CHAPTER V.

The Gout.--Visits to Paris.--Bath.--John Wesley.--Bad

Weather.--English Summers.--Quitting Parliament.--Madame

du Deffand.--Human Vanity.--The Banks of the Thames.--A

Subscription Masquerade.--Extravagance of the Age.--The

Pantheon.--Visiting Stowe with Princess Amelia.--George

Montagu.--The Countess of Ossory.--Powder-Mills Blown up at

Hounslow.--Distractions of Business and Pleasure.

Walpole’s acquaintance with the gout began before he had reached

his fortieth year. Its earliest approaches he received without much

discomposure. His chief reason, he said, for objecting to “this

alderman distemper” was that he could show no title to it. “If either

my father or mother had had it, I should not dislike it so much. I am

herald enough to approve it if descended genealogically; but it is an

absolute upstart in me, and what is more provoking, I had trusted to

my great abstinence for keeping me from it: but thus it is, if I had

any gentleman-like virtue, as patriotism or loyalty, I might have got

something by them; I had nothing but that beggarly virtue temperance,

and she had not interest enough to keep me from a fit of the gout.”

By degrees, however, the attacks of his enemy became too severe to

be dismissed with pleasantries like these. In the summer of 1765,

he was prostrated by a seizure which held him prisoner for several

weeks. On recovering about the middle of September, he undertook

a journey to Paris, partly to recruit his strength, and partly in

execution of a long-formed design. He remained in the French capital

till the following spring, mixing much in the society of the place,

and doing ample justice to the wit and grace of Frenchwomen, but

shrinking from and detesting the French philosophers.[42] During this

period was formed his friendship with Madame du Deffand, his “dear

old blind woman,” as he often calls her, with whom, after his return

to England, he maintained a weekly correspondence for the rest of her

life. Altogether, he derived so much pleasure from his visit, that he

repeated it every alternate summer down to that of 1771; and we find

him in Paris again in 1775.

He had another illness in the middle of 1766, for which he tried the

Bath waters; but Bath proved not at all to his taste, though he met the

great Lord Chatham there, and many other persons of distinction. “These

watering-places,” he says, “that mimic a capital, and add vulgarisms

and familiarities of their own, seem to me like abigails in cast gowns,

and I am not young enough to take up with either.” Finding himself

dull at Bath, he attended a Wesleyan service, of which he gives a

somewhat flippant description:

“My health advances faster than my amusement. However, I have

been at one opera, Mr. Wesley’s. They have boys and girls with

charming voices, that sing hymns, in parts, to Scotch ballad

tunes; but indeed so long, that one would think they were

already in eternity, and knew how much time they had before

them. The chapel is very neat, with true Gothic windows (yet

I am not converted); but I was glad to see that luxury is

creeping in upon them before persecution: they have very neat

mahogany stands for branches, and brackets of the same in

taste. At the upper end is a broad _hautpas_ of four steps,

advancing in the middle: at each end of the broadest part are

two of _my_ eagles,[43] with red cushions for the parson and

clerk. Behind them rise three more steps, in the midst of which

is a third eagle for pulpit. Scarlet armed chairs to all three.

On either hand, a balcony for elect ladies. The rest of the

congregation sit on forms. Behind the pit, in a dark niche,

is a plain table within rails; so you see the throne is for

the apostle. Wesley is a lean elderly man, fresh-coloured, his

hair smoothly combed, but with a _soupçon_ of curl at the ends.

Wondrous clean, but as evidently an actor as Garrick. He spoke

his sermon, but so fast, and with so little accent, that I am

sure he has often uttered it, for it was like a lesson. There

were parts and eloquence in it; but towards the end he exalted

his voice, and acted very ugly enthusiasm; decried learning,

and told stories, like Latimer, of the fool of his college,

who said, ‘I _thanks_ God for everything.’ Except a few from

curiosity, and _some honourable women_, the congregation was

very mean. There was a Scotch Countess of Buchan, who is

carrying a pure rosy vulgar face to heaven, and who asked Miss

Rich, if that was _the author of the poets_. I believe she

meant me and the Noble Authors.”

Walpole was in a peevish humour about this time. He was out of

health, and dispirited besides by an apprehension that the climate

of Twickenham did not suit him. Thus he writes from Strawberry Hill:

“What afflicts me most is, that I am persuaded that this place is too

damp for me. I revive after being in London an hour, like a member of

Parliament’s wife. It will be a cruel fate, after having laid out so

much money here, and building upon it as the nest of my old age, if I

am driven from it by bad health.” Unfavourable weather seems to have

been in some measure the cause of these fears, and of the writer’s

disordered condition. Though the harvest-time of 1766 was fine, the

crops, we are told, had been spoilt by previous rains, and the years

which followed were a cycle of wet and cold seasons. Walpole grumbles

at the weather with English vigour and French vivacity. Thus he writes

to Montagu, in June, 1768:

“I perceive the deluge fell upon you before it reached us.

It began here but on Monday last, and then rained near

eight-and-forty hours without intermission. My poor hay has

not a dry thread to its back. I have had a fire these three

days. In short, every summer one lives in a state of mutiny

and murmur, and I have found the reason: it is because we will

affect to have a summer, and we have no title to any such

thing. Our poets learnt their trade of the Romans, and so

adopted the terms of their masters. They talk of shady groves,

purling streams, and cooling breezes, and we get sore throats

and agues with attempting to realize these visions. Master

Damon writes a song, and invites Miss Chloe to enjoy the cool

of the evening, and never a bit have we of any such thing as

a cool evening. Zephyr is a north-east wind, that makes Damon

button up to the chin, and pinches Chloe’s nose till it is red

and blue; and then they cry, _This is a bad summer!_ as if we

ever had any other. The best sun we have is made of Newcastle

coal, and I am determined never to reckon upon any other. We

ruin ourselves with inviting over foreign trees, and making our

houses clamber up hills to look at prospects. How our ancestors

would laugh at us, who knew there was no being comfortable,

unless you had a high hill before your nose, and a thick warm

wood at your back! Taste is too freezing a commodity for us,

and, depend upon it, will go out of fashion again.--There is

indeed a natural warmth in this country, which, as you say,

I am very glad not to enjoy any longer; I mean the hot-house

in St. Stephen’s chapel. My own sagacity makes me very vain,

though there was very little merit in it. I had seen so much of

all parties, that I had little esteem left for any; it is most

indifferent to me who is in or who is out, or which is set in

the pillory, Mr. Wilkes or my Lord Mansfield. I see the country

going to ruin, and no man with brains enough to save it. That

is mortifying; but what signifies who has the undoing it? I

seldom suffer myself to think on this subject: _my_ patriotism

could do no good, and my philosophy can make me be at peace.”

The concluding lines of the above extract refer to the writer’s recent

retirement from the House of Commons. In the spring of the preceding

year, Walpole had announced that he should not again ask the suffrages

of the Lynn burgesses, stating as his reasons the declining state of

his health and his wish to withdraw from all public business; and

though his health had improved in the interval, the General Election

of 1768 found him fixed in his decision. Whatever may have been the

real motives of his conduct, there is no indication in his Letters that

he ever regretted the course he had taken. In June, 1769, he writes

from Strawberry Hill: “I am come hither for two months, very busy with

finishing my round tower, which has stood still these five years, and

with an enchanting new cottage that I have built, and other little

works. In August, I shall go to Paris for six weeks. In short, I am

delighted with having bid adieu to Parliament and politics, and with

doing nothing but what I like all the year round.” But the season was

again rainy. A few days later, we have a letter to Cole, who was then

settled at Waterbeach, near Cambridge:

“Strawberry Hill, Monday, June 26, 1769.

“Oh! yes, yes, I shall like Thursday or Friday, 6th or 7th,

exceedingly; I shall like your staying with me two days

exceedinglier; and longer exceedingliest: and I will carry you

back to Cambridge on our pilgrimage to Ely. But I should not at

all like to be catched in the glories of an installation,[44]

and find myself a doctor, before I knew where I was. It will be

much more agreeable to find the whole _caput_ asleep, digesting

turtle, dreaming of bishoprics, and humming old catches of

Anacreon, and scraps of Corelli. I wish Mr. Gray may not be

set out for the north; which is rather the case than setting

out for the summer. We have no summers, I think, but what

we raise, like pine-apples, by fire. My hay is an absolute

_water-souchy_, and teaches me how to feel for you. You are

quite in the right to sell your fief in Marshland. I should be

glad if you would take one step more, and quit Marshland. We

live, at least, on terra firma in this part of the world, and

can saunter out without stilts. _Item_, we do not wade into

pools, and call it going upon the water, and get sore throats.

I trust yours is better; but I recollect this is not the first

you have complained of. Pray be not incorrigible, but come to

shore.”

At the end of August he is in Paris with Madame du Deffand. “My dear

old woman,” he writes, “is in better health than when I left her, and

her spirits so increased, that I tell her she will go mad with age.

When they ask her how old she is, she answers, ‘J’ai soixante et mille

ans.’” In a letter written to George Montagu a week afterwards, we have

a description of this true Frenchwoman:

“Your two letters flew here together in a breath. I shall

answer the article of business first. I could certainly buy

many things for you here, that you would like, the reliques

of the last age’s magnificence; but since my Lady Holdernesse

invaded the Custom-House with an hundred and fourteen gowns,

in the reign of that two-penny monarch George Grenville, the

ports are so guarded, that not a soul but a smuggler can

smuggle anything into England; and I suppose you would not care

to pay seventy-five per cent. on second-hand commodities. All

I transported three years ago, was conveyed under the canon

of the Duke of Richmond. I have no interest in our present

representative; nor if I had, is he returning. Plate, of all

earthly vanities, is the most impassable: it is not counterband

in its metallic capacity, but totally so in its personal;

and the officers of the Custom-House not being philosophers

enough to separate the substance from the superficies, brutally

hammer both to pieces, and return you--only the intrinsic; a

compensation which you, who are no member of Parliament, would

not, I trow, be satisfied with. Thus I doubt you must retrench

your generosity to yourself, unless you can contract it into

an Elzevir size, and be content with anything one can bring in

one’s pocket.

“My dear old friend was charmed with your mention of her,

and made me vow to return you a thousand compliments. She

cannot conceive why you will not step hither. Feeling in

herself no difference between the spirits of twenty-three and

seventy-three, she thinks there is no impediment to doing

whatever one will, but the want of eyesight. If she had that,

I am persuaded no consideration would prevent her making me

a visit at Strawberry Hill. She makes songs, sings them, and

remembers all that ever were made; and, having lived from the

most agreeable to the most reasoning age, has all that was

amiable in the last, all that is sensible in this, without the

vanity of the former, or the pedant impertinence of the latter.

I have heard her dispute with all sorts of people, on all sorts

of subjects, and never knew her in the wrong. She humbles the

learned, sets right their disciples, and finds conversation

for everybody. Affectionate as Madame de Sévigné, she has none

of her prejudices, but a more universal taste; and, with the

most delicate frame, her spirits hurry her through a life of

fatigue that would kill me, if I was to continue here. If we

return by one in the morning from suppers in the country, she

proposes driving to the Boulevard or to the Foire St. Ovide,

because it is too early to go to bed. I had great difficulty

last night to persuade her, though she was not well, not to

sit up till between two and three for the comet; for which

purpose she had appointed an astronomer to bring his telescopes

to the president Henault’s, as she thought it would amuse

me. In short, her goodness to me is so excessive, that I

feel unashamed at producing my withered person in a round of

diversions, which I have quitted at home. I tell a story; I do

feel ashamed, and sigh to be in my quiet castle and cottage;

but it costs me many a pang, when I reflect that I shall

probably never have resolution enough to take another journey

to see this best and sincerest of friends, who loves me as much

as my mother did! but it is idle to look forward--what is next

year?--a bubble that may burst for her or me, before even the

flying year can hurry to the end of its almanack!…

“Adieu, my t’other dear old friend! I am sorry to say, I see

you almost as seldom as I do Madame du Deffand. However, it is

comfortable to reflect that we have not changed to each other

for some five-and-thirty years, and neither you nor I haggle

about naming so ancient a term. I made a visit yesterday to

the Abbess of Panthemont, General Oglethorpe’s niece, and no

chicken. I inquired after her mother, Madame de Mezieres, and

thought I might to a spiritual votary to immortality venture

to say, that her mother must be very old; she interrupted me

tartly, and said, no, her mother had been married extremely

young. Do but think of its seeming important to a saint to

sink a wrinkle of her own through an iron grate! Oh! we are

ridiculous animals; and if angels have any fun in them; how we

must divert them.”

Once more in England, he announces his return to the same friend:

“Strawberry Hill, Oct. 16, 1769.

“I arrived at my own Louvre last Wednesday night, and am now at

my Versailles. Your last letter reached me but two days before

I left Paris, for I have been an age at Calais and upon the

sea. I could execute no commission for you, and, in truth, you

gave me no explicit one; but I have brought you a bit of china,

and beg you will be content with a little present, instead of a

bargain. Said china is, or will be soon, in the Custom-House;

but I shall have it, I fear, long before you come to London.…

“I feel myself here like a swan, that, after living six weeks

in a nasty pool upon a common, is got back into its own Thames.

I do nothing but plume and clean myself, and enjoy the verdure

and silent waves. Neatness and greenth are so essential in my

opinion to the country, that in France, where I see nothing but

chalk and dirty peasants, I seem in a terrestrial purgatory

that is neither town nor country. The face of England is so

beautiful, that I do not believe Tempe or Arcadia were half

so rural; for both lying in hot climates, must have wanted

the turf of our lawns. It is unfortunate to have so pastoral

a taste, when I want a cane more than a crook. We are absurd

creatures; at twenty, I loved nothing but London.”

The winter of 1769-70 Walpole spent as usual in London. He now

moralizes on masquerades in the tone of an ancient:

“It is very lucky, seeing how much of the tiger enters into

the human composition, that there should be a good dose of

the monkey too. If Æsop had not lived so many centuries

before the introduction of masquerades and operas, he would

certainly have anticipated my observation, and worked it

up into a capital fable. As we still trade upon the stock

of the ancients, we seldom deal in any other manufacture;

and, though nature, after new combinations, lets forth new

characteristics, it is very rarely that they are added to the

old fund; else how could so striking a remark have escaped

being made, as mine, on the joint ingredients of tiger and

monkey? In France the latter predominates, in England the

former; but, like Orozmades and Arimanius, they get the better

by turns. The bankruptcy in France, and the rigours of the new

Comptroller-General, are half forgotten, in the expectation

of a new opera at the new theatre. Our civil war[45] has been

lulled to sleep by a Subscription Masquerade, for which the

House of Commons literally adjourned yesterday. Instead of

Fairfaxes and Cromwells, we have had a crowd of Henry the

Eighths, Wolseys, Vandykes, and Harlequins; and because Wilkes

was not mask enough, we had a man dressed like him, with a

visor, in imitation of his squint, and a Cap of Liberty on a

pole. In short, sixteen or eighteen young lords have given the

town a Masquerade; and politics, for the last fortnight, were

forced to give way to habit-makers. The ball was last night

at Soho; and, if possible, was more magnificent than the

King of Denmark’s. The Bishops opposed: he of London formally

remonstrated to the King, who did not approve it, but could

not help him. The consequence was, that four divine vessels

belonging to the holy fathers, alias their wives, were at this

Masquerade. Monkey again! A fair widow,[46] who once bore my

whole name, and now bears half of it, was there, with one of

those whom the newspapers call _great personages_--he dressed

like Edward the Fourth, she like Elizabeth Woodville, in

grey and pearls, with a black veil. Methinks it was not very

difficult to find out the meaning of those masks.

“As one of my ancient passions, formerly, was Masquerades, I

had a large trunk of dresses by me. I dressed out a thousand

young Conways[47] and Cholmondeleys,[48] and went with more

pleasure to see them pleased than when I formerly delighted in

that diversion myself. It has cost me a great headache, and I

shall probably never go to another. A symptom appeared of the

change that has happened in the people.

“The mob was beyond all belief: they held flambeaux to the

windows of every coach, and demanded to have the masks pulled

off and put on at their pleasure, but with extreme good-humour

and civility. I was with my Lady Hertford and two of her

daughters, in their coach: the mob took me for Lord Hertford,

and huzzaed and blessed me! One fellow cried out, ‘Are you for

Wilkes?’ another said, ‘You fool, what has Wilkes to do with a

Masquerade?’

“In good truth, that stock is fallen very low. The Court has

recovered a majority of seventy-five in the House of Commons;

and the party has succeeded so ill in the Lords, that my Lord

Chatham has betaken himself to the gout, and appears no more.

What Wilkes may do at his enlargement in April, I don’t know,

but his star is certainly much dimmed. The distress of France,

the injustice they have been induced to commit on public

credit, immense bankruptcies, and great bankers hanging and

drowning themselves, are comfortable objects in our prospect;

for one tiger is charmed if another tiger loses his tail.”

Again, he descants on the extravagance of the age:

“What do you think of a winter-Ranelagh[49] erecting in Oxford

Road, at the expense of sixty thousand pounds? The new Bank,

including the value of the ground, and of the houses demolished

to make room for it, will cost three hundred thousand; and

erected, as my Lady Townley[50] says, _by sober citizens too_!

I have touched before to you on the incredible profusion of our

young men of fashion. I know a younger brother who literally

gives a flower-woman half a guinea every morning for a bunch

of roses for the nosegay in his button-hole. There has lately

been an auction of stuffed birds; and, as natural history is

in fashion, there are physicians and others who paid forty

and fifty guineas for a single Chinese pheasant: you may buy

a live one for five. After this, it is not extraordinary that

pictures should be dear. We have at present three exhibitions.

One West,[51] who paints history in the taste of Poussin, gets

three hundred pounds for a piece not too large to hang over a

chimney. He has merit, but is hard and heavy, and far unworthy

of such prices. The rage to see these exhibitions is so great,

that sometimes one cannot pass through the streets where

they are. But it is incredible what sums are raised by mere

exhibitions of anything--a new fashion; and to enter at which

you pay a shilling or half-a-crown. Another rage is for prints

of English portraits: I have been collecting them above thirty

years, and originally never gave for a mezzotinto above one or

two shillings. The lowest are now a crown; most, from half a

guinea to a guinea. Lately, I assisted a clergyman [Granger] in

compiling a catalogue of them; since the publication, scarce

heads in books, not worth threepence, will sell for five

guineas. Then we have Etruscan vases, made of earthenware, in

Staffordshire [by Wedgwood] from two to five guineas; and _or

moulu_, never made here before, which succeeds so well, that a

teakettle, which the inventor offered for one hundred guineas,

sold by auction for one hundred and thirty. In short, we are at

the height of extravagance and improvements, for we do improve

rapidly in taste as well as in the former. I cannot say so much

for our genius. Poetry is gone to bed, or into our prose; we

are like the Romans in that too. If we have the arts of the

Antonines,--we have the fustian also.”

Our ancestors seem to have been much impressed with the splendour of

the London Pantheon. Walpole recurs to the subject: “If we laugh at

the French, they stare at us. Our enormous luxury and expense astonish

them. I carried their Ambassador and a Comte de Levi the other morning

to see the new winter-Ranelagh [the Pantheon] in Oxford Road, which is

almost finished. It amazed me myself. Imagine Balbec in all its glory!

The pillars are of artificial _giallo antico_. The ceilings, even of

the passages, are of the most beautiful stuccos in the best taste of

grotesque. The ceilings of the ball-rooms, and the panels, painted like

Raphael’s _loggias_ in the Vatican. A dome like the Pantheon, glazed.

Monsieur de Guisnes said to me, ‘Ce n’est qu’à Londres qu’on peut faire

tout cela.’” What a sermon would our moralist have preached, could he

have foreseen that, in the reign of George III’s grand-daughter, this

English Balbec would become a repository for cheap wines!

In July, 1770, Walpole received a command to attend the Princess Amelia

on a visit to Stowe. He describes what occurred to George Montagu:

“The party passed off much better than I expected. A Princess

at the head of a very small set for five days together did not

promise well. However, she was very good-humoured and easy,

and dispensed with a large quantity of etiquette. Lady Temple

is good-nature itself, my Lord was very civil, Lord Besborough

is made to suit all sorts of people, Lady Mary Coke respects

royalty too much not to be very condescending, Lady Anne

Howard[52] and Mrs. Middleton filled up the drawing-room, or

rather made it out, and I was so determined to carry it off as

well as I could, and happened to be in such good spirits, and

took such care to avoid politics, that we laughed a great deal,

and had not a cloud the whole time.

“We breakfasted at half an hour after nine; but the Princess

did not appear till it was finished; then we walked in the

garden, or drove about it in cabriolets, till it was time to

dress; dined at three, which, though properly proportioned to

the smallness of company to avoid ostentation, lasted a vast

while, as the Princess eats and talks a great deal; then again

into the garden till past seven, when we came in, drank tea

and coffee, and played at pharaoh till ten, when the Princess

retired, and we went to supper, and before twelve to bed. You

see there was great sameness and little vivacity in all this.

It was a little broken by fishing, and going round the park one

of the mornings; but, in reality, the number of buildings and

variety of scenes in the garden, made each day different from

the rest, and my meditations on so historic a spot prevented

my being tired. Every acre brings to one’s mind some instance

of the parts or pedantry, of the taste or want of taste, of

the ambition or love of fame, or greatness or miscarriages,

of those that have inhabited, decorated, planned, or visited

the place. Pope, Congreve, Vanbrugh, Kent, Gibbs, Lord Cobham,

Lord Chesterfield, the mob of nephews, the Lytteltons,

Grenvilles, Wests, Leonidas Glover, and Wilkes, the late Prince

of Wales, the King of Denmark, Princess Amelia, and the proud

monuments of Lord Chatham’s services, now enshrined there, then

anathematised there, and now again commanding there, with the

Temple of Friendship,[53] like the Temple of Janus, sometimes

open to war, and sometimes shut up in factious cabals--all

these images crowd upon one’s memory, and add visionary

personages to the charming scenes, that are so enriched with

fanes and temples, that the real prospects are little less than

visions themselves.

“On Wednesday night, a small Vauxhall was acted for us at

the grotto in the Elysian fields, which was illuminated with

lamps, as were the thicket and two little barks on the lake.

With a little exaggeration, I could make you believe that

nothing ever was so delightful. The idea was really pretty;

but, as my feelings have lost something of their romantic

sensibility, I did not quite enjoy such an entertainment _al

fresco_ so much as I should have done twenty years ago. The

evening was more than cool, and the destined spot anything but

dry. There were not half lamps enough, and no music but an

ancient militia-man, who played cruelly on a squeaking tabor

and pipe. As our procession descended the vast flight of steps

into the garden, in which was assembled a crowd of people from

Buckingham and the neighbouring villages to see the Princess

and the show, the moon shining very bright, I could not help

laughing as I surveyed our troop, which, instead of tripping

lightly to such an Arcadian entertainment, were hobbling down

by the balustrades, wrapped up in cloaks and great-coats, for

fear of catching cold. The Earl, you know, is bent double, the

Countess very lame; I am a miserable walker, and the Princess,

though as strong as a Brunswick lion, makes no figure in going

down fifty stone stairs. Except Lady Anne, and by courtesy Lady

Mary, we were none of us young enough for a pastoral. We supped

in the grotto, which is as proper to this climate as a sea-coal

fire would be in the dog-days at Tivoli.

“But the chief entertainment of the week, at least what was so

to the Princess, is an arch, which Lord Temple has erected to

her honour in the most enchanting of all picturesque scenes.

It is inscribed on one side, ‘AMELIÆ SOPHIÆ, AUG.,’ and has

a medallion of her on the other. It is placed on an eminence

at the top of the Elysian fields, in a grove of orange-trees.

You come to it on a sudden, and are startled with delight on

looking through it: you at once see, through a glade, the river

winding at the bottom; from which a thicket rises, arched over

with trees, but opened, and discovering a hillock full of

hay-cocks, beyond which in front is the Palladian bridge, and

again over that a larger hill crowned with the castle. It is a

tall landscape framed by the arch and the overbowering trees,

and comprehending more beauties of light, shade, and buildings,

than any picture of Albano I ever saw.

“Between the flattery and the prospect, the Princess was really

in Elysium: she visited her arch four and five times every day,

and could not satiate herself with it. The statues of Apollo

and the Muses stand on each side of the arch. One day she found

in Apollo’s hand the following lines, which I had written for

her, and communicated to Lord Temple.”

We spare our readers the verses. The letter from which we have

been quoting is one of the last of Walpole’s letters to Montagu.

A coolness arose the same year between the two friends, either

without a cause, or for some cause which has not been explained, and

continued until Montagu’s death in 1780.[54] That Walpole regretted

the breach his tone in referring to it shows, and his readers have

reason to regret it likewise, for his letters to Montagu display more

warmth of feeling and simplicity of style than any others in his

published correspondence. A few months before Montagu drops out of

sight, Lady Ossory appears in the list of the ladies to whom Walpole

addressed sprightly letters in a strain of oddly mingled ceremony and

familiarity. He had been on terms of friendship with her before her

divorce from the Duke of Grafton; in his letters of that period he

frequently refers to her as his Duchess, and speaks of following her

and loo all over the kingdom. There can be no doubt that he often wrote

to her at that time, but the first of his published letters to her is

dated after her marriage with Lord Ossory. Here are two letters to

her, one describing the damage done to his castle by an explosion of

powder-mills at Hounslow, the other the sea of troubles into which he

was plunged when his nephew, Lord Orford, was seized with insanity. The

first letter was begun in London on the 5th January, 1772:

“I was waked very early this morning, by half an hour after

nine; (I mean this for flattery, for Mr. Crauford says your

ladyship does not rise till one); by the way, I was in the

middle of a charming dream. I thought I was in the King’s

Library in Paris, and in a gallery full of books of prints,

containing nothing but _fêtes_ decorations of scenery. I took

down a long Roll, on which was painted, on vellum, all the

ceremonies of the present reign: there was the young King

walking to his coronation; the Regent before, who I thought

was alive. I said to him, your Royal Highness has a great air;

he seemed extremely flattered, when the house shook as if the

devil were come for him. I had scarce recovered my vexation at

being so disturbed, when the door of my room shook so violently

that I thought somebody was breaking it open, though I knew it

was not locked. It was broad daylight, but I did not know that

housebreaking might not be still improving. I cried out ‘Who is

there?’ Nobody answered. In less than another minute, the door

rattled and shook still more robberaceously. I call again--no

reply. I rung: the housemaid ran in as pale as white ashes, if

you ever saw such, and cried, ‘Goodness! Sir, I am frightened

out of my wits: there has been an earthquake!’ Oh! I believed

her immediately. Philip [his valet] came in, and, being a Swiss

philosopher, insisted it was only the wind. I sent him down to

collect opinions in the street. He returned, and owned every

body in this and the neighbouring streets were persuaded their

houses had been breaking open; or had ran out of them, thinking

there was an earthquake. Alas! it was much worse; for you know,

Madam, our earthquakes are as harmless as a new-born child.

At one, came in a courier from Margaret [his housekeeper] to

tell me that five powder-mills had been blown up at Hounslow,

at half an hour after nine this morning, had almost shook Mrs.

Clive, and had broken parts or all of eight of my painted

windows, besides other damage. This is a cruel misfortune: I

don’t know how I shall repair it! I shall go down to-morrow,

and on Thursday will finish my report.

“Wednesday, 8th.

“Well! Madam, I am returned from my poor shattered castle, and

never did it look so Gothic in its born days. You would swear

it had been besieged by the Presbyterians in the Civil Wars,

and that, finding it impregnable, they had vented their holy

malice on the painted glass. As this gunpowder-army passed

on, it demolished Mr. Hindley’s fine bow-window of ancient

Scripture histories; and only because your ladyship is my ally,

broke the large window over your door, and wrenched off a lock

in your kitchen. Margaret sits by the waters of Babylon, and

weeps over Jerusalem. I shall pity those she shows the house

to next summer, for her story is as long and deplorable as a

chapter of casualties in ‘Baker’s Chronicle;’ yet she was not

taken quite unprepared, for one of the Bantam hens crowed on

Sunday morning, and the chandler’s wife told her three weeks

ago, when the barn was blown down, that ill-luck never comes

single. She is, however, very thankful that the China Room has

escaped, and says, Heaven has always been the best creature

in the world to her. I dare not tell her how many churches I

propose to rob, to repair my losses.”

The second is dated:

“Strawberry Hill, past midnight, June 11, 1773.

“Unless I borrow from my sleep, I can certainly have no time

to please myself. I am this minute arrived here, Madam, and

being the flower of chivalry, I sacrifice, like a true knight,

the moments I steal from my rest to gallantry. Save me, or

I shall become a solicitor in Chancery, unless business and

fatigue overset my head, and reduce me to my poor nephew’s

state. Indeed, I am half hurried out of my senses. Think of me

putting queries to lawyers, up to the ears in mortgages, wills,

settlements, and contingent remainders. My lawyer is sent away

that I may give audience to the Honourable Mr. Manners, the

genuine, if not the legitimate son of Lord William. He came

civilly yesterday morning to ask me if he might not seize the

pictures at Houghton, which he heard were worth threescore

thousand pounds, for nine thousand he has lent Lord Orford. The

vulture’s throat gaped for them all--what a scene is opened!

Houghton will be a rookery of harpies--I doubt there are worse

scenes to follow, and black transactions! What occupation

chalked out for an end of a life that I had calculated for

tranquillity, and which gout and law are to divide between them!

“In the midst of this prospect must I keep up the tone of the

world, go shepherdising with Macaronies, sit up at loo with

my Lady Hertford, be witness to Miss Pelham’s orgies, dine

at villas, and give dinners at my own. ’Tis well my spirits

and resolution have survived my youth: you have heard how my

mornings pass--now for the rest. Consultations of physicians,

letters to Lady Orford, sent for to my brother, decent visits

to _my_ Court,[55] sup at Lady Powis’s on Wednesday, drink

tea with all the fashionable world at Mr. Fitzroy’s farm on

Thursday, blown by a north wind there into the house, and

whisk back to Lady Hertford’s; this morning to my brother’s to

hear of new bills, away to dine at ----, Muswell Hill, with

the Beauclerks, and florists and natural historians, Banks

and Solanders; return to town, step to ask a friend whether

reversions of jointures can be left away, into my chaise and

hither. To-morrow come two Frenchmen to dinner--on Monday, a

man to sell me two acres immensely dear as a favour,--Philip

[his valet], I cannot help it, you must go and put him off;

I have not a minute, I must go back to-morrow night to meet

the lawyers at my brother’s on Sunday morning. Margaret [his

housekeeper] comes in. ‘Sir, Lady Bingham desires you will

dine with her at Hampton Court on Tuesday;’ I cannot. ‘Sir,

Captain What-d’ye-call’m has sent twice for a ticket to see the

house’--Don’t plague me about tickets. ‘Sir, a servant from

Isleworth brought this parcel.’ What on earth is in it?--only

printed proposals for writing the lives of all British writers,

and a letter to tell me I could do it better than anybody, but

as I may not have time, Dr. Berkenhout proposes to do it, and

will write mine into the bargain, if I will but be so good as

to write it first and send it him, and give him advice for the

conduct of his work, and point out materials, and furnish him

with anecdotes.

“My dear madam, what if you should send him this letter as a

specimen of my life! Alas, alas! I have already lost my lilac

tide. I have heard but one nightingale this year, and my farmer

cut my hay last Tuesday morning without telling me, just as I

was going to London. Is it to be borne? O for the _sang-froid_

of an Almackian, who pursues his delights,

“‘Though in the jaws of ruin and codille!’”

Horace Walpole and His World: Select Passages from His Letters · 第 5 / 10 章