UNDER THE ROSE.

(_A Story in Scenes._)

SCENE XI.--_At the entrance to The Eldorado Music-hall._

TIME--_Saturday evening, about_ 8.30. Mrs. TOOVEY, _who has just

alighted from a Waterloo bus, approaches; she wears a veil, under

which her spectacles gleam balefully, and passes the various boards

and coloured posters with averted eyes_.

_Mrs. Toovey_ (_to herself_). I'm late--I ought to have taken a cab,

instead of that dawdling bus. Still, I shall be in plenty of time to

surprise Pa in the very midst of his profligacy. (_She looks

around her._) Gilding, rosewood and mahogany panels, plush, stained

glass--oh, the wicked luxury of it all! (_She pushes open a swing

door._) Where is the place you call Box C? I--I have to meet somebody

there.

[_She finds herself in a glittering bar, where she produces a

distinct sensation among a few loungers there._

_A Barmaid_ (_tartly_). There's no entrance to the music-hall this

way. You've come to the wrong place.

_Mrs. Toov._ (_with equal acidity_). Ah, young woman, you need not

tell me _that_! (_She goes out with a withering glance, and hears

stifled sniggers as the doors swing after her._) A drinking-bar on the

very threshold to trap the unwary--disgraceful! (_She tries the next

door, and finds a stalwart official, in a fancy uniform._) Will you

have the goodness to conduct me to Box C, instantly?

_The Official._ Next door, please, Ma'am. This only admits to the

Grand Lounge.

_Mrs. Toov._ (_to herself_). The "Grand Lounge," indeed! (_She opens

another door, and finds a Pay-box, where she addresses the check-taker

through the pigeon-hole_.) I want to go to Box C. I've asked for it at

I don't know how many places, and----

_Checktaker_ (_politely_). I'm really afraid you'll have to ask again,

Ma'am. This is the Promenade. Box-office _next_ entrance.

_Mrs. Toov._ (_to herself, indignantly_). I only hope they make it as

difficult for other people to get in as they do for me! So Pa comes

here to lounge and promenade, does he? Oh, let me only catch him, I'll

send him promenading! (_She goes to the Box-office._) I want Box C,

wherever that is.

_Book-Keeper._ Can give you Box D, if you like. Box C is reserved for

this evening.

_Mrs. Toov._ (_sharply_). I am quite aware of that. For Mr. THEOPHILUS

TOOVEY. I have come to join him here.

_Book-K._ (_referring to book_). It is entered in that name,

certainly; but--hem--may I ask if you belong to Mr. TOOVEY'S party?

_Mrs. Toov._ (_crushingly_). No doubt you consider that his wife has

no claim to---- Most certainly I belong to his party.

_Book-K._ That is quite sufficient, Madam. (_To_ Attendant.) Show this

lady to Box C. (_To himself, as_ Mrs. T. _follows the_ Attendant _up

some velvet-covered stairs_.) Well, it's no business of mine; but if

Mr. TOOVEY, whoever _he_ is, isn't careful what he's about, he may be

sorry for it--that's all!

_Mrs. Toov._ (_to herself_). They never even asked for my ticket.

Pa's evidently well known here! (_To_ Attendant.) A programme? with

pictures of dancing girls all over it! You ought to be ashamed to

offer such things to a respectable woman!

_Att._ (_surprised_). I've never heard them objected to before, Ma'am.

Can I bring you any refreshments? (_Persuasively._) Bottle-ale or

stout? Lemonade and brandy? Whisky and soda?

_Mrs. Toov._ Don't imagine you can tempt _me_, man. I've been a total

abstainer ever since I was five!

_Att._ (_opening box-door_). Indeed, Ma'am. I suppose now you 'aven't

mistook this for Exeter 'All?--because it _ain't_!

_Mrs. Toov._ I am in no danger of making _that_ mistake! (_She enters

the box._) I am here before Pa after all. What a gaudy, wicked,

glaring place to be sure! Ugh, this _filthy_ tobacco; it chokes me,

and I can scarcely see across the hall. Not that I _want_ to see.

Well, if I sit in the corner behind the curtain I shan't be seen

myself. To think that I--_I_--should be here at all, but the

responsibility is on Pa's head, not mine! What are those two girls

singing about on the stage? They are dressed _decently_ enough, I'll

say _that_ for them, though pinafores and baby bonnets at _their_ age

are ridiculous.

[_She listens._

_The Sisters Sarcenet_ (_on stage_).

You men are deceivers and awfully sly. Oh, you _are_!

_Male portion of audience_ (_as is expected from them_).

No we _aren't!_

_The Sisters S._ (_archly_). Now you _know_ you are!

You come home with the milk; should your poor wife ask why,

"Pressing business, my pet!" you serenely reply.

When you've really been out on the "Tiddle-y-hi!" Yes, you _have_!

_Male audience_ (_as before_). No, we've _not_!

_The Sister S._ (_with the air of accusing angels_).

Why, you _know_ you have!

_Mrs. Toov._ (_to herself_). It's to those young women's credit that

they have the courage to come here and denounce the men to their

faces--like this. And it's gone _home_ to them, too! they're shouting

out "Over!" (_Here the Sisters suddenly turn a couple of "cart-wheels"

with surprising unanimity, amidst roars of applause._) Oh, the

shameless minxes! I will _not_ sit and look on at such scandalous

exhibitions. (_She moves to the corner nearest the stage, and turns

her back upon the proceedings._) How much longer will Pa compel me to

assist at such scenes, I wonder? _Why_ doesn't he come? Where is he

now? (_Bitterly._) No doubt on what those vulgar wretches would call

the "Tiddle-y-hi!" (_The_ Brothers BIMBO, _Eccentric Clowns, appear on

the stage_.) I can't sit here in a corner looking at nothing. If I do

see anything improper, THEOPHILUS shall answer for it. (_She changes

her place again._) Acrobats--well, they're inoffensive at least. Oh, I

do believe one of the nasty things is climbing up to the balcony; he's

going to walk along here!

_First Brother Bimbo_ (_on stage, to his confrere, who is balancing

himself on the broad ledge of the box tier_). Ohe--'old up, there.

Prenny garde! Ah, il tombera! There, I _told_ yer so! (_The_ Second

Brother B. _has reached the front of_ Mrs. TOOVEY'S _box, where he

pretends to stumble_.) Oh, le pover garcong, look at 'im _now_! Come

back, do! Ask the lady to ketch 'old of your trousers be'ind!

_Mrs. Toov._ (_to the_ Second Brother, _firmly_). Don't expect me to

do anything of the sort. Go back, as your brother asks you to, you

silly fellow. You shouldn't attempt such a foolhardy thing at all!

_Second Br. B._ (_to the_ First). Oh, my! There's _such_ a nice young

lady in here; she's asking me to come in and set along with her! _May_

I?

[_He lets himself drop astride the ledge, and wags his head

at_ Mrs. TOOVEY, _to her intense horror_.

_Mrs. Toov._ (_in an audible undertone_). If you don't take away that

leg at once, I'll pinch it!

_Second Br. B._ Eh? Not _now_; my brother says I mustn't. "Come round

afterwards?" Well, well, we'll see! (_He springs up on the ledge

again, and kisses his hand to her._) Goo'bye, ducky! 'Ave no fears for

_me_. Whoo-up!

[Illustration: "Goo'bye, ducky! Ave no fears for _me_!"]

[_He continues his tour of the balcony, amidst roars of

laughter._

_Mrs. Toov._ (_falling back in the box, speechless with fury_). And

_this_ is the treatment Pa exposes me to--all those unmanly wretches

laughing at me! But I don't care; here I stay till Pa comes. _Oh_,

this smoke; I shall be poisoned by it soon! Upon my word, there's

a bold hussy coming on to sing, in a man's coat and black satin

knee-breeches. I'll stop my ears; they shall see there's _one_

woman here who respects herself! (_She does so, during that and the

subsequent performances; an hour passes._) How much longer am I to be

compelled to remain here? This is terrible; three creatures in tight

red suits, got up to look like devils! I wonder they've no fear of

being struck dead on the stage! They're standing on each other's

stomachs. I daren't look on at such blasphemy! I'll take off my

spectacles; then, at least, my eyes won't be offended by seeing

anything distinctly! (_She removes her glasses, and replaces them in

their case, which she lays on the box-ledge._) They're gone, thank

goodness. What's this? There's someone opening the box-door. Pa--at

last! Well, I'm ready for him!

[_She stiffens in her chair._

_Attendant's Voice_ (_outside_). This is Box C, Miss. Can I bring you

any refreshments? Bottle-ale, stout, lemonade, Miss?

_A Female Voice._ I--I don't know. There's a gentleman with me; he'll

be here directly; he only stopped to speak to somebody. Ah, he's

coming now.

_Mrs. Toov._ "Miss"?! This is Pa's party, then. _Oh!!_

[_A quietly dressed, and decidedly good-looking girl enters,

and starts on seeing that the box is already occupied._

_Mrs. Toov._ (_rising in towering wrath_). You were not expecting to

find _me_ here, Miss, I've no doubt?

_The Girl_ (_sitting down_). No; PHIL didn't say there would be anyone

else; but any friend of his I'm sure----

_Mrs. Toov._ PHIL? you dare to call him "PHIL!" Do you know who I am,

you insolent girl, you? I am his Wife!

_The Girl._ His wife? I don't believe it. Are you sure you don't mean

his mother. My _Phil_ married to _you_, indeed--a pretty story!

_Mrs. Toov._ (_trembling with rage_). Go out of this box instantly, or

I'll make you!

_The Girl._ I shall do nothing of the kind. Wait till my friend comes,

and we'll soon----(_As the door opens._) PHIL, PHIL, here's an abusive

old female here who pretends she is your wife, and wants to order me

out. I believe she must either be intoxicated or out of her senses!

_Mrs. Toov._ (_pouncing upon the newcomer and boxing his ears

soundly_). Is she? it is you who are out of _your_ senses, Pa! Take

that--and _that_--and now come home with me, do you hear?

_The Newcomer_ (_with his hand to his cheek_). "Pa," am I? I thought

I was your _husband_ just now! Well, I must have married before I

was born, either way. And now, perhaps, you'll explain what all this

means?

_Mrs. Toov._ (_faintly_). Oh, my goodness! I've made a dreadful

mistake; it _isn't_ Pa! Let me go--let me go!

_The Newc._ (_putting his back against the door_). Not yet, Ma'am; not

yet. You don't go like this; after insulting this young lady, to whom

I've the honour of being engaged, and telling her you're my wife, and

then smacking my face in her presence. I've my dignity to consider,

and I want satisfaction out of you. Come, we won't have a row here,

for the sake of this young lady; just step out into lobby here, and

I'll give you in charge for assault. Stay where you are, MILLY, my

dear. Now, Ma'am, will you go, or shall I send for a constable?

(Mrs. T. _totters out, protesting incoherently, and begging to be

released_.) Well, I don't want to spoil my evening's pleasure on your

account. You give me your name and address, and I'll simply summon you

for assault; which is more than you deserve. If you won't, I'll charge

you!

_Mrs. Toov._ (_reluctantly_). Oh, indeed it was an acc----I will

_not_ give you my name. Yes, yes, I will; anything to get out of this

horrible place. (_The young man produces a pencil, and pulls down

his left shirt cuff._) Mrs.--TOO--no, I don't mean TOO--TOMKINSON

JONES--The--the Laburnums--U--upper Tooting. There, _now_ are you

satisfied?

_The Young Man_ (_recording it_). Thank you, that's all _I_ require.

You'll hear from me later on. Good evening!

_Mrs. Toov._ (_as she crawls down the staircase_). I have only just

saved myself by a--a _fib_! And I haven't even found Pa out. But I

_will_. I'll go straight home and sit up for him!

Punch, or the London Charivari, October 28th 1893 · 第 9 / 22 题