CHAPTER V

INSPIRATION

It was on the verge of evening, and a keen and searching wind was

blowing across the ruffled Lumano, when Helen Cameron's car and its

three occupants came in sight of the old Red Mill. Mercy Curtis had been

dropped at the Cheslow railway station, where she had the "second trick"

as telegraph operator.

For the last few miles of the journey from the Wild West Show there had

been a good-natured, wordy battle between Ruth and Helen as to which of

the twain was to have Jennie Stone for the night.

"Her trunk is at my house," Helen declared. "So now!"

"But her toilet bag is at the farmhouse. And, anyway, I could easily

lend her pajamas."

"She could never get into a suit of yours, you know very well, Ruth

Fielding!" exclaimed Helen.

"I'd get one of Uncle Jabez's long flannel nightgowns for her, then,"

giggled Ruth.

"Look here! I don't seem to be in such great favor with either of you,

after all," interposed the plump girl. "One would think I was a freak.

And I prefer my own night apparel in any case."

"Then you'll come home with me," Helen announced.

"But I have things at Ruth's house, just as she says," said Jennie.

At the moment the car wheeled around the turn in the road and Helen

stopped it at the gate before the old, shingled farmhouse which was

connected by a passage with the grist mill. A light flashed in the

window and at once the place looked very inviting. A door opened upon

the side porch, and to the girls' nostrils was wafted a most delicious

odor of frying cakes.

"That settles it!" ejaculated Jennie Stone, and immediately sprang out

of the car. "I'm as hungry as a bear. I'll see you to-morrow, Nell, if

you'll ride over. But don't come too near mealtime. I never could

withstand Aunt Alvirah's cooking. M-mm! Griddle-cakes--with lashin's of

butter and sugar on 'em, I wager."

"Dear me!" sighed Helen, as Ruth, too, got out, laughing. "You are

incurable, Jennie. Your goddess is your tummy."

But the plump girl was not at all abashed. She ran up the walk on to the

porch and warmly greeted the little old woman who stood in the doorway.

"How-do, Jennie. Oh, my back and oh, my bones! Be careful, child! I'm

kinder tottery to-day, and no mistake. Coming in, Helen Cameron?"

"Not to-night, Aunt Alvirah," replied the girl, starting the car again.

"Good-night, all."

"And here's my pretty!" crooned Aunt Alvirah, putting up her thin arms

to encircle Ruth's neck as the girl came in. "It does seem good to have

you home again. Your Uncle Jabez (who is softer-hearted than you would

suppose) is just as glad to have you home as I am, to be sure."

They had a merry supper in the wide, home-like kitchen, for even the

miller when he came in was cheerful. He had had a good day at the grist

mill. The cash-box was heavy that night, but he did not retire to his

room to count his receipts as early as usual. The chatter of the two

girls kept the old man interested.

"It is a shame that the Indian agent should let a girl like Wonota sign

a contract with that Dakota Joe. Anybody might see, to look at him, that

he was a bad man," Jennie Stone said with vehemence at one point in the

discussion.

"I am not much troubled over that point for the girl," said Ruth. "She

says she has already written to the agent at the Three Rivers Station,

Oklahoma, telling him how badly Fenbrook treats her. That will soon be

over. She will get her release."

"I shouldn't wonder," said Uncle Jabez, "that if a gal can fire a gun

like you say she can, there ain't much reason to worry about her. She

can take care of herself with that showman."

"But suppose she should be tempted to do something really desperate!"

cried Ruth. "I hope nothing like that will happen. She is really a

savage by instinct."

"And a pretty one," agreed Jennie, thoughtfully.

"Shucks! Pretty is as pretty does," said Aunt Alvirah. "I didn't s'pose

there was any real wild Injuns left."

"You'd think she was wild," chuckled Jennie, "if you'd seen her draw

bead on that Dakota Joe person."

"All that is not so much to the point," pursued Ruth. "I know that the

girl wants to earn money--not alone for her mere living. She could go

back to the reservation and live very comfortably without working--much.

The Osage Nation is not at all poverty stricken and it holds its

property ill community fashion."

"What makes her travel around in such a foolish way, then?" Aunt Alvirah

asked.

"She wants ready cash. She wants it for a good purpose, too," explained

Ruth thoughtfully. "You see, this girl's father is Chief Totantora, a

leading figure in the Osage Nation. The year before Germany began the

war he was traveling with a Wild West Show in Europe. The show was in

the interior of Germany when war came and the frontiers were closed.

"Once only did Wonota hear from her father. He was then in a detention

camp, for, being a good American, he refused to bow down to Hun gods--"

"I should say he had a right to call himself an American, if anybody

has," said Jennie quickly.

"And he is not the only Indian who proved his loyalty to a Government

that, perhaps, has not always treated the original Americans justly,"

Ruth remarked.

"I dunno," grumbled Uncle Jabez. "Injuns is Injuns. You say yourself

this gal is pretty wild."

"She is independent, at any rate. She wishes to earn enough money to set

afoot a private inquiry for Chief Totantora. For she does not believe he

is dead."

"Well, the poor dear," Aunt Alvirah said, "she'd ought to be helped, I

haven't a doubt."

"Now, now!" exclaimed the miller, suspiciously. "Charity begins at home.

I hope you ain't figgerin' on any foolish waste of money, Niece Ruth."

The latter laughed. "I don't think Wonota would accept charity," she

said. "And I have no intention of offering it to her in any case. But I

should like to help the girl find her father--indeed I should."

"You'd oughtn't to think you have to help everybody you come 'cross in

the world, gal," advised Uncle Jabez, finally picking up the cash-box to

retire to his room. "Every tub ought to stand on its own bottom, as I've

allus told ye."

When he was gone Aunt Alvirah shook her head sadly.

"Ain't much brotherhood of man in Jabez Potter's idees of life," she

said. "He says nobody ever helped him get up in the world, so why should

he help others?"

"Of all things!" exclaimed Ruth, with some warmth. "I wonder what he

would have done all these years without you to make a home for him

here!"

"Tut, tut!" objected the old woman. "'Tain't me that's done for him. I

was a poor lone creeter in the poorhouse when Jabez Potter came and took

me out. I know that deep down in his old heart there's a flame of

charity. Who should know it better?"

"Oh, dear!" cried Ruth. "He keeps it wonderfully well hidden--that

flame. He certainly does."

Jennie laughed. "Well, why shouldn't he be cautious? See how many times

you have been charitable, Ruth, and seen no gratitude in return."

"Well!" gasped the girl of the Red Mill, in disgust, "is _that_ what we

are to be charitable for? For shame!"

"Right you are, my pretty," said Aunt Alvirah. "Doin' one's duty for

duty's sake is the way the good Lord intended. And if Jabez Potter is

charitable without knowin' it--and he _is_--all the better. It's charged

up to his credit in heaven, I have no doubt."

The girls were tired after their long ride in the keen evening air and

they were ready for bed at a comparatively early hour. But after Ruth

had got into bed she could not sleep.

Thoughts rioted in her brain. For a week she had felt the inspiration of

creative work milling in her mind--that is what she called it. She had

promised the president of the Alectrion Film Corporation to think up

some unusual story--preferably an outdoor plot--for their next picture.

And thus far nothing had formed in her mind that suggested the thing

desired.

Outdoor stories had the call on the screen. They had but lately made one

on the coast of Maine, the details of which are given in "Ruth Fielding

Down East." Earlier in her career as a screen writer the girl of the Red

Mill had made a success of a subject which was photographed in the

mining country of the West. "Ruth Fielding in the Saddle" tells the

story of this venture.

There spun through her half-drowsing brain scenes of the Wild West Show

they had attended this day. That was surely "outdoor stuff." Was there

anything in what she had seen to-day to suggest a novel scheme for a

moving picture?

She turned and tossed. Her eyes would not remain closed. The program of

Dakota Joe's Wild West and Frontier Round-Up marched in sequence through

her memory. She did not want anything like that in her picture. It was

all "old stuff," and the crying need of the film producer is "something

new under the sun."

Yet there was color and action in much of the afternoon's performance.

Even Dakota Joe himself--as the figure of a villain, for instance--was

not to be scorned. And Princess Wonota herself--

If the story was up to date, showing the modern, full-blooded Indian

princess in love and action! Ruth suddenly bounded out of bed. She

grabbed a warm robe, wrapped herself in it and ran across to Jennie's

room.

"Jennie! Jennie! I've got it!" Ruth cried in a loud whisper.

Jennie's only answer was a prolonged and pronounced snore! She was lying

on her back.

"Jennie Stone!" exclaimed Ruth, shaking the plump girl by the shoulder.

"Wo--wow--ough! Is it fire?" gasped Jennie, finally aroused.

"No, no! I've got it!" repeated Ruth.

"Well--ell--I hope it isn't catching," said the other rather crossly.

"You've spoiled--ow!--my beauty sleep, Ruthie Fielding."

"Listen!" commanded her friend. "I've the greatest idea for a picture. I

know Mr. Hammond will be delighted. I am going to get Wonota on contract

when she breaks with Dakota Joe. I'll make her the central figure of a

big picture. She shall be the leading lady."

"Why, Ruthie Fielding! that's something you have never yet done for me,

and I have been your friend for years and years."

"Never mind. When it seems that the time is ripe to screen a story about

a pretty, plump girl, you shall have an important part in the

production," promised Ruth. "But listen to me--do! I am going to make

Princess Wonota an Indian star--"

"I believe you," drawled the plump girl. "I suppose you might call her a

'shooting star'?"

Ruth Fielding in the Great Northwest; Or, The Indian Girl Star of the Movies · 第 5 / 25 章