ONE OF OUR GREATEST.

An Interview.

It was naturally not without difficulty that I won my way to the

presence of so busy and influential a publicist. A man who spends his

whole time in instructing the readers of so many different papers in the

delicate art of discerning the best and ignoring the rest cannot have

much margin for inquisitive strangers.

However, I succeeded in penetrating to his sanctum and, while waiting

for the lion to appear, had an opportunity to look round. It was

severely furnished--obviously the room of a great thinker. I noticed on

the desk, which was covered with paper and note-books, a copy of Roget's

_Thesaurus_ and Taylor's _Natural History of Enthusiasm_. With two such

works one can, of course, go far. On the wall were the mottoes, "We

needs must love the highest when we see it," and (from _The Bellman_)

"What I tell you three times is true." I noticed two portraits also: one

was of a delightful grande dame who might have graced a pavane in the

days of Louis Quinze, inscribed to her "fellow-worker in the great

cause, from Madame de Boccage," and another was the photograph of a gay

young Frenchman in English clothes, signed "To mon cher colleague from

'is sincere friend Alphonse." There were also three telephones on the

table and several typewriters here and there.

A moment later the wizard came in--a tall scholarly-looking figure, with

all the stigmata of the great thinker beneath one of the highest brows

in Europe.

"And what," he asked, bowing with perfect courtesy, "can I do for you?"

"I have come hoping for the privilege of an interview," I said.

"But why," he replied with charming diffidence, "should you interview

me? Why am I thus honoured?"

"Because you are a very remarkable person," I replied. "You are the only

journalist who can contribute the same articles regularly to _The Pall

Mall_, _The Westminster_ and I don't know to how many other papers

besides. That is a feat in itself. You are the only journalist who

always has the same subject."

He admitted these fine performances.

"So I should like to ask you a few questions," I continued. "The public

is naturally interested in the personality of so widely read an author.

May I know how you obtained your amazing command of words? Your

fluency?"

"I have ever made a study of the finest writers," he said. "From Moses

to De Courville, I have read them all. These studies and constant

intercourse with the brainiest Americans I can meet have made me what I

am."

"But your certainty in discrimination," I said--"how did you acquire

that? Most of us are so doubtful of ourselves."

"I never am," he replied; "I am sure. One thing at a time is my theory.

Concentrate on one thing and forget all the rest. In other words, trust

to elimination. That's what I do. Having found something that I know to

be good I instantly eliminate all thought of the existence of rival

claimants and concentrate on that discovery and its exploitation."

"Marvellous," I murmured. "And how do you think of all your variations

on the one stimulating theme?"

"Ah!" he said, "that is my secret." He tapped his massive forehead. "It

wants a bit of doing, but I think I may say that up to date I have

delivered the goods."

"You may," I said. "Have you no assistants?"

He flushed angrily and I changed the subject.

"In your spare time----" I began.

"I have none," he said. "I want none."

"But surely now and then," I urged, "after office hours?"

"I never relax," he said. "If I am not writing I am worshipping. I walk

up and down on the other side of the street, gazing this way, wondering

and adoring."

What a man!

"Now and then," I said, "you puzzle me a little. The columns in the

evening papers go fairly straight to the point, but you are not always

so direct. One now and then has to search for the true purpose of the

article."

He bent his fine brows in perplexity.

"As when?" he asked.

"Well," I said, "those third leaders in _The Times_, for example. I

often read them without making perfectly sure which department of the

great House you are recommending: to which of its varied activities you

are drawing particular attention."

He looked more bewildered. "The third leaders in _The Times_?" he asked.

"Yes," I said. "Don't you write those?"

"No," he replied with emphasis.

"Great Heavens!" I said, "I'm very sorry if I've hurt you. But I always

assumed that you did."

The simultaneous ringing of the three telephones warned me that my time

was up and I rose to go.

"Good-bye," he said, "Good-bye. You know where to go if you want

anything, don't you? No matter what it is--ties, socks, dress--suits,

scent, afternoon tea, civility, perfection. You know where to go?"--and

he bowed me out.

And that is how I met Callisthenes.

* * * * *

[Illustration: "'Arf a mo, Chawley; let's wait an' see 'im sit down."]

* * * * *

Punch, or the London Charivari, May 27, 1914 · 第 12 / 37 题