CHAPTER XXV

OTHER SURPRISES

It was not merely a matter of packing up and starting for the East. It

would be a week still before the party would separate--some of the

Westerners starting for California and the great moving picture studios

there, while Ruth and her friends with Mr. Hammond and his personal

staff would go eastward.

It had been arranged that Wonota should return to the Osage Agency for a

short time. Meanwhile Ruth had promised to try to do another scenario in

which the young Indian girl would have an important part.

Mr. Hammond was enthusiastic, having seen some of the principal scenes

of "Brighteyes" projected. He declared to Ruth:

"She is going to be what our friend the camera man calls 'a knock-out.'

There is a charm about Wonota--a wistfulness and naturalness--that I

believe will catch the movie fans. Maybe, Miss Fielding, we are on the

verge of making one of the few really big hits in the game."

"I think she is quite worthy of training, Mr. Hammond," agreed the girl

of the Red Mill. "When I get to work on the new picture I shall want

Wonota with me. Can it be arranged?"

"Surely. Her contract takes that into consideration. Unless her father

appears on the scene, for the next two years Wonota is to be as much

under your instruction as though she were an apprentice," and he

laughed.

Mention of Chief Totantora did not warn Ruth of any pending event. The

thing which happened was quite unexpected as far as she was concerned.

The westbound train halted at Clearwater one afternoon, while the three

white girls were sitting on the rear platform of their car busy with

certain necessary needlework--for there were no maids in the party. Ruth

idly raised her eyes to see who got off the train, for the station was

in plain view.

"There are two soldiers," she said. "Look! Boys coming home from 'over

there,' I do believe. See! They have their trench helmets slung behind

them with their other duffle. Why----"

She halted. Helen had looked up lazily, but it was Jennie who first

exclaimed in rejoinder to Ruth's observation:

"Dear me, it surely isn't my Henri!"

"No," said Ruth slowly, but still staring, "there is no horizon blue

uniform in sight."

"Don't remind us of such possibilities," complained Helen Cameron with a

deep sigh. "If Tom--"

"It _is_!" gasped Ruth, under her breath, and suddenly the other girls

looked at her to observe an almost beatific expression spread over the

features of the girl of the Red Mill.

"Ruthie!" cried Helen, and jumped up from her seat.

"My aunt!" murmured Jennie, and stared as hard as she could along the

beaten path toward the station.

The two figures in uniform strode toward the special car. One straight

and youthful figure came ahead, while the other soldier, as though in a

subservient position, followed in the first one's footsteps.

Wonota was coming across the street toward the railroad. She, too, saw

the pair of uniformed men. For an instant the Indian girl halted. Then

she bounded toward the pair, her light feet fairly spurning the ground.

"My father! Chief Totantora!" the white girls heard her cry.

The leading soldier halted, swung about to look at her, and said

something to his companion. Not until this order was given him did the

second man even look in the direction of the flying Indian maid.

Ruth and her friends then saw that he was a man past middle age, that

his face was that of an Indian, and that his expression was quite as

stoical as the countenances of Indians are usually presumed to be.

But Wonota had learned of late to give way to her feelings. No white

girl could have flung herself into the arms of her long-lost parent with

more abandon than did Wonota. And that not-withstanding the costume she

wore--the very pretty one sent West from the Fifth Avenue modiste's

shop!

Perhaps the change in his lovely daughter shocked Totantora at first, He

seemed not at all sure that this was really his Wonota. Nor did he put

his arms about her as a white father would have done. But he patted her

shoulder, and then her cheek, and in earnest gutturals he conversed a

long time with the Indian maid.

Meanwhile the three white girls had their own special surprise. The

white soldier, who was plainly an officer, advanced toward the special

car. His bronzed and smiling face was not to be mistaken even at that

distance. Helen suddenly cried:

"Hold me, somebody! I know I'm going to faint! That's Tommy-boy."

Ruth, however, gave no sign of fainting. She dashed off the steps of the

car and ran several yards to meet the handsome soldier. Then she halted,

blushing to think of the appearance she made. Suppose members of the

company should see her?

"Well, Ruth," cried the broadly smiling Tom, "is that the way you greet

your best chum's brother? Say! You girls ought to be kinder than this to

us. Why! when we paraded in New York an old lady ran right out into the

street and kissed me."

"And how many pretty girls did the same, Captain Tom?" Ruth wanted to

know sedately.

"Nobody as pretty as you, Ruth," he whispered, seizing both her hands

and kissing her just as his sister and Jennie reached the spot. He let

Helen--and even Jennie---kiss him also.

"You know how it is, Tommy," the latter explained. "If I can't kiss my

own soldier, why shouldn't I practise on you?"

"No reason at all, Jennie," he declared. "But let me tell the good news.

By the time you get back to New York a certain major in the French

forces expects to be relieved and to be on his way to the States again.

He tells me that you are soon going to become a French citizeness, _ma

cherie."_

It was a very gay party that sat for the remainder of that afternoon on

the observation platform of the special car. There was so much to say

on both sides.

"So the appearance of Wonota's father was the great surprise you had in

store for us, Tom?" Ruth said at one point.

"That's it. And some story that old fellow can tell his daughter--if he

warms up enough to do it. These Indians certainly are funny people. He

seems to have taken a shine to me and follows me around a good deal as

though he were my servant. Yet I understand that he belongs to the very

rich Osage tribe, and is really one of the big men of it."

"Quite true," Ruth said.

The story of Totantora's adventures in Germany was a thrilling one. But

only by hearsay had Tom got the details. The Indians and other

performers put in confinement by the Germans when the war began, had all

suffered more or less. Twice Chief Totantora had escaped and tried to

make his way out of the country. Each time he had been caught, and more

severely treated.

The third time he had succeeded in breaking through into neutral

territory. Even there, in a strange land, amid unfamiliar customs and

people talking an unknown language, he had made his way alone and

without help till he had reached the American lines. Perhaps one less

stoical, with less endurance, than an Indian, and an Indian, like Chief

Totantora, trained in an earlier, hardier day, could not have done it.

But Wonota's father did succeed, and after he reached the American lines

he became attached in some indefinite capacity to Captain Tom Cameron's

regiment.

"When I first saw the poor old chap he was little more than a skeleton.

But the life Indians lead certainly makes them tough and enduring. He

stood starvation and confinement better than the white men. Some of the

ex-show people died in that influenza epidemic the second year of the

war. But old Totantora was pretty husky, in spite of having all the

appearance of a professional living skeleton," explained Tom.

Whether Totantora told Wonota the details of his imprisonment or not,

the white girls never knew. Wonota, too, was inclined to be very

secretive. But she was supremely happy.

She was to have a recess from work, and when the special car started

East with Ruth and her chums, Wonota and her father accompanied them to

Kansas City. Then the Osages went south to the reservation.

Totantora had heard all about his daughter's work in the moving picture

before the party separated, and he put his mark on Mr. Hammond's

contract binding himself to allow the girl to go on as already agreed.

Totantora had possibly some old-fashioned Indian ideas about the

treatment of squaws; but he knew the value of money. The sums Wonota

had already been paid were very satisfactory to the chief of the Osages.

In Ruth's mind, the money part of the contract was the smallest part.

She desired greatly to see Wonota develop and grow in her chosen

profession. To see the Indian maid become a popular screen star was

going to delight the girl of the Red Mill, and she was frank in saying

so.

"See here," Tom Cameron said when they were alone together. "I can see

very well, Ruthie, that you are even more enamored of your profession

than you were before I left for Europe. How long is this going to last?"

"How long is what going to last?" she asked him, her frank gaze finding

his.

"You know what I mean," said the young man boyishly. "Gee, Ruth! the war

is over. You know what I want. And I feel as though I deserved some

consideration after what I have been through."

She smiled, but still looked at him levelly.

"Well, how about it?" he demanded.

"Do you think we know our own minds? Altogether, I mean?" asked the

girl. "You are in a dreadfully unsettled state. I can see that, Tom. And

I have only just begun with Wonota. I could not stop now."

"I don't ask you to stop a single, solitary thing!" he cried with

sudden heat. "I expect to get to work myself--at something. I feel a lot

of energy boiling up in me," and he laughed.

"But, say, Ruth, I want to know just what I am going to work for? Is it

all right with you? Haven't found anybody else you like better than your

old chum, have you?"

Ruth laughed, too. Yet she was serious when she gave him both her hands.

"I am very sure, Tom, dear, that that could never be. You will always be

the best beloved of all boys----"

"Great Scott, Ruth!" he interrupted. "When do you think I am going to be

a man?"

THE END

THE RUTH FIELDING SERIES

By ALICE B. EMERSON

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Ruth Fielding was an orphan and came to live with her miserly uncle. Her

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Ruth Fielding is a character that will live in juvenile fiction.

1. RUTH FIELDING OF THE RED MILL

2. RUTH FIELDING AT BRIARWOOD HALL

3. RUTH FIELDING AT SNOW CAMP

4. RUTH FIELDING AT LIGHTHOUSE POINT

5. RUTH FIELDING AT SILVER RANCH

6. RUTH FIELDING ON CLIFF ISLAND

7. RUTH FIELDING AT SUNRISE FARM

8. RUTH FIELDING AND THE GYPSIES

9. RUTH FIELDING IN MOVING PICTURES

10. RUTH FIELDING DOWN IN DIXIE

11. RUTH FIELDING AT COLLEGE

12. RUTH FIELDING IN THE SADDLE

13. RUTH FIELDING IN THE RED CROSS

14. RUTH FIELDING AT THE WAR FRONT

15. RUTH FIELDING HOMEWARD BOUND

16. RUTH FIELDING DOWN EAST

17. RUTH FIELDING IN THE GREAT NORTHWEST

18. RUTH FIELDING ON THE ST. LAWRENCE

19. RUTH FIELDING TREASURE HUNTING

20. RUTH FIELDING IN THE FAR NORTH

21. RUTH FIELDING AT GOLDEN PASS

22. RUTH FIELDING IN ALASKA

23. RUTH FIELDING AND HER GREAT SCENARIO

24. RUTH FIELDING AT CAMERON HALL

25. RUTH FIELDING CLEARING HER NAME

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How the Linger-Not girls met and formed their club seems commonplace,

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2. THE LINGER-NOTS AND THE VALLEY FEUD _or the Great West Point Chain_

The Linger-Not girls had no thought of becoming mixed up with feuds or

mysteries, but their habit of being useful soon entangled them in some

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sees how it happened, and how the girls helped one of their friends to

come into her rightful name and inheritance, forms a fine story.

4. THE LINGER-NOTS AND THE WHISPERING CHARM

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Whether engrossed in thrilling adventures in the Far North or occupied

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1. BETTY GORDON AT BRAMBLE FARM _or The Mystery of a Nobody_ At twelve

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Betty goes to the National Capitol to find her uncle and has several

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3. BETTY GORDON IN THE LAND OF OIL _or The Farm That Was Worth a

Fortune_ From Washington the scene is shifted to the great oil fields of

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4. BETTY GORDON AT BOARDING SCHOOL _or The Treasure of Indian Chasm_

Seeking treasures of Indian Chasm makes interesting reading.

5. BETTY GORDON AT MOUNTAIN CAMP _or The Mystery of Ida Bellethorne_

At Mountain Camp Betty found herself in the midst of a mystery.

6. BETTY GORDON AT OCEAN PARK _or School Chums on the Boardwalk_ A

glorious outing that Betty and her chums never forgot.

7. BETTY GORDON AND HER SCHOOL CHUMS _or Bringing the Rebels to Terms_

Rebellious students, disliked teachers and mysterious robberies.

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Betty receives a fake telegram and finds both Bob and herself held for

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1. BILLIE BRADLEY AND HER INHERITANCE _or The Queer Homestead at

Cherry Corners_ Billie Bradley fell heir to an old homestead that was

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Three-Towers Hall was a boarding school for girls. For a short time

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school had to go on a long journey and she left the girls in charge of

two teachers, sisters, who believed in severe discipline and in very,

very plain food and little of it--and then there was a row!

3. BILLIE BRADLEY ON LIGHTHOUSE ISLAND _or The Mystery of the Wreck_

One of Billie's friends owned a summer bungalow on Lighthouse Island,

near the coast. The school girls made up a party and visited the Island.

There was a storm and a wreck, and three little children were washed

ashore.

4. BILLIE BRADLEY AND HER CLASSMATES _or The Secret of the Locked

Tower_ Billie and her chums come to the rescue of several little

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invention, and also the dreaded mystery of the locked school tower.

5. BILLIE BRADLEY AT TWIN LAKES _or Jolly Schoolgirls Afloat and

Ashore_ A tale of outdoor adventure in which Billie and her chums have a

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fall in with a strange girl living with an old boatman who abuses her

constantly.

6. BILLIE BRADLEY AT TREASURE COVE _or The Old Sailor's Secret_ A

lively story of school girl doings. How Billie heard of the treasure and

how she and her chums went in quest of the same is told in a peculiarly

absorbing manner.

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Ruth Fielding in the Great Northwest; Or, The Indian Girl Star of the Movies · 第 25 / 25 章