THE RIGHT BANK OF THE RIVER

The Arsenal quarter, built over the site of the two Royal Palaces--the

Saint-Paul mansion, the Tournelles palace--and the soil of the Louviers

Isle, joined to the river bank in 1843, serve as a natural transition

from the old to modern Paris.

[Illustration: THE LESDIGUIÈRES MANSION]

Notwithstanding its warlike name, the Arsenal quarter is one of the most

peaceful parts of the Capital. Centuries ago, the palaces disappeared

that brought it its wealth, life and movement. On their ruins and their

huge gardens, humble, tranquil streets have been made: the Rue de la

Cerisaie, where Marshal Villeroy received Peter the Great in the

sumptuous Zamet mansion; the Rue Charles V., where once was the

elegant home of the Marchioness de Brinvilliers, now at No. 12,

premises in which a white-capped sister-of-charity distributes

cod-liver oil and woollen socks to poor, suffering children; the Rue des

Lions-Saint-Paul; the Rue Beautreillis, where Victorien Sardou was

born; near there the great Balzac dwelt. "I was then living," he says in

his admirable _Facino Cane_, "in a small street you probably don't know,

the Rue de Lesdiguières. It commences at the Rue Saint-Antoine, opposite

a fountain near the Place de la Bastille, and issues in the Rue de la

Cerisaie. Love of knowledge had driven me into a garret, where I worked

during the night, and spent the day in a neighbouring library, that of

_Monsieur_. When it was fine, I took rare walks on the Bourdon

Boulevard." This modest Rue de Lesdiguières still exists in part; on the

site occupied by Nos. 8 and 10, could be seen, a few years ago, one of

the containing walls of the Bastille; narrow houses have been stuck

against it; and, at No. 10, it is the very wall of the old Parisian

fortress which constitutes the back of the porter's lodge! What a

destiny for a prison wall!

Of what was once the Arsenal only the mansion of the Grand Master is

left; it is, at present, the Arsenal Library--formerly called, as Balzac

says, the Library of _Monsieur_. It used to be a fine dwelling, the home

of Sully, and possesses priceless books and autographs, and most

valuable writings. In a coffer, covered with flower-de-luces, may be

admired Saint Louis's book of hours, side by side with a fragment of his

royal mantle, the blue silk of it, worn with time, being strewn with

golden flower-de-luces; the old book bears this venerable inscription:

"It is the psalter of Monseigneur Loys, once his mother's;" and was

taken from the scattered treasures of the Sainte-Chapelle. Then there is

Charles the Fifth's Bible with the King's writing on it: "This book

(belongs) to me, the King of France;" and a missal, each leaf of which

is framed with an incomparable garland due to the brush of the "master

of flowers," a great artist whose name is unknown to us. Besides, there

are rare manuscripts, marvellous bindings, unique editions, romances of

chivalry, classics, poets of every age, complete in this fine palace;

together with Latude's letters, the box that served for his ridiculous

attempt against Madame de Pompadour; and, near them, the

cross-examination of the Marchioness de Brinvilliers, and the

death-certificate of the Man in the Iron Mask; Henri IV.'s love-letters

too, with his kisses sent to the Marchioness de Verneuil, and the

documents relating to the affair of the Necklace. How many more things

in addition...!

Let us add that the curators--Henri Martin, so learned and obliging,

Funck-Brentano, the exquisite historian of the Bastille, the picturesque

relater of all its dramas. Sheffer and Eugène Muller are not only

scholars needing no praise but most courteous and genial men--and you

will quite understand why the Arsenal is one of the few corners in Paris

where it is delightful to go and work or to saunter about. Indeed, it is

a tradition of the house. Nodier, good old Nodier, who was one of

Monsieur de Bornier's predecessors and a predecessor also of J. M. de

Heredia, the master who has so recently gone from us, Nodier, the

admirable author of the _Trophées_, had succeeded in making the Arsenal

the centre of literary and artistic Paris. Hugo, Lamartine, de Musset,

Balzac, Méry, de Vigny, and Fr. Soulié used to meet there; and fine

verses were said while regarding the sun glow with red flame behind the

towers of Notre Dame.

"The towers of Notre Dame his name's great H composed!"

wrote Vacquerie.

Of the Bastille nothing remains except a few stones which formed the

substructure of one of the old towers; and these have been carefully

removed to the Célestins Quay, along the Seine, where they are visible

to-day. In vain, therefore, would any one now seek for a vestige of the

sombre fortress over which so many legends hovered. Latude's great shade

itself would hardly locate the spot; and yet how full Paris history is

of this traditional Bastille, which the people, amazed with their easy

victory, could not tire of visiting after the 15th of July 1789. Such

was their curiosity and such their eagerness that Soulès, the governor

appointed by the Parisian municipality, was compelled to stop the

visits, on the curious ground "that such damage had already been done to

the fortress by visitors that more than 200,000 livres would be required

to repair it." Repair the Bastille! The souvenir manuscripts of Paré

tell us the fury excited by this strange pretension in Danton, sergeant

of a section of the National Guard, who, with his company, was turned

back by the order.

Danton had himself admitted into the presence of the unfortunate Soulès,

seized him by the collar and dragged him to the Town Hall; the

prohibition was removed; and Citizen Palloy was thenceforth allowed to

exploit the celebrated State prison. The stones were "hewn and cut into

images of the fortress and dedicated to the various departments and

assemblies," or into "commemorative slabs intended to rouse people's

courage." Palloy cut up the leads into medals, and made rings with the

iron chains; out of the marble he manufactured games of dominoes, and

had the delicate thought to offer one of these games to the young

Dauphin to inspire him with "the horror of tyranny."

[Illustration: COMMEMORATIVE BALL ON THE RUINS OF THE BASTILLE

Nooks & Corners of Old Paris · 第 10 / 15 题