Silvia could hear the twittering of the young starlings in

their nests as their parents went and came carrying food,

and the loud and joyful "tirr-a-wee, tirr-a-wee, prooit,

tweet!" of the thrushes, and the low currooing of the wood

pigeon, and the soft call of the cuckoo, that seemed to come

in whenever an interval of silence fitted. The swallows

dipped and flashed and circled over the bosom of the lake.

There were blackbirds eagerly but cautiously at work, with

their spasmodic trippings, on the lawn. A robin perched on

the iron railing eyed her curiously and seemed more disposed

to approach than to retreat.--WILLIAM BLACK, in _Green

Pastures and Piccadilly_.

A jay fled screaming through the wood, just one brief

glimpse of brilliant blue being visible.--WILLIAM BLACK,

_Ibid._

And as they came near to one dark patch of shrubbery, lo!

the strange silence was burst asunder by the rich, full song

of a nightingale.--WILLIAM BLACK, _Ibid._

A sudden sound sprang into the night, flooding all its

darkness with its rich and piercing melody--a joyous, clear,

full-throated note, deep-gurgling now, and again rising with

thrills and tremors into bursts of far-reaching silver song

that seemed to shake the hollow air. A single nightingale

had filled the woods with life. We cared no more for those

distant and silent stars. It was enough to sit here in the

gracious quiet and listen to the eager tremulous outpouring

of this honeyed sound.--WILLIAM BLACK, in _Strange

Adventures of a House-Boat_.

Shoot and eat my birds! The next step beyond, and one would

hanker after Jenny Lind or Miss Kellogg.--HENRY WARD

BEECHER.

There on the very topmost twig, that rises and falls with

willowy motion, sits that ridiculous, sweet-singing

bobolink, singing as a Roman candle fizzes, showers of

sparkling notes.--_Ibid._

This poet affirms that our bobolink is superior to the nightingale:--

Bobolink, that in the meadow,

Or beneath the orchard's shadow,

Keepest up a constant rattle

Joyous as my children's prattle,

Welcome to the North again,

Welcome to mine ear thy strain,

Welcome to mine eye the sight

Of thy buff, thy black and white.

Brighter plumes may greet the sun

By the banks of Amazon;

Sweeter tones may weave the spell

Of enchanting Philomel;

But the tropic bird would fail,

And the English nightingale,

If we should compare their worth

With thine endless, gushing mirth.

--THOMAS HILL.

The mocking bird is a singer that has suffered much from its

powers of mimicry. On ordinary occasions, and especially in

the daytime, it insists on playing the harlequin. But when

free in its own favorite haunts at night, it has a song, or

rather songs, which are not only purely original, but are

also more beautiful than any other bird music whatsoever.

Once I listened to a mocking bird singing the livelong

spring night, under the full moon, in a magnolia tree; and I

do not think I shall ever forget its song.

The great tree was bathed in a flood of shining silver; I

could see each twig, and mark every action of the singer,

who was pouring forth such a rapture of ringing melody as I

have never listened to before or since. Sometimes he would

perch motionless for many minutes, his body quivering and

thrilling with the outpour of music. Then he would drop

softly from twig to twig till the lowest limb was reached,

when he would rise, fluttering and leaping through the

branches, his song never ceasing for an instant until he

reached the summit of the tree and launched into the warm

scent-laden air, floating in spirals, with outspread wings,

until, as if spent, he sank gently back into the tree and

down through the branches, while his song rose into an

ecstasy of ardor and passion. His voice rang like a

clarionet in rich, full tones, and his execution covered the

widest possible compass; theme followed theme, a torrent of

music, a swelling tide of harmony, in which scarcely any two

bars were alike. I stayed till midnight listening to him; he

was singing when I went to sleep; he was still singing when

I woke a couple of hours later; he sang through the livelong

night.--THEODORE ROOSEVELT.

Amid the thunders of Sinai God uttered the rights of cattle,

and said that they should have a Sabbath. "Thou shalt not do

any work, thou, nor thy cattle." He declared with infinite

emphasis that the ox on the threshing-floor should have the

privilege of eating some of the grain as he trod it out, and

muzzling was forbidden. If young birds were taken from the

nest for food, the despoiler's life depended on the mother

going free. God would not let the mother-bird suffer in one

day the loss of her young and her own liberty. And he who

regarded in olden time the conduct of man toward the brutes,

to-day looks down from heaven and is interested in every

minnow that swims the stream, and every rook that cleaves

the air.--DEWITT TALMAGE, D.D.

And how refreshing is the sight of the birdless bonnet! The

face beneath, no matter how plain it may be, seems to

possess a gentle charm. She might have had birds, this

woman, for they are cheap enough and plentiful enough,

heaven knows; but she has them not, therefore she must wear

within things infinitely precious, namely, good sense, good

taste, good feeling. Does any woman imagine these withered

corpses (cured with arsenic), which she loves to carry

about, are beautiful? Not so; the birds lost their beauty

with their lives.--CELIA THAXTER.

I walked up my garden path as I was coming home from

shooting. My dog ran on before me; suddenly he went slower

and crept carefully forward as if he scented game. I looked

along the path and perceived a young sparrow, with its downy

head and yellow bill. It had fallen from a nest (the wind

was blowing hard through the young birch trees beside the

path) and was sprawling motionless, helpless, on the ground,

with its little wings outspread. My dog crept softly up to

it, when suddenly an old black-breasted sparrow threw

himself down from a neighboring tree and let himself fall

like a stone directly under the dog's nose, and, with

ruffled feathers, sprang with a terrified twitter several

times against his open, threatening mouth. He had flown down

to protect his young at the sacrifice of himself. His little

body trembled all over, his cry was hoarse, he was

frightened to death; but he sacrificed himself. My dog must

have seemed to him a gigantic monster, but for all that, he

could not stay on his high, safe branch. A power stronger

than himself drove him down. My dog stopped and drew back;

it seemed as if he, too, respected this power. I hastened to

call back the amazed dog, and reverently withdrew. Yes,

don't laugh; I felt a reverence for this little hero of a

bird, with his paternal love.

Love, thought I, is mightier than death and the fear of

death; love alone inspires and is the life of all.--IVAN

TOURGUENEFF.

The first sparrow of spring! The year beginning with younger

hope than ever! The faint, silvery warblings heard over the

partially bare and moist fields from the bluebird, the song

sparrow, and the redwing, as if the last flakes of winter

tinkled as they fell!--H. D. THOREAU.

I heard a robin in the distance, the first I had heard for

many a thousand years, methought, whose note I shall not

forget for many a thousand more,--the same sweet, powerful

song as of yore.--_Ibid._

Walden is melting apace. A great field of ice has cracked

off from the main body. I hear a song sparrow from the

bushes on the shore,--_olit, olit, olit--chip, chip, chip,

che char--che wis, wis, wis_. He, too, is helping to crack

the ice.--_Ibid._

The bluebird carries the sky on his back.--_Ibid._

6. One of the most interesting features of a Bird Day program will be

the personations of birds.

The following was given by a boy in the seventh grade:--

One day in February a gentleman and his wife stopped beside

the wall of old Fort Marion, in St. Augustine, to listen to

my song. The sun was shining brightly, and little white

flowers were blooming in the green turf about the old fort.

It was not time yet to build my nest, so I had nothing to do

but sing and get my food and travel a little every day

toward my Northern home.

I am about as large as a robin, and although there is

nothing brilliant in my plumage I am not a homely bird. I

like the songs of other birds and sometimes sing them. I

frequently sing like my cousins, the catbirds and robins and

thrushes. But I have my own song, which is unlike all the

others. My mate and I build a large nest of small sticks,

pieces of string, cotton, and weeds, in thick bushes or low

trees. We have five eggs that are greenish blue and spotted

with brown. We eat many beetles, larvae, and many kinds of

insects which we find feeding upon plants. The worst enemy

we have is man. He steals our children almost before we have

taught them to sing, and puts them in cages. He is a

monster.

Many poems have been written about me. One of the finest is

by Sidney Lanier, in which he calls me "yon trim Shakespeare

on the tree."

Any one who has heard my song can never forget me.

What is my name?

7. Bird facts and proverbs form a valuable part of a program and may

be given by some of the children. Let the pupils search for them and

bring some similar to these:--

Birds flock together in hard times.

A bird in the bush is worth two in the hand.

The American robin is not the same bird as the English.

The bluebird and robin may be harbingers of spring, but the

swallow is the harbinger of summer.

The dandelion tells me to look for the swallow; the

dog-toothed violet when to expect the wood thrush.--JOHN

BURROUGHS.

It is not thought that any one bird spends the year in one

locality, but that all birds migrate, if only within a

limited range.

A loon was caught, by a set line for fishing, sixty-five

feet below the surface of a lake in New York, having dived

to that depth for a fish.

The wood pewee, like its relative, the phoebe, feeds

largely on the family of flies to which the house fly

belongs.

The birds of prey, the majority of which labor night and day

to destroy the enemies of the husbandman, are unceasingly

persecuted.

Seventy-five per cent of the food of the downy woodpecker is

insects.

The cow blackbird lays its eggs in other birds' nests, one

in a nest. What happens afterwards?

Why should not a man love a bird? If the palm of one could

clasp the pinion of the other, there would come together two

of the greatest implements God and nature have ever given

any two creatures to explore the world with, and when two

bipeds gaze at each other, eye to eye, the intelligence in

the one might well take off its hat to the subtle instincts

in the other.--JAMES NEWTON BASKETT.

A bird on the bonnet means so much less bread on the table.

A bird in the orchard is a sort of scavenger and pomologist

combined, and does his share in giving you a dish of fruit

for dinner. The scarlet tanager looks like a living ruby in

a green tree; but--I speak bluntly--it looks like a chunk of

gore on a woman's bonnet. In behalf of good taste and the

birds, I enter my protest against this barbarous

Custom.--LEANDER T. KEYSER.

What does it cost, this garniture of death?

It costs the life which God alone can give;

It costs dull silence, where was music's breath;

It costs dead joy, that foolish pride may live.

Ah, life, and joy, and song, depend upon it,

Are costly trimmings for a woman's bonnet.

--MAY RILEY SMITH.

The program may be diversified by songs about birds. Many suitable for

this occasion will be found in a collection called "Songs of Happy

Life," made by Sarah J. Eddy. It is published by the Nature Study

Publishing Company, of Providence, R. I.

VIII

THE POETS AND THE BIRDS

"The birds are the poets' own," says Burroughs. How could it be

otherwise? The bird, with his large brain, quick circulation, and high

temperature, is possessed of a tropical, ecstatic soul that blossoms

into music as naturally as a bulb bursts into bloom and fragrance. He

is a creature of marvelous inheritance. Poetry is a true bird-land,

where you shall hear the birds as often as in any meadow or orchard on

a May morning. All poets have been their lovers, from the psalmist of

old, who knew "all the birds of the mountains," to our own Lowell with

his "Gladness on wings--the bobolink is here."

The poets, who voice our deepest thoughts, have studied birds with the

utmost care. It is astonishing to note the mention made of them in the

pages of Browning, Tennyson, and in fact of every great maker of

verse. Not merely as adjuncts of the landscape are they mentioned, but

with intensity of feeling, as in William Watson's poem on his recovery

from temporary loss of mind--one of the most pathetic poems ever

written--where he thanks the Heavenly Power for letting him feel once

again at home in nature and again related to the birds and to human

life. Dr. Van Dyke's wish that, when his twilight hour is come, he

"may hear the wood note of the veery" finds response in the heart of

every one who has listened to that song. Frequently the poet seems to

have entered into the life of the bird and to have found his inner

secret, as Keats in the "Ode to a Nightingale":--

Immortal bird, thou wast not born for death,

No hungry generations tread thee down.

Sometimes the words seem to have caught the rhythm and ripple of the

song, as in Browning's reference to the thrush:--

The wise thrush, he sings each song twice over,

Lest you think he never could recapture

That first fine careless rapture.

Or the bird's voice may be so suggestive as to lead the seer to the

very limits of thought and aspiration, like Shelley's "Skylark." As we

need the help of the naturalists, who see more accurately than we, we

also need the assistance of the poet's clearer vision, with its wider

and deeper sweep. How completely Sidney Lanier summed up the mocking

bird! and how much more pleasing is the bird in the tree because of

the bird in the poem:--

Superb and sole, upon a plumed spray

That o'er the general leafage boldly grew,

He summed the woods in song; or typic drew

The watch of hungry hawks, the lone dismay

Of languid doves when long their lovers stray,

And all birds' passion plays that sprinkle dew

At morn in brake or bosky avenue.

Whate'er birds did or dreamed, this bird could say.

Then down he shot, bounced airily along

The sward, twitched in a grasshopper, made song

Midflight, perched, prinked, and to his art again.

Sweet science, this large riddle read me plain:--

How may the death of that dull insect be

The life of yon trim Shakespeare on the tree?

Recitations from the poets should be a prominent feature of Bird Day

exercises. Readings and studies of poems about birds may be very

profitably made a part of the literary work of the year.

The following poems are suitable for recitation and study:--

"The Birds' Orchestra," Celia Thaxter; "The Robin," Celia Thaxter;

"The Song Sparrow," Celia Thaxter; "The Blackbird," Alice Cary; "The

Raven's Shadow," William Watson; "On Seeing a Wild Bird," Alice Cary;

"What Sees the Owl?" Elizabeth S. Bates; "Lament of a Mocking Bird,"

Frances Anne Kemble; "The Snow-bird," Dora Read Goodale; "To a

Seabird," Bret Harte; "The Rain Song of the Robin," Kate Upson Clark;

"The Swallow," Owen Meredith; "A Bird at Sunset," Owen Meredith; "The

Titlark's Nest," Owen Meredith; "The Dead Eagle," Campbell; "Ode to a

Nightingale," John Keats; "What the Birds Said," John Greenleaf

Whittier; "The Sandpiper," Celia Thaxter; "The Blackbird and the

Rooks," Dinah Mulock Craik; "The Canary in his Cage," Dinah Mulock

Craik; "The Falcon," James Russell Lowell; "The Titmouse," Ralph Waldo

Emerson; "The Stormy Petrel," Barry Cornwall; "To the Skylark," Percy

Bysshe Shelley; "The O'Lincoln Family," Wilson Flagg; "To a

Waterfowl," William Cullen Bryant; "Robert of Lincoln," William Cullen

Bryant; "The Return of the Birds," William Cullen Bryant, "The Eagle,"

Alfred Tennyson; "To the Eagle," James G. Percival; "The Forerunner,"

Harriet Prescott Spofford; "The Skylark," James Hogg; "To the

Skylark," William Wordsworth; "Sir Robin," Lucy Larcom; "The Pewee,"

J. T. Trowbridge; "The Yellowbird," Celia Thaxter "The Dying Swan,"

Alfred Tennyson; "Story of a Blackbird," Alice Cary; "The Blue Jay,"

Mrs. A. D. T. Whitney; "The Song Sparrow," Mrs. A. D. T. Whitney; "The

Catbird," Mrs. A. D. T. Whitney; "Sparrows," Mrs. A. D. T. Whitney;

"The Ovenbird," Mrs. A. D. T. Whitney; "The Vireos," Mrs. A. D. T.

Whitney; "The Ovenbird," Frank Bolles; "Whip-poor-will," Frank Bolles;

"The Veery," Henry Van Dyke; "The Song Sparrow," Henry Van Dyke; "The

Wings of a Dove," Henry Van Dyke; "The Whip-poor-will," Henry Van

Dyke; "To the Cuckoo," William Wordsworth; "Secrets," Susan Coolidge;

"The Falcon," James Russell Lowell; "The Mocking Bird," Sidney Lanier;

"Forbearance," Ralph Waldo Emerson; "The Mocking Bird," Clinton

Scollard; "The Mocking Bird," Maurice Thompson; "The Mocking Bird," R.

H. Wilde; "The Mocking Bird," A. B. Meek; "The Mocking Bird," Albert

Pike; "The Song of the Thrush," Edward Markham.

This list can of course be indefinitely extended.

IN CHURCH

Just in front of my pew sits a maiden--

A little brown wing on her hat,

With its touches of tropical azure,

And sheen of the sun upon that.

Through the bloom-colored pane shines a glory

By which the vast shadows are stirred,

But I pine for the spirit and splendor

That painted the wing of the bird.

The organ rolls down its great anthem;

With the soul of a song it is blent;

But for me, I am sick for the singing

Of one little song that is spent.

The voice of the curate is gentle:

"No sparrow shall fall to the ground;"

But the poor broken wing on the bonnet

Is mocking the merciful sound.

--_Anonymous._

IX

OBJECTS AND RESULTS OF BIRD DAY

The general observance of a "Bird Day" in our schools would probably

do more to open thousands of young minds to the reception of bird lore

than anything else that can be devised. The scattered interests of the

children would thus be brought together, and fused into a large and

compact enthusiasm, which would become the common property of all.

Zeal in a genuine cause is more contagious than a bad habit.

The first Bird Day in the schools was celebrated on the first Friday

in May, 1894. This is as good a date as any for the sections not in

the extreme North or South.

It would better come a little after the birds begin to arrive. The

afternoon session will be found sufficient to devote to the special

exercises. The date should be announced some time beforehand, so that

the children may prepare for it. They will not only prepare

themselves, but will have the whole community aroused by the sharp

points of their inquisitorial weapons. Exercises should be held in all

grades, from the primary to the high school.

We quote the following from circular No. 17 sent out by the United

States Department of Agriculture:--

OBJECT OF BIRD DAY

From all sides come reports of a decrease in native birds,

due to the clearing of the forests, draining of the swamps,

and cultivation of lands, but especially to the increasing

slaughter of birds for game, the demand for feathers to

supply the millinery trade, and the breaking up of nests to

gratify the egg-collecting proclivities of small boys. An

attempt has been made to restrict these latter causes by

legislation. Nearly every State and Territory has passed

game laws, and several States have statutes protecting

insectivorous birds. Such laws are frequently changed and

cannot be expected to accomplish much unless supported by

popular sentiment in favor of bird protection. This object

can only be attained by demonstrating to the people the

value of birds, and how can it be accomplished better than

through the medium of the schools?

Briefly stated, the object of Bird Day is to diffuse

knowledge concerning our native birds and to arouse a more

general interest in bird protection. As such it should

appeal not only to ornithologists, sportsmen, and farmers,

who have a practical interest in the preservation of birds,

but also to the general public, who would soon appreciate

the loss if the common songsters were exterminated.

It is time to give more intelligent attention to the birds

and appreciate their value. Many schools already have

courses in natural history or nature study, and such a day

would add zest to the regular studies, encourage the pupils

to observe carefully, and give them something to look

forward to and work for. In the words of the originator of

the day, "the general observance of a Bird Day in our

schools would probably do more to open thousands of young

minds to the reception of bird lore than anything else that

can be devised." The first thing is to interest the scholars

in birds in general and particularly in those of their own

locality. Good lists of birds have been prepared for several

of the States, and popular books and articles on ornithology

are within the reach of every one. But the instruction

should not be limited to books; the children should be

encouraged to observe the birds in the field, to study their

habits and migrations, their nests and food, and should be

taught to respect the laws protecting game and song birds.

VALUE OF BIRD DAY

When the question of introducing Arbor Day into the schools

was brought before the National Educational Association in

February, 1884, the objection was made that the subject was

out of place in the schools. The value of the innovation

could not be appreciated by those who did not see the

practical bearing of the subject on an ordinary school

course. But at the next meeting of the Association the

question was again brought up and unanimously adopted--to

the mutual benefit of the schools and of practical forestry.

With the advent of more progressive ideas concerning

education there is a demand for instruction in subjects

which a few years ago would have been considered out of

place, or of no special value. If the main object of our

educational system is to prepare boys and girls for the

intelligent performance of the duties and labors of life,

why should not some attention be given to the study of

nature, particularly in rural schools where the farmers of

the next generation are now being educated?

The study of birds may be taken up in several ways and for

different purposes; it may be made to furnish simply a

course in mental training or to assist the pupil in

acquiring habits of accurate observation; it may be taken up

alone or combined with composition, drawing, geography, or

literature. But it has also an economic side which may

appeal to those who demand purely practical studies in

schools. Economic ornithology has been defined as the "study

of birds from the standpoint of dollars and cents." It

treats of the direct relations of birds to man, showing

which species are beneficial and which injurious, teaching

the agriculturist how to protect his feathered friends and

guard against the attacks of his foes. This is a subject in

which we are only just beginning to acquire exact knowledge,

but it is none the less deserving of a place in our

educational system on this account. Its practical value is

recognized both by individual States and by the National

Government, which appropriate considerable sums of money for

investigations of value to agriculture. Much good work has

been done by some of the experiment stations and State

boards of agriculture, particularly in Illinois, Indiana,

Massachusetts, Michigan, Nebraska, and Pennsylvania. In the

United States Department of Agriculture, the Division of

Biological Survey (formerly the Division of Ornithology)

devotes much attention to the collection of data respecting

the geographic distribution, migration, and food of birds,

and to the publication and diffusion of information

concerning species which are beneficial or injurious to

agriculture. Some of the results of these investigations are

of general interest, and could be used in courses of

instruction in even the lower schools. Such facts would thus

reach a larger number of persons than is now possible, and

would be made more generally available to those interested

in them.

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