CHAPTER II.

I was no proud-spirited hero to work my way independently in the world,

but a poor blacksmith's apprentice, glad of every penny honestly earned

or kindly given; so I handled my bill over and over again with real

pleasure. Amos Bray, my master, was about as well to do as any man in

the village, its doctor excepted; but I doubted if Amos ever had a

ten-dollar bill over and above the quarter's expenses to spend as he

liked.

The smithy often glowed with the double fire of its forge and my fancy.

I walked about with a picture-gallery in my brain, and was usually led

into its rather meagre display whenever the past was recalled or the

future portrayed. The smithy hung there, in warmth and brightness, a

genuine Rembrandt of light and shadow, filled with many an odd,

picturesque group on winter evenings, or just at twilight, when the fire

had died away to its embers. My master had gone home, and work was over;

the village children in gay woollen garments and with ruddy faces

crowded round the door, fringing brightly the canopy of darkness within.

Again, when, after days of monotonous work, I felt a benumbing sense of

being but a part of the world's giant machinery, chosen because the

mobility and suppleness of human material worked by the steam-power of

the brain were more than a match even for the durability and unwearied

stroke of steel or iron, the warm blood rushed back, life throbbed again

with its endless ebbs and flows of desire and disappointment, as my

master's daughter, with her golden hair and innocent eyes, summoned us

to dinner, breaking like blue sky and sunshine through the cloud-rifts

of our toil.

But now the smithy was not merely idealized, it was transformed. The

stranger, whose haughty bearing and address had changed to kindly and

appreciative words, had filled it with a new presence and excited new

hopes.

Pleased as I was with the unexpected gift of money, the stranger's hint

of my superiority to those around me was a more generous bounty still. I

had been jeered at for years by the village boys, because I never

followed my master to the tavern in the evenings to listen to the gossip

there and learn to drink my mug of beer, and because I rarely talked

with any one except a few of the village children more modest than the

rest.

The alphabet of my mind, like that of the race, was first found in the

hieroglyphics of the pencil; and by its aid I communicated with my

little friends more frequently than by word, drawing pictures for them

with chalk on the rude walls of the smithy, and carving images of the

various devices my experience or imagination suggested out of wood with

my master's jack-knife.

From this group of children had arisen a constant companion and

sympathizer in my master's daughter. In leisure hours we explored the

woods together, or she sat beside me while I pored over the few old

books which were my father's sole legacy to me.

During the last winter and this, however, my evenings had been almost

constantly occupied in study and sketching at the class to which I have

alluded. What an endless store of drawing-materials now loomed before

me! And what a swelling of heart I experienced at the thought that the

aims for which I had been taunted by the villagers were acknowledged by

my new friend as a ground of superiority!

I was startled from these pleasing dreams by my master's voice.

"Hullo there, Sandy! where's the money for that job? He's a mean one, if

he a'n't made it double."

Instinctively I thrust my ten-dollar bill into one pocket, as I drew the

pay for the horseshoeing from the other. He swore a little as I handed

it to him, but he knew me well enough never to doubt my honesty; and, as

I was leaving, he called, with a gruff kindness,--the only approach to

courtesy of which he was capable,--

"Hurry up, Sandy; Miss Bray can't git Sary Ann to bed till she sees you,

and you're late for your schoolin' besides."

So I ground my way quickly through the snow, choosing the middle of the

street, because it was less worn, and helped me better to work off my

unusual excitement.

My master's cottage stood on the same street with his smithy. In fact,

this Main Street was, as its name indicated, the principal thoroughfare

of Warren; the real village life all centred here; and it contained,

besides the stores and the church, the dwellings of the more prosperous

inhabitants. The smithy being at one end, on the outskirts, as it were,

of the social and gay life, Mr. Bray had been able to rent it for a low

sum, although more pleasantly situated than any other building on the

street. Here the land made a slight ascent, giving a more extended view

of the valley and distant hills than at any other point. The business

character of this street mingled oddly in summer with the rural life

around it. At several right-angles, green and mossy lanes, arched by

venerable elms, seemed to be offering their crooked elbows to lead it

back to the simple pastoral life from which it sprang.

Bordering these sequestered paths, which were dignified by the title of

streets, were cottages surrounded by small inclosures, whose proprietors

cultivated vegetables, hens, pigs, and cows,--these last being, quite

unconsciously, the true surveyors of Warren; for, in direct obedience to

pathways they had worn when traversing the fields to and from their

homes, chewing the quiet cud of meditation, had the buildings been

erected. Outside these lanes, again, were the larger land-owners, whose

farms formed the outer circle of our life.

Annie Bray was fond of penetrating beyond these various circles of

social existence, and wandering far off to the woods and hills, whose

ring of emerald, studded now and then with the turquoise of some

forest-lake, inclosed us as in a basin.

As I entered the kitchen of the cottage, Mrs. Bray, a stout woman of

forty, the oracle of her sex in the village as to matters of domestic

economy and dress,--which last was of a more costly and varied material

than the others could afford, abounding in many-colored prints, and a

stuff gown for Sunday wear,--made her appearance, her apron covered with

flour, an incrustation of dough on each particular finger, which it

always destroyed my appetite to see.

"Well, Sandy, I'm glad you've come. You've jest sp'iled Sary Ann. There

she sets a-nid-nid-noddin' on that stool, and won't stir to bed till she

sees Sandy."

There, by the stove, sat the blacksmith's blue-eyed daughter, a proof

that God sometimes interferes with hereditary botch-work, and makes a

child fresh and fair, letting her, like a delicate flower in noisome

marsh or stagnant water, draw pure, nourishing juices out of elements

poisonous to anything less impregnated with Himself.

To be sure, through ignorance of the nature of the child intrusted to

them, the blacksmith and his wife blundered with her tender soul and

beautiful body. One of their most heinous crimes against her, in my

estimation, had been in the bestowal of the name of Sary Ann,--a filial

compliment paid by Mrs. Bray to the mother who bore her. Then they

dressed her in the brightest of red or orange, so that Nature, which had

tinted her complexion brightly, though delicately, seemed forever to be

put to shame by the brazen garments which infolded her. They called her

'sp'iled,' when her innocent eyes filled with tears at her father's

oaths or her mother's coarse scolding; and though her tender beauty

touched the rough smith with a kind of awe, he often said, "Such pootty

gals a'n't of much use. I mistrust if Sary Ann will ever 'arn her

livin'."

Anxious as I was to get to my class this evening, I could not neglect my

little friend; so, going hurriedly to her, I said, as I bent over the

head which at every breath of sleep waved like a pale golden flower on

its stalk,--

"Good night, Annie. To-morrow evening I'll be home earlier, and then we

can have our lesson together."

And she, quite satisfied, held up her face for a kiss, and rose to leave

the room.

"Your supper is a-warmin' in the stove, Sandy," said Mrs. Bray; but I

did not wait either to eat it or to chat with her about the stranger

whose horse I had shod, and who interested her because she thought he

might have given "Amos" extra pay. Reminding her of my lesson, I pushed

up the rickety stairs to my attic, and began as quickly as possible to

make those preparations for meeting the teacher which the young men of

the class, impelled by a rude kind of gallantry, never failed to

observe, and which they described by the expressive term of "smartenin'

up."

The Atlantic Monthly, Volume 16, No. 97, November, 1865 A Magazine of Literature, Science, Art, and Politics · 第 2 / 9 章