But eloquence must be attractive, or it is none. The virtue of books

is, to be readable, and of orators, to be interesting; and this is

a gift of Nature; as Demosthenes, the most laborious student in

that kind, signified his sense of this necessity when he wrote,

“Good Fortune,” as his motto on his shield. As we know, the power of

discourse of certain individuals amounts to fascination, though it may

have no lasting effect. Some portion of this sugar must intermingle.

The right eloquence needs no bell to call the people together, and no

constable to keep them. It draws the children from their play, the

old from their arm-chairs, the invalid from his warm chamber: it holds

the hearer fast; steals away his feet, that he shall not depart,--his

memory, that he shall not remember the most pressing affairs,--his

belief, that he shall not admit any opposing considerations. The

pictures we have of it in semi-barbarous ages, when it has some

advantages in the simpler habit of the people, show what it aims at. It

is said that the Khans, or story-tellers, in Ispahan and other cities

of the East, attain a controlling power over their audience, keeping

them for many hours attentive to the most fanciful and extravagant

adventures. The whole world knows pretty well the style of these

improvisators, and how fascinating they are, in our translations of the

“Arabian Nights.” Scheherezade tells these stories to save her life,

and the delight of young Europe and young America in them proves that

she fairly earned it. And who does not remember in childhood some white

or black or yellow Scheherezade, who, by that talent of telling endless

feats of fairies and magicians, and kings and queens, was more dear and

wonderful to a circle of children than any orator in England or America

is now? The more indolent and imaginative complexion of the Eastern

nations makes them much more impressible by these appeals to the fancy.

These legends are only exaggerations of real occurrences, and every

literature contains these high compliments to the art of the orator

and the bard, from the Hebrew and the Greek down to the Scottish

Glenkindie, who

“harpit a fish out o’ saut-water,

Or water out of a stone,

Or milk out of a maiden’s breast

Who bairn had never none.”

Homer specially delighted in drawing the same figure. For what is the

“Odyssey” but a history of the orator, in the largest style, carried

through a series of adventures furnishing brilliant opportunities to

his talent? See with what care and pleasure the poet brings him on the

stage. Helen is pointing out to Priam, from a tower, the different

Grecian chiefs. “The old man asked: ‘Tell me, dear child, who is

that man, shorter by a head than Agamemnon, yet he looks broader in

his shoulders and breast. His arms lie on the ground, but he, like a

leader, walks about the bands of the men. He seems to me like a stately

ram, who goes as a master of the flock.’ Him answered Helen, daughter

of Jove: ‘This is the wise Ulysses, son of Laertes, who was reared

in the state of craggy Ithaca, knowing all wiles and wise counsels.’

To her the prudent Antenor replied again: ‘O woman, you have spoken

truly. For once the wise Ulysses came hither on an embassy, with

Menelaus, beloved by Mars. I received them, and entertained them at my

house. I became acquainted with the genius and the prudent judgments

of both. When they mixed with the assembled Trojans, and stood, the

broad shoulders of Menelaus rose above the other; but, both sitting,

Ulysses was more majestic. When they conversed, and interweaved stories

and opinions with all, Menelaus spoke succinctly,--few but very sweet

words, since he was not talkative, nor superfluous in speech, and was

the younger. But when the wise Ulysses arose, and stood, and looked

down, fixing his eyes on the ground, and neither moved his sceptre

backward nor forward, but held it still, like an awkward person, you

would say it was some angry or foolish man; but when he sent his

great voice forth out of his breast, and his words fell like the

winter snows, not then would any mortal contend with Ulysses; and we,

beholding, wondered not afterwards so much at his aspect.’”[B] Thus he

does not fail to arm Ulysses at first with this power of overcoming

all opposition by the blandishments of speech. Plutarch tells us that

Thucydides, when Archidamus, king of Sparta, asked him which was the

best wrestler,--Pericles or he,--replied, “When I throw him, he says he

was never down, and he persuades the very spectators to believe him.”

Philip of Macedon said of Demosthenes, on hearing the report of one of

his orations, “Had I been there, he would have persuaded me to take up

arms against myself”; and Warren Hastings said of Burke’s speech on

his impeachment, “As I listened to the orator, I felt for more than

half an hour as if I were the most culpable being on earth.”

In these examples, higher qualities have already entered; but the power

of detaining the ear by pleasing speech, and addressing the fancy and

imagination, often exists without higher merits. Thus separated, as

this fascination of discourse aims only at amusement, though it be

decisive in its momentary effect, it is yet a juggle, and of no lasting

power. It is heard like a band of music passing through the streets,

which converts all the passengers into poets, but is forgotten as soon

as it has turned the next corner; and unless this oiled tongue could,

in Oriental phrase, lick the sun and moon away, it must take its place

with opium and brandy. I know no remedy against it but cotton-wool, or

the wax which Ulysses stuffed into the ears of his sailors to pass the

Sirens safely.

There are all degrees of power, and the least are interesting, but

they must not be confounded. There is the glib tongue and cool

self-possession of the salesman in a large shop, which, as is well

known, overpower the prudence and resolution of housekeepers of both

sexes. There is a petty lawyer’s fluency, which is sufficiently

impressive to him who is devoid of that talent, though it be, in so

many cases, nothing more than a facility of expressing with accuracy

and speed what everybody thinks and says more slowly, without new

information, or precision of thought,--but the same thing, neither less

nor more. It requires no special insight to edit one of our country

newspapers. Yet whoever can say off currently, sentence by sentence,

matter neither better nor worse than what is there printed, will be

very impressive to our easily pleased population. These talkers are

of that class who prosper, like the celebrated schoolmaster, by being

only one lesson ahead of the pupil. Add a little sarcasm, and prompt

allusion to passing occurrences, and you have the mischievous member

of Congress. A spice of malice, a ruffian touch in his rhetoric,

will do him no harm with his audience. These accomplishments are

of the same kind, and only a degree higher than the coaxing of the

auctioneer, or the vituperative style well described in the street-word

“jawing.” These kinds of public and private speaking have their use and

convenience to the practitioners; but we may say of such collectively,

that the habit of oratory is apt to disqualify them for eloquence.

One of our statesmen said, “The curse of this country is eloquent men.”

And one cannot wonder at the uneasiness sometimes manifested by trained

statesmen, with large experience of public affairs, when they observe

the disproportionate advantage suddenly given to oratory over the most

solid and accumulated public service. In a Senate or other business

committee, the solid result depends on a few men with working-talent.

They know how to deal with the facts before them, to put things into a

practical shape, and they value men only as they can forward the work.

But a new man comes there, who has no capacity for helping them at all,

is insignificant, and nobody in the committee, but has a talent for

speaking. In the debate with open doors, this precious person makes a

speech, which is printed, and read all over the Union, and he at once

becomes famous, and takes the lead in the public mind over all these

executive men, who, of course, are full of indignation to find one who

has no tact or skill, and knows he has none, put over them by means of

this talking-power which they despise.

Leaving behind us these pretensions, better or worse, to come a little

nearer to the verity,--eloquence is attractive as an example of the

magic of personal ascendency,--a total and resultant power, rare,

because it requires a rich coincidence of powers, intellect, will,

sympathy, organs, and, over all, good fortune in the cause. We have

a half-belief that the person is possible who can counterpoise all

other persons. We believe that there may be a man who is a match for

events,--one who never found his match,--against whom other men being

dashed are broken,--one of inexhaustible personal resources, who can

give you any odds and beat you. What we really wish for is a mind

equal to any exigency. You are safe in your rural district, or in the

city, in broad daylight, amidst the police, and under the eyes of a

hundred thousand people. But how is it on the Atlantic, in a storm,--do

you understand how to infuse your reason into men disabled by terror,

and to bring yourself off safe then?--how among thieves, or among an

infuriated populace, or among cannibals? Face to face with a highwayman

who has every temptation and opportunity for violence and plunder, can

you bring yourself off safe by your wit, exercised through speech?--a

problem easy enough to Cæsar or Napoleon. Whenever a man of that

stamp arrives, the highwayman has found a master. What a difference

between men in power of face! A man succeeds because he has more power

of eye than another, and so coaxes or confounds him. The newspapers,

every week, report the adventures of some impudent swindler, who, by

steadiness of carriage, duped those who should have known better. Yet

any swindlers we have known are novices and bunglers, as is attested

by their ill name. A greater power of face would accomplish anything,

and, with the rest of their takings, take away the bad name. A greater

power of carrying the thing loftily, and with perfect assurance, would

confound merchant, banker, judge, men of influence and power,--poet

and president,--and might head any party, unseat any sovereign, and

abrogate any constitution in Europe and America. It was said that a

man has at one step attained vast power, who has renounced his moral

sentiment, and settled it with himself that he will no longer stick

at anything. It was said of Sir William Pepperel, one of the worthies

of New England, that, “put him where you might, he commanded, and saw

what he willed come to pass.” Julius Cæsar said to Metellus, when that

tribune interfered to hinder him from entering the Roman treasury,

“Young man, it is easier for me to put you to death than to say that I

will”; and the youth yielded. In earlier days, he was taken by pirates.

What then? He threw himself into their ship, established the most

extraordinary intimacies, told them stories, declaimed to them; if they

did not applaud his speeches, he threatened them with hanging,--which

he performed afterwards,--and, in a short time, was master of all on

board. A man this is who cannot be disconcerted, and so can never play

his last card, but has a reserve of power when he has hit his mark.

With a serene face, he subverts a kingdom. What is told of him is

miraculous; it affects men so. The confidence of men in him is lavish,

and he changes the face of the world, and histories, poems, and new

philosophies arise to account for him. A supreme commander over all

his passions and affections; but the secret of his ruling is higher

than that. It is the power of Nature running without impediment from

the brain and will into the hands. Men and women are his game. Where

they are, he cannot be without resource. “Whoso can speak well,” said

Luther, “is a man.” It was men of this stamp that the Grecian States

used to ask of Sparta for generals. They did not send to Lacedæmon

for troops, but they said, “Send us a commander”; and Pausanias, or

Gylippus, or Brasidas, or Agis, was despatched by the Ephors.

It is easy to illustrate this overpowering personality by these

examples of soldiers and kings; but there are men of the most peaceful

way of life, and peaceful principle, who are felt, wherever they go, as

sensibly as a July sun or a December frost,--men who, if they speak,

are heard, though they speak in a whisper,--who, when they act, act

effectually, and what they do is imitated; and these examples may be

found on very humble platforms, as well as on high ones.

In old countries, a high money-value is set on the services of men who

have achieved a personal distinction. He who has points to carry must

hire, not a skilful attorney, but a commanding person. A barrister

in England is reputed to have made thirty or forty thousand pounds

_per annum_ in representing the claims of railroad companies before

committees of the House of Commons. His clients pay not so much for

legal as for manly accomplishments,--for courage, conduct, and a

commanding social position, which enable him to make their claims

heard and respected.

I know very well, that, among our cool and calculating people, where

every man mounts guard over himself, where heats and panics and

abandonments are quite out of the system, there is a good deal of

scepticism as to extraordinary influence. To talk of an overpowering

mind rouses the same jealousy and defiance which one may observe

round a table where anybody is recounting the marvellous anecdotes

of mesmerism. Each auditor puts a final stroke to the discourse by

exclaiming, “Can he mesmerize _me_?” So each man inquires if any orator

can change _his_ convictions.

But does any one suppose himself to be quite impregnable? Does he think

that not possibly a man may come to him who shall persuade him out of

his most settled determination?--for example, good sedate citizen as

he is, to make a fanatic of him,--or, if he is penurious, to squander

money for some purpose he now least thinks of,--or, if he is a prudent,

industrious person, to forsake his work, and give days and weeks to

a new interest? No, he defies any one, every one. Ah! he is thinking

of resistance, and of a different turn from his own. But what if one

should come of the same turn of mind as his own, and who sees much

farther on his own way than he? A man who has tastes like mine, but in

greater power, will rule me any day, and make me love my ruler.

Thus it is not powers of speech that we primarily consider under this

word _eloquence_, but the power that, being present, gives them their

perfection, and, being absent, leaves them a merely superficial value.

Eloquence is the appropriate organ of the highest personal energy.

Personal ascendency may exist with or without adequate talent for its

expression. It is as surely felt as a mountain or a planet; but when

it is weaponed with a power of speech, it seems first to become truly

human, works actively in all directions, and supplies the imagination

with fine materials.

This circumstance enters into every consideration of the power of

orators, and is the key to all their effects. In the assembly, you

shall find the orator and the audience in perpetual balance; and the

predominance of either is indicated by the choice of topic. If the

talents for speaking exist, but not the strong personality, then there

are good speakers who perfectly receive and express the will of the

audience, and the commonest populace is flattered by hearing its low

mind returned to it with every ornament which happy talent can add. But

if there be personality in the orator, the face of things changes. The

audience is thrown into the attitude of pupil, follows like a child its

preceptor, and hears what he has to say. It is as if, amidst the king’s

council at Madrid, Ximenes urged that an advantage might be gained of

France, and Mendoza that Flanders might be kept down, and Columbus,

being introduced, was interrogated whether his geographical knowledge

could aid the cabinet, and he can say nothing to one party or to the

other, but he can show how all Europe can be diminished and reduced

under the king, by annexing to Spain a continent as large as six or

seven Europes.

This balance between the orator and the audience is expressed in what

is called the pertinence of the speaker. There is always a rivalry

between the orator and the occasion, between the demands of the hour

and the prepossession of the individual. The emergency which has

convened the meeting is usually of more importance than anything the

debaters have in their minds, and therefore becomes imperative to them.

But if one of them have anything of commanding necessity in his heart,

how speedily he will find vent for it, and with the applause of the

assembly! This balance is observed in the privatest intercourse. Poor

Tom never knew the time when the present occurrence was so trivial that

he could tell what was passing in his mind without being checked for

unseasonable speech; but let Bacon speak, and wise men would rather

listen, though the revolution of kingdoms was on foot. I have heard

it reported of an eloquent preacher, whose voice is not yet forgotten

in this city, that, on occasions of death or tragic disaster, which

overspread the congregation with gloom, he ascended the pulpit with

more than his usual alacrity, and, turning to his favorite lessons of

devout and jubilant thankfulness,--“Let us praise the Lord,”--carried

audience, mourners, and mourning along with him, and swept away all the

impertinence of private sorrow with his hosannas and songs of praise.

Pepys says of Lord Clarendon (with whom “he is mad in love”), on his

return from a conference, “I did never observe how much easier a man do

speak when he knows all the company to be below him, than in him; for,

though he spoke indeed excellent well, yet his manner and freedom of

doing it, as if he played with it, and was informing only all the rest

of the company, was mighty pretty.”[C]

This rivalry between the orator and the occasion is inevitable, and

the occasion always yields to the eminence of the speaker; for a great

man is the greatest of occasions. Of course, the interest of the

audience and of the orator conspire. It is well with them only when his

influence is complete; then only they are well pleased. Especially, he

consults his power by making instead of taking his theme. If he should

attempt to instruct the people in that which they already know, he

would fail; but, by making them wise in that which he knows, he has

the advantage of the assembly every moment. Napoleon’s tactics of

marching on the angle of an army, and always presenting a superiority

of numbers, is the orator’s secret also.

The several talents which the orator employs, the splendid weapons

which went to the equipment of Demosthenes, of Æschines, of Demades

the natural orator, of Fox, of Pitt, of Patrick Henry, of Adams, of

Mirabeau, deserve a special enumeration. We must not quite omit to name

the principal pieces.

The orator, as we have seen, must be a substantial personality. Then,

first, he must have power of statement,--must have the fact, and

know how to tell it. In any knot of men conversing on any subject,

the person who knows most about it will have the ear of the company,

if he wishes it, and lead the conversation,--no matter what genius

or distinction other men there present may have; and in any public

assembly, him who has the facts, and can and will state them, people

will listen to, though he is otherwise ignorant, though he is hoarse

and ungraceful, though he stutters and screams.

In a court of justice, the audience are impartial; they really wish to

sift the statements and know what the truth is. And in the examination

of witnesses there usually leap out, quite unexpectedly, three or four

stubborn words or phrases which are the pith and fate of the business,

which sink into the ear of all parties, and stick there, and determine

the cause. All the rest is repetition and qualifying; and the court

and the county have really come together to arrive at these three or

four memorable expressions, which betrayed the mind and meaning of

somebody.

In every company, the man with the fact is like the guide you hire to

lead your party up a mountain, or through a difficult country. He may

not compare with any of the party in mind, or breeding, or courage, or

possessions, but he is much more important to the present need than

any of them. That is what we go to the court-house for,--the statement

of the fact, and the elimination of a general fact, the real relation

of all the parties; and it is the certainty with which, indifferently

in any affair that is well handled, the truth stares us in the face,

through all the disguises that are put upon it,--a piece of the

well-known human life,--that makes the interest of a court-room to the

intelligent spectator.

I remember, long ago, being attracted by the distinction of the

counsel, and the local importance of the cause, into the court-room.

The prisoner’s counsel were the strongest and cunningest lawyers in

the Commonwealth. They drove the attorney for the State from corner to

corner, taking his reasons from under him, and reducing him to silence,

but not to submission. When hard pressed, he revenged himself, in his

turn, on the judge, by requiring the court to define what salvage was.

The court, thus pushed, tried words, and said everything it could

think of to fill the time, supposing cases, and describing duties of

insurers, captains, pilots, and miscellaneous sea-officers that are or

might be,--like a schoolmaster puzzled by a hard sum, who reads the

context with emphasis. But all this flood not serving the cuttle-fish

to get away in, the horrible shark of the district-attorney being still

there, grimly awaiting with his “The court must define,”--the poor

court pleaded its inferiority. The superior court must establish the

law for this, and it read away piteously the decisions of the Supreme

Court, but read to those who had no pity. The judge was forced at last

to rule something, and the lawyers saved their rogue under the fog

of a definition. The parts were so well cast and discriminated, that

it was an interesting game to watch. The government was well enough

represented. It was stupid, but it had a strong will and possession,

and stood on that to the last. The judge had a task beyond his

preparation, yet his position remained real: he was there to represent

a great reality,--the justice of states, which we could well enough see

beetling over his head, and which his trifling talk nowise affected,

and did not impede, since he was entirely well-meaning.

The statement of the fact, however, sinks before the statement of

the law, which requires immeasurably higher powers, and is a rarest

gift, being in all great masters one and the same thing,--in

lawyers, nothing technical, but always some piece of common sense,

alike interesting to laymen as to clerks. Lord Mansfield’s merit

is the merit of common sense. It is the same quality we admire in

Aristotle, Montaigne, Cervantes, or in Samuel Johnson, or Franklin. Its

application to law seems quite accidental. Each of Mansfield’s famous

decisions contains a level sentence or two, which hit the mark. His

sentences are not always finished to the eye, but are finished to the

mind. The sentences are involved, but a solid proposition is set forth,

a true distinction is drawn. They come from and they go to the sound

human understanding; and I read without surprise that the black-letter

lawyers of the day sneered at his “equitable decisions,” as if they

were not also learned. This, indeed, is what speech is for,--to make

the statement; and all that is called eloquence seems to me of little

use, for the most part, to those who have if, but inestimable to such

as have something to say.

Next to the knowledge of the fact and its law is method, which

constitutes the genius and efficiency of all remarkable men. A crowd

of men go up to Faneuil Hall; they are all pretty well acquainted with

the object of the meeting; they have all read the facts in the same

newspapers. The orator possesses no information which his hearers have

not; yet he teaches them to see the thing with his eyes. By the new

placing, the circumstances acquire new solidity and worth. Every fact

gains consequence by his naming it, and trifles become important. His

expressions fix themselves in men’s memories, and fly from mouth to

mouth. His mind has some new principle of order. Where he looks, all

things fly into their places. What will he say next? Let this man

speak, and this man only. By applying the habits of a higher style of

thought to the common affairs of this world, he introduces beauty and

magnificence wherever he goes. Such a power was Burke’s, and of this

genius we have had some brilliant examples in our own political and

legal men.

Imagery. The orator must be, to a certain extent, a poet. We are

such imaginative creatures, that nothing so works on the human mind,

barbarous or civil, as a trope. Condense some daily experience into a

glowing symbol, and an audience is electrified. They feel as if they

already possessed some new right and power over a fact, which they can

detach, and so completely master in thought. It is a wonderful aid to

the memory, which carries away the image, and never loses it. A popular

assembly, like the House of Commons, or the French Chamber, or the

American Congress, is commanded by these two powers,--first by a fact,

then by skill of statement. Put the argument into a concrete shape,

into an image,--some hard phrase, round and solid as a ball, which they

can see and handle and carry home with them,--and the cause is half

won.

Society and solitude: Twelve chapters · 第 3 / 15 段