanding his roughness, absence of heart, pitiless dryness and

terseness, then the fault is with me--I have missed my aim; but to

sweeten him with syrup (to use Bazaroff's own language), this I did not

want to do, altho perhaps thru that I would have won Russian youth at

once to my side.... When he calls himself nihilist, you must read

revolutionist."

[60] This does not include obsequious authors like Derzhavin and

Karamzin. Masters are usually willing to fling a few crumbs to their

fawning dogs.

IN LATER LIFE

There are at this moment only two great Russians who think for the

Russian people, and whose thoughts belong to mankind,--Leo Tolstoy

and Peter Kropotkin.--GEORG BRANDES

A storm careered madly over the Northern Sea, its impatient waves

heaving and howling, leaping with a burning frenzy, the fuming raging

billows surging and swelling, calling and crying, roaring louder and

louder, vaulting higher and higher.

The steamer shook and swayed and struggled; the frightened passengers

sought shelter in their state-rooms, but one of them sat for hours upon

the stem of the deck, enjoying the tempest intensely, putting out his

face so it could be watered by the foam of the dashing waves. This was

Kropotkin. After the years he had spent in the charnel cell, no wonder

every fibre in his body was trembling and throbbing to meet the force

and passion of the sea-storm.

He landed safely in the country where Herzen founded _The Bell_, where

Lavrov edited _Forward_, where Felix Volkhovsky was to conduct _Free

Russia_, and where he himself was to start _Freedom_.

For over thirty years he has remained abroad. He never returned to

Russia. He is one of the few revolutionists who never went back to that

sunken swamp where liberty's wrapped in her winding-sheets, while

tyranny's robed in ermine. There are two reasons for this. In the first

place he became interested in a new-born idea--Anarchism--and felt he

could be more useful as an apostle of this movement than as a rebel in

Trepovdom. As is well-known, his lectures and writings on the subject

have earned him the title, "Father of Anarchist-Communism." Secondly,

when the Nihilists were changed (by purple butchers) into Terrorists,

they dropped their propaganda of pamphlets to study the properties of

petroleum, and thus were forced to neglect the varletry. However,

Kropotkin's sympathies drew him more and more towards those human

machines who toil so hard for their bread that if you cut their pennies

open, the blood would gush from them.

About a year after his escape, Kropotkin attended an important labor

congress in Belgium (1877). A few days later the police received an

order to arrest him. At this time the theologians were in power, and

the Belgian comrades knowing a clerical ministry would be only too

willing to turn him over to the blood-sucking czar, insisted upon his

leaving the country. On returning to his hotel, he found his good friend

James Guillaume--small physically, big in all other respects--barring

the way to his room, and sternly announcing that Kropotkin could enter

only by using force against him.

The next morning the ejected delegate sailed for London, but soon went

to Paris where he helped to form radical groups. Again he was wanted by

the police, but by mistake they arrested a Russian student (1878). Later

he left for Switzerland where he founded an anarchistic paper, _Le

Revolte_ (1879).

Two years later Alexander II. was assassinated. The government hanged

the revolutionists at home, but pretended the exiles abroad were

responsible for the deed. The Holy League was formed to execute the

refugees. An officer who knew Kropotkin when he was a page de chambre,

was appointed to kill him. A woman was sent from Petersburg to Geneva to

lead the conspiracy. Kropotkin took matters coolly, collected a pile of

threatening letters--of which the police later relieved him--and

nothing happened except that Helvetia was told if it did not expel the

agitator, then Alexander III., the Lord's Anointed, would drive out from

Russia all the Swiss governesses and ladies' maids, while the czarina

would refuse to eat Swiss cheese. This was more than the little republic

could stand, and Kropotkin was told to go. He says he did not take

umbrage at this.

He went once more to London, where he met his old comrade Chaykovsky,

and together they began to preach their gospel of freedom. Always to

work for the liberation of humanity--that isn't such a bad idea, is

it?[61]

At this time there was no movement in the Island which had imbibed the

narcotic of reaction and lay in a wakeless torpor, and Kropotkin and his

devoted wife felt so lonely among the napping Britons that they decided

to cross the channel. "Better a prison in France than this grave," they

said. They were followed by an army of informers, freely furnished by

the loving Russian Government which cannot bear to see its children

travel without suitable protection. Not to be outdone in courtesy, the

French police soon escorted him to the official lodging-house.

Kropotkin was incarcerated in the central prison of Clairvaux where had

been confined old Blanqui--the communard at whose burial Louise Michel

spoke words which will have no funeral. Kropotkin was well-treated, the

officials were polite, and he was permitted to give his fellow-prisoners

instruction in physics, languages, geometry and cosmography.

Unfortunately, Clairvaux is built on marshy ground, and Kropotkin fell

sick from malaria. His wife who was studying in Paris, preparing for the

degree of Doctor of Science, hastened from Wurtz's laboratory to the

prison-town. She remained there until her iconoclast was released. This

event occurred after three years' imprisonment. He then went to the

capital, lectured to an audience of several thousand, and left France

immediately to avoid a forcible expulsion.

Such are some of the scenes in the life of Peter Kropotkin--imprisoned

by governments, pursued by police, followed by spies,[62] hounded by

agents of autocracy.

This peace-loving man whose name is synonym for kindness, this tender

soul as modest as Newton, as gentle as Darwin, has been hunted from

frontier to border-line. Against none of his persecutors does he utter a

single invective. He is the epitome of mildness, the incarnation of

humaneness.[63]

Ask anyone who has seen Kropotkin for an hour or has known him for a

generation, to describe his most characteristic trait, and the

invariable answer will be: simplicity. His is a great spirit--it has

cast out flam. "Kropotkin is one of the most sincere and frank of men,"

says Stepniak. "He always says the truth, pure and simple, without any

regard for the _amour propre_ of his hearers, or for any consideration

whatever. This is the most striking and sympathetic feature of his

character. Every word he says may be absolutely believed. His sincerity

is such, that sometimes in the ardour of discussion an entirely fresh

consideration unexpectedly presents itself to his mind, and sets him

thinking. He immediately stops, remains quite absorbed for a moment, and

then begins to think aloud, speaking as tho he were an opponent. At

other times he carries on this discussion mentally, and after some

moments of silence, turning to his astonished adversary, smilingly says,

'You are right.' This absolute sincerity renders him the best of

friends, and gives especial weight to his praise and blame."

[Illustration: THE COSSACKS

Indulging in a favorite Russian pastime.]

Most of Kropotkin's Russian revolutionary comrades--using the term

Comrade in its broad sense--ended their days in misery. Kroutikoff

strangled himself with a piece of linen; Stransky poisoned himself;

Zapolsky cut his throat with a pair of scissors; Leontovitch and

Bogomoloff hacked theirs with a bit of glass; Zhutin died in chains

bound to the wall; Kolenkin perished from wounds torn open by fetters;

Rodin poisoned himself with matches; Nathalie Armfeldt died of prison

consumption; Beverly was wounded with bullets and murdered with

bayonet-thrusts; Ivan Cherniavsky and wife and child were transported to

Irkutsk, the temperature was thirty degrees below zero, and the baby

died, while the mother went mad, howled, laughed, prayed, cursed,

rocked the dead infant in her arms and sang nursery songs;[64]

Semyonovsky shot himself; Uspensky hanged himself; Martinova was dragged

to the police station on the very day that she expected to become a

mother; Gratchevsky threw kerosene from his lamp over himself, set it on

fire and died shrieking--but at least he escaped from Schlusselburg;

Edelson was marched to the Arctic zone even after he had become insane;

Mukhanov was killed with a volley of balls; Sergius Pik was struck in

the head, his jaw was smashed by the gendarmes' guns, a ghastly hole was

made above his eye, his blood and brains oozed and fell on his

chest;[65] Sophia Gurevitch was ripped open with bayonets; Sherstnova

was shot to death for signaling with a hand-mirror; the young wife of

Felix Volkhovsky shot herself thru the head; the wonderful Kuprianov

died in prison at the age of nineteen; Shtchedrin was chained to the

barrow, became insane and so perished; Nadyeshda Sigida was flogged to

death;[66] Marie Vetrova was raped and murdered;[67] Jessy Helfman was

tortured indescribably; Bobohov swallowed a handful of opium; Ossinsky's

hair turned white in five minutes; Maria Kovalevskaya--cover thy face,

freedom--suffered, took poison and died in the prison infirmary;

Yakimova stayed up nights in the Trubetzkoi Ravelin to prevent the rats

from devouring her baby; Olga Lubatovitch was stripped naked by men and

beaten; Malyovany died in exile; the student Schmidt was murdered in his

cell by his jailers; Spiridonova was violated by a cossack officer and

by a police chief; the high-minded Plotnikoff ended his days in an

asylum; Bogulubov became a raving lunatic; Serdukov was so broken that

he shot himself after his release; the poet Polivanoff also committed

suicide thus--(Ah, those twenty long years in Schlusselburg!); the noble

Balmaschoff was hanged; the beautiful Zinaida too; Isaiev, Okladsky,

Zubkovsky went mad; Kviotkovsky, Presniakoff, Soukanoff died in Skipper

Peter's Prison; Buzinsky, Gellis, Ignatius Ivanoff succumbed in the

Key-Town Fortress; to Federoff was reserved a fate worse than death,

worse than torture, worse than madness, for it was his destiny to become

a dupe of the Black Hundreds and unwittingly slay Georg Iollos--lover of

liberty;[68] Ludmila Volkenstein,--but why continue an unhappy list

which has neither beginning nor end? I could fill a library with such

cases.

Such individual torments fell not to the lot of Peter Kropotkin.

Personally he has been favored by fortune. He has touched existence on

every side and lived every life. The wisdom of the world is in his

brain, and within his heart is lodged all its goodness. His experience

has been unusually wide. He has been on intimate terms with czar and

serf, he has met millionaire and mendicant, he has hobnobbed with prince

and pauper. He has lectured to aristocratic audiences who gazed calmly

at him thru gilded lorgnettes and foppish monocles, and to

empty-stomached workmen who cried loudly, "Pierre! Pierre! Notre

Pierre!"[69]

The finest men of all nations have honored him. When a prisoner at

Clairvaux, a petition for his release was signed by such geniuses as

Herbert Spencer, Victor Hugo and Algernon Swinburne. When he required

books, Ernest Renan put his library at his service. While at Paris,

Turgenev--who won immortality by a single word--wished to be introduced

to him and celebrate his escape by a little banquet. When Catherine

Breshkovskaya journeyed for the first time to Petersburg, Kropotkin was

on the same train; they discussed problems, and this extraordinary woman

says his words thrilled like fire.[70] Elie Reclus was his brother.

Elisee published his writings and asked him to contribute to his

Geography--the greatest in existence. Jean Grave is his disciple. Ernest

Crosby loved him. Georg Brandes praises him lavishly. Zola paid his work

a high compliment. Elizabeth Cady Stanton spent an interesting day at

his home. J. Scott Keltie, the eminent authority on African history, is

one of his warmest friends. Bates, the Naturalist on the Amazons whom

Darwin mentions so often, appreciated his scientific ability. Enrico

Ferri closely studied his works. The learned Lavrov was his comrade.

Denjiro Kotoku, the Japanese essayist who founded the radical

_Heiminshimbun_, considers him one of the greatest humanitarians of the

nineteenth century.[71] At the home of Edward Clodd he argued with Grant

Allen. When at East Aurora, I saw only one picture over the desk of

Elbert Hubbard, and that was Kropotkin. Those who have read _De

Profundis_ will recall in what high pure words Oscar Wilde speaks of

him. Tolstoy calls him a learned man.[72] The authors of _Russian Traits

and Terrors_ speak of him as "one whose scientific accuracy and

objectivity is beyond praise." James Knowles so respected him that he

allowed him to write anarchistic articles for his high-toned _Nineteenth

Century_. Laurence Gronlound gives him as a type of the ideal anarchist.

In the soul of every libertarian swings a fragrant censer which offers

up olibanum to the stainless character of the great revolutionist. Put

those who love Kropotkin on one side, and those who don't on the other,

and you will have separated the heralds of the morning from the spooks

of the night. It is no more necessary to be an anarchist-communist to

have a warm spot in your heart for Peter Kropotkin, than it is necessary

to believe in Adam and Eve to enjoy Milton's _Paradise Lost_.

FOOTNOTES:

[61] Kropotkin is still able to cross London Bridge, but his comrade is

missing. For many years Chaykovsky kept away from Russia. During a whole

generation the man who taught Perovskaya was a wanderer in other lands.

Some months ago he went back--he could control his yearning no longer.

He is now in the Fortress of Peter and Paul. The Father of the

Revolution will sleep among his children.

P. S. As this book goes to press, the happy news comes that Chaykovsky

has been liberated on a heavy bail, but it is not yet known what the

government intends to do with him.

[62] Some types are depicted in Gorky's latest work, "The Spy,"

translated by Thomas Seltzer. Because of its subject-matter this book

acts as an emetic.

[63] remember hearing James F. Morton, A. M.--author of the excellent

essay "The Curse of Race Prejudice"--speak to Elbert Hubbard about

Catherine Breshkovskaya whom he had seen at the Sunrise Club, and in

wishing to illustrate her gentleness and lack of resentment for those

who ill-treated her, he called her "a female Kropotkin."

[64] When George Kennan heard this woman's story, his face became wet

with tears almost for the first time since boyhood. See his admirable

but terrible "Siberia and the Exile System."

[65] See the letter by the eye-witness Nicholas Zotoff (hanged August 7,

1889). It is published in "King Stork and King Log," a two-volume work

by Stepniak.

[66] Leo Deutsch was a prisoner at Kara at the time of this tragedy, and

he describes it in his "Sixteen Years in Siberia."

[67] See "Woman, the Glory of the Russian Revolution" (Altruria, July

1907), by Dr. Sonia Winstan. Note this sentence: "In arrests the police

are always more cruel to women than to men, and I have seen women

dragged by the hair to jail thru the streets of St. Petersburg, while

men in the same group were led along in the ordinary way. In the prisons

innocent young women are often placed with the lowest murderers."

[68] In Robert Crozier Long's "The Black Hundreds," in The Cosmopolitan,

January 1908.

[69] "He is an incomparable agitator. Gifted with a ready and eager

eloquence, he becomes all passion when he mounts the platform. Like all

true orators, he is stimulated by the sight of the crowd which is

listening to him. Upon the platform this man is transformed. He trembles

with emotion; his voice vibrates with that accent of profound

conviction, not to be mistaken or counterfeited, and only heard when it

is not merely the mouth which speaks, but the innermost heart. His

speeches, altho he cannot be called an orator of the first rank, produce

an immense impression; for when feeling is so intense it is

communicative, and electrifies an audience. When, pale and trembling, he

descends from the platform, the whole room throbs with

applause."--STEPNIAK.

[70] In Ernest Poole's "Catherine Breshkovskaya" in the Outlook. See

also Kennan. After being a Siberian exile for over twenty-two years she

came to America to collect funds for the Revolution, and immediately

went back to Russia. She was captured, and like Chaykovsky is now in the

fortress of Peter and Paul. She often said it was a shame for a

Revolutionist to die in bed.

[71] In my "Symposium on Humanitarians." For several other contributors

who mentioned Kropotkin as one of their favorites, see this "Symposium,"

now published in book form by The Altrurians.

[72] In the "Russian Revolution," a senseless pamphlet, edited by V.

Tchertkoff who is talented enuf to be doing better things. When it comes

to a question of righteous resistance, Leo Tolstoy is unbearable. A man

who can say in effect, "Let the officials do whatever they want to do,

let them shoot you down as often as they please, let them fill every

prison in vast Russia with your bodies, let them rape your mothers and

daughters and wives, let them hang your young children, but never resist

in any way, only think of Jesus and read the Gospels,"--such a man is

what the doctors call non compos mentis. No wonder the Russian

Government does not molest him. The gentle Kropotkin says, "I am in

sympathy with most of Tolstoy's work, tho there are many of his ideas

with which I absolutely disagree--his asceticism, for instance, and his

doctrine of non-resistance. It seems to me, too, that he has bound

himself, without reason or judgment, to the letter of the New

Testament."

THE HISTORIAN OF THE REVOLUTION

The heroism of our Russian comrades in the face of torture and

death will be told in days to come by generations made rich by

their sacrifices. History will pay an eternal homage to the victims

of the bloody tyranny which now rules Russia.--J. RAMSAY

MACDONALD, M. P.

To the present generation of Russian Revolutionists Kropotkin is not an

influence, but an inspiration. He is not a leader but an elder brother.

He is to them a type of the man who without a moment's hesitation leaves

everything for the Cause. He is a powerful voice crying out loudly

against the oppressors of mankind. Voices like these they hear

distinctly, and follow eagerly, tho they lead to a cold Siberian grave.

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