VAUXHALL GARDENS.

Some of the melancholy duties of this life afford a more subdued, and,

therefore, a more satisfactory pleasure than scores with which duty has

nothing to do, or those of mere enjoyment. If, for instance, the friend,

whose feeds we have helped to eat, whose cellars we have done our part to

empty for the last quarter of a century, should happen to fall ill; if the

doctors shake their heads, and warn us to make haste to his bedside, there

is always a large proportion of honey to be extracted, in obeying the

summons, out of the sting of parting, recounting old reminiscences, and

gossipping about old times, never, alas! to return. But should we neglect

the summons, where would the stings of conscience end?

Impelled by such a sense of duty, we wended our way to the "royal

property," to take a last look at the long-expiring gardens. It was a wet

night--the lamps burnt dimly--the military band played in the minor

key--the waiters stalked about with so silent, melancholy a tread, that we

took their towels for pocket-handkerchiefs; the concert in the open _rain_

went off tamely--dirge-like, in spite of the "Siege of Acre," which was

described in a set of quadrilles, embellished with blue fire and maroons,

and adorned with a dozen double drums, thumped at intervals, like death

notes, in various parts of the doomed gardens. The _divertissement_ was

anything but diverting, when we reflect upon the impending fate of the

"Rotunda," in which it was performed.

No such damp was, however, thrown over the evolutions of "Ducrow's

beautiful horses and equestrian _artistes_," including "the new grand

entrée, and cavalcade of Amazons." They had no sympathy with the decline

and fall of the _Simpsonian_ empire. They were strangers, interlopers,

called in like mutes and feathers, to grace the "funeral show," to give a

more graceful flourish to the final exit. The horses pawed the sawdust,

evidently unconscious that the earth it covered would soon "be let on lease

for building ground;" the riders seemed in the hey-day of their equestrian

triumph. Let them, however, derive from the fate of Vauxhall, a deep, a

fearful lesson!--though we shudder as we write, it shall not be said that

destruction came upon them unawares--that no warning voice had been

raised--that even the squeak of PUNCH was silent! Let them not sneer, and

call us superstitious--we do _not_ give credence to supernatural agency as

a fixed and general principle; but we did believe in Simpson, and stake our

professional reputation upon Widdicomb.

That Vauxhall gardens were under the especial protection of, that they drew

the very breath of their attractiveness from, the ceremonial Simpson, who

can deny? When he flitted from walk to walk, from box to box, and welcomed

everybody to the "royal property," right royally did things go on! Who

would _then_ have dreamt that the illustrious George--he of the

Piazza--would ever be "honoured with instructions to sell;" that his

eulogistic pen would be employed in giving the puff superlative to the

Elysian haunts of quondam fashion--in other words, in painting the lily,

gilding refined gold? But, alas! Simpson, the tutelar deity, has departed

("died," some say, but we don't believe it), and at the moment he made his

last bow, Vauxhall ought to have closed; it was madness--the madness which

will call us, peradventure, superstitious--which kept the gates open when

Simpson's career closed--it was an anomaly, for like Love and Heaven,

Simpson was Vauxhall, and Vauxhall was Simpson!

Let Ducrow reflect upon these things--we dare not speak out--but a tutelar

being watches over, and giveth vitality to his arena--his ring is, he may

rely upon it, a fairy one--while _that_ mysterious being dances and prances

in it, all will go well; his horses will not stumble, never will his clowns

forget a syllable of their antiquated jokes. O! let him then, while

seriously reflecting upon Simpson and the fate of Vauxhall, give good heed

unto the Methuselah, who hath already passed his second centenary in the

circle!

These were our awful reflections while viewing the scenes in the circle,

very properly constructed in the Rotunda. They overpowered us--we dared not

stay to see the fireworks, "in the midst of which Signora Rossini was to

make her terrific ascent and descent on a rope three hundred feet high."

She _might_ have been the sprite of Madame Saqui; in fact, the "Vauxhall

Papers" published in the gardens, put forth a legend, which favours such a

dreadful supposition! We refer our readers to them--they are only sixpence

a-piece.

Of course the gardens were full in spite of the weather; for what must be

the callousness of that man who could let _the_ gardens pass under the

hammer of George Robins, without bidding them an affecting farewell? Good

gracious! We can hardly believe such insensibility does exist. Hasten then,

dear readers, as you would fly to catch the expiring sigh of a fine old

boon companion--hasten to take your parting slice of ham, your last bowl of

arrack, even now while the great auctioneer says "Going."

For your sake, and yours only, Alfred Bunn (whose disinterestedness has

passed into a theatrical proverb), arrests the arm of his friend of the

Auction Mart in its descent. Attend to _his_ bidding. Do not--oh! do not

wait till the vulcan of the Bartholomew-lane smithy lets fall his hammer

upon the anvil of pleasure, to announce that the Royal Property is--"Gone!"

[Illustration: WELCOME TO THE ROYAL PROPERTY.]

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Punch, or the London Charivari, Volume 1, August 14, 1841 · 第 64 / 68 题