"What is it all about, Rob?" cried Wythie. "Is there really coal

there?" added Prue.

"The equivalent of much coal. Patergrey wrote an article--by request,

mind you--for a magazine, and they have sent him a check for a hundred

dollars," cried Rob. "I guess there are people outside of Fayre with

brains enough to appreciate our father!"

"Oh, how beautiful!" cried Oswyth, while Prue caught her breath in

delight. Then, as Mrs. Grey's voice reached them in a happy laugh, the

three made a stampede to join her outside.

"Did you ever know anything so splendumphant?" cried Rob, once more

catching her mother around the waist in one of her mad onslaughts.

"I'm so glad, Mardy! You've looked so troubled," said Oswyth, kissing

her mother with a tenderness so maternal that it almost seemed as

though their relation was reversed.

Prue beamed on them all impartially. "I think it is quite awful that

money can make people so happy and unhappy," she remarked.

"That is an opinion held by all philosophers--all _other_ philosophers,

Prudence," observed her father.

"Let's make a tucked-in for dinner," said Rob. "It's the only way I can

express my joy."

A "tucked-in" was Rob's name for a fruit-pudding, into which one tucked

whatever fruit might chance to be in season at its making.

"Blueberry!" cried Prue, enthusiastically. "I'll go back to the store

and get them--they had beauties this morning when I went for the mail."

"What a lovely day!" said Wythie, but, though she gazed afar over

the tree-tops as she spoke, they knew that she did not refer to the

weather, nor the fleckless sky above them.

"I feel as though an inexpressible weight had been lifted from my

shoulders; I'm very happy, dear," said Mrs. Grey. But though she laid

her hand on her husband's arm as she spoke, and looked at him, only

Rob, who loved him so protectingly, understood that over and above the

relief of having the means to provide necessities for her family, her

mother rejoiced that her husband, for whose sake her sensitive pride

was always up in arms, had aroused himself to give them to her.

Dinner was scarcely over when Prue, looking out of the window, called

to her sisters: "Here comes Battalion B." This was Rob's final

christening of the three Rutherfords, who rarely appeared separately.

The friendship between them and the girls had progressed sufficiently

for the Greys not to mind being caught by "Battalion B" in their

uniforms, and Rob leaned out of the window now to hail them with wild

wavings of a dish-towel.

"How are you, Grey ladies?" cried Basil, as they entered. "We have come

to demand of you an afternoon in the orchard, beneath whose spreading

appletrees the village chestnut wishes to paint Prue's portrait."

"My portrait?" cried Prue, starting up in a rapture.

"Who, may I ask, is the village chestnut?" inquired Wythie.

"Bartlemy Rutherford, whose talents as an artist are great, though

unrecognized," said Bruce.

"Does Bartlemy paint?" cried Wythie, surprised.

"And powders and tints his eyebrows," whispered Bruce behind his hand,

in a stage aside. "But he doesn't want it known."

"Can you really paint, Bart? And will you do my portrait?" asked Prue,

much impressed, for she had caught a sufficient glimpse of an easel and

paint-box outside to convince her there was something behind Basil's

opening statement besides a jest.

"Oh, well, I can paint some--I always liked to. I'd like to try to do

you, if you wouldn't mind, down in the orchard, under the trees, you

know," stammered Bartlemy, getting embarrassed.

"He doesn't do so badly," added Basil. "You'd be surprised. We've got

canvases at home representing our tutor's brow, Bruce's mouth, my nose,

quite marvellously. Of course, there are other features in each of

these portraits, but those are the ones faithfully limned, so we always

politely allude to the portraits by their successful points. In private

we call Bartlemy Fra Bartolomeo. You observe its suitability; he is

already Bartlemy; he is a brother--twice a brother--so the _fra_ part

is o. k., and he is a painter. We think it kind and complimentary to

call him Fra Bartolomeo."

"Oh, let up on your nonsense, Bas," growled Bartlemy, even his

long-suffering patience beginning to give way. "Will you let me try a

portrait of you, or won't you, Prue?"

"I'd be perfectly delighted," cried Prue. "Only you must wait for me to

put on a white dress and let my hair down."

"And wash your face, little Goldilocks," added Rob. "However beautiful

blueberry juice may be as a temporary decoration, I shouldn't like it

perpetuated in a portrait."

Prue ran away, not deigning to notice this piece of advice, and came

back as quickly as was consistent with the attainment of perfect

beauty, looking really lovely in her snowy muslin gown, and her big

brown eyes alight under her masses of sunny hair.

"I'm going to take my darning," announced Wythie.

"Oh, dear," sighed Rob. "If only you good people didn't shame others

into being good, too! I suppose I ought to take some work--I'll shell

the peas!" This was a heroic resolve, for Aunt Azraella, in an

unwonted fit of generosity, had sent the Greys half a bushel of peas

from her abundance, to be canned for winter use, and the shelling them

was a formidable undertaking.

Rob pulled out the big basket of peas, and Basil and Bruce, each

seizing a handle, bore it forth. Rob followed with her big pan; Prue,

in the glory of her spotless raiment and the importance of sitting for

her portrait, could not be expected to carry more than her own weight,

so Rob had to hang the basket intended for pods across her shoulders,

and walked immediately behind Basil and Bruce, beating wildly on her

pan.

Prue, holding up her skirts daintily, walked beside Bartlemy, with

his artist's paraphernalia, as Oswyth, with her pretty sweet-grass

work-basket, brought up the rear, as calm and fair as always.

Down to the orchard they went, and to Bartlemy, as the one it

concerned, was left the selection of place. Finally he placed Prue

to his satisfaction--and greatly to her own--in the fork of a

picturesquely shaped old appletree, and fell back to regard her in

approved artist fashion, head on one side, and with one eye closed.

Then he set up his easel, and the rest disposed of themselves on the

grass, regardless of creatures that crawled.

Basil and Bruce--as perhaps she had expected--volunteered to help Rob

in her task, and sitting opposite each other, placed the empty basket

between their knees, while Rob sat beside them, where she could reach

supplies, with the bright pan in her lap, into which the peas were soon

hailing under the swift work of thirty fingers.

Oswyth began to darn, sitting a little apart, but almost forgetting her

work in the interest of watching Bartlemy sketch in the outline of the

appletree and Prue's slender figure, with swift, sure strokes. Whatever

Bartlemy might prove as a colorist, he unmistakably could draw.

"_When the little busy B's

Turn their minds to shelling peas,_"

began Rob in a cheerful sing-song, but got no further, for Bruce

interrupted her, carrying on her stanza,

"_'Neath the leadership of Rob,

What's a half-bushel job?_"

he sang.

"You are such nice boys," cried Rob, approvingly. "Just as big geese as

we are ourselves."

"Bigger, physically, but mentally we yield to you," said Basil, with a

bow.

"Do you expect to be a painter, Bart?" asked Wythie. The sketch he was

making was really full of talent.

"I'd like to be; they say I can't tell what I want till I finish

college, but I think I know," said Bartlemy. "I want to go off to

Europe and live in galleries for a few years, and then try my own hand."

"I mean to teach school," said pretty Prue, looking as picturesquely

unlike such a career as was possible. "I'm the only one that is getting

a regular school training; Wythie and Rob did lessons at home, but I'm

to be properly educated. So I shall teach. Unless I sing," she added,

as an after-thought.

"Bruce has been a doctor, according to his own verdict, ever since he

could speak," said Basil.

"And Basil doesn't care what he does, provided it puts a pen between

his fingers, and encloses him in four walls lined with books," added

Bruce.

"I think I shall be a motorman," said Rob, gravely. "I get so deadly

tired sometimes of hearing no clang or rattle! There is a monotony

about my youth that will drive me to trolleys, or a Ferris wheel when I

grow up. I'd like to see things hum."

Now a seventh member of the party had been adding himself to it, unseen

of the others, and in easy approaches. This was a grey goat belonging

to the Greys for some years, whose intimacy with the family was fully

established, and whose manners were of the pleasantest. But whether he

regarded Bartlemy's easel as a personal affront, or whether he resented

his daring to paint the pretty youngest girl, to whom the goat belonged

in a particular manner, no one was ever sufficiently in his confidence

to say, but just as Rob announced her desire to see things hum, they

hummed, for the grey goat, kicking up his heels, charged head down,

full at artist and easel.

Neither was prepared. Bartlemy was stooping, brush in teeth, to look

for a palette-knife, and two of the easel's three legs rested on tufts

of grass. As the goat charged Bartlemy went head over heels down a

slope below him; the canvas flew up and lighted full on Oswyth's smooth

head; the easel fell with a clatter, and paints danced broadcast

over the grass. Prue screamed, and so did Oswyth, not recognizing

the assailant in the first confusion. Basil and Bruce fell prone on

their backs, one in each direction, like Max and Maurice in the old

pictures, perfectly convulsed with laughter, while Rob, after the

pause of a startled instant, fell on her face and nearly went into

hysterics.

The goat, seeing that he was, after all, in the midst of friends, and

seeming to fear that he might have estranged them, looked around on the

company with a vacuous and conciliatory expression, while Bartlemy,

sitting erect, and pulling his collar up and his belt down, returned

the goat's gaze with a horrible scowl that sent his brothers and the

girls off into fresh spasms of laughter.

"What is he?" demanded Bartlemy, and added, shaking his fist at the

goat: "You old sign of the zodiac, I wasn't interfering with you, was

I?"

"That's our--our nice--gentle--oh, dear me!--our nice, gentle, old Ben

Bolt," gasped Rob, sitting up and wiping her eyes.

"Gentle!" ejaculated Bartlemy.

"He's our little pet," said Rob. "Come here, Ben, dear. Why did you

go for to do it? Bowling over a harmless boy who was painting of your

missus!"

Ben Bolt meekly obeyed, and took the chance to seize a mouthful of

peas, as he gazed with his light-barred eyes at the wreck he had made.

"Can you hold him, Rob? Is he likely to go off again?" asked Bartlemy.

"Never," said Rob, confidently. "I think he may not like art."

"Probably suspects camel-hair brushes of being made of goat-hair,"

suggested Basil, pulling Bruce into shape, who was quite weak from

laughing. "Where did you get the little angel, Rob?"

"Why, when Prue was only eight years old she found some boys abusing

a little grey kid--probably she felt for him because she was a little

Grey kid herself. At any rate, she purchased him for all her wealth--a

quarter--and brought him home. He's been a good goat, and used to

drag Prue in her wagon until she outgrew it. We named him Ben Bolt

because he bolted everything in sight, but though I used to sing to

him, inquiring if he didn't 'remember sweet Alice, Ben Bolt,' it never

affected him visibly."

"Painting is over for to-day," announced Bartlemy. "My easel has a

fractured limb, and my palette is broken."

"Oh, can't you go on?" cried Prue, so mournfully that they all laughed.

"Not to-day. We'll try again--sans Ben Bolt--soon," said Bartlemy.

"It's such a pity; my dress is so clean," sighed Prue.

"She finds it a world of stains and pains," observed Rob. "Never mind,

Prue; you aren't losing your hair yet."

"Come on, kid; help with these peas, since you can't paint," said Basil.

"Meaning me, or the goat?" asked Bartlemy, accepting the invitation.

"Give Ben Bolt the pods, and let's sing to him; then he'll be ashamed

of himself," said Rob, who dearly loved the sextettes the Greys and

Battalion B carolled.

"Or ashamed of us," suggested Bruce, but obediently lifted up his voice

in song.

The peas were done much too soon, with so many shelling. Long before

the young people were tired the last pod had yielded its five plump

fellows to the green-filled pan, under the pressure of Wythie's thumb.

Shouldering their burdens the six returned to the house.

"It has been a dear day," said Wythie, as she and Rob stood for a

moment on the steps before closing the little grey house for the night.

"Beautiful!" assented Rob, promptly. "In spite of our trials and

drawbacks we do have some blithe days in the grey house."

CHAPTER SIX

ITS HARD DAYS

"Julius has abdicated, and Augustus reigns in his stead," remarked

Prue, as she tore off the leaf of her calendar, which marked the first

day of the eighth month. Prue was fond of making what she considered

neatly erudite allusions.

Matters had not been going well in the little grey house. Mrs. Grey

found herself looking forward to the winter with dread, a dread she

tried to stifle, for it was contrary to this brave woman's temperament

and principles to look apprehensively toward the future.

Mr. Grey was working feverishly on his bricquette machine, more than

ever absorbed in it; it seemed to his anxious wife as if he were

putting into it his own vitality, that it was consuming something far

more precious than its inventor had ever dreamed would feed it. But,

since she could not prevent the harm--if harm were being done--Mrs.

Grey strove to drive the thought of it from her, and bear her immediate

burden, which was not too light.

It was a humid, sultry day, and many trying household tasks loomed

ahead threateningly on the morning when Prue made her classic allusion

as she tore off her calendar-leaf. Oswyth looked pale and tired. She

was an expert little needle-woman and had been sewing hard through

the heat to make old as good as new--which it never was and never

will be--for Prue's return to school. Prue was very particular as to

her raiment; poor child, it was hard to be the prettiest girl, and at

the same time the poorest one, in the school. Wythie sympathetically

thought and wrought to make her gowns as pretty and becoming as

possible to offset their many reappearances, and the hardship of

wearing the clothes one's elders had outgrown. Even Rob, though she

scoffed at Prue's little vanities, in her heart was sorry for the child

who alone of the three was forced out among her contemporaries, and

could not hide her deficiencies within the friendly walls of the little

grey house.

Mrs. Grey had been waiting an opportunity to cover the two big

arm-chairs in the parlor. There was nothing that this energetic woman

could not do with her hands, and Rob said: "Give Mardy a package of

dyes, a paper of tacks, and a hammer, and you may look for anything,

from a wedding-gown to a coach-and-four."

A certain faded poplin gown, in many pieces, and an old silk with

brocaded stripes had long haunted Mrs. Grey as a hopeful source of new

chair-covers. All the previous afternoon she had spent dipping the

poplin into a big iron pot bubbling over the fire and bringing it up

on the end of her "witch stick," as the girls called it, dripping and

dark, to be hung out to dry.

Here appeared Mrs. Grey's generalship, for though the poplin had

turned out a fine, uniform green, the pieces were much too narrow for

upholstery. So she had cut out the brocade stripes from the old silk;

the ancient sewing-machine, which made such a dreadful clatter and

was one of the Greys' grievances, yet which was still capable of good

service, rattled and hummed under Mrs. Grey's feet, as she stitched the

brocade bands at regular intervals on the dyed poplin, covering its

many joinings. And behold, the result was a fine upholsterer's tapestry

of wool, with a silken stripe, and not a piecing to be seen!

"There's glory for you!" cried Rob. "Anyone would believe that we paid

any amount a yard for that beautiful stuff."

"Put up your sewing, Wythie, and you and Rob stretch it and hold it in

place for me while I tack," said Mrs. Grey. "I flatter myself these

chairs are going to radiate splendor over the entire room."

"Come, then, Mardy; we'll help it radiate," said Rob. "Mercy, how

dreadful it is to-day--worse than hot--so sticky and horrid! Cat days

are nicer than dog days, aren't they, Kiku-san? Now look at that

catlet!" she added. Kiku-san had sprung from the table to the top of

the door, on the narrow space of which he sat, head on one side, in

his usual bird-like attitude, his white fur all streaks of dust. He

was quite unable to get down as he had got up, and Rob said with a

sigh: "Oh, dear; this means going to fetch a kitchen-chair to take him

down! I wonder how many times a day we do this? And a grasshopper's

a burden to-day, not to mention a heavy wooden chair. I never saw

such a mischievous cat! And only look at him! Regular stained-glass

expression; doesn't look as if he ever thought of anything but Watts's

hymns! He does this just to keep us trotting, the demure villain!" And

Rob shook a forefinger at Kiku, who only tipped his head a little more

to one side, and puckered his mouth a little tighter, knowing perfectly

that he was about to be rescued.

Rob came back dragging the chair disconsolately on its rear legs,

and placing it under the doorway, mounted it, seized Kiku-san by his

forepaws, and pulled him down, giving him an admonitory and chastising

pat as she set him free.

"You've got to take the chair back, Prue; I'm going to help Mardy, and

I can't do all the fetching and carrying," said Rob, as she descended.

"Indeed, I won't," said Prue, promptly. "You feel as much like it as I

do."

Rob tossed her head and went toward the parlor without another word,

and Prue departed upstairs, leaving the object of dissension where it

stood. Wythie patiently picked it up and bore it away, and followed

Rob to the parlor, where she and her mother were already fitting the

beautiful new covering on the chair.

"It's splendid, Mardy; what a genius you are!" cried Wythie, dropping

on her knees at her side of the chair. For a while they pulled and cut,

and Mrs. Grey tacked in silence, except for the necessary directions.

No one felt quite cheerful, nor had superfluous energy to spend in

speech.

Just as one chair was nearly finished a shadow fell across its arm,

and Mrs. Grey and the girls looked up to see Aunt Azraella, who had

entered unheard, watching them with her sternest look of disapproval.

"Ah, good-morning, Azraella," said Mrs. Grey, noting this and trying to

speak brightly enough to avert its expression. "We are trying to forget

the heat in the interest of hard labor."

"So I see. Aren't you forgetting something besides the heat, Mary?"

said this inflexible lady.

"Why, no; are we?" asked Mrs. Grey, surprised into a hasty mental

inventory of possible duties unfulfilled or engagements broken.

"Aren't you forgetting that there are more necessary things than

chair-covers?" demanded Aunt Azraella. "Aren't you forgetting the state

of your finances, and that you can't afford the least extravagance? How

much did you pay a yard for that material?"

Rob, foreseeing this question, had been engaged in a hasty mental

estimate of the original cost of the poplin and the silk. "Dollar and

a quarter for the woollen stuff--one seventy-five, surely, for the

brocade, when Mardy married, just--it cost precisely three dollars a

yard, Aunt Azraella," she said aloud, before her mother could reply.

Mrs. Winslow held up her hands in horror, and Mrs. Grey said,

reproachfully: "Rob, how can you?"

"I've no doubt the child speaks the truth," said Aunt Azraella, quickly.

"Thanks, aunt; I do try to," said Rob. "Mardy, you know it must have

cost at least three dollars--both of it."

"And you don't think that disgraceful, as you are situated?" began

Mrs. Winslow, but her sister-in-law interrupted her. "Azraella," she

cried--it was indicative of Aunt Azraella's character that on the

hottest day, and under the stress of physical weariness, no one ever

thought of abbreviating her name--"Azraella, aren't you used to Rob's

pranks yet? This is my old grey poplin, dyed, and run together with the

stripes of a handsome brocade I had when I was married. This scamp of a

girl is giving you the original cost of both materials; I am very glad

it looks well enough to deceive even your keen eyes."

But Aunt Azraella was not to be diverted from expressing the wrath

which had been gathering on her brow since Mrs. Grey had begun

explaining.

"Roberta is distinctly a trial," she said, severely. "An unmannerly,

impertinent girl. She may consider it funny to give me such a

misleading answer, but I consider it most disrespectful."

"I was only trying to be cheerful, aunt," said Rob, her face crimson,

and struggling not only to speak quietly, but to speak at all. "I

didn't intend to deceive you, but only to--well, to have a little fun

before you found out the truth."

"I know perfectly that you always object to my interest in your

affairs, but I consider your good more important than your likings.

I shall always tell all of you--from your indolent father and your

indulgent mother down--precisely what I think. It is my duty to be

perfectly candid and truthful," said Mrs. Winslow with the air of a

martyr.

"Perfect candor is rather dangerous, Azraella," said Mrs. Grey, and

Rob saw that she was having as much difficulty in speaking calmly as

her inflammable self. "One should wait until it is sought, and then

not indulge in its full expression, especially when one's opinions are

offensive--such as an allusion to the head of a house as indolent,

for instance. Mr. Grey has been working so hard of late that I am

anxious about him. And you see that you judged rashly in pronouncing us

extravagant. We were rather priding ourselves on our clever thrift. It

is such a very humid, trying day, that it is not favorable to too great

zeal for others."

When her gentle sister-in-law spoke with a certain calm deliberation,

and a slight lowering of lids and lifting of eyebrows, Mrs. Winslow was

apt to read it as a danger-signal and retreat. At heart she stood in

awe of her better-bred, better-born sister-in-law, and dared not press

her too far. Aunt Azraella had a habit of seeking the little grey house

as a lecture-field when affairs in her larger house went wrong.

"Well, Mary," she now began more mildly, "you know who it was that

asked if he were his brother's keeper. I think it is our duty to exert

ourselves for our neighbors, especially for our misguided kindred, and

never to shrink from the utterance of a truth, however unwelcome. But

you hold yourself entirely aloof from the affairs of others, and I

suppose we shall never see the question alike. I want to tell you about

Elvira--she is such a trial! And in this case you must advise me."

"Very well," said Mrs. Grey, with a sigh, seeing that Rob's tears of

nervous wrath were falling, as she pretended to busy herself with the

lining under the chair-seat, and resigning herself to listen for the

unnumbered time to a recital of the wrong-doings of faithful Elvira,

Mrs. Winslow's long-suffering "help," in the old-fashioned sense. It

would all end as it always did; Elvira only failed in the small ways

incident to humanity, and Aunt Azraella was wholly dependent upon her.

For a long time Mrs. Winslow recounted her woes, while Mrs. Grey and

Wythie and Rob pulled and tacked. How Elvira had insisted on placing

the glasses on the second shelf of the cupboard when Mrs. Winslow

had always kept them on the third; how she had resolutely clung

to a cheesecloth duster where her mistress preferred silk, and a

cloth-covered broom for cornices, where Mrs. Winslow, and her mother

before her, had used a feather-duster, etc., etc., through the whole

long list of pettiness which meant only that the August day was sultry

and Aunt Azraella out of sorts.

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